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dimiclaudeblaigan · 8 months

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it's so interesting for me to hear that houses localization changed the script to vilify(?word?) the church bc when i played the game (i recently finished my first and so far only playthrough in lions route) for the first half of the game i was waiting for the shoe to drop to reveal the church is the big bad guys but it never came and the revealed was actually ed. idk if it should have been obvious but i was too focused on suspecting the church to see it or if it was actually subtle as i tend to be oblivious to hints(¿word again?) given in media lol.

idk where im going with this but i hope it makes at least some sense bc i am so sleep deprived rn

and the thing tou said about Henry being changed i am so curious of that too

hope you have a nice day and better sleep than me!

I'll answer the last part first since the rest is more descriptive.

Basically Henry went to Wizard School (tee em) and it was a cool and great experience. In JP, it was... iirc basically close to torture/hellish? It was a more mature situation/topic, but the loc changed it to be silly and fun sounding. For some reason Treehouse in particular seems deeply if not fatally allergic to mature topics and/or properly handling them.

Thank for about the sleep comment and I assure you, I sleep too often!! I wish I could send you some of my sleep and make it extra quality for you. :(

As for Three Houses, yeah, in AM it doesn't really happen that way. Nobody is really vilified (not even the imperialist warmonger invading neutral lands!) in AM (same with AG in Hopes).

What you saw/understood was the whole point! It was made it look at first like the Church was suspicious, but then the reveal was meant to be no, it was a fellow house leader all along. That was what the red herring part about the Church was all about. You were supposed to suspect the Church at first, hence Jeralt's warnings, and if you're playing GD, Claude's suspicions.

Unfortunately what happens in the other routes, especially in CF, is that Rhea's trauma is never explored, no characters stop to understand her motivation, etc. She's just used as the resident bad guy because she's Edelgard's enemy. Basically, you're seeing it from the point of view that Rhea is bad because you see it from Edelgard's perspective... but it fails to work because the game, in particular the localization, amps Edelgard up as a huge progressive hero. AM is the only route that really confronts her about her "views", and even then, it's a mess because all the things she argues with Dimitri about aren't her end goal (i.e. they don't ever end up actually happening in the vast capacity she claims she's going to do).

About Edelgard:

The localization avoids any particularly negative comments about her and changes or outright removes them (true of Hopes as well). In Dimitri's case it would make sense because of their connection, but when it ends up just being another route in the pile of feeling sorry for Edelgard (and... not Rhea, who had her family massacred and their bones turned into weapons), it just feels stale.

They basically tell you Edelgard is very cute and easily embarrassed, and she's just this headstrong progressive woman fighting For The People (tee em). The truth is (as per the game itself, i.e. content they can't change/localized because it's the contents of the game itself) that she's invading innocent lands, conscripting her own citizens, turning her citizens into demonic beasts to add to her military strength (lelz when u can't even rely on ur nation's own military strength without demonic beasts), and victim blaming anyone who fights back (if you have yet to see the extremely infamous "no u" line from Edegard to Dimitri in CF, you've been blessed) among other things.

They basically shove it down your throat, characters and narrative both (in the loc in particular), that Edelgard is good and just, while the story itself is looking at all that like ???. The JP script still tries to take good care of her and her image, but they're a lot more blunt about her/her goals (i.e. they don't dance around them nearly as much).

The localization showers what she does with love and attention, and even when they have to say she's the problem/aggressor, they still pretty it up as much as possible (such as Dimitri wondering if maybe her vision of society could possibly be just and righteous, instead of outright admitting what she's done is absolutely atrocious when it's way worse than anything he ever did, all of which he admits to doing and takes responsibility for).

The JP version is more clear on her being the villain. There's definitely bias toward her (as the writers were, confirmed by an interview), but it doesn't slap you in the face with it nearly as badly. Also, Dimitri has won a character popularity poll every year since the game's inception in Japan. In the west, Edelgard is much more popular than she is in the east. That, of course, is because of the way the loc pushed the writing for her/about her.

Edelgard's "progressive" stuff is supposed to be just propaganda (which is ultimately, even as per the western endings because there's only so much they can change). The way the loc frames it is that it's actually what she's aiming for. It's what she uses to inspire people to fight for her though, not what she's actually doing.

About Rhea:

This one's the real doozy because it's a victim of the above. Since they wanted to pretty up Edelgard's dialogue and make her A Hero (tee em), they needed whoever her main enemy was to be the "villain". Since Edelgard, now popular because of the tweaks in her dialogue, hated and wanted to kill Rhea, so too did her raging fans who gave no fucks whatsoever about any character who opposed her... even if it was just to save their own life!

They changed the tone of Rhea's voice in the loc to make her more angry and villainous sounding, rather than sad or kind. She was basically altered in the loc to make Edelgard look better. Like, of course, in the perspective of playing a villain in CF, she's the bad guy and the enemy. The problem comes when they have Rhea say things that are more aggressive than in the original script, and change her tone to sound demeaning and vicious (when she was otherwise not or not as much).

But like, why? The only reason any of us can think of is because they wanted to market Edelgard more. This is likely a result of the west's views and especially political views, since Edelgard's pretty words would sound good to a westerner's political beliefs... until you dig into them/the actual story content more.

Rhea also being the head of a Church probably got tweaked because of the west's recent irl views on religion. Religion in the west has been looked poorly upon in recent years. Instead of accepting this is just a fictional game though, the loc team just... pushed that they're Really Bad.

Rhea is more of a victim of them needing someone to be worse than Edelgard to make Edelgard look like less of a villain (which again, this isn't the case in the original script nearly as much), and they couldn't use Thales/the Agarthans because you were allied with them in that route.

The other characters vs Rhea as a villain choice:

The goal wasn't to make a playable lord a villain in the loc's case. It was the intention of the original script with Edelgard, but the loc tried to make her actions sound more justified because ??? like idk, I can't wrap my head around them justifying what she does.

Dimitri isn't handled too badly by the narrative itself and he's overall seen as a good person (even the loc didn't alter that or Edelgard's ablest mentality toward a mentally unwell person), so he wasn't really a good candidate for all that. Also, Dimitri's story is one of recovery, and because they ventured into mental illness, he wasn't a good candidate. He was treated well and pretty fairly (Edelgard not treating him particularly well makes sense with her character, but the narrative itself doesn't push him as being a monstrous person. Even in the time he considers that he was, there's depth, logic and complexity to the situation).

Claude being the main bipoc character would have just been an all around disaster if the loc or even original script tried to make him the top villain, yadda yadda (understandably). There was no chance that was going to go over well, especially in the west (have you seen the shitstorm GW caused? And that was with the writing not considering him a villain!!). He was basically safe from the get go as far as villainy if they writers/localizers didn't want serious backlash (there are discussions about the overall treatment of poc characters in Houses/Hopes, but I can guarantee it would've been legit backlash if he was made to be a genuinely and intentionally horrible person, so that wasn't really an option if they wanted this game to actually sell and be enjoyed).

So since Rhea isn't playable and is the head of a Church, that kind of makes her the only candidate. Players will get attached to the other lords and not like killing them, so it won't feel like a badass victory to kill them. I guess for some reason the loc team just... hated Rhea or something?

Dimitri's death in CF is either extremely sad and garners audience sympathy, or in the other version of his death in CF it's clear his mentally stability is starting to break right before he's killed, which in and of itself is another topic. Claude is either free to go by choice of the player or can be killed, and his death is sad and he's not villainized. Aside from how some characters treat Claude's death (in contrast to Dimitri's which is never outright villainized even by Edelgard), the scene meant for the player at the time it happens is supposed to leave a bad taste in your mouth.

So again, it really just leaves the loc team with the option of Rhea if they want to make the final battle seem like a big victory for the player. VW also has its big happy victory, and surprise surprise, Rhea dies in that route (offscreen no less!).

SS kills off Rhea but actually makes it sad, and it's, you know, actually the route that focuses on her/the Church most. AM doesn't kill her off and doesn't treat any character death as a badass victory, and instead gives a bittersweet ending (which again would be in line with Dimitri's connection to Edelgard, and it only feels botched down because of all routes obsessing over her).

So while, technically, the writing in the JP script wasn't trying to make Rhea as bad as the western version of the game, if the loc wanted to go for that, she was the best option. It just... came at the expense of butchering her character to make Edelgard shine, which shouldn't have been done but it was.

#DCB Ask #sorry this got pretty long. my thoughts are kinda. all over the place a lot lol. and I'm bad with expressing my thoughts in few words #this might be a liiittle discoursey for anyone not interested in that stuff #which sadly the loc changes ARE part of what had a hand in the discourse so it's #unfortunately a bit unavoidable when discussing loc changes and whatnot #but also like... what is discourse at this point? ppl seem to think discourse is just #any negative comment ever about the game/loc? like. idk lol #not sure how the truth is discourse but at this point I think it's bc the game has been #such a problem overall in the west that any negativity around it whatsoever is viewed by most as discourse #like I could say I don't like xyz character and here's why and if it's a certain character in particular (of a few)#then it's automatically considered discourse and not just someone's opinion on a game's writing/story?#but really any negative thing ever about Edelgard is considered discourse because like... it's a fucking mess lol #and well we primarily have the loc to thank for that mess so... it's hard to avoid when discussing the loc #anyway here is my resident ASHNARD comment of the week #you can have a villain just like Edelgard - identical even (cough Ashnard) - and if you handle it right #there's no need for discourse bc everyone's on the same page about the character!#but thaaaat's not what happened here bc pretty lady step on me loc/writer mentality. :(

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hoperays-song · 1 year

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Character Deep Dive: Klaus, Ryan and the Dance Troupe

Finally, it is done! I hope y’all enjoy this deep dive!! Just please read the trigger warnings first. Seriously, read the trigger warnings first. Cannot stress that enough. Also shout out to my beta readers, y’all are amazing!!!

- <3 Gooseless

Character Deep Dive: Klaus, Ryan and the Dance Troupe

*TW: This deep dive will mention abuse, grooming, misuse of power, and manipulation. All the events and actions mentioned are based on real world events told to me by friends in the dance industry and my personal experience and research into the industry as well. However, this is just a theory based on my analysis and the analysis done by others. No hate to the people who actually like this character. Again, just a theory. Also, there were two attempted murders on screen as well as implying other murders had taken place in the second movie, so I feel like this theory (while very dark) isn’t the darkest the series could go and is therefore not that out of place. DO NOT READ IF SENSITIVE TO ANYTHING PREVIOUSLY MENTIONED. Also, no, this is not Klaus friendly. What about anything I’ve ever posted would make you think it is? That man gave me multiple panic attacks and made me go back to therapy for a bit because it reminded me of stuff, so nope, not going to be friendly. *

As someone who was in dance my entire childhood and was raised by someone who was a dancer for 14 years, I always enjoy watching the representation of the dance world in media. I’m constantly looking for small details that allude to the real-world dance culture and I was ecstatic to note that in Sing 2 we got to see some of those cultural aspects as well as a wide range of diversity within the dance class itself. However, less than forty seconds in, I noticed what would become my main issue with the movie itself, the character Klaus.

Klaus’s actions were shown to be antagonistic and cruel, yes, but the fact that they were brushed off at the end of the movie to allow him to continue to work with a student he was shown on screen to physically, verbally, and emotionally abuse for the simple reason of “he now knows what he’s capable of and won’t underestimate him again after that performance”. The thing with Klaus is that the major issue wasn’t his underestimating of Johnny’s abilities, it was the very blatant abuse and belittlement that was a constant part of his class. It was bad enough to cause Johnny to have at least one panic attack, and that’s Johnny. A kid who was raised in an extremely high stress situation and is used to being dragged through Buster’s bad and typically very dangerous ideas. Within the course of the first movie, we saw him chased by cops, trapped in a flooding building, and face down a group of potentially dangerous gang members. And while he seemed more than slightly worried and a good bit scared in some of those scenes, it was never enough to cause him to have a panic attack (at least not onscreen).

Yet, when you put him in Klaus’s class for two weeks and he ends up having panic attacks and is clearly extremely burnt out to the point other characters start to notice. You have to ask, what is going on there? Well, after analyzing (probably way too much) everything about Klaus and the dancers I could and doing a ton of research, this is the conclusion I’ve drawn.

Analysis and Allegations

The actions we see from the character Klaus are far from just concerning. Not only do we see Klaus verbally berate and belittle his students, but we also see him physically hit them. No matter what modern media tells you, these are not normal in the dance world. That’s just blatant verbal, emotional, and physical abuse> It should not be tolerated or seen as normal under any circumstances. And, what’s worse is Johnny’s almost definitely not the youngest in that room. One of them, yes, but most likely not the absolute youngest. Most professional dancers report their first official contract at the age of 18. However, troupes are known to have members as young as 15 years old. And since Klaus was hired as choreographer and was able to produce a troupe on such short notice (literally canonically overnight), those are probably all his current students, meaning those kids could be as young as 12 (the age when most professional dancers report starting to circle the professional sphere, however dance classes can start as young as 2 years old). That is further backed up by the fact that every student stayed.

Now I understand that that statement itself might seem weird, however, contrary to popular opinion, dancers are some of the most terrifying people I have ever had the genuine pleasure of meeting. It’s a cut-throat industry and dancers are a lot of times forced to learn to stand up for themselves against abusive choreographers and directors that don’t actually value them. Most dancers I know would have just walked out the moment they saw how Klaus was treating the others, let alone if he started treating them that way. It’s very much an industry based on self-worth to survive. So, the fact that everyone in that class stayed told me that not only were they used to Klaus’s abuse, but they were also more than likely conditioned to take it.

Like I said, most dancers tend to be extremely good at sticking up for themselves. Sadly however, as in the majority of athletics industries, grooming is a huge problem in dance. As I previously mentioned, dance classes can start as young as 2 years old with most professional dancers reporting to have started seriously training at the 4–6-year-old range. That means that young children, I can’t emphasize that enough that these are children, are being exposed to Klaus’s abuse on a daily basis (Choreographers typically are also teachers at a dance school and since anyone with common sense would fire him to avoid a lawsuit, I would believe that Klaus owns the school). And as anyone who has interacted with a child before can attest, they are incredibly trusting. So, if they were told by an authority figure that they’ve been told they can trust, like say a teacher, that something is normal and not a big deal and they’re lucky enough to have a nice teacher as others are worse, they’re going to believe it.

Even if as they get older and realize that they were lied to and are in fact being mistreated, a lot of times they feel trapped or have no support systems outside of the people involved in the bad situation. Especially if you have been going to a specialized school where everyone around you has been going through the same thing and your contact with people outside it is extremely limited. This can be made worse by the power held by higher ups in the dance industry (choreographers, casting directors, etc.). Those higher ups completely control the lifeline of everything in the industry. One bad word from one can seriously be a career ender. Not only that, but those people tend to be more successful, more in the public eye, and therefore can sway public opinion against whoever might have spoken up with ease as well as making court cases where poor dancers are going up against vastly successful higher ups a literal nightmare for the dancers. A lot of times they cannot afford a good attorney and will end up losing the case or being hushed by settlements that they desperately need due to a lack of work.

Therefore, I believe that even if Klaus’s abuse of his students has been brought to light before, it more than likely was swept under the rug. And I believe his abuse of Johnny was evidence proving that theory. Why? Well, Johnny is different than every other student in that room. Not just because he’s never danced before, but because he is not a permeant member of Klaus’s Troupe. He’s only there for the run of the show. And if you are struggling to see why that might be important, let me explain. Johnny has no stake in Klaus’s success. He will not be affected if Klaus’s name is dragged through the mud. He will not be out of a job if Klaus is fired. What Johnny is, as Klaus and every member of that Troupe must know, is a close, personal friend of the director and absolutely can affect their employment status if he wants. He can have them fired and replaced with a different group the next day if he really wanted to beg Buster for a new teacher. Klaus knew this and still chose to target and abuse Johnny. He knew how risky that was and he still did it. That shows to me that he’s gotten away with that kind of thing before. He’s more than likely done this to several other rookies and not faced consequences. And if he’s willing to do it to them, people with no reliance on his success, he definitely is willing to do it to his students, who are relying on him for essentially everything. If Klaus’s reputation is ruined, so is theirs and their resume will probably not get them as far. If Klaus goes under, they suddenly are out of jobs in a city known for its competitive performing job market. If they speak up, they’ll be fired, and Klaus’s reputation will absolutely carry him through any court case they may try. They are very likely end up homeless and hungry if they lose their jobs with him. Klaus has all the power. And he knows it.

Those are the primary reasons I believe that not only did Klaus physically, verbally, emotionally, and mentally abuse his students, he more than likely is guilty of several much more sinister crimes like grooming and misuse of power.

Ryan, The Primary Victim

This part of my theory is where it gets a little more intricate. In dance, there’s a role in most organizations known as the Principal Dancer. The Principal Dancer is the top dancer in that company and frequently are given not only solos but starring roles in shows the company is hired to perform. Starting to sound familiar? That’s because that’s exactly what we see happen to Ryan. Ryan is given the role of being Johnny’s dance partner in the duet, one of the starring roles in the scene of a show being put on by a head of the entertainment industry. However, when we look at the students during this announcement, none of them look surprised. Ryan seems to have been the choice that everyone was expecting. On top of that, Ryan is the only one of Klaus’s students to publicly receive praise in front of the others, something that again doesn’t seem to surprise anyone. Klaus wasn’t doing that just to make Johnny feel bad (he would have pointed out how other students were doing better than him too), he clearly has praised Ryan before. Ryan is Klaus’s Principal Dancer. And upon realizing that, I immediately started to worry for him.

Principal Dancers are often used as the example for all other students to follow. They stand at the head of the barre during warmups and help other students during practice. They can even help the teacher/choreographer with the choreography and the class overall. Essentially, they can tend to take on the role of a teaching assistant. And rather unsurprisingly at this point, we see Ryan doing just that during the practice scenes. While we never see them doing group warmups on barre, we do see Ryan seemingly helping another student correct their pose when Johnny shows up late for class. In fact, he’s the only student not doing those poses and is instead walking between the others as if checking what they’re doing. He also then proceeds to do the fight scene choreography perfectly. And while we might be meant to brush that off as “oh, he’s a talented dancer, of course he can do the choreo perfectly”, I’m here to tell you that essentially no one can do choreo absolutely perfectly on their first full run through. And that’s what it’s hinted at being, especially for Ryan. Johnny might have learned bits and pieces of the fight scene choreo before that point, however, Ryan’s role was announced in that very scene, and he was still able to do the choreography perfectly. That means that Ryan had practiced that choreo before, more than likely numerous times till he was able to do it flawlessly. And that means, he was more than likely practicing alone, or at least without Johnny (a neutral third party who would note and potentially protest any abuse), with Klaus.

We know that Klaus has hit his students before, hell we see him do it multiple times in the movie itself, and we know that he also verbally and emotionally berates his students on the regular. We can see by how his students react to this, how scared they look, that they too are targets. And statistically, the person closest to the abuser is typically their primary victim. In this instance, we know the person closest to Klaus within the troupe is Ryan.

What’s more, the behaviors of Ryan and Klaus within the movie hint to this fact as well (this is probably where I go into over analysis but I’m too far deep in this rabbit hole now so). For starters, let’s look at the scene where Johnny, Buster, and Gunter enter the training room. The first thought that blared through my mind was their shoes. If you didn’t know, street shoes are not allowed on practice room floors, like ever. It can wear down the flooring and therefore make it extremely dangerous for the dancers. So, the fact that the dancers didn’t say anything in of itself was odd, but then again, the Principal Dancer might have been the one expected to speak up in that instance since it involved the show’s director. Speaking of the Principal Dancer, Ryan is the one dancer we do not see in that opening scene. He’s nowhere to be found and neither is Klaus. Now, Klaus being gone on the first day of a show isn’t that surprising. Choreographers have a lot of people they have to talk to such as the director, the publicity manager, the wardrobe department, etc. but Ryan being missing is odd. For one, he would technically be, at least honorarily judging by the troupe’s dynamic, in charge while Klaus is gone, and two, there’s no way they didn’t know they would be getting their new dancer (Johnny) that morning. Having no one there to formally met him or tell him the expectations would spell disaster to a cohesive first practice. And yet Ryan is missing. He could have just stepped out for a moment, true, or been helping Klaus with something, but we never see him being treated as an assistant choreographer so that seems a bit far-fetched to me. Therefore, I have chosen to believe theory three: he wasn’t allowed to be there.

Now some of you might realize where this theory is headed, but still, let’s keep going. Why wouldn’t a Principal Dancer, the top performer in the company, be allowed to be there when the new student was introduced for the first time? I don’t think it was due to the new student, it was due to who would be there with him. Johnny didn’t walk into that practice studio alone, he walked in with the director and the screen writer, two people of power on set. What’s more is that those two are currently being backed by one of the heads of the biggest entertainment industries in what’s hinted at being the world. They have power and they can use it. If Ryan would have said something to them, perhaps warning them of what Klaus is like or asking for help, they would immediately have them removed from the show and done anything in their power to help Ryan. Therefore, Klaus kept Ryan close or might have even sent him out to do something to avoid him saying anything that could hurt his image. And what’s more, I think Ryan would have. Let’s look at Ryan’s behaviors throughout the movie now, shall we?

First off, I will admit Ryan is a character with one to two lines and a surprisingly limited amount of screen time for actually being decently important to the plot (though he might have more/close to the same amount screen time than Alfonso if I remember correctly. I’ll have to check.). The first time we actually see Ryan, it’s at Crystal’s Auditions. However, he’s not auditioning. From what I can see (and common fan theories) he’s there to support someone, maybe a friend, maybe a child of a sponsor of the dance company. And he’s also more than likely supposed to be networking for the company as well, getting these potential rich sponsors to like him enough to support Klaus’s company. That is a job assigned to Principal Dancers at certain companies after all. In the scene where we see Ryan, we actually notice him mostly paying attention to Johnny (yes, I do ship them, no, that is not where this is going, nice try). In fact, we see him look him up and down and watch him the entire time he’s in the room. Why is that important for non-shipping reasons? Because there is no way Ryan did not recognize Johnny the next day when he showed up in Klaus’s class. He saw him as a janitor and the next time he sees him apparently his director is friends with Clay Calloway, and they can put on an award-winning show with only three weeks of prep? Yeah, there’s no way Ryan didn’t know that wasn’t a lie. He knew they snuck in. And he didn’t say anything. Klaus would have absolutely used that as ammo against Johnny if he knew and we don’t know enough about the other troupe members to know if they would have told him if Ryan had mentioned it, so it’s a decently safe assumption that he didn’t say a word. He was willing to protect them and their secrets, no questions asked.

Now, onto where we actually see a fair bit of Ryan, the dance classes. This is where we finally see Ryan being acknowledged as the Principal Dancer as well as a surprising amount of his personality. For starters, we can tell he’s extremely patient and dedicated. He never seems annoyed or upset that Johnny’s struggling so much to the point they have to go long. He is just calm and steady, doing the choreo over and over again the exact same way so Johnny can get used to the same movements. He also has clearly been dancing since he was a kid to reach the rank of Principal Dancer when he’s as young as he is (I always though he and Johnny were close in age, 18-19 years old). So, what do we now know about Ryan? That he’s trustworthy, patient, and very dedicated.

Now on to why this personality we see hints to Ryan actually being a threat to Klaus’s reputation. Ryan doesn’t act like Klaus. And why does that mean Ryan doesn’t agree with Klaus’s views? Well, a lot of times when people of similar ideologies and behaviors are together, they amplify those traits in each other (think about things like political rallies or groups of friends). Or think of how couples who have been together a long time develop the same habits or how kids mimic their caretakers (and since Ryan is Klaus’s Principal Dancer and probably been training with him for years that probably the closest fit). However, Ryan’s mannerisms and personality seem to be the exact opposites of his teacher’s. He’s even willing to sneak into Crystal Theatre to help them put on the show apparently behind Klaus’s back, seeming to lead the other students there. He doesn’t align himself with his teacher’s ideology towards Johnny at all. In fact, we see him being extremely supportive of the other boy during the show and practices. At this point, it’s pretty clear to me that Ryan has definitely grown disillusioned with whatever Klaus probably told him as a young student and in fact seems to rebel against his teacher’s wishes constantly. He wouldn’t have held back if he had been alone with Buster and Gunter that day. He would have warned them.

You might be asking “So if this is the case, why hasn’t Klaus fired him then?” Well, simple, sponsors. Remember how I said earlier that Principal Dancers are commonly used for networking between different troupes? Well, as we can observe, Ryan seems to be a very friendly and outgoing guy. He seems like the kind of person who can make friends quickly and easily. And while that is great for making those networking connections, it also means those connections are more than likely fonder of Ryan, a cheerful and friendly young adult, then Klaus, who is shown to be a perfectionist and egotistical. If Klaus was to fire Ryan (especially since I don’t think Ryan would sign an NDA), Ryan would more than likely go to those sponsors and ask for help. He likely could financially cripple the troupe if he wanted to. Klaus is kinda stuck with him at this point.

And that being stuck with him, especially since Ryan is almost definitely under contract, spells worse news for Ryan. If he leaves and breaks contract, he can be sued, and that lawsuit would probably destroy his future in the dance industry. And if he stays, Klaus more than likely is going to target him even more to try to eliminate the chances of Ryan saying anything (gaslighting, scarily common these days). Ryan is trapped between abuse and essentially financial desolation for the foreseeable future.

That wraps up by deep dive into the theory that sprung to life after watching the interactions and behaviors of the dance troupe and Klaus in Sing 2. And in the case of a TL:DR scenario, I believe that Klaus has committed much worse crimes than what we’re shown on screen and I believe that Ryan is his primary victim.

#sing 2 #sing ryan #sing the dance troupe #i am not tagging klaus #why? because of literally everything i wrote about #again no hate to people who like his character #just please acknowledge how he treats his students onscreen is not healthy or normal #just because it's like that on dance moms doesn't mean its good #and by the way this isn''t even the worst of what could be happening #I avoided writing about that here due to personal triggers #but if you are curious and have a strong stomach google abuse and dance and scroll past the videos to the articles #it's fucking horrifying #all events above are based on real world occurences #my thoughts and sympathies to those victims who went through things like this #I wish the worst on your abuser #for all dancers who potentially are reading this after seeing their own classes reflected in klaus's #there are resources to help you #please please please reach out to someone #that is not normal or ok #i will go a bit more in detail about this in my fic of course #but for now this is everything

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