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colt in the warm sun
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colt in the warm sun by Jennifer MacNeill Via Flickr:
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nerds-yearbook · 11 months
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The short lived cartoon "Rubik, the Amazing Cube" aired its first episode on June 19, 1983. The series was about a group of four children who discovered that their Rubik's Cube was alive and posessed magical powers. The children used the Cube to go on adventures and solve mysteries. ("Pilot", Rubik, the Amazing Cube, TV Cartoon Event)
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12 Dates of Christmas (2011) 
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We have a Groundhog Day situation, but with yuletide fun!
Kate Stanton (Amy Smart) is a woman with a plan this Christmas Eve. She is going to get her ex boyfriend Jack (Benjamin Ayres) back, get married, and live happily ever after. She explains all this to her best friend Miyoko (Laura Miyata) after she calls Jack asking when she can see Max, his dog that she sometimes watches still I guess? I know that I'm an intense pet parent, but I wouldn't trust any exes with my dogs. Anyway, so Kate is shopping for a Christmas gift for Jack when she gets spritzed in the face with perfume and passes out. She comes to pretty quickly, and rushes off. On her way back to her apartment, she runs into her neighbor Margine (Jayne Eastwood) who has baked her a cherry chip loaf. Which honestly sounds great. Cherry chip is my dad's favorite, so I might have to look up a recipe for it.
Once Kate gets home and changed, she heads to a blind date set up by her dad Mike (Peter MacNeill) and his significant other Sally (Mary Long). When she arrives at the bar, the first person she meets is a nerdy looking man named Toby (Joe MacLeod), but he's waiting for Phyllis. Then she meets her actual date, Miles Dufine (Mark-Paul Gosselaar). However, Kate is so sure that it won't work out that it's a terrible date. She is rude to Miles and leaves early to go meet Jack. However, Jack brings his new girlfriend Nancy (Jennifer Kydd). Kate is upset, but still takes Max and heads to her dad's house for dinner, and then goes to bed like normal.
When she wakes up, it's still Christmas Eve and she's on the floor of the department store again where she woke up after getting spritzed. She doesn't do the same thing every time she wakes up there, but that's almost all the people she interacts with every time (there's also a neighbor couple and a teenager, but they aren't every day).
For me, Kate was a frustrating protagonist because she was very high strung. It's also a little frustrating that every time she is rude to Miles, he's never willing to hear her out. She doesn't always try to explain or apologize, but when she does, he still walks away. Which, like, good for you for knowing your worth, but also, miscommunication happens. Especially with people who don't know each other very well.
Overall, I think the acting and production quality is here, but the story falls a little flat. It's fine, but nothing special. I probably won't watch it again. 2.5 stars.
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flashfuckingflesh · 4 months
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Your Mother Sucks EVIL in Hell! "The Exorcist: Believer" reviewed! (Universal Studios / 4K-Blu-ray)
Let the Power of 4K Compel You!  “The Exorcist Believer” from Universal Home Video! Thirteen years after having to make the tough life-and-death choice between his wife and unborn child, Victor Fielding strives to protect his daughter now teenage daughter Angela, even if that means being a little overprotective.  When Angela persuades her father for an afterschool study date with a friend,…
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cultfaction · 5 months
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The Exorcist: Believer (Special Edition Steelbook 4K Ultra HD Bluray)
50 years after the most terrifying horror film shocked the world, Blumhouse and director David Gordon Green bring a nightmarish new chapter, The Exorcist: Believer. Since his wife’s death, Victor has raised his daughter Angela alone. After Angela and her friend return from a three-day disappearance with missing memories, they begin displaying frightening behavior. Victor’s best hope is to find…
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adamwatchesmovies · 6 months
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Cinderella III: A Twist in Time (2007)
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Between 1994 and 2008, Walt Disney Pictures was making sequels to just about any of their movies. Mostly, you got stuff like Mulan II and The Little Mermaid II: Return to the Sea. At best, they MIGHT appeal to young children who were die-hard fans of the originals. Before you dismiss all of them, however, take a look at Cinderella III: A Twist in Time. It may be the best of the direct-to-video sequels that came out of that era of Disney animated films.
After their wedding, Cinderella (voiced by Jennifer Hale) and Prince Philipp (voiced by Christopher Daniel Barnes) are celebrating with The Fairy Godmother (voiced by Russi Taylor) when Anastasia Tremaine (Tress MacNeille) spots them. Realizing what the fairy must've done on the night at the ball, Lady Tremaine (Susan Blakeslee) steals the magic wand, uses it to turn The Fairy Godmother to stone and then alters the the past. Now, when the Grand Duke (Rob Paulsen) tried to put the glass slipper on Anastasia, it fit and Cinderella’s happily ever after is about to vanish.
I know you’re raising an eyebrow at the concept of a straight-to-DVD second sequel to a movie made 50+ years prior but hear me out. Firstly, this is a “true sequel” rather than a re-tread of the first. Lady Tremaine was so wicked and cruel when we met her. Don’t you think her hatred for Cinderella would keep going? She’s always wanted her daughters to be above Cinderella and now, she’s found a way to do it. Right away, you’ve got high stakes. Once Anastasia and the Prince marry, it’s over. Cinderella will never have an opportunity to live happily ever after and who knows what the kingdom will turn into with Lady Tremaine in the castle. Saving the day will be an uphill climb, as Cinderella will have to do everything on her own -no fairy will come to her rescue this time. At best, she can call upon her bird and mouse friends (Gus - voiced by Corey Burton - and Jaq - by Rob Paulsen - return). If those odds weren't steep enough, Lady Tremaine, Anastasia and Drizella (Russi Taylor) all remember what happened before the timeline was altered. No one else does, including the Prince, whom they promptly mind-control using magic.
It may come as a disappointment that A Twist in Time doesn’t really acknowledge Cinderella II: Dreams Come True but it’s almost as if the people who worked on this film looked at the previous one and said, “You know what, I think we’re onto something here… can we try it again and give it our all this time?” Like its predecessor, Cinderella III spends a lot of time on Anastasia. She gets plenty of character growth as she begins questioning what her future will be like. She's about to marry a man who does not love her, all because her bully of a mother wants more power and (more importantly) to get revenge against someone who’s never done anything wrong to them. This anxiety leads to some tender moments between the King (Andre Stojka) as he confides with his future stepdaughter.
Overall, the quality of the animation, voice acting, humour, romance, drama and characters are consistent enough with the original (without ever matching it) that undiscerning viewers will be fooled into thinking the movies were made within a short period. The one area where there is a significant drop in quality are the songs. None of them are bad but neither are they any special or memorable. Another element to improve would be the film’s opening. Cinderella III= only lasts 70 minutes so the plot wastes no time getting started and it really could’ve used a bit more room to breathe. I won’t hold these flaws against it too harshly. In a perfect world, this film directed by Frank Nissen would’ve gotten a bigger budget and a theatrical release but no way was that going to happen. Ever. Who would buy tickets for a time-travel/alternate-universe version of a beloved classic made half a century later, particularly considering the reputation of Disney sequels? The fact is everyone working on this movie cared. They cared A LOT. They made the best movie they could with the resources available and they should be applauded for it.
Cinderella III: A Twist in Time is a good film. It’s an engaging sequel that brings the elements and characters you love back, tells an original story, and surmounts the obstacles placed in front of it spectacularly. It maintains the spirit of the original, down to the most “action-packed” scene of the film: a thrilling chase that’s a mirror-world opposite of Cinderella’s ride inside the pumpkin carriage on the night of the ball. I hope this movie finds the audience it deserves. Anyone who catches it should stay for the end credits to see a bonus scene halfway, along with several amusing gags and an epilogue as well. (May 28, 2021)
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alltrekvarnews · 7 months
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Taquilla: 'El Exorcista:Creyente' recauda 2,85 millones de dólares en Preestrenos...
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pinkeoni · 1 year
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Will Byers' Coming of Age Horror Story
Today I wanna predict Will's storyline in season 5 using horror genre tropes.
What's interesting about Will is that he often falls under tropes that are typically associated with female characters.
In season one he's the dead girl. He's Laura Palmer. He's the face of innocence that goes missing/dies and kicks off the story.
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In season two, he's the possessed girl. He's Regan MacNeil. It's the irony of evil inside of the face of innocence.
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Now, in season three he isn't given as much attention, so pinpointing what kind of trope he follows is hard to do. However, with season four we are given insight into what that trope is. Season four is a little different because he actually takes on a teen drama/romcom trope instead of a horror one. He's the girl next door, he's Joey Potter from Dawson’s Creek.
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He's the childhood best friend who get's involved in the love triangle between the Main Guy and the Cool Girl. We see glimmers of this in season three, but it doesn't become especially clear that this is what they were going for until they lean into Will's feelings in season four.
So then, what does this mean for Will's arc moving forward? Will season five follow the pattern of female tropes? If so, which trope will they go with?
Some important information we are already given about season five is that this is going to be Will's coming of age. We've had this confirmed a few times by the Duffer Brothers.
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Given the nature of the show, it wouldn't be out there to assume that his coming of age is going to be explored through a supernatural element. In fact, supernatural coming of age horrors are actually pretty common, especially female supernatural coming of horrors.
These types of films typically explore coming of age through some kind of supernatural and/or horrific element, usually in quite the gruesome and violent way. While these films will explore a broad spectrum of different subject matter regarding coming of age, sexuality and sexual awakening is usually a point of discussion. Sexuality and either supernatural and/or horror elements run adjacent to each other, and sex is typically associated with violence. IE lycanthropy in Ginger Snaps, cannibalism in Raw, demonic possession in Jennifer's Body, Nina’s transformation in Black Swan etc.
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The reason for this is because female sexuality is usually demonized. It's seen as something as horrific and monstrous, and as such this trope is often associated with queerness. Films that follow this formula are typically seen as queer coded, or even include blatant queerness (see Jennifer's Body or Black Swan)
So now we have a character like Will, whose sexuality is already demonized in universe, going through his own coming of age narrative in a supernatural horror show.
What would be an effective and streamlined way to showcase coming of age and queerness in a way that also coincides with the nature of the show and even goes along with the lore?
I know that with the limited number of episodes, there comes the reasonable concern of being able to squeeze in so many different storylines and themes in such a short amount of time. I get it, it's my main problem with season 3. How are they going to find the time to adequately explore themes relating to Will's sexuality, while also having to wrap up all of the loose ends regarding the supernatural plot?
Easy, you do what the above examples did, and make Will's sexuality and his connection to the supernatural the same plot.
It's not like they would have to reinvent the story in order to do this, they've already been setting up clues for this exact storyline.
In season one, Will's rumors of Will's queerness is pretty widespread among the town, it's one of the suspected reasons for why he went missing. His queerness is already being correlated with supernatural from the very start.
As I've said before, coming of age horrors usually explore sexuality through of lens of something supernatural. It’s not that the supernatural plot takes the place of Will’s sexuality, but rather these two plotlines run together to aid each other, and the supernatural plot can express ideas relating to his sexuality in a more metaphorical way.
So then, how could Will’s burgeoning sexuality be explored in a supernatural way, that fits within the universe of the show?
His powers
@therainscene already has a great post discussing how Will’s powers are his queerness, I reccomend reading it because they explain a lot of the same points that I’m going to but in a much better way than I ever could. Although I wanna point out this point they make at the end—
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I would go as far to say that this is what the show bas been building toward the entire time. Think about how many elements of Will’s storyline matches up with both his sexuality AND powers:
Being taken in season one (the town believed it was because of his sexuality, when really Vecna could have taken him for his powers)
Bullied by his peers (being called Zombie Boy for his experience in the UD and other slurs for his sexuality)
Powers/sexuality being seen as mental illness (his true sight visions being misinterpreted as flashbacks)
Repression of both powers and sexuality
Castration (Soteria effectively being a conversion tactic for powers)
Stigmatization (the town sees both the supernatural and homosexuality as satanic)
And finally, acceptance (neither Will’s powers nor his sexuality are horrific, but a beautiful thing to be embraced)
Here’s what Will’s storyline looks like written out:
Will is initially targeted for his sexuality/powers (season one) and he is to be judged by his peers for his sexuality/supernatural experience, and his sexuality/powers are thought of to be a mental illness (season two). His sexuality/powers remain repressed (season three) until they are slowly revealed to the audience (season four) and he finally accepts and embraces his sexuality/powers in the end (season five).
If we follow a typical storyline from a coming of age horror along with what we know about the show, here’s my rough prediction for Will’s s5 arc:
Post time skip, Will is beginning to come into his sexuality more and more but it’s difficult given the external environment
Will has an awakening of powers emblematic of his sexual awakening
Owens + the government tries to “cure” Will of his powers by getting rid of them (I’m going to make a post in the future elaborating more on just this point)
In the beginning, the powers bring a lot of complications and strife (he would likely be targeted for having them, and may not like having them himself)
In the end though, Will comes to embrace the powers he was given as a wonderful, beautiful thing, and they are what helps save the day
Now, some may notice a discrepancy between Will’s storyline and the coming of age horrors I talked about prior, and that’s the idea that Will will have a much more positive end than the female protagonists I discussed. Although, the show has a much different tone and different message than the films above. While those films usually go for the tragic angle, I don’t think the show about uplifting outcasts and wierdos is going to end with the gay kid dying.
I also don’t think that the show is going to try to portray Will as a villain. I think it’s possible that other characters may see him as a villain, but once again, given the shows message, I don’t think the gay kid is going to turn evil. Like I said before, I think Will is going to learn that his powers are actually quite a beautiful thing, just like his sexuality, and learn to embrace it.
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tagging: @downbytheriversside
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earthanthem · 9 months
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(via Pinterest)
Jennifer MacNeill
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whereifindsanity · 6 months
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Photo ~ Jennifer MacNeill
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irishmansdaughter · 9 months
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Jennifer MacNeill on Flickr
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snow trot by Jennifer MacNeill Via Flickr: #Flickr12days
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89cats · 1 year
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(by Jennifer MacNeill)
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scarlettjane22 · 1 year
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Milly
Roze Arabians
Jennifer MacNeill
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My Voice Fancast for Donkey Kong characters and some Mario characters
For disclaimer, I don't own Donkey Kong franchise, Mario franchise and their characters.
The people I cast for this voice fancast (c) Themselves
John DiMaggio or Dwayne "The Rock" Johnson as Donkey Kong
Joy Tanner(Joy Tanner voiced baby Donkey Kong in Donkey Kong animated series.) as Young Donkey Kong
Eric Bauza(Eric Bauza voiced Diddy Kong in The Super Mario Bros. Movie.) as Diddy Kong
Grey DeLisle as Dixie Kong, Kiddy Kong(Dinky Kong) and Tiny Kong
Mark Hamill or Bill Farmer as Cranky Kong
Tress MacNeille or Kath Soucie as Wrinkly Kong
Ben Schwartz or Phill LaMarr as Funky Kong
Susan Egan as Candy Kong
Bill Fagerbakke as Chunky Kong
Tom Kenny as Lanky Kong
Sam Marin as Swanky Kong
Dee Bradley Baker as Squawks, Rambi, Expresso, Enguarde, Winky, Rattly, Squitter, Glimmer, Clapper, Quawks, Ellie, Parry, Lightfish, Hoofer, Flurl, Orco and Helibird - All of Animal Friends
Benedict Campbell(Benedict Campbell voiced King K. Rool in Donkey Kong Country animated series and DKC: Return to Krocodile Isle. Plus, personally, Benedict Campbell is the best voice talent for King K. Rool to me. 🐊😀🙂) or Dee Bradley Baker(Reminds me of Dee Bradley Baker's vocal performance as Actor Ozai in Avatar: The Last Airbender's "Ember Island Players" episode.) as King K. Rool
Adrian Truss(Adrian Truss voiced General Klump in Donkey Kong Country animated series and DKC: Return to Krocodile Isle.) as General Klump
Fred Tatasciore(Len Carlson(The voice talent of Krusha in Donkey Kong Country animated series) passed on in 2006. Rest in peace, Mr. Len Carlson. 😢) as Krusha
Tara Platt as Kalypso
Kari Wahlgren as Kass
"Weird Al" Yankovic as Mario and Luigi Mario
Jennifer Hale as Princess Toadstool(Princess Peach)
Kate Higgins(Kate Davis) as Princess Daisy and Pauline - Kate Higgins(Kate Davis) voiced Pauline in Mario series.
Keith Ferguson as Toad
Jessica DiCicco as Toadette and Mario & Luigi's mother(Mama Mario) - Jessica DiCicco voiced Mama Mario(Mario and Luigi's mother) in The Super Mario Bros. Movie.
Totaka Kazumi(Kazumi Totaka) as Yoshi - Totaka Kazumi(Kazumi Totaka) is the voice talent of Yoshi.)
Rob Paulsen as Wario, Waluigi and Mario & Luigi's father(Papa Mario)
Scott Burns or Jack Black as Bowser Koopa
Kevin Michael Richardson as Kamek
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cultfaction · 9 months
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The Exorcist: Believer trailer released
Exactly 50 years ago this fall, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, on Friday, October 13th 2023, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer. Since the death of his pregnant wife in a Haitian…
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