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shayaribazaar · 3 years

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Dil Chahta Hai Aaj

Rukh-E-Parda Hata Do AajApna Deewana Bana Lo AajSeene Se Laga Ke Khud Ke MujheApna Ehsaas Bana Lo Aaj || रुख-ए-पर्दा हटा दो आजअपना दीवाना बना लो आजसीने से लगा के खुद के मुझेअपना एहसास बना लो आज || Mere Lafzon Ko Apna Bana Lo AajMere Pyar Ko Apna Naam Do AajBaitha Ke Pehloo Me MujheMere Dil Ki Dhadkan Sun Lo Aaj || मेरे लफ़्ज़ों को अपना बना लो आजमेरे प्यार को अपना नाम दो आजबैठा के पहलू में…

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smartindian · 5 years

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Setu, January 2019 Special

Poetry: Voices Within: Guest Editor’s Note

Gopal Lahiri: Guest Editor with 48 English poets from India

It’s always a challenging task to identify the different voices in a poem. The poetic voices are always rooted in some characteristic elements which brings an edgy energy. Different voices in poetry can also be like instruments in an orchestra, adding coatings of sound and tone.

For this, I am extending my sincere gratitude to Dr. Sunil Sharma, the editor of the English Section of Setu, the bilingual literary journal, published from Pittsburgh, USA, for giving me the opportunity to guest edit the special poetry section titled ‘Voices Within’ where the best poems of the established as well as young Indian Poets writing in English are included.

Robert Frost once said ‘Poetry is when an emotion has found its thought and the thought has found words’. It’s in fact none of a poem’s effects function in isolation. But it’s also true that the total of all the separate parts can in no way add up to the functioning whole. But it’s the act of analysis that may be revealing

It’s quite natural that even a poet is also speaking in different voices. In this collection titled ‘Voices Within’, some poems are strikingly inward, some makes hidden regions visible, some traces the sound wave paths within where the self dissolves into many voices. Some poems are meditative, humane and moving.

The unsentimental language and the arrangement of words and phrases, the breadth of form and content, the range of imagery and craft- all roll into a perfect poem. Poetry is all about understanding- not everyone reads a poem the same way, and that is the prettiness and truth of it all.

There are no themes in particular for this endeavor but emphasis is given on strong imagery, innovative style and syntax. Selecting poems amongst many isn’t an easy task and long debates ensue silently in your mind - on which poems more than the others. Sometimes there is disappointment when one of your fellow poets doesn’t make the cut.

It’s really heartening to note that the response for this initiative by ‘Setu’ is overwhelming. I am indebted to all the poets for sending their poems written to the best of their capabilities. But not all the poems are in tune with the poetic elements which I am looking for. Unfortunately, I do not feel that all the submissions for ‘Voices Within’ are suitable for publication but do however urge the poets to forward those poems onto other publications in order that as many as possible are able to read. Some of the Bios are edited to make them brief.

A compilation of this size is often said to contain something for everybody and I am sure most of these poems will be endearing to the readers. Admittedly, in this one, every reader is sure to find something to take away. ‘Voices Within’ holds enough evidence to support that claim.

Gopal Lahiri

Poetry: Voices Within: Authors

1. Ambika Ananth

2. Amit Shankar Saha

3. Aneek Chatterjee

4. Abu Siddik

5. Anuradha Bhattacharyya

6. Ayaz Rasool Nazki

7. Ballari Sen

8. Basudhara Roy

9. Bhaskaranand Jha Bhaskar

10. Chandni Santosh

11. Debendra Sahu

12. Deepak CJ Malakar

13. Gopa Bhattacharjee

14. Hema Ravi

15. Jagari Mukherjee

16. Jamiel Ahmad

17. Kanwar Dinesh Singh

18. Kiriti Sengupta

19. Kushal Poddar

20. K.S. Subramanian

21. Lopamudra Banerjee

22. Molly Joseph

23. Moinak Dutta

24. Mushtaque B Barq

25. Nishi Pulugurtha

26. Nandita Samanta

27. Neetu Vaid Sharma

28. Padmaja Iyengar-Paddy

29. Parneet Jaggi

30. Pitambar Naik

31. Purabi Bhattacharya

32. Raja Chakraborty

33. Ranjana Sharan Sinha

34. Rizwana Parveen

35. Santosh Bakaya

36. Sanjeev Sethi

37. Sangeeta Sharma

38. Sarala Ram Kamal

39. Sanhita Sinha

40. Saikat Gupta Majumdar

41. Sandeep Gupta

42. Shree

43. Sharmila Ray

44. Shristi Sharma

45. Sanjiban Roy

46. Tapeshwar Prasad

47. Vinita Agrawal

48. Wani Nazir

#journal #poetry #literature #bilingual #setu #pittsburgh #mumbai #english

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asksabhaniblog · 6 years

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Shankardas Kesarilal (30 August 1923 – 14 December 1966), popularly known by his pen name Shailendra, was a popular Indian Hindi lyricist. Noted for his association with the filmmaker Raj Kapoor and the composers Shankar-Jaikishan, he wrote lyrics for several successful Hindi film songs in the 1950s and the 1960s.Shailendra was born in Rawalpindi, and brought up in Mathura. The native place of his ancestors is located in the Akhtiyarpur, Ara district of Bihar.

He came in contact with Indra Bahadur Khare at the Kishori Raman School. Both started composing poems, sitting on the rock located on the bank of a pond in between railway 27 quarters and railway line near to Mathura station. Afterwards Shailendra moved to Bombay for films and Indra Bahadur Khare got fame in Raashtreey Kavita.

Shailendra started his career as an apprentice with Indian Railways in Matunga workshop, Mumbai (then Bombay) in 1947. He started writing poetry during these days.

The filmmaker Raj Kapoor noticed Shailendra, when the latter was reading out his poem Jalta hai Punjab at a mushaira (poetic symposium).[4] Kapoor offered to buy the poem Jalta Hai Punjab written by Shailendra and for his movie Aag (1948). Shailendra, a member of the left wing IPTA, was wary of mainstream Indian cinema and refused. However, after his wife became pregnant, Shailendra himself approached Raj Kapoor in need of money. At this time, Raj Kapoor was filming Barsaat (1949), and two of the film songs had not yet been written. For ₹ 500, Shailendra wrote these two songs: Patli kamar hai and Barsaat mein. The music for Barsaat was composed by Shankar-Jaikishan.

The team of Raj Kapoor, Shailendra and Shankar-Jaikishan went on to produce many other hit songs. The song "Awara Hoon" from the 1951 film Awaara, written by Shailendra, became the most appreciated Hindustani film song outside India at the time.

In the days when composers would recommend lyricists to producers, Shankar-Jaikishan once promised Shailendra that they would recommend him around, but didn't keep their promise. Shailendra sent them a note with the lines, Chhoti Si Yeh Duniya, Pehchaane Raaste Hain. Kahin To Miloge, toh Poochhenge Haal ("The world is small, the roads are known. We'll meet sometime, and ask 'How do you do?'"). Shankar-Jaikishan realised what the message meant and having said sorry, turned the lines into a popular song. The song was featured in the film Rangoli (1962), for which the producer Rajendra Singh Bedi wanted to sign up Majrooh Sultanpuri as the lyricist. However, Shankar-Jaikishen insisted on Shailendra and the producer had to oblige.

Apart from Shankar-Jaikishan, Shailendra also shared a rapport with composers such as Salil Chowdhary (Madhumati), Sachin Dev Burman (Guide, Bandini, Kala Bazar), and Ravi Shankar (Anuradha). Apart from Raj Kapoor, he shared a rapport with filmmakers such as Bimal Roy (Do Bigha Zameen, Madhumati, Bandini) and Dev Anand (Guide and Kala Bazar).

In 1961 Shailendra invested heavily in the production of the movie Teesri Kasam (1966), directed by Basu Bhattacharya and starring Raj Kapoor and Waheeda Rehman. The film won the National Film Award for Best Feature Film. However, the film was a commercial failure. The falling health resulting from tensions associated with film production and anxiety due to financial loss, coupled with alcohol abuse, ultimately led to his death.

Shailendra's son Shaily Shailendra also became a lyricist. At the age of 17, Raj Kapoor asked him to complete his father's song Jeena yahan, marna yahan for the film Mera Naam Joker. Shaily Shailendra completed the "mukhra" of the song whereas Shailendra completed "antara" only before his demise. Lyricist, writer, and director Gulzar has stated on many occasions that Shailendra was the best lyricist produced by the Hindi film industry.

Shailendra won the Filmfare Best Lyricist Award three times.

1958: "Yeh Mera Deewanapan Hai" (Yahudi) 1959: "Sab Kuch Seekha Hamne" (Anari) 1968: "Main Gaoon Tum So Jao" (Brahmchari) Popular songs[edit] Some of the popular songs written by Shailendra include:

"Suhana Safar Aur Yeh" – "Madhumati" "Chalat Musafir Moh Liya Re" – "Teesri Kasam" "Yeh Mera Diwanapan Hai" – "Yahudi" "Dil Ka Haal Sune Dilwala" – "Shri 420" "Tu Pyar Ka Saagar Hai" – "Seema" "Yeh Raat Bhigi Bhigi" – "Chori Chori" "Paan Khaye Saiya Hamaro" – "Teesri Kasam" "O Sajana, Barkha Bahar Aai" – "Parakh (1960 film)" "Ruk Ja Raat, Thahar Ja Re Chanda" – "Dil Ek Mandir" "Yaad Na Jaye Bite Dino Ki" – "Dil Ek Mandir" "Chadh Gayo Paapi Bichhua" – "Madhumati" "Awara Hoon" – Awaara "Ramaiya Vastavaiya" – Shri 420 "Mud Mud Ke Na Dekh" – Shri 420 "Mera Joota Hai Japani" – Shri 420 "Aaj Phir Jeene Ki" – Guide "Gata Rahe Mera Dil" – Guide "Piya Tose Naina Laage Re" – Guide "Kya Se Kya Ho Gaya" – Guide "Din Dhal Jaaye Haye" - Guide "Har Dil Jo Pyar Karega" – Sangam "Dost Dost Na Raha" – Sangam "Sab Kuchh Seekha" – Anari "Kisi Ki Muskurahaton Pe" – Anari "Dil Ki Nazar Se" – Anari "Khoya Khoya Chand" – Kala Bazar "Pyaar Hua Ikraar Hua" – Shri 420 "Ajeeb Dastan Hai Yeh" – Dil Apna Aur Preet Parayi "Jhoomti Chali Hawa" - Sangeet Samrat Tansen "Jeena yahan marna yahan" - Mera Naam Joker "Nache Man Mora Magan" – "Meri Surat Teri Ankhen" "Sajan Re Jhooth Mat Bolo" – "Teesri Kasam" "Raat Ke Hamsafar, Thak Ke Ghar Ko Chale" – "An Evening in Paris"

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shayaribazaar · 4 years

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Apni Mohabbat

Pyar Ki Kahani

Laga Hame Seene Se Har Kasak Ko Door Kar Diya Hum Ho Gaye Tumhare Itna Majboor Kar Diya Ghayal Kar Ke Apni Nasheeli Aankhon Se Mohabbat Pe Apni Khud Ko Magroor Kar Diya ||

Pyar Ki Kahani

लगा हमें सीने से हर कसक को दूर कर दिया हम हो गए तुम्हारे इतना मजबूर कर दिया घायल कर के अपनी नशीली आँखों से मोहब्बत पे अपनी खुद को मगरूर कर दिया ||

Zindagi Mere Naam Kar Do

Sahil Me Ho…

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#Beautiful Hindi Love Shayari #Dil Love Shayari #Hindi Love Shayari #Hindi Shayari Love #Hindi Shayari Love Story #Love Shayari Hindi #Love Shayari in English #Love Shayari in Hindi #Love Shayari in Hindi for Girlfriend #Ravi Bhattacharya #Ravi Bhattacharya Shayari #Romantic Shayari for Love #Shayari by Ravi Bhattacharya #Shayari in Hindi Attitude

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shayaribazaar · 4 years

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Uski Yaad

Dhadkano Se Kaha Zara Aahista Chalo Uski Yaadon Me Dooba Hoon Khalal Na Karo Dil Me Nahi Hai Uski Yaad Ke Siwa Kuchh Use Bhi Bhula Doon To Phir Kya Karoon ||

Dhadkano Se Kaha

धड़कनो से कहा ज़रा आहिस्ता चलो उसकी यादों में डूबा हूँ खलल ना करो दिल में नहीं है उसकी याद के सिवा कुछ उसे भी भुला दूँ तो फिर क्या करुँ ||

Uske Jaane Se Mit Chali Meri Ummeed Bhi Talaash Jo Thi Ruk Gayee Lage Hai…

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#Bewafa Shayari Sad #Ravi Bhattacharya #Sad Shayari in Hindi #Sad Shayari Love #Uski Yaad Shayari #Yaad Shayari Hindi

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shayaribazaar · 4 years

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Bewafa Pyar

Bewafa Ne Pyar Me Dhokha Aisa Diya Insaan To Insaan Bardasht Khuda Se Na Hua Poochha Jo Usne Kya Saza Ho Bewafa Ki Ham Ne Kaha Ishq Use Bhi Kisi Bewafa Se Ho Jaaye ||

Bewafa Ne Pyar Me

बेवफा ने प्यार में धोखा ऐसा दिया इंसान तो इंसान बर्दाश्त खुदा से ना हुआ पूछा जो उसने क्या सजा हो बेवफा की हम ने कहा इश्क़ उसे भी किसी बेवफा से हो जाए ||

Kuchh Is Kadar Bewafai Thi Uske Pyar Me Kadar Na Ki Sachche…

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#Bewafa Shayari in Hindi for Girlfriend #Bewafa Shayari in Hindi for Love #Bewafa Shayari Sad #Dard Bhari Bewafa Shayari #Judai Bewafa Shayari #Ravi Bhattacharya

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shayaribazaar · 4 years

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Bewafa

Bewafa Ishq Ki Dukaan Se Na Khareed Sake Kuchh Bhi Bewafai Ki Milawat Millti Rahi Daastan-E-Ishq Me ||

Bewafa Ishq

बेवफा इश्क़ की दुकान से ना खरीद सके कुछ भी बेवफाई की मिलावट मिलती रही दास्तान-ए-इश्क़ में ||

Dard-E-Gham Jo Bataya Deewaron Ko Ham Ne Ashqon Se Bheegi Deewaron Se Subah Ka Aagaaz Hua ||

Dard-E-Gham

दर्द-ए-ग़म जो बताया दीवारों को हम ने अश्क़ों से भीगी दीवारों से सुबह का आगाज़…

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#Bewafa Shayari in Hindi for Girlfriend #Bewafa Shayari in Hindi for Love #Bewafa Shayari Sad #Dard Bhari Bewafa Shayari #Judai Bewafa Shayari #Ravi Bhattacharya

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shayaribazaar · 4 years

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Talab-Gaar Ishq

Bepanah Pyar Kiya Jalti Hui Shamma Ki Tarah Jane Kaisa Ishq Kiya Jalte Parwaano Ki Tarah Talab-Gaar Ishq Ke Usi Ke Ho Gaye Taalib Bekhabar Jo Aaj Bhi Umra Ke Padhav Ki Tarah ||

Talab-Gaar Ishq

बेपनाह प्यार किया जलती हुई शम्मां की तरह जाने कैसा इश्क़ किया जलते परवानो की तरह तलब-गार इश्क़ के उसी के हो गए तालिब बेखबर जो आज भी उम्र के पड़ाव की तरह ||

Beintaha Chaahat Hadon Se Guzar Gayee Siskiyaan…

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#Attitude Shayari for Girls #Dard Shayari Hindi #Ravi Bhattacharya #Sad Poem Hindi #Sad Shayari for Love #Sad Shayari in Hindi

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shayaribazaar · 4 years

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Mohabbat-Ishq

मोहब्बत-ए-इश्क़ Mohabbat Ki Yaad

Pa Loon Tujhe Gar Kambakhat Mohabbat Hai Dilkash Door Rah Kar Yaad Aana Bhi To Mohabbat Hai ||

पा लूँ तुझे ग़र मोहब्बत है दिलकश दूर रह कर याद आना भी तो मोहब्बत है ||

Mat Bana Kirayedaar Mujhe Apni Mohabbat Me Ke Jitna Bhi Kar Loon Makaan Hoga Mera Nahi ||

Mohabbat-Ishq

मत बना किरायेदार मुझे अपनी मोहब्बत में के जितना भी कर लूँ मकाँ होगा मेरा नहीं ||

Bada…

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#Dard Shayari Hindi #Ravi Bhattacharya

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shayaribazaar · 4 years

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Dard Chal Diye

Dard-E-Mohabbat Ka Pata Tab Chala Jab Apna Koi Daga De Gaya Chaaha Tha Pyar Me Hona Fanaa Zehar Ke Do Ghoont Peete Chale Gaye||

Dard Chal Diye

दर्द-ए-मोहब्बत का पता तब चला जब अपना कोई दगा दे गया चाहा था प्यार में होना फ़ना ज़हर के दो घूँट पीते चले गए ||

Dil Ki Manzil Mili Na Kahin Thikaane Badalte Chale Gaye Dard-E-Gham Ne Peechha Na Chhoda Bas Fasaane Badalte Chale Gaye ||

Dil Ki Manzil

दिल

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#Dard Bhari Shayari #Dard Shayari Hindi #Ravi Bhattacharya #Sad Shayari in Hindi

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