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sarah-khal3l · 1 month

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Museum-Worthy from AICP on Vimeo.

It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.

AICP Awards Entry Site: aicpawards.awardcore.com Production Co: O Positive Executive Producers: Ralph Laucella & Marc Grill Producer: Grayson Bithell Director: Brian Billow Director of Photography: Bob Yeoman

Head of Production: Devon Clark Executive Producer: Ken Licata Production Supervisors: Deryck Highbridge, Ivan Zigas Production Coodinator: Nicolas Laucella 1st AD: Paul Norman 2nd AD: Don Johnson Creative Concepts & Consulting: BBDO ECD, Writer: Marcelo Nogueira ECD, Writer: Peter Kain SCD, Writer: Dan Oliva SCD, Writer: Scott Mahoney CCO of the Americas: Chris Beresford-Hill

Editorial: Cutters Managing Director: Craig Duncan Executive Producer: Heather Richardson Producer: Brittany Maddock Editors: John Dingfield & Aaron Kiser Editorial Assistant: Benjamin Porter Color: Company 3 Head of Production: Blake Rice Producer: Nick Krasnic Colorist: Jenny Montgomery Finish: Flavor Managing Director: Neal Cohen Executive Producer: Kate Smith Producer: Brittany Maddock Finish: Ryan Esboldt & Rob Churchill Audio/Mix: Another Country Managing Director: Tim Konn Executive Producer: Louise Rider Producer: Josh Hunnicutt Sound Designer/Mixer: Logan Vines Audio Assistant: Nora Strickstein

Additional Production Credits Camera B Cam Op: Eric Laudadio 1st AC – A Cam: Riley Keeton 1st AC – B Cam: Kyle Petitjean 2nd AC: William Hayes DIT: Matt Love Lighting Chief Lighting Tech: Jeremy Launais ACLT: Adrienne Subia SLT: Anthony Peluso SLT: Hootly Weedn Grip Key Grip: Robert Arroyo BB Grip: Chad Pearce Grip: Colby Dunford Grip: Keith Markham Art Department Production Designer: Maia Javan Art Dept Coordinator: Quentin Burchill Set Decorator: Lulu Stewart Prop Master: Matt Huish Leadman: Chad Axman Set Dresser: Roger Shay Barnickle Set Dresser: Donald Ghio Set Dresser: James Axle Set Dresser: Collin Pulsipher Set Dresser: Ryan Wallace Script / Sound / VTR Script Supervisor: Kristen Calabrese Sound Mixer: Joe Hettinger Boom Operator: Lucien Eagle-Jack VTR: Tom Myrick Make Up / Wardrobe Key Make Up: Linda Barcojo 1st Make Up: Jennifer Gerber 2nd Make Up: Theresa Broadnax 3rd Make Up: Anna Novikova Key Costumer: Laura Eckert 1st Asst Costumer: Craig Ryan 2nd Asst Costumer: Jed Carter Location / Transportation Location Manager: David Nakata Gang Boss: Craig Ash Electric Driver: Daniel (DJ) Hausfeld Grip Driver: Gary Cheek Art 5 Ton Driver: Darren Giarrusso Chef Driver: Jesus de los Santos Production Support Craft Service: Danny Tilbury Craft Service: Jayna Mims Medic: Axel Montoya On Set Layout: James Galeana Site Rep: Christina Rusboldt Compliance Coord.: Marques Jackson Production Assistants PA – P: Steve Rea PA – W: Danny Kellermeyer PA – C: Oscar Reyna PAs: Honour Norman, Jackson Shane, Steven McAnnally, Caris Yeoman, Colby LeMaster, Ryan Llanes, Riley Aronson

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evertjes · 1 month

Video

vimeo

Museum-Worthy from AICP on Vimeo.

It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.

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jetbelly · 2 months

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vimeo

Museum-Worthy from AICP on Vimeo.

It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.

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peterrea · 3 years

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New Build 3 BWSq

#lensblr #photographers on tumblr #peter rea photography #artists on tumblr #original photographers #art #manchester #experimental #original photography #architecture #blackandwhite #construction #abstractphotography #dark

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hogbu · 4 years

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Left RGST par Peter Rea

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babkaioshka · 6 years

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Замок Петра Ри

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ultraozzie3000 · 4 years

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A Star is Born

Clark Gable made such an impression as a charming rogue in 1931’s A Free Soul that it transformed him almost overnight from a bit actor to into one of Hollywood’s biggest stars of the 1930s.

June 13, 1931 cover by Helen Hokinson.

When the film was released it was Norma Shearer who was the biggest name, supported by Lionel Barrymore and Leslie Howard. As this was “Pre-Code” Hollywood, MGM played…

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rainandhotchocolate · 4 years

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Blackout - Part 3

A/N What??? COnsistent posting???? Wild times my friends - hope you enjoy! I know it’s a lot of filler stuff, but I’m kind of enjoying writing the storyline, so I promise Sirius will be in it more next chapter :)

~~~

Lily visited almost every day bringing baskets of sweets and books and other memories to try and see if anything was beginning to come back. The healers had been in and out just as frequently, taking tests and checking her injuries. The purple slashes across her stomach were fading but still hurt to sit up if she curved her stomach at all, the bandages needing replacement every eight hours to make sure they didn’t become infected with the curse that had hit her.

The healers had come into the room on the ninth day she was there and sat down in front of her with a look on their faces that made her immediately uncomfortable. They asked Lily if Y/N had any other family and let her stay when she said no, quite sternly.

“So, we wanted to discuss the results of the tests we’ve done over the past few days and we want to reas-,” Turpin started, but Y/N cut him off.

“Please no pleasantries, just lay it on me.” Y/N could feel her whole-body tensing. There was a sickening feeling in her stomach as the three healers and Lily sat and watched her, as if she was a case study.

“Can do,” Turpin smiled at her, “We can determine the differing spells that you were hit with, maledictione pessima, which has caused the injuries on your stomach. There is evidence of the cruciatus curse having caused muscle spasm and tendon tears along your legs. In terms of your memory function, obviously there has been some difficulty remembering more recent events but you have a grasp on who you are and your family history. From what we can tell, it is likely that you were hit with Obliviate but was hit with a reflection of the spell, and likely a weak casting of the spell from someone who didn’t have their own wand.”

“What does that mean?” Lily asked for Y/N, who was staring at the healers, mouth gaping slightly. She knew this was a possibility, of course, given the amount of confusion there had been about the last few weeks… or was it months? How many memories have disappeared?

“It means that more surface level memories, likely the most recent memories or things of less importance – songs, etc – Y/N will be unable to remember. Anything that has a stronger tie to herself, or memories that are long-lasting seem to be ok.”

“So, what can we do? It’s not a full spell so there must be a way to break it, I’ve read about memory charms being broken before so it’s not impossible-“ Lily had started, watching the healers closely for a reaction but Turpin cut her off before she could get more aggressive.

“A lot of the examples of memory spells being broken are by very dark magic, and do not take into consideration the wellbeing of the patient.” He paused, looking back at Y/N. “You would likely be irreparably injured if that were done.”

“Having said that,” He continued, giving Lily a look as she went to open her mouth again. “There are memory potions we can administer to try to pull up old emotions and memories, but this isn’t a guarantee and isn’t the most pleasant of experiences.”

“Does it cause any lasting damage?” Y/N swallowed hard and tried to moisten her very dry mouth.

“No, these potions don’t cause any damage. But I do need to repeat that they are not pleasant and can be painful or uncomfortable. I won’t make you decide now, you can have a think about it and see where you are at.”

“Yeah, ok.” Y/N nodded at him, trying to smile but it turned into a grimace.

“Bringing in old belongings is still a good idea also,” Turpin turned back to Lily who was still holding a large photography book that had images of them in school. “Did you have any questions?”

“No, I mean I probably will, but no.” Y/N wanted him to leave, wanted everyone to leave, wanted to not be here in this bright white room with white curtains and light blue sheets and people serving her food on a tray and potions in a jug every three hours.

“Ok, we’ll leave you to rest, Lily only o-“

“One more hour I know, I know.”

Turpin gave them both a smile and turned on the spot to direct the other two healers out of the room. Lily had paused momentarily before she stood up and hurried after him. Y/N could hear them talking in hushed voices in the corner of the room, but had to strain to hear each word.

“It will depend on Y/N, it’s really up to her and if she feels comfortable.”

“But he’s her partner, I mean surely that’s a strong enough memory.”

“If she can’t recall this part of their relationship it might be more distressing than calming for her.”

Y/N pretended to look back at the books Lily had given her as Lily walked back over, chewing her lip fervently.

“Everything ok?” Y/N kept her eyes down, not wanting to ask what she was talking about outright. Not that she wasn’t fully aware of what Lily had been asking. Y/N could hear him talking to her before she came in every morning, small hisses and growls of words that was too low for her to hear.

“Yes, all ok – do you feel ok? After hearing all that?”

“Yeah, I mean no. I just,” Y/N could feel herself get frustrated at the struggle her brain was having trying to remember again and had to pause to calm herself down. “I just don’t know how I can just forget something, just like that, like a hole in my life that I won’t get back.”

“Yeah,” Lily sighed, sinking back into her chair.

“So…” Y/N raised her eyebrows at Lily expectantly, “Were you going to tell me that he’s been here every day?”

Lily grimaced awkwardly.

“Sorry, I just didn’t know what you wanted, it’s so weird, you know? I mean of course you know what a stupid question you’re the one dealing with it I – “ She cut herself off with a shake of the head. “He’s wanted to see you but we didn’t know if it would just make you uncomfortable.”

Y/N nodded her head slowly, not sure how to respond. They hadn’t spoken about Sirius yet, though Y/N knew that Lily was itching to talk to her about it but was too scared to ask.

“Did you want to talk about him?” Lily crooks her head to one side, green eyes piercing into Y/N’s, making her squirm a little. She hated when she did that, it made you want to tell her everything. No wonder she wanted to be a healer. Or is a healer? Merli-

“Y/N?”

“Sorry I… yes. I think so? Fucking hell I can’t make a decision to save my life.”

Lily snorted and leaned down to pull her bag out from under the bed. She slid her hand in and took out another photo album that was a deep maroon colour and placed it on the bed. Lily looked back up at Y/N and then at the album.

“Did you want to open it?”

“I mean sure?” Y/N couldn’t help but laugh at her very serious expression, “It’s not going to stun me upon opening is it?”

“No,” Lily grinned in response, “It’s an album of the photos you and Sirius took together, he dropped it off yesterday for me to bring in to you.”

“Ah.”

Lily pulled herself closer to Y/N and opened the book to the first page. There were two large photos of a group of people standing in front of a fireplace in someone’s house. Y/N sat up slightly so she could lean in and look a little closer at the photo. She was able to make out faces of people she went to school with, Frank and Alice leaning into each other and holding hands, Marlene grinning boisterously with her hand running through her wild blonde hair, Fabian and Gideon Prewett making faces at the camera.

“There’s us,” Lily pointed at the other side of the image where Y/N could see Lily’s fiery red hair leaning into James’s, arm around Y/N on the other side of her, grinning just as wide as the rest of them. Behind her was Sirius, Peter, and Remus, in that order, Sirius placing his chin atop of Y/N’s head, a crooked smile pulling up his cheeks, his hands hovering above her shoulders as if unsure if he should lay them down or not.

It was surreal, looking down at herself and not having the faintest memory of when it was or what was happening in the image in front of her. Sirius looked so happy. She looked happy. It felt fake, like someone had forged the image and was trying to implant false memories of her life.

“That was soon after you met, well not met obviously since you knew him at school, but like met again. Properly. I think he asked you out a few days later.” Lily was smiling down at the photo, fingers tracing over some of the faces. She looked up at Y/N, face changing quickly. “Oh shit, Y/N are you ok?”

“I…” Y/N’s voice cracked and she felt a track of water slipping down her cheek and into her mouth. “I…don’t remember.”

“It’s ok, it’s ok.” Lily snapped the book shut and stood up so she could pull her into a hug. Y/N felt her breath hitch as the sobs came hard and fast in her throat and tears began to fall.

“I…don’t know…why I’m crying,” Y/N heaved, gripping tight to Lily’s back, trying to find comfort in the soft green jumper she was wearing.

“It’s overwhelming, I’m sorry maybe you weren’t ready yet.”

“I just…why can’t I remember? None of this feels real, I feel like everyone is lying to me, like it’s a whole big fucking prank and I’m going to wake up tomorrow with Gideon telling me he got me good.” Y/N sniffed, pulling away and trying to take in a deep breath.

“Gideon…?” Lily’s face remained calm, but her tone was off.

“Yes, why? Did he visit when I was asleep?” Y/N felt her heart skip a beat suddenly. At least it was still working.

“No, he, uh, no he hasn’t yet.”

“Oh.”

There was a long pause where they both sat back and looked away from one another.

“What is the last thing you remember, of us, like something we did together.” Lily asked.

Y/N bit her lip, trying to think back to the last time she saw Lily without the building dread that it might have been years earlier than the actual last time.

“I remember us getting coffee, at that muggle place near your house in Godric’s Hollow.” Y/N could see Lily, giggly and bright eyed, showing off her hand- “You’d just gotten engaged! I remember you showing off the ring that matched your eyes.”

Y/N beamed at Lily excitedly, feeling immediately dulled as Lily’s returning smile didn’t quite reach her eyes.

“You’re married, aren’t you.”

“Might be.”

“Fuck.”

“If it makes you feel better, you were there, and made a proper fool of yourself dancing.” Lily looked at her a little wistfully.

“I expect you to bring in the full album of photos tomorrow, I need a re-enactment.”

“Deal.”

“And… you can tell him to come. If you want. Just… I don’t know if seeing me will make him feel better or worse. You know?”

“Yeah, I’ll see how it goes.” Lily squeezed her hand tightly, “I’m just glad you’re going to be ok.”

Alive, and having missed my best friend’s wedding and falling in love with Sirius Black Y/N thought, a little bitterly, but kept smiling for Lily’s sake.

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#rainandhotchocolate #sirius black x reader #sirius x reader #sirius black x y/n #sirius x y/n #maruaders x reader #lily evans #marauders x y/n #sirius black fanfiction

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yeswearemagazine · 7 years

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architectnews · 4 years

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Warp House Boston: Stack + Co.

Warp House Boston, Contemporary Massachusetts Property, Residential Building News

Warp House Boston, MA

Nov 7, 2020

Warp House Boston Building

Location: Boston, Massachusetts, United States of America

Design: Stack + Co. Architects

Warp House wins at American Architecture Awards 2020

Photos by Nat Rea

Inspired by the gridded aesthetic of Wellfleet’s Mid-Century Modern Cape Cod houses, Warp House is a 1,800 sqft prefabricated home designed for a retired artist from Boston.

Located on a steeply sloping woodland site, the house is comprised of three tapering prefab modules coated in Swedish Black Pine Tar that float over the ground on a steel frame. The modules “nest” together in a fanning configuration providing varied views of the site. The name Warp House comes from the challenges of constructing these “warped” modules in comparison to the standard boxes pre-fabricators normally construct.

The client is a photographer who had a long career working in non-profit. She had been visiting the Outer Cape since the 1970s and wanted to live in the outer cape area, which is known for his thriving artist community. The client was drawn to prefabricated architecture as she liked the fact that the home would be constructed under one roof and would be delivered to the site fully erected. This would cause the least amount of damage to the site and allow the team to worry less about weather constraints. Additionally, the team was focused on off-site fabrication as a more sustainable construction practice as all of the waste streams can be handled much more efficiently in terms of recycling and reuse.

The house is inspired by the mid-century architecture of the outer cape area. In looking at these nearby examples of experimental homes, the design team noted a rigorous grid and modularity of construction, even though by and large, these structures were site built. The designer’s thought process was to utilize off-site fabrication techniques to create a similar logic and create a strong sense of the informal, the unfussy, the do-it-yourself spirit of the artist’s retreat.

There are three modules in total. Each tapering element came from the factory intact without further assembly in the field. The dimensions are approximately 10’6″ tall at the tallest module by 15’6″ wide tapering down to 10′ wide along the 48′ length. From the outset, the design team wanted to employ some conventional techniques of modular construction but circumvent and use them differently. While the architects are interested in the grid, the tapering modules completely subvert it or create a grid of a different kind. The nesting together of the tapered modules creates the serial views of the site as the direction of view shifts from module to module.

The flow of indoor and outdoor space was an inspiration for the selection of interior flooring that closely mimics the exterior decking material. The fireplace/bookcase wall installation takes cues from the Cado Shelving System and also works to flatten the classic hovering fireplace into a gesture that is engaged with the wall. Usability and modularity are both important elements of an interior that, in some ways, is like one big studio containing the objects of and inspirations for the client’s artistic interests.

Date built: 2018 Architects: Stack + Co. Client: Private General Contractor: Stack + Co.

Photographers: Nat Rea

Warp House Boston Building images / information received from The Chicago Athenaeum: Museum of Architecture and Design, 071120

The American Prize for Architecture 2020 Winners

Location: Boston, MA, USA

Boston Architecture

Boston Architecture Design – chronological list

Boston Architecture News

New Buildings in Boston

Joan & Edgar Booth Theatre and the College of Fine Arts Production Center, Boston University, 820 Commonwealth Avenue, Brookline, Massachusetts, USA Design: Elkus Manfredi Architects photo © Robert Benson Joan & Edgar Booth Theatre and the College of Fine Arts Production Center Boston University Building

MassDOT Research and Materials Lab is LEED Gold Certified, MA, USA Design: Elkus Manfredi Architects photograph : Bruce T Martin MassDOT Research and Materials Lab

Union Point Master Plan, 12 miles south of Boston, Massachusetts, United States of America Design: Elkus Manfredi Architects with Sasaki Associates image © Elkus Manfredi Architects Union Point Master Plan

Perles Family Studio, Jacob’s Pillow Dance, Becket, Massachusetts Design: David Croteau of Flansburgh Architects photo : Robert Benson Photography Jacob’s Pillow Dance Building

Ames Boston Hotel Renewal Design: Glen and Co. Architecture photo courtesy of architects Ames Boston Hotel Building Renovation

Massachusetts College of Art and Design Design and Media Center Design: Ennead Architects photograph © Peter Vanderwarker Massachusetts College of Art and Design Design and Media Center Building

Comments / photos for the Warp House Boston design by Stack + Co. Architects page welcome

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