Tumgik
#Richard Dysart
Note
Do you have any pictures of Richard Dysart or Michael Tucker from LA Law? I used to find both of them very sexy. There was an episode called Venus Flytrap in which Michael Tuckers character had great sexual prowess!
Tumblr media Tumblr media
I could have sworn I had at least promotional shots of both of them from LA Law. Well, I have posts of them in other things. Just click the tags to find them.
Tumblr media Tumblr media
Oh well… gives me a reason to re-watch the show. And speaking of Richard Dysart. It has recently come to my attention that he had a blink and you miss it full frontal scene in The Thing.
Tumblr media
In the scene where they were awaken by the alarm, you Dysart with just his shirt and boots on for some reason. I can't believe I didn't catch that before.
28 notes · View notes
filmjunky-99 · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
t h e t h i n g, 1982 🎬 dir. john carpenter 'Blood'
23 notes · View notes
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
358 notes · View notes
clemsfilmdiary · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Pale Rider (1985, Clint Eastwood)
3/18/24
16 notes · View notes
slimewalk · 6 months
Photo
Tumblr media
21 notes · View notes
dadsinsuits · 1 year
Text
Tumblr media
Richard Dysart
54 notes · View notes
citizenscreen · 22 days
Text
Tumblr media
Richard Dysart (March 30, 1929 – April 5, 2015)
9 notes · View notes
audiemurphy1945 · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
-”What's your business with those tin pans, Reverend? -Nothing. They're just friends.” 
Pale Rider (1985) dir. Clint Eastwood  
7 notes · View notes
docgold13 · 3 months
Text
Tumblr media
Batman: The Animated Series - Paper Cut-Out Portraits and Profiles
Robert Bartholomew
Doctor Robert Bartholomew was the head psychiatrist at Arkham Asylum.  An intelligent and well-educated clinician, Dr. Bartholomew often showed a tendency to underestimate the level of psychopathology that some of the patients at Arkham suffered from.  This was particularly the case for the super villain patients he cared for.  As such, many of these villains were able to coerce their way into being released or simply escaped outright.  
When Batman was dosed with a highly potent strain of The Scarecrow’s fear toxin, Dr. Bartholomew misidentified Batman as suffering from a schizophrenic break.  Indeed Bartholomew speculated that Batman may have always been clinically insane.  As such, he had Batman restrained and committed as a patient.  Thankfully, Bartholomew allowed Batman to keep on his cowl fearing that removing it might worsen his condition.  Batman was ultimately able to escape and prevented The Scarecrow from dosing Gotham City’s water supply with his toxin.  
Following this event, Dr. Bartholomew came to be much more trusting of Batman and willing to work with him. He allowed Batman to personally escort escaped patients back to their cells and was even willing to let Batman take Harley Quinn out of the Asylum so to aide the Caped Crusader in tracking down The Joker.
Some time later, Dr. Bartholomew was abducted by the criminal Lock-Up who had formerly acted as the chief of security at Arkham.  Lock-Up felt that Bartholomew represented a critical flaw in the justice system in that he had compassion for the criminals under his care.  Batman and Robin were able to rescue Bartholomew and the other individuals Lock-Up had kidnapped and, in an ironic twist of fate, Lock-Up himself ended up a patient under Bartholomew’s care.
Actor Richard Dysart provided the voice for Dr. Bartholomew with the psychiatrist first appearing in the thirty-first episode of the first season of Batman: The Animated Series, ‘Dreams in Darkness.’ 
7 notes · View notes
kuzakvanowenshays · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
L.A. LAW episode 4.5 One Rat, One Ranger (1989)
9 notes · View notes
movie--posters · 1 year
Photo
Tumblr media
42 notes · View notes
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Pale Rider (1985) - Richard Dysart as Coy LaHood
I watched this over the weekend and reawakened my lust for Dysart and Charles Hallahan.
Tumblr media
On A Side Note: This is one of my favorite scenes because of this shot of Dysart with a hole in his pants.
What?
It's funny and hot at the same time.
24 notes · View notes
filmjunky-99 · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
t h e t h i n g, 1982 🎬 dir. john carpenter 'Blair'
22 notes · View notes
adamwatchesmovies · 3 months
Text
Meteor (1979)
Tumblr media
While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...
Say what you will about 1998’s Armageddon. Its science is laughable, the sentimentality is cheap, the premise raises at least a couple of eyebrows… but one thing it isn’t is boring. The same can't be said about 1979’s Meteor. This space disaster film is likely to put you to sleep and the one thing it had going for it at the time - the special effects - don’t hold up today.
A comet passes through the Asteroid Belt and hits the asteroid Orpheus, sending it on a collision course with Earth. The United States government has only days to find a way to deflect or destroy it before Orpheus creates an extinction-level event. Our best hope rests in Hercules, a secret orbiting nuclear missile platform satellite designed by Dr. Paul Bradley (Sean Connery).
Let’s get one thing out of the way first. This title is awful. Orpheus is not a meteorite; it’s an asteroid. Why’d they call the film Meteor instead of Asteroid? Probably because the studio didn’t want their movie to sound like a butt thing. This movie is much too serious for that sort of nonsense.
While I appreciate a science fiction film trying to remain realistic, Meteor takes it too far. This story has no race to find a solution. Everything we need to save ourselves is already built. Hercules was designed to knock out space threats and doesn’t even require a pilot. How is there any tension then? Well, Hercules is a secret (illegal) missile base. Admitting it exists - even in the face of armageddon - would be embarrassing for the United States government. This means even though Hercules is our only hope, Major General Adlon (Martin Landau) fights Dr. Bradley every step of the way. World’s gonna end but, you know. Gotta hold onto those Cold War grudges. That’s what the movie is REALLY about. The U.S. has Hercules. They figure the USSR has something similar. On their own, neither station would have the firepower required to blast the space rock but together they would. If only we could come together in peace and harmony…
The movie is frustrating because it takes so long to get to the obvious. This movie is no Dr. Strangelove; it’s not funny or subversive. There aren’t any surprises, no unexpected twists. All you do is wait for people to get over their childish hang-ups. Even Dr. Paul Bradley is acting like a big baby. He’s all upset that the government hijacked his satellite and changed it so the missiles aim TOWARD the planet instead of away. Fair enough but come on, man. The planet’s about to blow up. Unless you’re in a weird state of depression or you don't think there's any point in living unless you're a billionaire and want to hold the planet ransom, there’s no point stalling. Just get on the project and save the world. You’ve got a family. Do it for them. Do it for the audience so we can get this over with and move on.
Meteor doesn’t have a story worth watching. It doesn’t have visuals worth seeing either. The small asteroids that end up falling on Earth (the film’s attempts to keep us awake while we wait for the main event) are just glowing balls that go past the screen. The destruction is nothing special (the fact that director Donald Neame uses footage from the 1978 disaster film Avalanche isn’t worth docking points from the overall score, but does show that we’re not talking spectacular in the least). The main asteroid is just a big cragly rock floating in space. It’s no sight to behold. In theory, the characters would pick up the slack. You’d be so worried about them, so invested in their character arcs this would feel like a big deal (it worked for Titanic) but you won’t care about any of this.
With a star-studded cast that includes Natalie Wood and Henry Fonda, it’s a surprise this disaster flick only sparks to life towards the end, when it’s so cloying you can kind of smirk in a mixture of amusement and embarrassment. Meteor is the kind of movie you barely manage to watch once and then forget you ever did. (On VHS, September 26, 2021)
Tumblr media
6 notes · View notes
loveboatinsanity · 7 months
Text
Tumblr media
13 notes · View notes
brody75 · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Prophecy (1979)
207 notes · View notes