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ecrivainsolitaire · 7 months

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Open Art Guild – Testing the boundaries of collective IP ownership

Experimental release: Dr. T’chem’s Office (authorised for personal and commercial use)

I’ll try to keep this brief (you can read the full thesis statement here) but as we all know, intellectual property law is broken. It’s being exploited from every side and art workers are more vulnerable than ever to automation, copyright theft and myriad other unforeseeable forms of theft from the proletariat. We as a collective need to come together and work towards the creation of a better future.

The Open Art Guild is my proposal for the first of many steps towards a far away but necessary goal: the eradication of intellectual property as it pertains to the arts. It’s based on the open source standard and the creative commons, and the goal is for us to start creating a future where we stop thinking of artworks as private property to hoard, and start sharing the responsibilities and the benefits of their creation with the collective. And as I am proposing the idea, I should give the first step.

Which is why I am announcing the release of my short story series, Dr. T’chem’s Office, into the Open Art Guild license. This is an episodic HFY comedy series about the office hours of a sleazy yet well intentioned xenoanthropologist in charge of human integration into the crew of a spaceship, who happens to find them fascinating. You can read the first few instalments here:

The basics of the license go as follows: I’m giving any artist permission to use the assets of my artwork (in this case, settings, characters, plot lines and other unique concepts) both for personal use and for commercial use, provided they commit to crediting the original artist, giving away 30% of any profit back to the hands of the collective in the breakdown the guidelines specify, and giving the same license to any works they create derivative from this series. Any artist can join the Guild by remixing existing artworks in its database or voluntarily submitting their own works. For the time being this prototype model will have to rely on the honour system, but I have outlined the basic guidelines for a platform dedicated to facilitating the Guild’s business and income redistribution.

The purpose of this experiment is to test whether this system is financially viable, what modifications it needs, and how to enforce it. It’s also a way to study what the community thinks of this model. To summarise the implications, here are the pros and cons as I see them.

Pros:

- All fan art, spin-offs, third-party merchandise and other forms of adaptation become automatically authorised and monetisable, provided both the original artist and the remixer are active members of the Guild.

- All adaptations are automatically non-exclusive and must give away the same rights as the original, diminishing the incentive for massive corporations to try and scam an artist out of their intellectual property.

- It effectively unionises freelance artists of all fields to balance out negotiations with non Guild entities.

- It encourages artists to continue their output in order to reap the benefits of the Guild, by using the redistribution system as an incentive, instead of the current status quo where artists are actively fighting market forces all by themselves in order to make enough time and resources to work on their craft.

- It provides a safety net where everyone is invested in the continuous welfare of everyone else, giving a sense of class solidarity and facilitating donations and shared resources.

- It motivates artists to invest in each other, as the growth of one means the growth of the whole Guild.

- Eventually, if the project succeeds and the proposed platform comes to exist, it would effectively create a universal basic income for all Guild members, as well as a self sustained legal fund to protect their assets from IP theft by non Guild entities.

- It will give you complete control over whether your art can be used for AI dataset training, on an opt-in, post-by-post basis, so you don’t have to wonder who might be stealing it. If the platform is created, all works whose creators have not authorised to be used for this will have data scrambling features to make sure thieves can’t use them.

Cons:

- It will require all Guild members to permanently renounce to 30% of their profit, in order to build up the funds and distribution system.

- It will have to be built entirely on trust of the collective, at least until a platform can be established, which may take weeks or may take decades depending on lots of unpredictable factors.

- Leaving the Guild will require all artworks shared with the collective to become Creative Commons; once you renounce your right to monopoly of your IP, it’s permanent, no way to go back. This is necessary in order to prevent asset flippers and other forms of IP scabs to join the Guild, extract other people’s assets and then scram.

- Due to banking regulations entirely out of our hands, some artists will have participating in the redistribution. If the platform ever becomes a reality, one of its main goals will be to remedy this immediately.

This proposal requires a high cost, but it provides an invaluable reward. If the system works, it will empower all artists to profit from their work and protect it as a collective. If it doesn’t, all that will have happened is that you will have created a lot of Creative Commons art, which financially isn’t ideal, but artistically is extremely commendable. Even in the worst case scenario, corporations will not be able to hold your art hostage with exclusivity deals. To me, the benefits vastly outweigh the costs, but I do want to emphasise: there will be costs. This is an effort to subvert the entire way art has been monetised since the 1700s. It will require a lot of work, a lot of people, and a lot of time, to make it work. But I believe it can work. If you believe it too, you are welcome to join the Open Art Guild.

Please do read the guidelines for the Guild and the guidelines for the platform before you start creating, and give me whatever feedback you have. If it’s good, if it’s lacking, if I’m overstepping legal boundaries, if you can find loopholes, anything. I tried to make it airtight but I’m not a legal expert. This is not my project, it is a project for the proletariat. Everyone should have a say on what they’re signing on for. And regardless of what you think, share it with all artists you can. This will only work if as many people as possible participate.

Doctor T’chem’s Office’s license

This work has been released under the Open Art Guild license, and has been approved for reuse and adaptation under the following conditions:

For personal, educational and archival use, provided any derivative works also fall under a publicly open license, to all Guild members and non members.

For commercial use, provided redistribution guidelines of the Guild be followed, to all active Guild members.

For commercial use to non Guild members, provided any derivative works also fall under a publicly open license, with the explicit approval of the artist and proper redistribution of profit following the guidelines of the Guild.

For non commercial dataset training of open source generative art technologies, provided the explicit consent of the artist, proper credit and redistribution of profit in its entirety to the Guild.

Shall this work be appropriated by non Guild members without proper authorisation, credit and redistribution of profit, the non Guild entity waives their right to intellectual property over any derivative works, copyrights, trademarks or patents of any sort and cedes it to the Creative Commons, under the 4.0 license, irrevocably and unconditionally, in perpetuity, throughout time and space in the known multiverse. The Guild reserves the right to withhold trade relations with any known infractors for the duration its members deem appropriate, including the reversal of any currently standing contracts and agreements.

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hetagrammy · 7 months

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I know you haven’t talked about it in a bit but I’m the regency au will the fact that Arthur’s children can’t inherit ever be a thing that causes resentment from the kids? (Far in the future of course)

Hi, so the biggest reason I haven't talked about it in a while is that uni is kicking my ass lol. That's why I haven't posted art in a hot minute, let alone any writing. When I'm out of paper hell and on break, I'll hopefully be back at it! I actually wanted to draw some of the kids circa the 1820s when they're older for shits and giggles.

So here's the thing about Regency inheritance, his kids do get something! So, the estate itself and the title the Kirklands hold is entailed. An entail means that only the oldest, closest, legitimate male family member can inherit that title and estate. If you've ever read Pride and Prejudice or seen Downton Abbey, this is why Mr. Collins and Matthew Crawley are relevant. This just means that Alfred will not inherit Alwyn's title and the land.

However, money and non-entailed property is a different story. The land that came from Alasdair, Seán, and Molly's father is not entailed, it was simply property Alwyn and Arthur's father took on when Igraine remarried. It was also common in cases where illegitimate children were acknowledged for their father to put aside money in a trust for their children.

In the case of the Regency AU, Arthur and Alwyn have arranged a trust for each of his children (and a dowry for Eleanor that is ultimately never used). When he's older, Alfred cares less about getting a title and more about being trusted with some responsibility. I'm undecided about whether he'd follow Arthur into the military or if he'd seek employment elsewhere (leaning toward the latter as his little "rebellion"). Matthew is a lot more passive, and I think he's content knowing he's not going to be left out to dry. Similarly, Ralph just wants the freedom to be himself. They're both younger sons anyway, so they never had any of the expectations Alfred might've had. Similarly, Eleanor would not have been up to inherit land anyway, as the youngest and as a woman. She at least has the fortune of having a father who isn't keen on forcing her to marry.

Long story short, while I can see Alfred developing some resentment regarding the lack of trust Arthur puts in him, the inheritance isn't necessarily an issue. They're provided for, they just don't get that title or the estate.

#ask #hetalia #regency au #hws america #hws canada #hws australia #hws new zealand #nyo!new zealand #hws wales #hws england #anglo family #if anyone knows more about regency inheritance please do correct me #from light research tho these are the principles i could find #in the end the idea i've got is the property is gonna go to alasdair and sigrid's kids #alwyn does get married but they don't have children (but they're happy bc he's an unbothered king)#unsure if i will cover any of that in the narrative #but i may draw it for funsies someday

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umbrae-sortilegium · 7 months

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ℐ𝓃𝓉𝓇𝑜𝒹𝓊𝒸𝓉𝒾𝑜𝓃 𝒯𝑜 𝒮𝒽𝒶𝒹𝑜𝓌 𝒲𝒾𝓉𝒸𝒽𝒸𝓇𝒶𝒻𝓉 ℬ𝑜𝓉𝒶𝓃𝒾𝒸𝓈 𝒫𝓇𝓉 𝟸 Aɴ Aᴜsᴛʀᴀʟɪᴀɴ Gᴜɪᴅᴇ Tᴏ Usᴇғᴜʟ Hᴇʀʙs﹐ Fʟᴏᴡᴇʀs ﹠ Oᴛʜᴇʀ Bᴏᴛᴀɴɪᴄᴀʟs. Australian native plants are a rich source of botanical diversity, offering a multitude of herbs, shrubs, and trees that have been utilized for various purposes, from culinary and medicinal to spiritual and ritualistic. In the realm of shadow witchcraft, which is often associated with dark and mysterious practices, many native Australian plants hold a sacred and sometimes even poisonous significance. These plants are revered for their unique properties and the connections they establish between practitioners and the spirit world. Many plants, herbs, flowers and other botanicals Witches use in the Northern Hemisphere are not available in Australia- the following are commonly found throughout Australia and are respectfully used by the custodians of the land, and its sacred Elders.

One of the most iconic and potent Australian native plants associated with shadow witchcraft is the Brugmansia, commonly known as the Angel's Trumpet or Daytura. This plant contains alkaloids that can induce hallucinations and visions when ingested or inhaled. For shadow witches, Brugmansia is often used in ritualistic settings to commune with the spirit world and gain insights into the mysteries of the beyond. However, its poisonous nature makes it a plant to be handled with extreme caution.

Another plant with a deep connection to shadow witchcraft is the Duboisia hopwoodii, commonly referred to as Pitcher Plant. This carnivorous plant produces toxic compounds, including scopolamine and atropine, which can induce hallucinations and delirium when ingested. Shadow witches are known to use this plant to enhance their psychic abilities, gain insight into the hidden realms, and enter altered states of consciousness.

The Tasmanian Devil's Marbles, scientifically known as Euphorbia obesa, are a group of succulent plants native to Australia. Their peculiar appearance has led them to be associated with mysticism in the realm of shadow witchcraft. These plants are believed to contain energy that can be harnessed for protection, divination, and banishing negative influences. Ingesting any part of these plants can be toxic, making them a powerful but perilous tool in the hands of shadow witches.

The Stinking Roger, or Tagetes minuta, is another Australian native plant with a connection to shadow witchcraft. It is known for its pungent odor, which is said to repel evil spirits and negative energies. Shadow witches often use this plant as a protective herb in rituals and spells to create a barrier against malevolent forces. It is not inherently toxic but should be used cautiously due to its strong aroma.

The Sandpaper Fig, or Ficus coronata, is a bushy native Australian plant that has been associated with shadow witchcraft due to its unique texture and appearance. The leaves of this plant have a sandpaper-like texture, symbolizing the concept of "rough magic." Shadow witches may use the Sandpaper Fig in spells and rituals to manifest change, overcome obstacles, and disrupt the status quo. Ingesting the leaves is not recommended, as they may cause digestive discomfort.

The Smokebush, or Conospermum stoechadis, has significance in shadow witchcraft due to its ethereal appearance and the mystical aura it emits. Its unique, cloud-like flower clusters give it an otherworldly quality, making it a plant associated with the veiled realms. Shadow witches may use the Smokebush in spells and rituals to call upon the spirits of the departed or to enhance divinatory abilities. While not inherently toxic, it should be used with respect and care.

The mysterious Black Kangaroo Paw, or Anigozanthos manglesii, is a plant associated with shadow witchcraft due to its striking dark color and its symbolism as a gateway to the hidden realms. Shadow witches may use the Black Kangaroo Paw in rituals to explore the shadow self, work with the energies of transformation, and connect with ancestral spirits. Ingesting any part of this plant is not recommended, as it can be potentially harmful.

The Australian native Sturt's Desert Pea, or Swainsona formosa, holds a sacred place in the practices of shadow witchcraft due to its striking crimson flowers and its connection to the spirit world. This plant is believed to be a bridge between the living and the deceased. Shadow witches may use the Sturt's Desert Pea in rituals to communicate with the souls of the departed and seek guidance from the other side. While the plant itself is not poisonous, it should be used with reverence for its spiritual significance.

The Purple Loosestrife, or Lythrum salicaria, is a plant native to Australian wetlands and is linked to shadow witchcraft due to its vibrant and alluring appearance. Shadow witches may use this plant in love spells and enchantments to manipulate the emotions and desires of others. While not poisonous, it should be used with ethical considerations and an awareness of the potential consequences.

The Sundew, or Drosera spp., is a group of carnivorous plants native to Australia, known for their glistening, sticky tentacles that trap insects. Shadow witches may incorporate the Sundew in their practices to harness the energy of entrapment, binding, and control. While not poisonous to humans, these plants are fascinating symbols of the shadowy aspects of nature.

The Tasmanian Blue Gum, or Eucalyptus globulus, holds significance in the world of shadow witchcraft due to its association with protection and purification. Shadow witches may use its leaves in rituals to banish negative influences and ward off malevolent spirits. While not toxic, the essential oils from this plant should be handled with care and diluted properly.

The Blackwood, or Acacia melanoxylon, is an Australian native tree with dark wood and a deep, mystical significance in shadow witchcraft. Its timber is often associated with transformation, as it is used to craft ritual tools and sacred items. Shadow witches may seek to connect with the spirit of the Blackwood tree to channel its energies for personal growth and empowerment. While not poisonous, the tree's wood should be sustainably harvested to honor its sacred connection.

The Wollemi Pine, or Wollemia nobilis, is a rare and ancient conifer native to Australia that has a profound connection to shadow witchcraft. Its status as a living fossil and its resilience throughout history make it a symbol of hidden knowledge and endurance. Shadow witches may use the Wollemi Pine to gain insight into ancient wisdom and connect with the spirits of the past. Harvesting this tree from the wild is strongly discouraged, as it is a critically endangered species.

The Velvet Bush, or Lasiopetalum schultzei, is a native Australian shrub associated with shadow witchcraft for its velvety, dark foliage. Shadow witches may use this plant in spells and rituals to connect with the energies of mystery and transformation. While not toxic, the Velvet Bush should be used with reverence for its symbolic significance in shadow magic.

The Grey Spider Flower, or Grevillea buxifolia, is a native Australian plant with spidery, otherworldly flowers that have a mystical quality associated with shadow witchcraft. Shadow witches may use this plant in rituals to communicate with spirit guides and to tap into the secrets of the unseen realms. While not poisonous, the Grey Spider Flower should be approached with respect for its spiritual significance.

The Black Kangaroo Paw, or Anigozanthos manglesii, is a unique and striking Australian native plant that holds a special place in shadow witchcraft due to its dark color and symbolic connection to the hidden realms. Shadow witches may use the Black Kangaroo Paw in their rituals to explore the mysteries of the shadow self, facilitate transformation, and communicate with ancestral spirits. While not inherently toxic, this plant should be handled with care and respect for its sacred associations.

The Devil's Twine, or Cassytha glabella, is a parasitic plant native to Australia that has gained notoriety in shadow witchcraft due to its enigmatic growth and ethereal qualities. Shadow witches may incorporate the Devil's Twine in their spells and rituals to enhance their psychic abilities and explore the boundaries between the living and the spirit world. While not poisonous, it should be used with caution, as it is a plant that embodies both mystery and connection.

The Finger Lime, or Citrus australasica, is a small, citrus-bearing tree native to Australia, and its unique fruit is associated with shadow witchcraft for its symbolism of hidden revelations and unexpected knowledge. Shadow witches may use the Finger Lime in rituals to reveal hidden truths and access concealed information. While not toxic, the fruit should be used with intention and respect for its symbolic significance.

The Desert Bloodwood, or Corymbia opaca, is a native Australian tree with dark, gnarled bark and a connection to shadow witchcraft. Its resilience in harsh environments and its deep-rooted nature make it a symbol of inner strength and transformation. Shadow witches may use the Desert Bloodwood in rituals to access their inner power, overcome obstacles, and harness the energy of change. While not toxic, this tree should be approached with a sense of reverence for its symbolic associations.

The Australian Shepherd's Purse, or Capsella bursa-pastoris, is a plant with small, heart-shaped seedpods and is associated with shadow witchcraft for its symbolism of hidden desires and secrets. Shadow witches may use the Shepherd's Purse in spells and rituals to uncover concealed truths and tap into the realm of the subconscious. While not toxic, it should be used with a sense of intention and respect for its symbolic significance.

The Queen of the Night, or Selenicereus grandiflorus, although not native, it can be commonly found. Queen of the Night is a cactus with night-blooming, fragrant flowers that have associations with shadow witchcraft. The mysterious and ephemeral nature of these flowers makes them symbols of hidden desires and forbidden knowledge. Shadow witches may incorporate the Queen of the Night in their practices to access the hidden aspects of themselves and explore the depths of their desires. While not poisonous, the cactus should be handled with care due to its spines.

The Flannel Flower, or Actinotus helianthi, is a native Australian plant with delicate, daisy-like flowers that have connections to shadow witchcraft due to their ethereal beauty. Shadow witches may use the Flannel Flower in spells and rituals to invoke the energies of enchantment, attraction, and the hidden mysteries of nature. While not toxic, this plant should be approached with respect for its symbolic associations. Eucalyptus, often referred to as gum trees, is an iconic Australian genus, comprising over 700 species. It has a long history of use by Indigenous Australians for medicinal purposes and forms an integral part of their cultural heritage. The leaves of many Eucalyptus species are rich in essential oils, making them valuable in the production of traditional remedies and modern pharmaceuticals. Additionally, the bark and leaves of various Eucalyptus species have been used in indigenous medicine and witchcraft practices. Kangaroo Paw, or Anigozanthos spp, is a group of plants native to southwestern Australia and is known for its strikingly unique flowers resembling a kangaroo's paw. In Aboriginal culture, the plant holds significance due to its use in traditional medicines and rituals. Its vibrant colors and distinctive shape make it a powerful symbol in shadow witchcraft, often associated with transformation and adaptability. Banksia, a diverse genus of shrubs and trees, is also deeply rooted in Aboriginal culture, with numerous species being used for food, medicine, and tools. The Banksia serrata, known as Old Man Banksia, is particularly noteworthy for its gnarled appearance and is associated with ancestral spirits in Aboriginal mythology. In shadow witchcraft, its seeds and woody cones are believed to possess protective qualities. Acacia, commonly known as wattle, is a diverse genus comprising over 1,000 species in Australia. The Golden Wattle (Acacia pycnantha) is the national floral emblem and has cultural significance for Indigenous Australians. Acacia has a long history of use in both traditional medicine and magical practices, with its fragrant blooms often employed in spells related to love, purification, and psychic enhancement.

The Tasmanian Blue Gum, or Eucalyptus globulus, is a species of Eucalyptus tree known for its aromatic leaves and distinctive blue-green foliage. It is often used for spiritual and cleansing rituals in shadow witchcraft, particularly for its association with psychic insight and dream work. In some Indigenous Australian cultures, the Tasmanian Blue Gum holds significance as a source of timber, tools, and medicines.

The Black Wattle, or Acacia mearnsii, is an invasive species originally from Australia but now found in various regions around the world. It has significance in both traditional Aboriginal medicine and shadow witchcraft, where it is often used to enhance one's psychic abilities and intuitive insights.

The Waratah, or Telopea speciosissima, is a striking native shrub with brilliant red flower heads that are a source of great beauty and significance in Australian flora. It has been used in Indigenous culture for its vibrant appearance and in shadow witchcraft for its associations with love, passion, and transformation.

The Xanthorrhoea, commonly known as grass trees, are iconic Australian plants with tall, slender trunks and tufted, grass-like leaves. These plants have various uses in Aboriginal culture, from making tools and weapons to providing food. In shadow witchcraft, the resin produced by Xanthorrhoea is often used for its protective and purifying qualities.

The Snake Vine, or Hibbertia scandens, is a twining climber native to eastern Australia. It gets its name from the twisted and serpentine appearance of its stems. This plant has been associated with various magical and medicinal uses in both Indigenous and witchcraft traditions, often linked to its sinuous form and its connection to the serpent archetype including the Dreamtime Serpent and other Australian ancestral spirits and deities. The Stinging Nettle, or Urtica incisa, is a native Australian plant known for its stinging hairs that cause discomfort when touched. In some forms of shadow witchcraft, this plant's stinging properties are harnessed for protective spells, curses, or rituals involving pain and transformation.

The Native Violet, or Viola hederacea, is a small, creeping plant with dainty violet flowers. It has cultural importance in some Aboriginal communities and is associated with protection and healing in shadow witchcraft, particularly in matters of emotional well-being.

The Pigface, or Carpobrotus spp, is a succulent plant with colorful, daisy-like flowers that are found in coastal regions. In some Indigenous cultures, the Pigface has culinary and medicinal uses. In shadow witchcraft, it is associated with protection, especially in coastal areas, and is believed to have grounding properties.

The Geraldton Wax, or Chamelaucium uncinatum, is a shrub known for its abundant pink or white flowers. It is used in shadow witchcraft for its qualities of purification and protection, often used in rituals and spells to cleanse spaces and ward off negative energies.

The Bush Tomato, or Solanum centrale, is a small fruit-bearing plant found in arid regions of Australia. It has culinary and medicinal uses in Indigenous cultures and is often associated with fertility, abundance, and nourishment in shadow witchcraft.

The Hakea, a diverse genus of shrubs and small trees, is native to Australia and has significant cultural and ecological importance. In shadow witchcraft, the Hakea is associated with resilience, adaptability, and protection, especially in the face of adversity.

The Poisonous Gimpi Gimpi, or Dendrocnide moroides/excelsa, understood to be a Kabi Kabi- a word meaning 'devil'- is notorious for its intensely painful stinging hairs, making it one of the most feared plants in Australia. In shadow witchcraft, its venomous nature is harnessed for curses and hexes, symbolizing the power to inflict pain and suffering.

The Desert Rose, or Gossypium sturtianum, is a striking, pink-flowering shrub native to arid regions. It is used in shadow witchcraft for its associations with transformation, resilience, and blooming in harsh conditions.

The Sturt's Desert Rose, or Gossypium sturtianum, is a hardy shrub native to arid regions of Australia, known for its striking pink flowers. Shadow witchcraft, is often associated with endurance, survival, and the ability to thrive in challenging environments.

The Balaustion, or Callistemon spp, is a genus of shrubs commonly referred to as bottlebrushes due to their cylindrical, brush-like flowers. It has significance in Indigenous cultures and is used in shadow witchcraft for its symbolism of cleansing, purification, and renewal.

The Blackthorn, or Bursaria spinosa, is a native Australian shrub with sharp, thorny branches and white flowers. It has been used in Indigenous medicine and holds a dark symbolism in shadow witchcraft, often associated with protection, barriers, and defensive magic.

The Fairy Fan Flower, or Scaevola spp, is a delicate, trailing plant with fan-shaped flowers. It is used in shadow witchcraft for its associations with grace, adaptability, and the whimsical world of the fae.

The Kangaroo Apple, or Solanum aviculare, is a native Australian plant with greenish-yellow fruit. It has been used in traditional medicine by Indigenous communities and is associated with transformation, shape-shifting, and altered states of consciousness in shadow witchcraft.

The Weeping Myall, or Acacia pendula, is a distinctive tree with pendulous branches and has significance in Indigenous cultures. In shadow witchcraft, it is associated with emotional release, healing, and purification.

The Yellow Alder, or Turnera ulmifolia, is a small shrub with bright yellow flowers. It has been used in Indigenous medicine and is associated with enhancing intuition and clairvoyance in shadow witchcraft.

The Tea Tree, or Leptospermum spp, is a group of evergreen shrubs and small trees known for their antibacterial and healing properties. In shadow witchcraft, the Tea Tree is often used for cleansing and protection, especially in rituals involving purification and banishing negativity.

The Silver Banksia, or Banksia marginata, is a coastal shrub with silvery leaves and cylindrical flower spikes. It is used in shadow witchcraft for its protective qualities and its ability to ward off negative energies. The Grasstree, or Xanthorrhoea spp, is a group of slow-growing, tree-like plants with tall flower spikes. It has cultural significance in some Aboriginal communities and is associated with longevity, wisdom, and protection in shadow witchcraft.

The Emu Bush, or Eremophila spp, is a group of shrubs with colorful, tubular flowers. It has been used in Indigenous medicine and is associated with healing, transformation, and psychic abilities in shadow witchcraft.

The Dorrigo Pepper, or Tasmannia stipitata, is a native Australian shrub with small, peppery berries. It has been used in traditional Indigenous cuisine and is often associated with spicy, transformative energies in shadow witchcraft.

The Quandong, or Santalum acuminatum, is a small tree with bright red fruit. It holds culinary significance in Indigenous cultures and is used in shadow witchcraft for its associations with vitality, passion, and protection. Australia's native herbs and plants encompass a vast and diverse botanical tapestry, with deep roots in both Indigenous culture and the realm of shadow witchcraft. The connections between these plants and their spiritual and magical attributes are rich and complex, reflecting the intricate relationship between the natural world and the human psyche in this unique and ancient land. Whether used for healing, protection, transformation, or other mystical purposes, these native Australian plants continue to play a significant role in the spiritual and cultural fabric of the continent. Should you have any questions about any native flora in your area and what magical/spiritual qualities they hold- feel free to ask the questions and I will answer to the best of my abilities.

My qualifications are rooted in an in-depth understanding of Australian medicinal plants, their profound medicinal values, and their sacred applications within indigenous practices cherished by the ancestral people of this land. Through years of dedicated research and engagement with indigenous communities, I have acquired a comprehensive knowledge of the unique flora found across Australia and the remarkable healing properties they possess. This knowledge extends beyond mere botanical expertise; it delves into the cultural, spiritual, and traditional significance of these plants in the daily lives and sacred rituals of indigenous peoples.

In addition to my hands-on experience, I have also earned an advanced diploma in herbal medicine, which further deepens my expertise in harnessing the therapeutic potential of native Australian plants. This formal education has enabled me to apply a scientific perspective to the rich traditional wisdom I have gained from indigenous communities, bridging the gap between ancient knowledge and contemporary herbal medicine practices. It equips me with the skills necessary to analyze, extract, and prepare medicinal remedies from these plants, ensuring they are used safely and effectively.

My immersion in the indigenous communities of Australia has been a transformative and invaluable aspect of my journey. By sitting with numerous indigenous families, I have been fortunate enough to witness and participate in their sacred rituals and medicinal practices, thereby enriching my knowledge with first-hand experiences and insights. This unique opportunity has allowed me to not only learn about the medicinal properties of these plants but also understand the spiritual and cultural contexts in which they are utilized. This profound connection to the sacred land and its people has deepened my respect for their traditions and their incredible contributions to the field of herbal medicine, making me well-equipped to honor and preserve this rich heritage. © Dʏsʜᴀɴᴋᴀ/Oᴅᴇᴛᴛᴇ ₂₀₂₃

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ljgrealestate · 1 year

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IMPORTANT RENTAL CHANGES FROM 01/07/2023 https://t.co/pLNwKmWi8r

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#affordable housing #Australia #BRISBANE #family #INVESTMENT #Investment Property Sales & Management #INVESTOR #ljgrealestate #property management #Property Management; Investment Properties; Sold; Sell #Rent;Property Investor #Research #sales; property sales; property investment; property management

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queenoferdas · 8 months

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I saw waterparks last night. It was the first time I ever got drunk. Awsten refused to do a shoey and I respect him for that so much. He called us all violent and said we needed to be for our friends before he played 2 Best Friends. Otto said one word I think. He made us apologies to a girl on facetime after we booed her cause she couldn't be here cause she was studying biochemisty and that's something you probably need to go to college for and one day she was gonna change the world, and we parrot his American accent back to him. My friend was an absolute sweetheart and only came cause I wanted to go to the concert with someone. We taught him how to say mum in an Australian accent.

#waterparks #awsten knight #awsten waterparks #otto waterparks #Australia #poperty tour #intellectual property #Perth

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equimaxpropertygroup · 2 months

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Unlocking Wealth: The Role of Property Investment Companies in Building Financial Portfolios

Property investment companies have become pivotal players in the realm of wealth creation, offering individuals and businesses strategic opportunities to grow their financial portfolios through real estate. Equimax Property Group is one such company that exemplifies the benefits and expertise associated with property investment firms. In this article, we explore the essential aspects of property investment companies, their benefits, and why partnering with Equimax Property Group can be instrumental in achieving financial success.

Understanding Property Investment Companies

Equimax Property Group, like many other reputable property investment companies, specializes in acquiring, managing, and optimizing real estate assets on behalf of investors. They leverage their expertise, market knowledge, and networks to identify lucrative investment opportunities, mitigate risks, and maximize returns for their clients.

Key Benefits of Property Investment Companies

Diversification: Equimax Property Group enables investors to diversify their portfolios beyond traditional asset classes such as stocks and bonds. Real estate investments offer diversification benefits by having low correlation with other asset classes, thus reducing overall portfolio risk.

Professional Management: By partnering with Equimax Property Group, investors benefit from professional management services. The company handles property acquisition, leasing, maintenance, and asset optimization, freeing investors from day-to-day operational tasks while ensuring optimal performance of their real estate holdings.

Access to Expertise: Equimax Property Group employs seasoned professionals with expertise in real estate markets, investment analysis, and strategic planning. This expertise translates into informed investment decisions, market insights, and customized investment strategies tailored to investors' financial goals and risk profiles.

Scale and Efficiency: Equimax Property Group operates at scale, allowing them to access larger and more diversified real estate opportunities. Through pooled funds and collective investments, investors can benefit from economies of scale, lower transaction costs, and enhanced investment efficiency.

Risk Mitigation: Real estate investment inherently involves risks, such as market fluctuations, tenant turnover, and regulatory changes. Equimax Property Group employs risk management strategies, conducts thorough due diligence, and implements proactive measures to mitigate risks and safeguard investors' capital.

Key Considerations When Selecting a Property Investment Company

Track Record and Reputation: Equimax Property Group boasts a strong track record, performance history, and reputation in the real estate investment industry. They have a proven record of successful investments, satisfied clients, and transparent business practices.

Investment Strategies: Equimax Property Group offers a range of investment strategies tailored to investors' needs, whether it's income-generating properties, capital appreciation, or a balanced approach. They align their strategies with clients' financial goals, providing customized solutions for wealth creation.

Market Expertise: Equimax Property Group possesses in-depth market knowledge, research capabilities, and understanding of local and global real estate trends. They can identify emerging opportunities, navigate market challenges, and optimize investment performance for their clients.

Transparency and Communication: Equimax Property Group prioritizes transparency, clear communication, and regular reporting. They provide transparent fee structures, access to investment information, and open communication channels to enhance trust and confidence in the partnership.

Client Services: Equimax Property Group offers exceptional client services, responsive support, and personalized advisory to ensure a positive investment experience. Their dedicated team provides ongoing support, guidance, and strategic insights to help investors achieve their financial objectives.

Conclusion Equimax Property Group, along with other reputable property investment companies, plays a vital role in modern investment strategies. By partnering with Equimax Property Group and considering key factors such as track record, investment strategies, market expertise, transparency, and client services, investors can unlock wealth-building opportunities and achieve their financial goals through real estate investments.

#Property investment companies #Property investment #property investment company #property in melbourne #property investment advisor #realestate #property investment consultant #real estate investment #Property in Sydney #property in australia #property investing

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anujassociates · 2 years

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anguilliforme · 10 months

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Bushfire / Wildfire preparation and survival (long post)

Because of climate change, we will be facing increasingly difficult fire seasons not just for this year, but for what I can only assume will be every year from here on out. While I fully recommend contacting your local fire services to find information most helpful to you, here is a list of general advice for bush/wildfire preparation and survival. This list will cover:

General things you should know before preparing for fire season

Pre fire season preparation

Your evacuation kit

What to do on fire risk days

What to do if you choose to evacuate

What to do when you evacuate too late and your car is about to be caught in the fire

What to do if you choose to stay and defend your home

Firefighting tools

How to defend your home from a fire

What to do as the fire front approaches

What to do if your home catches on fire while you're in it

No house no car no evacuation centre- best places to use as emergency shelter

I am Australian so I will be using the word "bushfire" because that is what I am familiar with, please feel free to replace it with wildfire or whatever your local term is. Information is taken from the CFA, Fire TAS, and the NSW rural fire service but please check with your local fire authorities for the best information for your area.

General things that you should know:

You don't have to be in the middle of nowhere to be at risk for a fire. If you are located near paddocks, grasslands, costal scrub, or if your neighbourhood borders bushland (or woodlands/forests for my non aussie friends) you can be at risk.

Familiarise yourself with your local fire danger rating system (FDRS) I can not stress this enough. Go on your local fire services website now and look it up. I will be using the Australian FDRS as a reference because it is what I am most familiar with. It looks like this:

You should understand what your local FDRS levels are, because they are extremely important tool for communicating the possible severity of fires, and can help you make important decisions on how you should act.

You should also familiarise yourself with your local wind patterns. You would be surprised by how many people die in bushfires because they are unfamiliar with wind change patterns and get caught out.

Pre fire season preparation- your house

Prepare your property! This is basic fire safety, and most people who live rural will be familiar with the motions but for those who aren't in the know:

Keep the grass in your lawn cut to 10cm (4in) or less. Rake your lawn so there aren't loose leaves or twigs in the grass. Clean your gutters while you're at it.

Store any wood piles and flammable liquids away from your house (put it in a shed or any building that isn't attached to your house).

Cut back any trees that are overhanging your roofs. Generally you want 10m (or 33ft) of clearance. Prune the lower branches of shrubs to separate them from any possible fuel underneath them.

Line your garden beds with pebbles instead of mulch, if you have any shrubs or bushes under windows get rid of them.

Evacuation kit

You should have an evacuation kit ready to go during fire season. This is different for every individual but here are a few things that should go into it:

Scan all of your important documents (birth certificates, wills, passports, drivers licences, insurance documents, etc) and put them on a USB. Put this in your kit alongside the documents.

Your medication. Your prescription paperwork if it is not digital.

Portable chargers for your devices.

A battery-operated radio (check the batteries regularly).

100% wool blankets. Enough for everybody in your household to be fully covered. Do not pack anything synthetic. These blankets need to be accessible if you are travelling by car so do not pack them in the bottom of any bags.

"Bushfire fits", clothing that is either wool, heavy cotton, or denim. Once again, no synthetic fabrics. Shoes should be leather boots and not sandals or runners. There needs to be enough to clothe everyone in your household.

If you have pets you need to have their carriers, medication, food/water and bowls ready.

You should also have food and (more importantly) water for yourself and everyone in your household ready to go should you need to evacuate.

Other pre fire season preparation things

Practice packing your car at least once so you know exactly how long it will take you to get ready if you do end up needing to leave.

Talk with your neighbours. If you can't drive they might be able to drive you, if they're staying they may be willing to help defend your house if you let them use your water. You'll never know if you don't ask.

You need to talk with the people in your household and decide whether you will stay to defend your home from the fire or evacuate. If you want to evacuate you need to agree on which FDRS danger level you will evacuate on, or what your trigger to leave will be.

If you will leave, decide ahead of time how you will leave and where you will go. In a fire, phone services ay go down; have a physical map that shows not only your main evacuation route, but also your backup ones. Have these clearly marked.

On fire risk days

Stay informed. Listen to your local radio and use more than one source of information if available. You want to know if a fire starts near you.

If you have a deck or verandah with mats or furniture on it, move them away from your house. Hanging pots need to go too.

If you have a car behind an electric gate or garage door take it out and have the car facing the road ready to go.

Ensure your evacuation kit is ready to go. Make sure that everyone is aware of the evacuation trigger and has agreed to leave.

If you choose to evacuate

Leaving early is always the safest option. Many things can be replaced, but your life can't. This is the official stance of the Australian government. Leaving early (as in, before the fire even starts) will prevent any issues being caught in your car during a bushfire can bring. You do not want to drive through heavy smoke, and you do not want to accidentally block roads for emergency services.

Make sure everybody is in their bushfire fits, even if you can't see the fire. Better safe than sorry.

Turn off your home's gas and (if you have the time) plug your downpipes and fill your gutters partially with water.

Close and lock all of your doors and windows.

Leave your front gate open.

Tell somebody that you are leaving, and where you are leaving to.

Late evacuation- my car is about to be hit by fire

If you evacuate late there is a chance you may find that you are unable to drive safely due to smoke or flames. It is considered extremely dangerous to shelter in a car, however you can do the following to increase your chances of survival:

Do not park on a road. Emergency service workers do not need to be dealing with car crashes as well as the fires.

Park your car away from dense bushland, preferably in a clear area. If you can find a rock wall to buffer some of the radiant heat even better. Face your car towards the oncoming fire.

Stay in the car, close all windows and doors. Shut all vents and turn off your engine.

Cover yourself with the wool blankets from your evacuation kit. sit or lie down below window level. Drink water.

Once the fire has passed, get out of the car and move to burnt ground.

If you choose to stay

The best way to prepare to stay for a bushfire is to have an action plan that you have both written down and practiced with your household. During a bushfire there is a high likelihood of service disruption both during and after a fire, so do not expect for there to be phone service, internet access, electricity, or water. You should expect:

Embers and spot fires which will move ahead of the main fire. Embers can also land for hours after a fire has passed. Embers are the number one cause of house fires when there is a bushfire.

Darkness. You will never truly understand how dark it can get in a bushfire until you are in it. It's darker than midnight.

Smoke will also make the air difficult to breathe. Invest in good face masks.

Local roads can be blocked from fallen trees or power lines, burnt out cars, dead animals, or emergency service vehicles.

Radiant heat. This is the biggest killer of bushfires. There is very little way around this. Long term radiant heat exposure will kill you long before the main bushfire gets to you. You can block radiant heat with solid walls (such as brick or concrete). Stay away from windows.

Your weapons in the fight against fire

You will need at a bare minimum 10,000 litres (2200 gallons) of water to defend your home. Have a petrol/diesel pump ready to use close by your water source.

In Australia you can find specialty firefighting hoses. Check your local availabilities, but you can still use a gardening hose in a pinch (be aware that plastic will melt once it gets too hot, get ones with metal fittings). Any hose you use should be able to reach all the way around your house.

Sprinklers. Ensure any plastic hoses connected to them are buried so they don't melt.

Buckets. And mops. Yes, you can whack an ember to death.

Metal rakes and shovels which will help break up burning materials.

Metal ladders so you can reach your roof.

Defending your home

If you are planning on staying to defend your home there needs to be at lease two fit adults. They both need to be physically and mentally willing to work for several hours in difficult and distressing conditions.

Everyone who stays also needs to be aware that there is a chance of dying. Survival is not guaranteed if you stay to protect your home.

Make sure you are all wearing appropriate clothing. Put on your bushfire fit. Wear eye protection and face masks to block out smoke. As funny as the picture of the bloke in his shirt and thongs standing on his roof with a hose is, it is a monumentally dangerous move.

Turn off your gas supply, air conditioners, and close all of your windows and doors facing outside.

Block your downpipes and fill your gutters with water, put wet wool blankets (or cotton towels) inside of windows and as door stops.

Check that pets are safely contained, and your car is ready to go in case of a late evacuation.

When embers appear, turn on your sprinklers.

You will need to patrol for embers, and put out any spot fires which occur. As embers float through the air, you will also need to check your roof as your home can easily be set alight from roof embers.

You will be patrolling for embers for several hours, as they can show up before, during, and after the fire front has passed.

Keep hydrated, even if you don't feel like drinking.

As the fire front approaches

You will begin to feel the radiant heat. Remember- you will need to protect yourself from this. Once the heat outside is unbearable you must retreat indoors or you will die.

Hose down any decks and/or garden beds connected to your house.

Collect your fire fighting equipment and bring them indoors. Anything plastic will melt. There are specialty fittings that will let you attach your fire fighting gear to washing machine taps to make it easier to fight fires inside your house.

Stay hydrated. Drink water, and splash your face with water to cool down.

If you are caught in your home during a bushfire

You will still need to patrol inside your home to check for embers starting fire. This includes going into your roof space, as embers enter most easily through the roof.

Make sure the room/s you are sheltering in have two exits- one to another room and one to outside your house. Keep all of the doors inside your house open.

Do not shelter in a room with frosted windows as you want to see what is going on outside.

If your house catches fire and it can't be put out

Close the door to any room that is on fire. Move away from the area/s on fire, keep low to avoid breathing in smoke. Close all doors behind you so you know not to turn back.

As soon as the main fire has passed your house get out! Please do not stay in your on fire house. Instead move to burnt ground.

Drink some water. The last thing you need is to be dehydrated.

Once the fire front has passed

Use your own judgement on whether the outside radiant heat is bearable. Remember, solid walls protect you from radiant heat, so it may be hotter outside your house. Once you can go outside, you are back on outdoor ember patrol.

Do not take your bushfire fit off. Yes, even if it is warm. You don't want bare skin in bushfire conditions.

Put out any fires that have started near or on your house.

Hose down the outside of your house, all of it including the roof and under the floorboards.

Call your friends and family. Let them know you are alive, and that the front has passed you.

Drink water. Do not die of dehydration or heat stroke now.

You will need to stay vigilant for several hours after the front has passed- embers can still start fires.

Places to shelter

If you are caught in the open with no options available to you, you can use these as a last resort shelter:

A stationary car in a clear area such as a bare field.

A ploughed paddock, field or park.

A body of water such as a river or dam.

Thats all I can think of right now. If anybody has any more information to add before this years fire season starts feel free.

#bushfires #wildfires #straya #australia #psa #I got this info for a class im teaching which is fun #oh fun fact: different Aussie state fire services have different opinions on whether or not to hose down your house #a story: ive always been scared of bushfires #when I was a toddler my parents were thinking of moving to the country but apparently I threw a massive fit #thinking we were going to die in a bushfire #they decided that I had a decent point so they didnt #anyway every property they looked at burnt down on black saturday so theres that

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