Every time I read a post about retiring Ganondorf as the main antagonist I lose a braincell. Should we retire Link as the hero? Why can’t we have a completely unrelated and brand new hero? Everyone talks about Gerudo Link but how about a Gerudo hero that is entirely their own character? How about retiring Zelda as the princess/sacrificial maiden? How about a game that revolves around the Zora monarchy or the Goron tribes?
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Not sure if this theory makes any sense at all but I'm starting to believe that there's no time skip between Wally's phone calls and what we see/hear in the show's Media/Merchandise. If we see the Toyland call being made before the Homewarming episode then it would make sense that Wally's expecting Barnaby to come over soon. As well as the Homewarming sketch from the prior update. (I don't know, still kind of brainstorming this perspective)
that theory Does make sense and i've been considering it! the "timeline" is such a nebulous thing right now because we still... don't really know! there are too many variables and too many Maybes for any solid answer.
maybe the reality that the neighbors live in exists outside of time like you say, and like half of me suspects. there's so much reality fuckery already present, but I'm also... unsure of how much merit this holds given what we know / can infer about how time passes in Home. i'm putting this theory on a low shelf to look at but not prioritize
maybe it really has been 50 years, and Barnaby is either still around / Wally is still in contact with him, or Barnaby... isn't there. who knows, maybe Wally was just verbalizing some Wishful Thinking. i mean, Wally is a bit of an unreliable narrator, isn't he? we can't assume that everything he says is entirely accurate or truthful. and i mean, if it's been 50 years it makes sense that Wally would be pushing for connection / to revive WH. who knows how long he's been trying.
hm... i mean. it could be a mix of that and the Outside Of Time theory. who knows, maybe W is receiving calls from different points in the timeline - Wally may have started out just calling, and has just graduated to invading the WH website / getting pushy with the envelopes and media that's been sent to the WHRP. maybe Wally got tired of waiting for W to respond before W was even born. who's to say!
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Hi uhh i have a question i was scrolling at ao3 and i keep seeing pompous pep fiction a lot but i thought it was illegal because there is at least 20 year age gap im getting confused
AO3 is a creative writing/fanfiction archive that allows anything that's legal under US creative writing law. There are some limitations, like scripting out an episode of DP would not be allowed because that's copyright infringement, and posting something disguised as a fic that's not actually one (say, posting your headcanons list or your grandma's cookie recipe) isn't allowed because that's not a transformative work. But otherwise, people are allowed to post any fictional content that they so wish so long as it's tagged properly.
The tags are an awesome feature of the site and are why many people, myself included, choose to use AO3 as their main fanfiction domain. It allows you to opt in or opt out of any tag that you do or don't want to see. For example, I read/write a ton of gore, so I often filter in tags like "Dissection" (using the sidebar) so I can only see those types of fics. But there are tons of people who get squicked out by gore/dissection, so they might prefer to filter those tags out. Maybe they just wanna read a good smut fic, so they'd filter in that tag, while for me, I'm not so interested in that content, so I almost always filter it out before I browse.
I know this seems a bit long winded of me, but what I'm trying to get at is that because fanfiction is fictional, that means that ships and tags that you or I might argue are morally gray or even morally unethical are totally allowed on the site (aka no real children were harmed in the making of said fic, so not illegal). This includes Pompous Pep, which is Danny/Vlad. And if you don't want to see that, as many people probably don't, then the site makes it extremely easy to filter that stuff out! Woo!
The DP Phandom is a really really old phandom and we've had a history of "true vs anti" ship wars back in the 00's, which while a bit different than the kinds of shipping wars you see in other fandoms today, they still happened and were incredibly destructive within our spaces. People were fighting, there was lots of bullying, angry cliques, and overall moral policing "you can't sit with us" behavior to people who frankly didn't deserve it. There's not a lot of creatives left from that era, and the ones that did come back don't have a lot of positive things to say about it.
So yeah, maybe some people on AO3 write things that might squick you out, but from experience we've found it to be far more beneficial to just do our own things. Write the content you wanna write, read the content you wanna read, interact with the people you wanna interact with, and block/mute/filter out/whatever the rest. It's honestly not worth your mental health or sanity to try to police fics/art in here. We're too old, most of us got jobs, bills to pay, maybe even kids to feed, and it's honestly not worth our time. Besides, it's much more fun to participate in phandom events and nerd out with other creatives about silly AUs and tropes and geek out over art styles and colors than it is to worry about that stuff!
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One of the things that sticks out to me about Jon is just how active and readily available his kindness is. And it’s funny because the fandom at large considers Jon to be someone with a good heart, but he usually isn’t specifically linked to kindness as a key character trait even though he should be. Because every now and then, we have moments where Jon is just so proactive in how good he is to people. Not like it’s a performance, but it’s just something that comes to him naturally. And it doesn’t have to be big things either because sometimes, it’s really the little things that matter. Take this interaction with Tyrion for example:
“Boy,” a voice called out to him. Jon turned.
Tyrion Lannister was sitting on the ledge above the door to the Great Hall, looking for all the world like a gargoyle. The dwarf grinned down at him. “Is that animal a wolf?”
“A direwolf,” Jon said. “His name is Ghost.” He stared up at the little man, his disappointment suddenly forgotten. “What are you doing up there? Why aren’t you at the feast?”
“Too hot, too noisy, and I’d drunk too much wine,” the dwarf told him. “I learned long ago that it is considered rude to vomit on your brother. Might I have a closer look at your wolf?”
Jon hesitated, then nodded slowly. “Can you climb down, or shall I bring a ladder?”
- Jon I, AGOT
First, it’s quite adorable how readily he strikes up conversation with Tyrion, a man he’s just met. The hint of curiosity mixed with concern when he asks Tyrion why he isn’t at the feast is cute.
But it’s the last line that stands out to me. “Shall I bring a ladder?” Because he could’ve just said “shall I call for a ladder?” but he didn’t. The latter suggests that someone else will do the brunt of the work. It’s still kind, because he’d still be looking out for Tyrion, but it puts him in a passive role. Instead, he means to get the ladder himself. He will look for it, bring it, and position it for Tyrion to use. So now his kindness is very much active. His empathy is on full display here as well because he acknowledges that Tyrion may need assistance and takes the initiate to provide it.
This seems like such a silly thing to get hung up on but I love this small moment because it provides a lot of depth to a character who is meant to serve as the series’ traditional hero - a role that is often times “good” by default without exploring how or why. Anyone who’s read Jon I knows that he has spent the chapter being a raging jerk. But GRRM uses this moment to remind us that despite being a moody, asshole-ish, 14 yr old boy, Jon is a really good kid at the end of the day. He’s is kind and he’s so active in how he practices his kindness. Even to people he doesn’t know and has no obligations to.
Because we’ve had a bit of whiplash so far. Bran I established Jon as a sweet and empathetic, self-sacrificial brother. But the first part of Jon I makes us question that when we see his pettiness and immaturity on full display. It almost seems like a case of unreliable narration from Bran, until we get to this last part when Jon gets a small moment to redeem himself. Which he does ~ and it’s done beautifully because it later links to some of the larger themes in Jon’s storyline. That he is one who actively looks out for the “cripples and bastards and broken things”. It’s not just looking out for Bran when they found the direwolf pups, but looking out for Tyrion in this chapter, and then for Arya and Bran again in Jon II, and then for Grenn in the last part of Jon III, and for Sam in Jon IV, and so forth and so forth. It’s a pattern that’s established through big and small moments all throughout AGOT where Jon still has a lot of growing up to do. But these moments, at large, serve as an anchor to remind us why we ought to care for this hero’s journey.
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