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popentertainment-moviereviews · 4 years

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RADIOACTIVE (2019)

Starring Rosamund Pike, Sam Riley, Anya Taylor-Joy, Aneurin Barnard, Simon Russell Beale, Katherine Parkinson, Tim Woodward, Jonathan Aris, Mirjam Novak, Corey Johnson, Demetri Goritsas, Michael Gould, Sian Brooke, Harriet Turnbull, Indica Watson, Cara Bossom, Ariella Glaser, Isabella Miles, Georgina Rich, Drew Jacoby and Richard Pepple.

Screenplay by Jack Thorne.

Directed by Marjane Satrapi.

Distributed by Amazon Studios. 113 minutes. Rated PG-13.

Eighty some years after her death, most of us non-scientists know the name Madame Marie Curie, and vaguely know she was responsible for some groundbreaking scientific breakthroughs. However, most of us laymen could not exactly name what they were. And we certainly knew nothing about her sex life and personal and professional dramas. (Though it is not hard to imagine that being a woman scientist at the beginning of the 20th century would be a difficult lifestyle.)

Curie’s scientific discoveries were indeed immense. She and her fellow scientist husband Pierre literally discovered radioactivity – and honestly, it was her idea, one which he helped to figure out and bring to fruition – and one that led to a Nobel Prize. (To demonstrate the difficulty of being a woman scientist at the time, the Nobel committee only wanted to give the prize to Pierre, but acquiesced when he insisted he would not accept it if his wife was not given equal credit.)

Intriguing director Marjane Satrapi (Persepolis, Chicken with Plums) has decided all these years later to give Madame Curie full credit – good and bad – for her life and her discoveries. As someone who doesn’t know a test tube from a Bunsen burner (okay, I do, but I am just using that as an extreme example of how little I know about science), I’m not going to lie, a lot of the mechanizations and politics of science went a bit over my head. And, fair or not, finding out about the messy personal life of Curie feels a bit like surmising on the sex life of your great grandmother.

Yet, Radioactive is an intriguing look at the woman and her work. I certainly feel I know more about Marie Curie than I did going in.

The first smart thing which Satrapi did was hiring Rosamund Pike (Gone Girl, A Private War, Jack Reacher, The World’s End) to embody Curie. Pike has a history of almost never giving an uninteresting performance and that continues here as she carries the film on her back through most of the running time. Curie is a tricky character – quiet, brilliant, sometimes prickly, sometimes brittle, headstrong, and often willfully antisocial.

In the hands of a wrong actress it could be hard to warm up to Curie as a character. However, Pike keeps her likable even when she is doing unlikable things. Also, the actress is not afraid to delve into the scientist’s neuroses and weaknesses – for a strong independent woman she was often surprisingly reliant on her husband – however, this just gives us a deeper understanding and appreciation of a complex woman.

Husband Pierre is also very well played by Sam Riley, who played doomed rocker Ian Curtis in Control. Like his wife, Pierre was complicated. He was more able to play the political games of University life and science in early 1900s Paris, but he was also more seduced by the fame and economic possibilities of their discoveries. Particularly a short scene where Pierre shows Marie a series of radioactive “beauty products” which he wanted to market, such as facial powder, toothpaste, etc., is both shocking and scary with hindsight.

While Radioactive focuses on Curie’s life and work at the Sorbonne, and also the sexism and bigotry she had to deal with (she was often berated for her Polish heritage), the film was consistently intriguing. The looks at her personal life are illuminating – she was apparently not a great mother and after her husband’s death got involved in a scandalous affair with another (married) scientist – if occasionally too much information.

However, Radioactive has one major stylistic quirk which nearly capsizes the whole enterprise.

Periodically the film suddenly flashes forward to future events which are related to the Curies’ discoveries – dramatizing things like Hiroshima, radiation therapy, the Nevada desert nuclear bomb tests and Chernobyl. Each of these sidetracks distract from the story and feel awkward in context of the film. Blaming the Curies for the atomic bomb is something like blaming the caveman who created the wheel for drunk driving. Yes, their discovery did eventually lead to some awfully bad things, but that was certainly not their intention. And the knowledge they brought to the world led to many good things, too.

Is the film trying to suggest that they were playing with forces that they did not really understand? Fair enough, but doesn’t that describe every significant scientific discovery? The Curies suffered for their findings in much more straightforward ways. It made him sick and led indirectly to his accidental young death, and it more directly eventually killed her as well. The story is dramatic enough without adding revisionist history to it. (For the record, both Curies were dead before the creation of the A-bomb.)

In the end, Radioactive is a fairly distinguished biography for an extremely distinguished and worthy woman. It is certainly possible that a better film could be made about the life of Madame Curie, but I find it hard to believe that anyone will find a more appropriate actress to portray her.

Jay S. Jacobs

#Radioactive #2020 #Movie Reviews #Rosamund Pike #Jay S. Jacobs

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madworldnews · 4 years

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aion-rsa · 3 years

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The Real History Behind Bridgerton

https://ift.tt/2WPSOdx

This Bridgerton feature contains spoilers for the series.

Although Netflix’s Bridgerton has actively resisted the label of historical accuracy in favor of a fantasy approach to the era, it is still worth uncovering which scenes, events, and references represent a more creative interpretation to history and which are references to real events.

Dr. Hannah Greig, the historical advisor to the series, describes Bridgerton as “a combination of a historical truth – which is to say that the past is more diverse than we tend to see on screen, and we tend to accept in our popular imagination. But it’s also a fictionalising, asking what history might look like under certain different circumstances.” This approach is in keeping with the novel series the show is based on which blends the Regency Era with modern romantic fantasies. Here’s a list of some of the plots where alternate history may or may not be a factor.

How Did Simon and Lady Danbury Acquire Their Wealth?

Viewers throughout the episodes see several flashbacks to Simon’s father (Richard Pepple) wearing opulent clothes and overseeing what was likely a huge business empire. Lady Danbury (Adjoa Andoh) is clearly closely connected to Queen Charlotte (Golda Rosheuve) and may have obtained additional wealth via marriage. Simon (Regé-Jean Page) in Episodes 5 and 6 is seen managing a large estate with tenant farmers.

The series evades the question of how this wealth came to be and for a good reason. During the Regency era, most of the real-life Ton acquired their wealth through direct or indirect involvement in slavery or colonialism. Although the British officially banned the international slave trade in 1807, this ban did not result in immediate divestment from the economic activity that was powered by slave or colonial labor. British landowners still exported cotton, sugar, coffee, wood, and metals from their overseas properties or were involved in firms manufacturing consumer goods out of those raw materials. Anyone involved in the shipping trade pre-1807 still made money off of transporting slaves from Africa to the Caribbean and America.

For those who believe there is no precedent in pop culture to discussing these issues, the novel Mansfield Park includes some discussion about Regency-era wealth generated from slavery but some of the adaptations cut or heavily downplay it. Ned Despard opposing expanded exploitation by the Honduran mahogany plantation owners is covered extensively in Poldark Season 5.

Based on the lack of discussion, the audience can assume any number of things about where their wealth comes from. Simon and Lady Danbury could own property in Africa and the Caribbean and produce valuable raw materials by salaried laborers. This is not unheard of in the era because American laws designed to keep Black and mixed race people from owning property did not exist in these UK colonies. An argument can be made that Simon’s wealth is purely from collecting rent from his tenants and selling the agricultural products produced. It’s also possible long term investments in various industries are paying per annum. The possibilities are endless in this fantasy world.

Prince Friedrich

So much of the discourse around the series has revolved around Queen Charlotte’s African ancestry, but there hasn’t been as much discussion around Prince Friedrich. Prince Fredrich is introduced in Episode 3 as the Queen’s nephew searching for a princess among the Ton. There was a Prince Frederich Wilhelm Ludwig of Prussia, but in real life, he was the son of her niece Princess Fredericka of Mecklenburg-Strelitz.

In a series already skewed towards showing the marriage market for the elite families of Regency society, it makes sense for the especially politically ambitious Dukes and Duchesses to desire to be connected by marriage to the Queen. Daphne (Phoebe Dyvenor) potentially blocking the path of the social climbers makes for good drama and gossip from Lady Whistledown even if it didn’t quite happen that way in history.

Regency Smoking Habits & What is Snuff?

The miniseries featured tobacco use in a way not typically seen in other early 19th Century period dramas. Lady Danbury and other women were seen smoking. Quite a few fans were confused about Queen Charlotte’s penchant for sniffing something up her nose while cuddling her slightly smaller than at the time pomeranian. She was using snuff, dried tobacco, and not cocaine as some folks mistakenly posted on Twitter. During the Regency Era, clay pipes and cigars fell out of fashion for public consumption due to the unpleasant smell. Snuff was extremely popular among the real Ton as there was no traceable odor to other people. Smoking adds a dramatic effect to any situation where a character feels stressed out but pipes and cigars, in reality, maybe likely only to be used where others can’t see.

Simon and Daphne’s Visit to the Gardens

The Vauxhall Pleasure Gardens actually existed in Regency London. They were open to everyone who could afford the entrance fee, but quickly became a gathering place for the well to do or anyone interested in social climbing. The location still exists today as a public park in London but the entertainment function ended in 1859. There are references to Vauxhall in the novel and screen adaptations of Vanity Fair and Poldark Season 4 but Bridgerton’s recreation is far more elaborate. The light display show is a fictionalized example of what Regency visitors would have encountered. Singers, musicians, circus acts, and more regularly appeared to entertain guests in the gardens. Traces of those elements remain today in public fairs and amusement parks today.

How Bridgerton’s Lady Whistledown Reveal Changes Everything

By Kayti Burt

From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama

By Amanda-Rae Prescott

Regency-Era Gambling

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Bridgerton has two plotlines involving gambling. Lady Danbury’s married women’s party featured whist which was indeed a popular Regency Era card game and one where the Ton was likely to lose some of their precious financial stability. Lord Featherington’s (Ben Miller) gambling on Will Mondrich’s (Martins Imhangbe) fights was a little bit more based on an alternate reality. There’s little evidence that Bill Richmond, the real-life boxer the character is inspired by was involved in fixing fights as the racism of the time already made him prone to false allegations of cheating. This isn’t to say Regency era boxers didn’t attempt to win or lose unethically as the sport didn’t gain a regulatory body until 1838, but the big match in Episode 8 is more about exposing the bad decisions of Lord Featherington in an epic fashion than any real commentary about the era. History buffs who are recoiling from Bridgerton taking so many historical liberties should take heart. Fans of the books as well as new viewers are actively researching more about the Regency Era as a result. They’re well aware the show is not attempting to be the authority on history.

The post The Real History Behind Bridgerton appeared first on Den of Geek.

from Den of Geek https://ift.tt/37VUCZ5

#aion-rsa #Den of Geek

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fyeahameliabullmore · 4 years

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#amelia bullmore #a decent interval #bill nighy #suzanne burden #jon glover #caolan mccarthy #george watkins #brian protheroe #rebecca hamilton #evie killip #richard pepple #ewan bailey

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lonelier-version-of-you · 5 years

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also the Ric/Darla/Kofi stuff was very well done imo and very emotional. Naomi Katiyo is very talented, and she, Hugh Quarshie and Richard Pepple were all fantastic in this ep

I’m really enjoying this storyline so far tbh - it’s one of the quieter, more real storylines that tend to intrigue me far more than any murder or car crash ever could

#Holby City #Ric Griffin #Darla Johnstone #Kofi Johnstone

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saturdaynightmatinee · 3 years

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CALIFICACIÓN PERSONAL: 8 / 10

Título Original: Beasts of No Nation

Año: 2015

Duración: 137 min

País: Estados Unidos

Director: Cary Joji Fukunaga

Guion: Cary Joji Fukunaga. Novela: Uzodinma Iweala

Música: Dan Romer

Fotografía: Cary Joji Fukunaga

Reparto: Abraham Attah, Idris Elba, Richard Pepple, Opeyemi Fagbohungbe, Ama K. Abebrese, Grace Nortey, David Dontoh

Productora: Netflix, Red Crown Productions, Participant Media

Género: Drama, War

https://www.imdb.com/title/tt1365050/

TRAILER:

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tuseriesdetv · 3 years

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Noticias de series de la semana

Renovaciones

Starz ha renovado Outlander por una séptima temporada

FX ha renovado Fargo por una quinta temporada

BBC One ha renovado Bloodlands por una segunda temporada

Syfy ha renovado Resident Alien por una segunda temporada

Acorn TV ha renovado Queens of Mystery por una segunda temporada

BBC Three ha renovado In My Skin por una segunda temporada

Cancelaciones

La cuarta temporada de Killing Eve (BBC America) será la última

CBC ha cancelado Burden of Truth tras su cuarta temporada

Noticias cortas

La décima temporada de American Horror Story se titula 'Double Feature'.

Erik LaRay Harvey (Del Chance) y Demi Singleton (Margaret Johnson) serán regulares en la segunda temporada de Godfather of Harlem.

The Man Who Fell To Earth se muda de Paramount+ a Showtime.

Tom Budge ha abandonado The Lord of the Rings. Amazon decidió seguir otra dirección con su personaje.

CBS ha dado más tiempo a los productores de True Lies para desarrollar el proyecto ya fuera del ciclo de pilotos de este año.

Fichajes

Lena Headey (Game of Thrones, Terminator: The Sarah Connor Chronicles) protagonizará y producirá Beacon 23. Será Aster, una mujer que llega al faro del fin del universo conocido.

Tom Hiddleston (Loki, The Night Manager) protagonizará The Essex Serpent junto a Claire Danes. Será Will Ransome, el líder de una pequeña comunidad rural.

Vera Farmiga (Bates Motel, The Conjuring) protagonizará Five Days at Memorial. Interpretará a la doctora Anna Pou, que fue acusada por la muerte de varios pacientes.

Adrien Brody (The Pianist, The Grand Budapest Hotel), John C. Reilly (Chicago, Talladega Nights), Sally Field (Brothers & Sisters, Forrest Gump), Michael Chiklis (The Shield, Gotham), Molly Gordon (Animal Kingdom, Booksmart), Jason Clarke (Catherine the Great, Zero Dark Thirty), Quincy Isaiah, Solomon Hughes, DeVaughn Nixon (Runaways, The Secret Life of the American Teenager), Delante Desouza, Rob Morgan (Stranger Things, This Is Us), Spencer Garrett (Bosch, For All Mankind), Kirk Bovill (Vice), Stephen Adly Guirgis (Vice, Russian Doll), Tamera Tomakili y Joey Brooks serán Pat Riley, entrenador de los Lakers; Jerry Buss, el dueño del equipo; Jessie Buss, la madre de Jerry Buss; Red Auerbach, entrenador de los Boston Celtics; Linda Zafrani, miembro de la oficina del L.A. Forum; los jugadores Jerry West, Magic Johnson, Kareem Abdul-Jabbar, Norm Nixon y Michael Cooper; Earvin Johnson, el padre de Magic Johnson, Chick Hearn, comentarista deportivo; Donald Sterling, antiguo dueño del equipo; Frank Mariani, socio de Jerry Buss; Earletha Kelly, novia de Magic Johnson; y Lon Rosen, empleado de Forum; en el drama sobre los Lakers en los 80.

Dianne Wiest (Life in Pieces, Hannah and Her Sisters) protagonizará Mayor of Kingstown junto a Jeremy Renner. Será Miriam, la matriarca de la familia McLusky y profesora en la prisión de mujeres.

Iain Glen (Game of Thrones, Downton Abbey), Emily Hampshire (Schitt's Creek, 12 Monkeys), Martin Compston (Line of Duty, The Nest), Mark Bonnar (Catastrophe, Line of Duty), Rochenda Sandall (Line of Duty, Criminal: UK), Owen Teale (Game of Thrones, A Discovery of Witches), Richard Pepple (Line of Duty, Gangs of London), Calvin Demba (Life, Hollyoaks), Emun Elliott (Guilt, Trust Me), Abraham Popoola (The Great), Stuart McQuarrie (The Crown, The Hollow Crown) y Molly Vevers se unen a The Rig. Serán Magnus MacMillan, líder del equipo y gerente de la instalación; Rose Mason, científica y representante de la compañía petrolera; Fulmer Hamilton, funcionario de comunicaciones; Alwyn Evans, capataz de cubierta; Cat Braithwaite, doctora; Lars Hutton, primer perforador; Grant Dunlin, jefe de equipo; Baz Roberts, ayudante de perforación; Leck Longman, mecánico de la plataforma; Easter Ayodeji, conductor de la grúa; Colin Murchison, chef; y Heather Shaw, jornalera.

Hugo Weaving (Matrix, The Lord of the Rings), Danielle Macdonald (Unbelievable, Bird Box), Shalom Brune-Franklin (Line of Duty, Our Girl), Ólafur Darri Ólafsson (Ófærð, The Minister) y Alex Dimitriades (The Slap, The End) protagonizarán The Tourist junto a Jamie Dornan.

Katie Findlay (How to Get Away with Murder, The Killing) será Rose, nuevo interés amoroso de Max (Skylar Astin), en la segunda parte de la segunda temporada de Zoey's Extraordinary Playlist.

Elizabeth Lail (You, Once Upon a Time) se une al reboot de Gossip Girl. Se desconocen detalles.

Anthony Boyle (The Plot Against America, Ordeal by Innocence) protagonizará Masters of the Air junto a Callum Turner y Austin Butler.

Kingsley Ben-Adir (The OA, High Fidelity) será el villano de Secret Invasion. Se desconocen detalles.

Justin Bartha (The Good Fight, The New Normal), Annabella Sciorra (The Sopranos, The Hand That Rocks the Cradle), Ronald Guttman (Preacher, Hunters), Gino Cafarelli (The Irishman) y Isaach De Bankolé serán recurrentes en la segunda temporada de Godfather of Harlem como Robert Morgenthau, fiscal del distrito en el distrito sur de Nueva York; Fay Bonanno, esposa de Joe Bonanno (Chazz Palminteri); Jean Jehan, responsable de las importaciones de heroína entre Marsella y Estados Unidos; Fat Gino, uno de los secuaces Vincent 'Chin' Gigante (Vincent D'Onofrio); y Monsieur 98, químico productor de heroína extremadamente pura.

Jason Behr (Roswell, Dawson's Creek) será recurrente en la sexta y última temporada de Supergirl como un kriptoniano famoso que ayuda a Kara (Melissa Benoist) cuando se enfrenta a circunstancias más allá de su control. Claude Knowlton (American Crime Story) será un apacible alien de pasado trágico y Eliza Helm será la versión joven de Cat Grant (Calista Flockhart).

Rebecca Wisocky (Devious Maids, For All Mankind) y Meagen Fay (Agent Carter, Malcolm in the Middle) serán recurrentes en Dopesick como una agente de la FDA involucrada en la regulación del OxyContin y una monja que proporciona terapia en abusos de opioides.

Alice Kremelberg (Orange Is the New Black, The Trial of the Chicago 7) protagonizará la cuarta temporada de The Sinner junto a Bill Pullman. Será Percy Muldoon, una carismática joven de una familia de pescadores.

Pam Dawber (Mork & Mindy, My Sister Sam), la esposa de Mark Harmon, participará en varios episodios de la decimoctava temporada de NCIS interpretando a Marcie Warren, una periodista de investigación.

Florence Hall (The Princess Switch: Switched Again) sustituye a Olivia Vinall como protagonista de Queens of Mystery.

Khalilah Joi (Big Little Lies, Sorry for Your Loss) será recurrente en la cuarta temporada de Station 19 como Condola Vargas, exnovia de Dean (Okieriete Onaodowan).

Jessica Plummer (EastEnders) será Emma, vecina de Jane (Gugu Mbatha-Raw), en The Girl Before.

Jessica Reynolds (My Left Nut), Mark Lewis Jones (Chernobyl, The Third Day) y Alexander Vlahos (Versailles, Merlin) serán Malva, Tom y Allan Christie en la sexta temporada de Outlander.

Vanessa Williams (The Flash, Famous in Love) será recurrente en la segunda temporada de The L Word: Generation Q como Pippa Pascal, una artista incendiaria que lleva veinte años fuera del ojo público.

Shane Paul McGhie (Unbelievable, Deputy), Aimee Carrero (Young & Hungry) y Maddie Phillips (Teenage Bounty Hunters) protagonizarán el spin-off de The Boys junto a Jaz Sinclair y Lizze Broadway.

Laci Mosley (Single Parents, Florida Girls) y Jaidyn Triplett (The Affair) serán Harper, mejor amiga de Carly (Miranda Cosgrove); y Millicent, hijastra de Freddie (Nathan Kress); en el revival de iCarly.

Margaret Colin (Gossip Girl, Veep) será recurrente en la sexta temporada de Chicago Med como la madre de Natalie (Torrey DeVitto).

Pósters

Nuevas series

Natasha Lyonne (Orange Is the New Black, Russian Doll) protagonizará Poker Face, serie de misterio con casos semanales. Creada, escrita, producida y dirigida por Rian Johnson (Knives Out, Star Wars: The Last Jedi), ha recibido compromiso de diez episodios en Peacock.

Steven Yeun (The Walking Dead, Minari) y Ali Wong (American Housewife, Birds of Prey) protagonizarán y producirán una dramedia de diez episodios creada y escrita por Lee Sung Jin (2 Broke Girls, Tuca & Bertie). Netflix, Amazon, FX y Apple estarían interesadas.

Maya Rudolph (Saturday Night Live, Forever) protagonizará y producirá una comedia de Apple TV+ en la que una mujer de vida aparentemente perfecta se ve de pronto abandonada por su marido, que la deja sin nada salvo ochenta y siete mil millones de dólares. Creada y producida por Alan Yang (Forever, Master of None) y Matt Hubbard (Forever, 30 Rock).

Spectrum ha encargado diez episodios de Joe Pickett, drama basado en las novelas de C.J. Box sobre un guardabosques y su familia en un pequeño pueblo de Wyoming que esconde décadas de secretos y maquinaciones en un ambiente de cambios políticos y socioeconómicos. Protagonizada por Michael Dorman (For All Mankind, Patriot). Creada por John Erick Dowdle y Drew Dowdle (Waco, Quarantine).

Showtime ha encargado Shaka: King of the Zulu Nation, drama sobre el viaje personal de un hombre desde una niñez estigmatizada hasta convertirse en un rey guerrero. Creada y escrita por Tolu Awosika (The Terminal List). Producida y dirigida por Antoine Fuqua (Training Day, The Equalizer).

HBO ha adquirido los derechos de A Time for Mercy, la novela de John Grisham (2020), para su adaptación televisiva. Es la secuela de 'A Time to Kill' (1989), cuya adaptación cinematográfica protagonizó Matthew McConaughey en 1996. McConaughey está finalizando negociaciones para retomar el papel en la limited series de diez episodios.

HBO desarrolla tres spin-offs más de Game of Thrones. 9 Voyages estaría protagonizado por Lord Corlys Velaryon, también conocido como The Sea Snake, personaje de la precuela House of the Dragon. 10000 Ships se centraría en la princesa Nymeria de la casa Martell, que fundó Dorne unos mil años antes de lo ocurrido en Game of Thrones. El tercero estaría ambientado en Flea Bottom, el barrio bajo de King's Landing de donde provienen Davos Seaworth y Gendry Baratheon.

FX desarrolla City Primeval, adaptación de la primera novela (1980) de la saga de Elmore Leonard en la que se basó la serie Justified. Timothy Olyphant podría protagonizar la serie, retomando su papel de Raylan Givens, o participar con un papel más pequeño. Escrita y producida por Michael Dinner y Dave Andron (Justified, Snowfall). Dinner (Justified, Unbelievable) también dirigirá. Producida por Graham Yost, creador de Justified.

Ridley Scott (The Good Wife, The Man in the High Castle) y Steven Knight (Peaky Blinders, Taboo) preparan Roads to Freedom, que contará la historia de la Segunda Guerra Mundial desde varios puntos de vista internacionales. Basada en los libros de Sir Antony Beevor. Escrita por Beevor y Knight y dirigida por Scott. Diez episodios.

CBS Studios prepara un reboot de animación de Everybody Hates Chris.

Austral, la novela de ciencia ficción de Paul McAuley (2017) ambientada en la Antártida en el año 2098, tendrá adaptación televisiva. Décadas después del deshielo de los glaciares, existe una nueva tierra llena de recursos y una nueva generación de colonos que provienen de todo el mundo. Austral Ferrado, que forma parte de un grupo de personas modificadas genéticamente para sobrevivir al clima del sur, se siente atrapada en una sociedad que la trata como un animal y luchará para conseguir la libertad. La serie se grabará en Noruega.

Showtime desarrolla una serie sobre los disturbios en el Capitolio tras la derrota de Donald Trump. De Billy Ray (The Comey Rule, Captain Phillips) y Shane Salerno (The Comey Rule, Armageddon).

Meghan Trainor protagonizará y desarrollará una comedia en NBC. No hay argumento anunciado ni guionistas asociados al proyecto.

Fechas

La cuarta temporada de The Syndicate se estrena en BBC One el 30 de marzo

La séptima y última temporada de Younger se estrena en Paramount+ el 15 de abril

Rutherford Falls se estrena en Peacock el 22 de abril

La tercera temporada de The Girlfriend Experience se estrena en Starz el 2 de mayo

The Upshaws llega a Netflix el 12 de mayo

La cuarta temporada de The Chi se estrena en Showtime el 23 de mayo

La tercera temporada de Black Monday se estrena en Showtime el 23 de mayo

Flatbush Misdemeanors se estrena en Showtime el 23 de mayo

Tráilers y promos

The Girlfriend Experience - Temporada 3