#Rancho carne toros

[queendaytona]

Torrance Shipman, Bring It On, 2000

#torrance shipman #torrance #kirsten dunst #toros #Rancho carne toros #Rch #cheerleader #cheerleading #bring it on #bring it on 2000 #2000 #2000s movies #early 2000s #2000s #2000s nostalgia #00s #00s nostalgia #00s movies #00s aesthetic

[unblogparaloschicos]

Cine: Les

Las escuelas secundarias de Estados Unidos parecen ser un pequeño mundo dentro de la sociedad educativa del país del norte. De hecho, incluso podría pensarse que es un estado más en el que rigen leyes particulares, escritas o tácitas, que son aceptadas y cumplidas al pie de la letra. Un entorno en el que el cuerpo docente y el alumnado se dividen en varias castas que se erigen entre lo poderoso a lo insignificante.

Nerds, atletas, porristas, vagos. Para quienes estamos acostumbrados a que en la escuela sólo se va a estudiar, rendir exámenes, realizar tareas especiales o participar en clases de gimnasia, todo ese contexto nos parece demasiado ajeno y exagerado, cuando no absurdo o intrigante. La escuela secundaria estadounidense es una jungla, como lo confirma la película “Chicas pesadas” (Mean Girls, 2004) y, aquí el enfoque está puesto en una raza controvertida que requiere de grandes cualidades atléticas y una aguda sincronización: los porristas. Generalmente se supone que son las chicas las que mandan en este territorio hostil, pero también participan algunos varones, con la consecuencia de ver cómo su hombría está puesta en duda.

Estamos hablando de “Bring It On (o “Triunfos robados”, como se le conoció en la Argentina), la primera, dirigida por Peyton Reed, de una saga de siete películas. En resumen, la historia se centra en un grupo de estos enérgicos profesionales que alientan a “Los Toros”, el equipo del colegio “Rancho Carne High School” (sí, así se llama). La nueva líder, Torrance Shipman (Kirsten Dunst), se encuentra con la muy desagradable sorpresa de que su predecesora robó las rutinas de sus contrincantes, por lo que debe buscar la forma de efectuar en un concurso de porristas una presentación imaginativa y creíble. 

Aquí, uno de los muy simpáticos porristas, de nombre Les (Huntley Ritter), responde la pregunta de Missy (Eliza Dushku) sobre su sexualidad; su respuesta es: “Bueno, Jan (nota: el personaje interpretado por Nathan West) es heterosexual y yo soy... controversial”. “¿Estás tratando de decirme que hablas en maricón?”, le pregunta ella, atónita, a lo que él la sorprende con su respuesta: “con fluidez”. Recordemos que, a fines de los noventa, la homosexualidad en la adolescencia no estaba normalizada; así y todo, la historia le hallará intentando establecer contacto con el chico que le gusta, otro porrista interpretado por Riley Smith, mientras procura no ser traicionado por la ansiedad en una escena llevada a cabo con gran ternura y realismo.

#cine #personajes #Les #BringItOn #2000 #EstadosUnidos #gay #adolescencia #LosToros #RanchoCarneHighSchool #KirstenDunst #ElizaDushku #HuntleyRitter #PeytonReed #RileySmith

[sner2000]

Sokka and Suki make such a cute couple. And I can just see Katara messing with Sokka like this.

#Avatar: The Last Airbender #Avatar #Sokka #Katara #Suki #Kyoshi Warrior #water tribe #southern water tribe #water bending #water bender #Bring It On #Torrance Shipman #Missy Pantone #Rancho Carne Toros #Cliff Pantone #Kirstin Dunst #Eliza Dushku #Jesse Bradford #water tribe warrior #car wash

[mgmpluto]

Bring It On  (2000)

#Bring it On #Bring It On gif #GIFcreatedbymgmpluto #Tsianina Joelson #react #react gif #cheerleader #Sparky Polastri #disgusted #disgusted gif #repulsed #repulsed gif #ew #gross #ewwww #rancho carne #mighty toros #rancho carne toros #Eliza Dushku #Missy Pantone #MGMplutofavorite

[garlicbreadwh0r3]

Bring It On

#bring it on #00’s #00’s movies #aesthetic #red #rancho carne toros #go toros

[itsmyfriendisaac]

Bring It On: in the most quotable High School movie ever made, a rivalry between the Rancho Carne Toros & the East Compton Clovers is settled at a national cheerleading competition. The underlying themes in this teen-comedy are relevant now more than ever before!

#scenes #bring it on #squad #kirsten dunst #eliza dushku #black cinema #gabrielle union #natina reed #shamari fears #blaque #musicals #ladies #tsianina joelson #nicole bilderback #clare kramer #bianca kajlich

[rye-views]

Bring It On (2000) dir. Peyton Reed. 5.8/10

About The Rancho Carne Toros trying to make something of themselves after getting called out for stealing cheer routines.

This is a very 2000′s high school vibe.

That’s cute that Cliff made that tape.

So many reactions are so dramatic. Everything is extra af.

What are these nice bodies that the cheerleaders have?

I love when the rivalry is respectful. The Clovers members, I dug. The finale for the Toros was also really good.

Everyone’s issues were really solved and very quickly. It would’ve been deeper if they delved more on East Compton, but for 2000′s, this is pretty alright.

#bring it on #peyton reed #5.8 #2000 #movie #film #review #commentary #rye-views

[deputy-ajay-ghale]

Not only were the East Compton Clovers more talented than the Rancho Carne Toros, their cheerleaders had more solidarity. As their captain, Isis had control over her cheerleaders as well as their undivided support and respect.

#bring it on #original post

[douxreviews]

Bring It On (2000) Review

“This is not a democracy. It's a cheerocracy.”

There are plenty of TV shows and movies that we’re embarrassed to like because of their title or their premise. If you’ve ever tried to explain to someone that, no, Buffy the Vampire Slayer is not as silly as its name implies, you were likely mocked and perhaps even pitied. So I hope you’ll bear with me when I tell you that Bring It On, while no Buffy, is a fabulous and enjoyable movie that transcends its high-school cheerleading premise.

Everything I know about high school cheerleading boils down to two things: I sat next to a cheerleader named Caroline during junior-year Spanish class (How does one say “cheerleader” in Spanish? No sé.) and I’ve read Megan Abbott’s brutal and enthralling novel The Fever. Yet, despite my apathy for the sport it's focused on, I’ve watched Bring It On more than a few times, and I always enjoy it.

The plot is simple: Torrance (Kirsten Dunst), the new captain of the upper-class Rancho Carne High School cheer team, discovers that the previous captain had stolen their team’s award-winning cheers from the low-income East Compton High (a team lead by Gabrielle Union). Torrance, along with her new BFF Missy (Eliza Dushku), struggles to remedy the situation and learns valuable lessons along the way.

That story, as I just described it, would make an excellent bad after-school special about cheerleading. But Bring It On isn’t a cheerleading movie, although it does feature plenty of C&C Music Factory and a lot of tiny female bodies flipping around in the air. Rather, it’s a coming-of-age story that happens to involve cheerleaders. Some of the young women have male love interests, but they’re more focused on their relationships with each other. It’s a movie about never dropping the spirit stick—at least not metaphorically—and doing the right thing. It’s also funny.

At the risk of seriously overthinking it, I’m tempted to say that I persist in liking this movie for two reasons: it values teamwork and intelligence. At first, it looks like it might descend into a white vs. black, rich vs. poor, OC vs. Compton “rumble,” as Missy sarcastically calls it. But the few girls who want to play dirty are shot down (and eventually change their minds). Torrance and Isis are both focused on winning with honor. The scene where they provide last-minute critiques to each other’s teams is all about the nobility of being the best by beating the best (to paraphrase Torrance herself).

And it’s smart. Some of the dialogue is darn witty, and I love that one of the cheerleaders takes such pride in using “SAT words.” These may be girls who shout, to a beat, “I swear I’m not a whore!” during Torrance’s dream sequence, but they’re also young women who, for the most part, are going to go on to college and succeed in life. Just because they’re beautiful, sexy cheerleaders doesn’t mean they’re stupid.

While a great deal of the credit for the film’s intelligence goes to screenwriter Jessica Bendiger, the stars get credit for communicating the intelligence of their characters. Gabrielle Union’s Isis makes her character’s moral fiber apparent within two or three lines. As Missy, Eliza Dushku plays, as she tends to do, a watered-down version of Faith the Vampire Slayer—a squishy soft center wrapped in a thick coating of bravado. Kirsten Dunst brings a delicate irony to the cheer captain’s over the top exuberance; that girl always seems to be having her sardonic cake and eating it with gusto, too.

None of the actors seem to be taking themselves too seriously, and none of the characters do, either. The stakes are real—we really root for both the Rancho Carne Toros and the East Compton Clovers—but the film never reaches the point of melodrama or bathos, which makes the pitch-perfect ending even more delightful.

Bring It On came out in 2000, and I wonder if we can see the influence of Joss Whedon’s portrayal of teenage life in Southern California here. Put another way: if you liked Buffy, you will probably like this movie, too.

Speaking of Buffy

• Lots of Buffy actors in this film: Eliza Dushku (obviously). But that’s not all: Claire Kramer, who played Glory in Season Five, is on the Rancho Carne cheer squad, which also includes a cheerleader named Whitney that I knew I recognized…and she’s credited with being one of Cordelia’s entourage (a Cordette) in the early seasons of Buffy.

• The Buffy fun doesn’t end there: Bring It On was filmed, in part, at Torrance High School, which also doubled as Sunnydale High in the first three seasons.

• And one of the East Compton cheerleaders even calls Torrance (the character, not the city) and Missy “Buffys” when they visit the East Compton High School.

Four out of four pom-poms.

Josie Kafka is a full-time cat servant and part-time rogue demon hunter. (What's a rogue demon?)

#Bring it On #Kirsten Dunst #Gabrielle Union #Eliza Dushku #Doux Reviews #Movie Reviews #something from the archive

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[estephaniafischer-95]

Bring It On.....mas conocida como Triunfos robados es una de las películas mas emblemáticas de año 2000... Dando paso a una de franquicias mas numerosa, en total 6 adaptaciones :3 Pero todos sabemos que la primera es una de las recordadas por las lideres de cada equipo Las bellas cheerleaders.... Torrance - líder de los Toros de Rancho Carne. Isis - líder de Los Tréboles, una escuela que casi no es tan reconocida debido a que la ex capitana de los Toros, copiaba sus rutinas... Ambos equipos demuestran en la final que pueden ser mejores tanto en la competencia en representación de las nuevas capitanas de los equipos, dejando en claro que ninguna tenia idea de la copia de las rutinas.... Les recomiendo esta bella peli, espero les guste mi versión de ambas Capitanas.... . . . . . #artedigital #ilustracion #photoshop #ilustraciondigital #wacom_ecuador #drawingyourstyle #ecuadorartist #personajesdigitales📲 #dibujo #arteecuador🖌🎨 #drawing #bringitonstyle #bringiton #triunfosrobados #kirstendunst #torrancetoros #Isisclovers #gabunion #moviesfanart #personajesfemeninos #artistsoninstagram #drawinyourstyle #abcfanart #inspiration

[hipertexto]

Extractos de Los amores de Bentos Sagrera por Javier de Viana

¡que al fin y al cabo dormían en el campo animales suyos de más valor que la mayoría de los desocupados harapientos que solían caer por allí demandando albergue!

--

La cocina, la despensa, el horno, los cuartos de los peones, todo estaba encerrado dentro de la muralla. (semejantes a una cárcel)

---

El forastero, don Brígido Sosa, era un antiguo camarada de Sagrera y, como este, rico hacendado. Uníalos, mas que la amistad, la mutua conveniencia, los negocios y la recíproca consideración que se merecen hombres de alta significación en una comarca…. Era orgulloso y altanero, avaro y egoísta, y vivía como la mayor parte de sus congéneres, encerrado en su estancia, sin placeres y sin afecciones.

---

En el comedor, Sagrera, Sosa y Pancho Castro —este último, capataz del primero— estaban de sobremesa, charlando, tomando mate amargo y apurando las copas de caña que el capataz escanciaba sin descanso.

--

—Por tres meses la cosa marchó bien, aunque la rubia se enojaba y me acusaba de dilatar la libertad del viejo; pero dispués, cuando lo largaron a este y se encontró con el nido vacío, se propuso cazar su pájara de cualquier modo y vengarse de mi jugada. Yo lo supe; llevé a Nemensia a otra jaula y esperé. Una noche me agarró de sopetón, cayendo a la estancia cuando menos lo esperaba. El viejo era diablo y asujetador, y como yo, naturalmente, no quería comprometerme, lo hice entretener con un pión y me hice trair un parejero que tenía a galpón, un tubiano…

--

—Pues ensillé el tubiano, monté, le bajé la bandera y fui a dar al Cerro-Largo, dejando al viejo Juca en la estancia, bravo como toro que se viene sobre el lazo. Dispués me fui pa Montevideo, donde me entretuve unos meses, y di’ay que yo no supe cómo fue que lo achuraron al pobre diablo. Por allá charlaban que habían sido mis muchachos, mandaos por mí; pero esto no es verdá…

---

La rubia me resultó celosa como tigra resién parida y me traía una vida de perros, jeringando hoy por esto y mañana por aquello....Lo pior era que aquella condenada mujer me había ganao el lao de las casas, y cuando, muy aburrido, le calentaba el lomo, en lugar de enojarse, lloraba y se arrastraba y me abrasaba las rodillas y me acariciaba, lo mismo que mi perro overo Itacuaitiá cuando le doy unos rebencasos. Más le pegaba y más humilde se hasía ella; hasta que al fin me entraba lástima...La brasilera había sido de mal andar, y cuando me le iba al humo corcobiaba y me sacudía con lo que encontraba. Una vez cuasi me sume un cuchillo en la pansa porque le di una cachetada. ¡Gracias a la cuerpiada a tiempo, que si no me churrasquea la indina! 

---

—Desapareser o esconder; ya verá.

---

​​ Él tenía la idea, sin duda, de que no era responsable de nada, o de que puesto que la patrona le mandaba haser una cosa, esa cosa debía ser buena y permitida por la autoridá. ¡Era tan bruto el pobre negro Caracú…!

--

—¡Nu ‘ay como la caña pa dar coraje a un hombre! Y con trabajo, porque tenía la cabeza insegura y los brazos sin fuerzas, llenó el vaso y pasó la botella al patrón, quien no desdeñó servirse y servir al huésped. Para la mayoría de los hombres del campo, la caña es un licor maravilloso: además de servir de remedio para todo mal, tiene la cualidad de devolver la alegría siempre y cada vez que se tome… hace vomitar los secretos más íntimos hasta a los hombres más reservados —las acciones malas como castigo misterioso, y las buenas acciones como si estas se asfixiaran en la terrible combustión celular—,

--

… ¡Amigo, ni qué comer había! Carne flaca, pulpa espumosa, carne de perro, de los animales que cueriábamos porque se morían de necesidá. 

--

Mientras tanto, adentro, la pobre rubia y sus tres cachorros dormían a pierna suelta, seguramente, y en la confiansa de que a rancho de pobre no se allegan matreros. ¡Y Nemensia, que era dormilona como lagarto y de un sueño más pesao qu’el fierro…! Dispués de toda esta operasión y bien seguro de que no podían salir de adentro, el desalmao del moreno… —¡Párese mentira que haiga hombres capaces de hacer una barbaridá de esa laya…! — Pues el desalmao del moreno, como se lo cuento, amigo Sosa, le prendió fuego al rancho por los cuatro costaos. En seguida que vio que todo estaba prendido y que con la ayuda de un viento fuerte que soplaba, aquello iba a ser como quemasón de campo en verano, sacó el pucho de atrás de la oreja, lo ensendió con un pedaso de paja y se marchó despasito pal bajo, donde había dejao su caballo.

 --

—No, señó, ¡jui yo!

“—¿Por qué?

“—Porque me mandó la patrona.

“—¿Que quemaras el rancho?

“—Sí.

“—¿Con la gente adentro?

“—¡Dejuro!… ¡y pues!

 ...

—Al negro lo afusilaron en Montevideo —contestó tranquilamente el ganadero.

—¿Y la patrona?…

—La patrona anduvo en el enredo, pero se arreglaron las cosas.

—¡Fue suerte!

—Fue. Pero también me costó una ponchada de pesos.

[julianrodriguesmelo]

6 restaurantes brasileiros recebem o selo El Espíritu de América Latina

O cenário gastronômico sofreu impactos em todo o mundo com a pandemia do coronavírus. Mas esse também foi o momento em que alguns restaurantes se reinventaram para manter os próprios negócios e ajudar as comunidades em que estão instalados. Para reconhecer iniciativas como essas, o prêmio Latin America’s 50 Best Restaurants lançou o selo El Espíritu de América Latina. Na lista, que conta com restaurantes de 17 países, seis brasileiros foram premiados. São eles: Banzeiro (Manaus), Altar, Cozinha Ancestral (Recife), Aconchego Carioca (Rio de Janeiro), Ori (Salvador), Mãos de Maria (São Paulo) e Capim Santo (Trancoso). 

As casas foram escolhidas por refletirem as tradições culinárias da região em que estão instaladas. E também por fazerem diferença de forma efetiva no local. O diretor de conteúdo do Latin America’s 50 Best Restaurants, William Drew, explica que esses espaços estão no centro das comunidades, ajudando a aproximar pessoas e fomentar a união em momentos como esse. “Esta coleção celebra não apenas os restaurantes que contribuíram para a cena gastronômica de seu país, mas também aqueles que fizeram de tudo para suas comunidades”.

Mais sobre o assunto

Comer

Quais rumos o mercado de gastronomia tomará na pós-pandemia?

Delivery veio para ficar? Como ficam os modelos de restaurantes que tinham muitas mesas? Veja as previsões

Para ajudar na escolha dos restaurantes, a instituição realizou pesquisas extensas. Eles contaram com a participação dos chefs do Latin America’s 50 Best Restaurants 2020, dos presidentes da Academia de Latin America’s 50 Best Restaurants e de fãs da culinária de cada região. 

Brasileiros no pódio 

Direto de Manaus (AM), o Banzeiro — que também tem uma unidade em São Paulo — apresenta o melhor dos ingredientes da Amazônia. Com um toque de sofisticação, ele exalta matérias-primas como formigas saúva e mandioca amarela. Saindo de um canto a outro do país, o selo chegou também ao Altar, Cozinha Ancestral. A casa em Recife (PE) é chefiada por Carmem Virginia Iyabasse e oferece preparos tradicionais da cozinha afro-brasileira, como a moqueca. Mas não fica por aí. A chef também compartilha a paixão e conhecimento por destilados. 

Prato do restaurante Banzeiro

No Banzeiro, os ingredientes de Manaus são as estrelas dos pratos Reprodução

Chef Carmem Virginia Iyabasse do Altar, Cozinha Ancestral

A chef Carmem Virginia Iyabasse homenageia os orixás das religiões de matriz africana no restaurante Reprodução

Prato do restaurante Ori

Os frutos do mar são ingredientes essenciais do cardápio do Ori Reprodução

Restaurante Capim Santo em Trancoso

O Capim Santo está há mais de três décadas em Trancoso Reprodução

Bolinho de feijoada e chef Kátia Barbosa

Kátia oferece sabor e conforto no Aconchego Carioca Reprodução

Mãos de Maria restaurante e empresa social

No mãos de Maria as mulheres aprendem um ofício

0

El Espíritu de América Latina também descobriu “o que é quê a Bahia tem”: dois restaurantes foram reconhecidos com o selo. Na capital do estado, Salvador, está o Ori. O restaurante de Fabrício Lemos e Lisiane Arouca oferece preparos feitos com ingredientes locais, como Arroz de frutos do mar. Outro achado está em Trancoso desde 1985. Batizado de Capim Santo, o restaurante da chef Morena Leite abriu portas para o projeto Capim Solidário, que doa alimentos para pessoas em situação de fome durante a pandemia. 

A lista também conta com casas do sudeste do país. O Aconchego Carioca existe há quase 20 anos na zona norte da cidade do Rio de Janeiro. Com a chef Kátia Barbosa e sua filha Bianca no comando, a casa oferece iguarias que são a cara da cidade maravilhosa, como bolinhos de feijoada. Quem fecha a lista é o Mãos de Maria. Localizado em uma cobertura em Paraisópolis, comunidade de São Paulo, o negócio social ajuda mulheres vulneráveis e que sofreram com a violência doméstica. O local oferece capacitação para que elas entrem no mercado de trabalho e chegou a distribuir de graça cerca de 1 milhão de refeições durante a pandemia. 

Confira a lista completa de casas selecionadas:

Argentina

Café San Juan, Buenos Aires

Catalino, Buenos Aires

Corte Comedor, Buenos Aires

Pulpería Quilapán, Buenos Aires

Glotón Bar de Carnes, Córdoba

El Botellón, Mendoza

  Bolívia

Ali Pacha, La Paz

Manq’a, La Paz

Popular Cocina Boliviana, La Paz

  Brasil

Banzeiro, Manaus

Altar, Cozinha Ancestral, Recife

Aconchego Carioca, Rio de Janeiro

Ori, Salvador

Mãos de Maria, São Paulo

Capim Santo, Trancoso

  Chile

Aurora, Antofagasta

5ta Cordillera, Los Andes

Lenga, Puerto Natales

El Rancho de Doña María, Santiago

La Calma, Santiago

La Caperucita y El Lobo, Valparaíso

  Colombia

Elvia Cocina Local, Barichara

Chichería Demente, Bogotá

Plaza de la Perseverancia, Bogotá

Sambombi, Medellín

Mestizo Cocina de Origen, Mesitas del Colegio

La Vereda Cocina de Origen, Pasto

  Costa Rica

Al Mercat, San José

Sikwa, San José

  Equador

Dos Sucres, Cuenca

Muyu, Galapagos

Anker by Urko, Quito

El Salnés Gastro-Picantería, Quito

  El Salvador

El Xolo Taquería, San Salvador

Hacienda Real, San Salvador

  Guatemala

Diacá, Cidade da Guatemala

Flor de Lis, Cidade da Guatemala

  Honduras

Hacienda San Lucas, Copán Ruinas

El Patio, Tegucigalpa

  México

El Jarocho, Cidade do México

Los Panchos, Cidade do México

Meroma, Cidade do México

Milk Pizzeria, Monterrey

Casa Oaxaca, Oaxaca

El Mural de Los Poblanos, Puebla

  Nicarágua

Asados Doña Tania, Managua

Harvest, Managua

  Panamá

Receta Michilá, Bocas del Toro

Fonda Lo Que Hay, Cidade do Panamá

  Paraguai

Bastardo, Cocina Sin Raíces, Assunção

El Bolsi, Assunção

El Café de Acá, Assunção

Pakuri, Assunção

  Perú

La Nueva Palomino, Arequipa

Al Toke Pez, Lima

Chifa Titi, Lima

Huerta-Chinén, Lima

Chuncho, Ollantaytambo, Cusco

La Patarashca, Tarapoto

  Uruguai

Bar Tinkal, Montevidéu

Café Misterio, Montevidéu

Jacinto, Montevidéu

Lo de Tere, Punta del Este

  Venezuela

Barriga Llena Corazón Contento, Caracas

El Comedor, Caracas

Moreno, Caracas

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[kentonramsey]

20 Years Later, The Costumes Of Bring It On Hold Up

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1554324a) Bring It On, Gabrielle Union Film and Television

Two decades later, the fashion of Bring It On feels somehow even more on-trend today than it did when it came out. Bike shorts, chunky New Balance sneakers, tie-dye — these all are the hallmark looks of the 2000 cheerleader teen comedy. “What goes around comes around in the world of fashion, it’s cyclical. And what you see now, in 2020, you’re going to see it again in 2040, so it just circles and cycles around,” says costume designer Mary Jane Fort. “I really tried to make it as authentic as I could for that age, at that time, and not be too trendy. I wanted something that could hold up.”

She succeeded. Following the story of two rival teams, San Diego’s Rancho Carne Toros, led by Torrance (Kirsten Dunst), and Los Angeles’ East Compton Clovers, led by Isis (Gabrielle Union), Bring It On’s fashion features all of today’s biggest trends, alongside relics of the time, like tube tops, butterfly clips, and platform sandals, that fared less well. “I was just trying to tell the stories of the characters and who they are. And, of course, you look at fashion [around you at the time], but you don’t necessarily follow it.”

When it came to the two uniforms, which are arguably the most iconic looks from the film according to Fort, it was “a lot of fun to design them.” The main colours, red for the Toros and green for the Clovers, were a strategic choice: “The colours were a group decision with myself, [film director] Peyton Reed, the production designer, and the director of photography because it reflected the colours of absolutely everything else.” After the colours were selected, Fort came up with two styles for the Toros: a sleeveless and a turtleneck version. “That’s actually just two pieces,” says Fort of the turtleneck they slipped underneath the shell top. “It looked like two different uniforms, but it was the same uniform.”

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1553012a) Bring It On, Kirsten Dunst Film and Television

To make clear that the Clovers were from a bigger city than the Toros, Fort added “little subtleties” to their uniforms to make them appear more trendy. The tops are shorter and the style, with the red-and-yellow accents and more geometric neckline, bolder and more confident in comparison to Toros’ more traditional look.

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1547440a) Bring It On Film and Television

Fort wanted to make sure that the rival looks could also stand side-by-side as equals in the film’s most pivotal scenes. “The two uniforms had to work together. They had to complement each other without matching, without competing, and both had to be noticeable.”

When coming up with the costumes used outside of competitions and practice, Fort envisioned “places that the character could go to, be it the mall or the local boutique.” As the costume designer behind the other most popular film of the time, Mean Girls, she has experience with that. “You try to get into the head of where the characters would be able to go — like, where would Torrance go to get her sweats?” she says. For the Toros, Fort envisioned a beachy look, mimicking what people wore at the time. “It is the antithesis of trendy,” she says. “In Southern California, people wear shorts, people wear tank tops.” Meanwhile, Clovers were dressed in more on-trend fashion of the time. (It should be noted that the mostly-open cardigan with nothing underneath, seen below, is one of the biggest trends of this summer.) “It’s the same with the Clovers. You would go to the places that they go to,” she says. “They had more options of places to go, being from a bigger city. Things that you couldn’t get in the more sort of provincial place like San Diego.”

Editorial use only. No book cover usage. Mandatory Credit: Photo by Ken Jacques/Universal/Beacon/Kobal/Shutterstock (5879473i) Natina Reed, Brandi Williams, Gabrielle Union, Shamari Fears Bring It On – 2000 Director: Peyton Reed Universal/Beacon USA Scene Still Comedy American Girls

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1538530a) Bring It On, Kirsten Dunst, Jesse Bradford Film and Television

Torrance’s wardrobe is indeed girl-next-door saccharine sweet, filled with floral dresses and capri pants that she pairs with pastel sweaters. “She’s the head cheerleader, so she has a certain perkiness to her and she has a very precise way of putting everything together,” Fort says. In some instances, that translates to all-pink everything, from cutesy pink pyjamas (with heart prints and kiss prints, no less) to a “Campus Queen” pink tee and a pink floral bikini which she pairs with floral-embellished platform flip-flops. “She’s that girl — pink is her favourite colour, and that’s what she wants to be in,” says Fort.

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1559844a) Bring It On, Eliza Dushku Film and Television

This was meant to contrast the look of Missy (Eliza Dushku), the new girl who transfers from a school in Los Angeles and, at first, is hesitant to join the team. “Your school has no gymnastics team, this is a last resort,” she says in one of Bring It On‘s most iconic lines while auditioning in a “Rub Here For Good Luck” crop top showing a buddha and unpractical low-rise pants.

“She’s not a girly-girl,” Fort says. “She comes from Los Angeles, and I know it’s only a 100 miles away, but there’s a world of difference.” While Missy opts for a darker colour palette and leather jackets, Torrance reaches for hoodies and a vibrant colour scheme.

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1543433a) Bring It On, Kirsten Dunst, Eliza Dushku Film and Television

While their styles are in contrast to each other, in practice, all the girls are similarly dressed, wearing the workout go-tos of the time: Nike sports bras and athletic shorts, Adidas track pants and crop tops, tank tops, bandanas, and scrunchies. “The cheerleading costumes were so bright. [And] they were in them a lot. We didn’t want to overpower [the rest of the film] with clothes and too many pieces,” says Fort. It’s ironic, then, that it’s the same looks that we find ourselves wearing today in quarantine, with athletic shorts, bandanas, and sweatsuits becoming the (unofficial) uniform of 2020.

Editorial use only. No book cover usage. Mandatory Credit: Photo by Moviestore/Shutterstock (1538531a) Bring It On, Clare Kramer, Kirsten Dunst, Nicole Bilderback Film and Television

All to say, we would gladly borrow Bring It On’s entire wardrobe. Don’t agree? To quote the great Torrance Shipman, “This is not a democracy, it’s a cheerocracy. I’m sorry, but I’m overruling you.”

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20 Years Later, The Costumes Of Bring It On Hold Up published first on https://mariakistler.tumblr.com/

[hadarlaskey]

Black female empowerment in Bring It On

At first glance, Bring It On appears to be about little more than the superficial concerns of newly-crowned Cheer Captain of the Rancho Carne Toros, Torrance Shipman (Kirsten Dunst). And that summation is largely true until 20 minutes into the film, when the East Compton Clovers, a cheer team comprised of Black and POC members, are revealed to be the originators of all the Toros’ championship-winning routines.

It is at this point the film takes a surprising turn into exploring cultural appropriation and the harm of white privilege, as the Clovers’ Cheer Captain, Isis (Gabrielle Union) confronts Torrance and delivers the immortal line, “I know you didn’t think a white girl made that shit up”.

After a catchy opening cheer dream sequence, Torrance wakes up screaming as the fantasy turns into a nightmare, a manifestation of her fear of failure. Little does she know her worries are completely founded. The blonde, bubbly all-American girl bests everyone in the wealthy, (almost) all-white cheer squad to claim her Captain crown; it’s a classic underdog tale, just not in the way the film initially portrays. “You’re in for a rude awakening,” Missy (Eliza Dushku), the new bad girl cheerleader, tells Torrance.

But this reckoning doesn’t arrive as expected. After telling the rest of the squad of her findings, the initial shock turns to full defence as Torrance is overruled by the team. One squad member interrupts: “I don’t give a shit, we learned that routine fair and square, we logged the man hours… this isn’t about cheating, this is about winning!”Another cheerleader quips: “How are East Compton going to prove anything?” It’s here we see the true face of white privilege, as the Toros know full well they will be able to manipulate a system that has allowed them to thrive. There’s little sense of remorse, only the fear of losing their dubiously gained status.

While Torrance is torn and Missy looks at the rest of the team contemptuously, they too go along with using the stolen routines, their indignation not enough to right the wrongs against the Clovers. Bring It On feels particularly pertinent to today’s climate, where debate around “cancel culture” is rife; the rich white team aren’t really held accountable for their actions. The Clovers confront the Toros on their home turf, performing yet another one of their stolen routines simultaneously with the white squad.

It’s only when the threat of public humiliation rears its head that the Toros decide to find a new routine for Regionals. Ironically, they hire an expensive choreographer who imbues them with the power of spirit fingers, a ton of body dysmorphia issues, and a terrible routine that he has also taught five other squads. Even with the means to secure an expensive coach, the team is still caught cheating and is given a free pass to Nationals on the grounds that they won the previous year. They avoid being “cancelled” despite taking every wrong turn.

While the film’s primary focus is the Toros, we’re also given glimpses into the Clovers’s world and the story is richer for it. Despite their obvious talent, the Clovers are unable to fulfil their potential due to their low-income backgrounds and institutional racism. They work hard and remain unrewarded, so it makes sense that they are a little jaded. At times in the film, the world-weariness that comes from growing up Black in a racist world comes across as hardness. They’re depicted as intimidating, with their white peers almost cowering when they approach (the term “unfriendly black hotties” coined in Mean Girls comes to mind).

Crucially, however, Bring It On just about manages to avoid the “angry black woman” stereotype presented in other dance-based teen movies like Save the Last Dance. Isis is portrayed as a strong leader who cares about gaining her team visibility and the opportunities they deserve. Though unearned, she even gives Torrance advice on how her team could improve and classily side-steps her attempt to give money to the Clovers so they can go to Nationals.

“Why do you have to be so mean,” Torrance complains as Isis rips up the cheque, “I’m just trying to do the right thing” – the irony being that she only attempts to do the right thing when her hand is forced. Isis refuses to play into white guilt and respectability politics and asserts that the Clovers don’t need their help. She’s right – the team is able to secure funding from a local talk show host from their neighbourhood. Discarding a white saviour narrative allows us to see Black and minority enthic communities supporting each other where institutional systems have failed them.

After the high-octane, hairspray-fuelled Nationals, the Clovers beat the Toros to take first place along with a cash prize of $20,000. While in many ways the Clovers are antagonists in the film, their win feels not only deserved but just. This is helped by the Toros feeling content with their second place status; everyone is happy with the outcome. Torrance proves herself as Captain, gets a cute punk boyfriend and concedes to the loss honourable: “You guys were better,” “We were, huh?” Isis agrees.

To have an ending where the Black characters aren’t the protagonists but still come out on top feels almost fantastical; in real life, justice often isn’t served, especially in regards to black girls and women. But in this campy high school flick, Black girls are able to see themselves reach their potential, take control of their agency and succeed on their own terms.

The post Black female empowerment in Bring It On appeared first on Little White Lies.

source https://lwlies.com/articles/black-female-empowerment-in-bring-it-on/

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[mmgnews]

Black female empowerment in Bring It On At first glance, Bring It On appears to be about little more than the superficial concerns of newly-crowned Cheer Captain of the Rancho Carne Toros, Torrance Shipman (Kirsten Dunst).