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#I procrastinated I apologize
gum-iie · 10 months
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centuries wept away
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cubicpeebles · 7 months
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????.??? - PUBLIC
Big Sis Moon, Five Pebbles, Seven Red Suns, No Significant Harassment
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BSM: I have put Ruffles into a little costume! Aren't they adorable!
FP: It is a pleasant surprise to see you taking part in events that used to be celebrated by our creators.
FP: And yes, the costume is adorable.
SRS: Putting our companions into costumes is a nice idea. I think I'll try that as well!
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BSM: Oh dear.
NSH: Hah!
BSM: I am going to remove the costume now. Ruffles looks... uncomfortable.
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SRS: The messenger looks quite charming all dressed up!
BSM: Aww!
NSH: I've found a costume. I'm gonna try putting it on the beast... Wish me luck...
FP: Shall I join in on the festivities as well?
FP: I doubt I will have much luck concidering the uncooperative behaviour of the Ruffian.
BSM: You should try!
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NSH: HAHAHA!
NSH: Look at this thing!
NSH: Agh! It's biting!
SRS: Oh my.
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FP: This is not going very well.
FP: It is growling at me very loudly.
NSH: Come on! You can do it!
NSH: Don't be scared Pebbsi ~
FP: You are not helping. And do not call me that.
BSM: Please be careful...
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FP: Well then. That did not go as planned.
BSM: Oh no!
NSH: Well there goes the Overseer!
SRS: Perhaps you should refrain from attempting to dress it up again.
FP: I agree.
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So, I recently saw on Pinterest a drawing of a girl wearing a T-shirt that says on the front “I drank too much respect a girl juice.” On the back of the shirt it says “Now I’m a lesbian.” And I would do anything to see your Leo wearing that shirt.
Wait, is she a lesbian? I forgor💀
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girlkisser 🫵
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miiukkaa · 11 months
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the little gremlin (me) drew a layout of the subway lair's kitchen
first of all, thanks to everyone who have sent suggestions/questions related to the kitchen in my asks! if i didn't reply back to you, know that i just wanted to hoard your ask and ponder on it and will now answer to you in the following rambles :)
giving you an easy-to-access-link to the subway lair you may or may not have seen.
on the layout, i wrote down in all caps the places where the stairs from the kitchen lead to. the arrows indicate if the stairs lead up or down.
much like in the sewers, the kitchen has lots of tabletops and cabinets that may not fill the space perfectly. some of them are mismatched (the boxes that are outside of the room in the layout are wall cabinets by the way!)
the "OPEN 24 HOURS" neon sign is from the old kitchen.
the rack is for holding both pots and kettles and dry foods probably.
i wasn't too sure if to copy the kitchen island from the sewer kitchen! i just ended up just drawing a simple table basically... the sewer kitchen's island came with a pot rack which i think would be cool to bring back!! (me not drawing the pot rack for the illustration was like 90% me being intimidated by how to draw it, oughh).
fairy lights surround the entire room, yep.
i ended up not adding a dining area to the kitchen for a few reasons:
-the sewers didn't have a dining area within the kitchen... nor anywhere for that matter (at least we didn't get to see one)
-there are seats and tables in the lobby which is a short walk away. methinks that's where they sit down to eat instead.
-it felt too "normal" to add a dining table with proper chairs and everything as the idea itself felt out of place... the way i see it, the family is all about mismatches which can be seen in the backgrounds a lot (and the story itself). so i definitely favor messy and unconventional ways over perfect aesthetics and other norms when it comes to the family :)
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woe mundane monopoly headcanons be upon ye
follow for more of modern au hua cheng’s outfits
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theharlotofferelden · 2 months
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So I was checking out Greg Ellis' IMDB page to see if he's been in anything recently. I mainly wanted to know if the whole blowup between him and Mark Darrah 3 years ago that resulted in him making a YouTube video speaking in Cullen's voice while beseeching the Dragon Age fandom to rise up against Cancel Culture affected his career in any way.
This was swiftly forgotten, however, due to the fact that I got really caught up in the wall of text that is his Mini Bio.
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It's a lot, right? Usually when I see bios on IMDB they're less than a paragraph. But what got me was the inclusion of all these weird details. How Greg "mastered the Rubik's cube at 12" and that he's "skydived 10,000 feet above the earth" (so? ppl skydive, man, why is this important). But then there's this mention that he has over 20 action figures of characters he's portrayed in film and television. Like... seriously? This is really worth including in your IMDB Bio? Then right at the bottom it says the Bio was written by PR which lol
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Anyway, I didn't post on tumblr dot com just to dunk on all the questionable details Greg PR decided to include in his IMDB.
What I wanna talk about is this lil detail here:
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Now, I've read his IMDB bio a couple times over the years and have never really questioned whether Greg was truly nominated for an Emmy. Like, who tf would lie about being nominated for an Emmy? But then I started wondering what the Emmy was for (seeing as how he neglects to mention it in his bio) so I decided to do some digging into what he was nominated for.
Doing a general google search turned up nothing so I decided to try his website to see if he supplies more details, and he does.
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Again, he neglects to mention what the nomination was for, but says that he was nominated for his role on 24. So naturally I did a search for 24 Emmy nominations.
It is at this point I become aware that the Emmys have not only dedicated pages for shows that have won Emmys, but also a search function.
Guess whose name isn't listed on 24's Emmy Award page?
Guess whose name doesn't reveal any results for even something as basic as an Emmy nomination?
Even under his legal name? Or the other version of his legal name?
Okay, so maybe they just neglected to add him on the 24 page. If Greg was nominated for anything, it would most likely be under "Outstanding Supporting Actor In A Drama Series" as he was a guest actor for 9 episodes of the show (as Michael Amador) between 2003 and 2004.
He's not listed in the nominees for 2003, 2004, or even 2005 (just to be generous). And since I bothered to look it up just to double check, here's a YouTube video for every year in this category: 2003, 2004, 2005.
-------
While all this may seem like a bit much just to emphasize that Greg is lying about an Emmy nomination, I need it to be understood that I did my best trying to verify its existence. On the off chance it turns out the nomination exists somewhere, let it be known I'll delete this post and apologize for misinforming people.
But I just gotta say, if it's not on the Emmy's website or even his own Wikipedia page, then where tf is it? Like, I get that Wikipedia isn't a totally reliable source, but Gregory Itzin, who actually was nominated twice on 24 as a supporting actor, has it not only mentioned on his wikipedia page, but also has one of his nominations sourced (if you click on the link it will download a PDF).
So until proof that he was ever nominated turns up, I'm going to assume he's lying about it. Which is funny when you consider he's not even lying about winning an Emmy, he's lying about being nominated for one. He's lying about losing an Emmy. Like, could you imagine if Tommy Tallarico lied about almost being on MTV Cribs?
Anyway please reblog this post and feel free to steal it because I find this extremely funny and would love it if someone asked Greg why the internet isn't turning up results for his Totally Real Emmy Nomination.
ETA - Adding a link to @aidanchaser pointing out that it seems like Greg is claiming he was nominated under the categories for "outstanding casting in a drama series" and/or "outstanding drama series" based on what he says about the nomination on his website, along with my reply as I was aware of those nominations but didn't make the connection between them and what he says on his website.
I'm only going to add here that his claim to this nomination is a huge stretch because, by similar logic, if 24 actually won either of those nominations, basically anyone who worked on 24 could claim that they're an Emmy award winning guest actor or production designer, which entirely misrepresents the award being given as it hollistically takes into account various parts of the casting and production. Like, there's a reason there's separate categories for this stuff, and the fact that he seems so comfortable making this claim on his IMDB that he's an "Emmy nominated actor" based on those nominations is such a wild stretch.
And it's clear to me this obfuscation was intentional because he could've easily said that he worked on the "Emmy award winning show, 24" because that's more accurate to the truth of his involvement with the production (i.e. that he worked on a show that won muliple awards). But specifically claiming he was "nominated" lends credence to the notion that he was nominated specifically for his work while still technically being true (despite that claim being bullshit).
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tartarusknight · 1 year
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The King of the Freaks | Pt 5
Ao3 Link | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15
Steve is trying not to panic. Honestly, what was he thinking! He was desperate, and they could all tell. He slammed his locker open and rubbed his face. "Steve?" Jonathan's voice was soft, and Steve jumped. "Is everything alright?" He questioned, and when Steve looked over, he noticed Nancy. She was over by her own locker, looking over at them. She most likely was the one who told Jonathan to come over and talk to him. It's not like Jonathan had any reason to talk to him. They weren't friends.
Steve nodded and cleared his throat, "Yeah. It's nothing important," he promised. And it wasn't even a lie. Jonathan nodded slowly, and Steve wanted out of this conversation. Sure, Jonathan was a good guy. But Steve still hurt from how everything unfolded. He didn't blame Nancy for moving on, and honestly, Jonathan and her should've been together for months, but... it still hurt.
"You know, it's okay to be jumpy after everything." Jonathan said softly, and Steve's smile was strained as the conversation kept going. "You know you can always talk to us." And it hurt a little, hearing that. Because once upon a time, it was the other way around. It was Steve reaching out with apologies at the ready. (Trust him. He knew he overstepped and was an asshole. He also knew if he didn't overstep, then Jonathan wouldn't have fought him, and that's what Steve wanted at the time. To mask the pain swirling in his chest with actual pain.)
But it wasn't him and Nancy, looking out for Jonathan anymore. It was Nancy and Jonathan... and Steve- well, it wasn't the same. Steve wasn't close to Jonathan, and Nancy made it clear how she felt. The invite was done out of pity and fucked up trauma Steve's never going to deal with.
Nancy didn't love him, and she sure as hell didn't care about him if she was able to break his heart so quickly and refuse to apologize for throwing it in his face like a grenade. So, he squared his shoulders. "It's not about that. I was an idiot again, you know, nothing new." He gave him a sharp grin and shut his locker.
Except then, Nancy's there, siding up next to Jonathan. "Come on, Steve, can't we still be friends?" And the words die in Steve's throat. He thought he did enough for her. He let her go without making her feel guilty. He never told her how much she hurt him.
But he also never thanked her for pushing him to realize what a piece of shit he was. Because Nancy was always right, Steve had to be bullshit. Everything he worked towards the last year was bullshit. And if that's all bullshit than the only thing he's good at is throwing himself in front of danger. He could be Billy's target, so he doesn't bother anyone else. He could take all the shit the kids throw at him. But he didn't think he could take Nancy yelling at him again. Her words sharpened over time.
He took a deep breath, but before he could force himself to say anything, someone bumped into him. It's just like a small nudge to get his attention. It's a kinder version of a slap on the back from a teammate. "Hey Steve," Grant smiled.
Something eased in him at Grant's presence. "Hey," he smiled and tried not to note the look of annoyance on Nancy's face.
"So, we were wondering what days you're busy," he asked, and Steve glanced at the couple one last time before letting Grant pull him away.
"See you guys, around." He waved and headed down the hallway with Gtant. "You don't have to make your schedule around me."
Grant laughed and bumped him again, "we want you there. I think Gareth and Eddie are betting which one of them can get you to make a character first."
Steve's brain halted and paused. He was so focused on Grant that he didn't notice Billy until someone slammed into his shoulder hard enough to send him to the ground. "Watch your step, princess." Billy grins at him and Steve huffs.
Tommy kicks his bag away from him before he can stand, and he sneers. "Really making friends with the freaks? You're so desperate," he mocks and slams Grant backward into the lockers. It makes Steve see red, and he quickly moves.
He stands up easily and doesn't reach for his bag. He just pushes Tommy back from Grant and stares down at him. Tommy's back hits the lockers, and Steve grins down at him, watching Tommy's face go red. "Anyone's better than you," he winks, and just like always, Tommy's tongue was tied. Steve knew things about Tommy, things that he never shared, things Steve kept to himself. And he wouldn't tell anyone, but he'd use it to his advantage to protect the others.
Billy shoved him off of Tommy, and Steve held up his hands in a surrender gesture. Billy looked him up and down before looking at Grant. "Protecting freaks now?"
Steve smirked, "Your sister's a freak?"
"Steve," Grant cut in, and Billy scoffed.
"Shut it, fatty!" He growled, and Steve punched him before he even meant to. A crowd was starting to form as Steve straightened up. Billy laughed and dread coursed through Steve. "You really want to try this again?" Billy spat and Steve swallowed. His face was still sore from the last time.
"Don't be a dick," he nodded at Grant and Billy raised an eyebrow.
He leaned closer, and Steve fought against the urge to flinch. "You really did fall from the top."
Steve put all his king Steve swagger in his body. "I'm not going to fight for a make-believe crown." He glanced back at Grant and hoped his eyes were convincing enough to get him to walk away. "Not when you get off on it." And Steve's slammed back onto the ground.
"Billy!" A teacher snapped, and everything stopped. Grant moved to help Steve up, but Steve wasn't in the mood. He pushed himself up and dusted himself off. He moved and grabbed his bag from the floor. Billy was glaring, but he walked off with Tommy and a few others.
He felt exhausted, and his head was starting to swim. "Uh, just come over whenever. Honestly, it's not a big deal, I'll warn you guys on days when I'm not free... Tuesdays and Thursdays, I have swimming until 6." He offered and rubbed a hand down his face. His face hurt from the pressure, but he used it to ground himself.
The bell rang, and he looked over at Grant. He smiled and tried not to look like the mess he was. "I'm gonna go," he pointed behind him as they parted ways. He waited until Grant was out of view before ducking out of the school. He headed to his car and quickly got in. He leaned his head against the wheel before he let out a big shuddering breath before pulling himself back together and backing out of the parking lot. He could deal with his failing grades tomorrow.
@zerokrox-bloglog @cyranyxx @adaed5 @the-redthreadd @lifeisnotsobadonceyoustopcaringceyoustopcaring @idontgetpaidenoughforthisshitorthisshit @failedstarsandgoldencloudsds @bisexualdisastersworldd @deadlydodoss @anythingyouwanttobee @nburkhardtt @bestwifehaverr @thehumblefigtreee @megzdoodlee @swimmingbirdrunningrockk @mightbeasleepp @bxlthazarar @autumnal-dawnn @chillichatss @nonbinary-eddie-munsonon @the-daydreamer-in-the-cornerner @eddie-munson-is-my-wifewife @a-little-unsteddiedie @sharingisntkaren @a-huge-nerdy-nerd @0o-queendean-o0 @beckkthewreck @vi-an-te @vampireinthesun @newtstabber @dinosareawesome2137  @spicemallow @hellomynameismoo  @luthienstormblessed @briceslayed @angeldreamsoffanfic @dbquills @prideandsensibility @iwouldsail @ponfarrtimeatthevulcannightclub @spectrum-spectre @the-chilly-kat @yearningagain @loopsmd @starlight-archer @sleepy-time @goodolefashionedloverboi  @crazyshipper67  @sherrylyn628  @bidisastersworld  @v3lnys  @n0connections  cherixxx69  theotalksalot  tailsfromthecrypt  ledleaf  grimmfitzz 
(I’m so sorry that’s all the tags I could do!!! If you didn’t make it I’m sorry!!!!)
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ourfag · 6 months
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i think part of the resistance i’ve seen in response to the view of ed as an abuse victim—not just the view of izzy as someone who abused ed, but of ed as someone who was abused by him, as opposed to interpretations that pursue an image of Nuance and Complexity (unnecessarily, because their dynamic has heaps of both, but there seems to be a popular impulse to conflate complexity with shared culpability) by characterizing their relationship as being toxic/unhealthy in equal reciprocity, or as “mutually abusive” (oxymoron)—i definitely see the influence of racism there, but i think the racism is also working to amplify an adjacent issue where we tend to receive very specific cultural messaging about What An Abuse Victim Looks Like, and ed is excluded from a lot of that criteria.
he’s outspoken. he’s boisterous. he’s Very Cool and he Wears Leather. he’s physically bigger and browner than the person mistreating him. he spends the first season with a big grey beard, he’s covered in tattoos, he projects the image of A Man’s Man, to say nothing of his being a man in the first place. we see him get aggressive and we see him get angry (and sometimes we even see both at the same time). we see moments where he’s surly, prickly, insensitive, arrogant. his survival techniques and trauma responses incur collateral damage to other people, and in the second season this extends into affecting people we actually sympathize with. he’s extremely private about expressing fear. without examination, his professional relationship to izzy seems to position him as the one with the power slanted in his favor.
most damningly, we see him react multiple times to izzy’s abuse with physical violence. this is behavior that gets referenced all the time in the construction of narratives condemning subjects of physical abuse, let alone emotional abuse. which is why writing that intends for its audience to interpret a character as being unambiguously A Victim Of Abuse will often, for simplicity’s sake, avoid showing the character regularly engaging in anything of the kind.
and again, all of these departures from the image of The Model Victim are compounded by his being a man of color.
without any of the shorthand designed to point a big flashing arrow at his mistreatment, all we have left to work with are the words and actions we see from ed and izzy onscreen. who instigates conflict, and how does the other respond? how are they able or allowed to respond? how do we see them speak about each other to outside parties? does one go out of their way to control or isolate the other? what consequences does either party stand to face in saying “no” to the other? in acting against the other’s wishes? in trying to leave the relationship? when either of them attempts these things, how do we see the other respond?
i realize and appreciate what people are driving at when they garnish their analysis with disclaimers that they’re not saying ed’s just a poor innocent abuse victim, they’re not saying he’s a perfect angel who’s never done anything wrong, and that’s true, but these are points already contained implicitly in statements like “this show’s protagonists act like human people” and “ed’s emotional struggles are portrayed in a realistic and believable way.” my assumption is that these disclaimers are anticipatory responses to worst-faith interpretations of any discussion that attributes any victim status to ed whatsoever, so i definitely sympathize with their inclusion, but a (very small) part of me still worries about them potentially reflecting or reinforcing a belief that there is any way for someone to behave towards their abuser that imparts a responsibility for them to make right whatever damage the abuser receives, or for that matter any degree of ambiguity over their status as an abuse victim in the first place.
part of what i find so gratifying about ed as a character is that i don’t feel like the show’s writing is pressuring me to consider that ambiguity at all. which was a really nice thing for me to discover!
and tbh—did using ed to deconstruct The Model Victim even factor into the writers’ agenda?? ive got no clue. im guessing no? ??maybe?? probably not?? but if you create a main character whose central premise is that he feels trapped in a performance of exaggerated masculinity that he’s desperate to escape, and then you set him up with a character premised on embodying a tangible obstacle against that escape, then i guess that’s the natural shape your story’s gonna be inclined to take
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fireyartccoon · 21 days
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some sonks for your troubles
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Lisa Ann Walter as Melissa Schemmenti in Abbott Elementary| 02×20: Educator of the Year
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thelordofgifs · 10 months
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Happy Tumblr Milestone Saturday, congrats!!!
If you're up for a fic prompt, any thoughts on Maedhros playing a musical instrument?
Yikes so sorry this took three months to get to! Thank you for the prompt friend <3
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“I think,” says Maedhros, “I should learn to play the harp.”
Maglor stops what he is doing and stares at him. “Nelyo.”
“What?” Maedhros says mildly. “It is a key part of my own history.”
Maglor’s face twists in distress. He turns his gaze back to his work, organising the little bottles of medicines and salves on the table.
“The fiddle, otherwise,” Maedhros suggests. “Or the flute?”
Maglor makes a small, unhappy sound, quickly stifled. That is not what Maedhros wanted. There were few memories he dared cling to, in Angband, scared that in turning them over too often he would rub away the details, or else that they would be snatched perforce from his mind; but he does remember the clear bright sound of Maglor’s laugh, which rang so often and easily through the streets of Tirion. He has not heard it once since his return.
Hard enough to realise he does not know himself any longer – but to find his little brother a stranger is nigh unbearable.
“I was joking, Káno,” he says. “I know I cannot play with only one hand.”
“Oh,” says Maglor. He smiles bravely, although his eyes are wet. “I knew that.”
“Come and sit,” Maedhros says, and then flinches – it sounds like an order, and what right has he to give orders?
But Maglor sets aside his fidgeting and sits down in the chair next to Maedhros’ bed. He always balances the distance perfectly, close enough for Maedhros to see him without straining his neck, far enough away that the proximity does not frighten him. Today, however, Maedhros wants his brother near. He reaches out to take Maglor’s hand in his.
“I miss you,” he says, and then, “I miss me.”
“I know, Nelyo,” Maglor breathes.
“Shall it never again be as it was?” Maedhros asks.
“I think not,” says Maglor, “and yet—” He swallows. “I am glad that you are back, Nelyo.” His eyes bleed apologies.
“Sometimes,” Maedhros says dreamily, “I think I am still there, and it was only some facsimile of me that Thorondor bore back.” Maglor takes a breath and Maedhros adds, “I know that it is not true. My old self was lost long before Finno came.”
“Nelyo,” Maglor says miserably.
“Now I have upset you,” Maedhros says. Tentatively, he lifts his hand to Maglor’s cheek, and Maglor does not flinch in disgust from his touch. “And I only wanted to make you laugh.”
Maglor smiles wryly. “Laughter is in rather short supply, these days,” he says.
Maedhros has known that to be true for himself. But he did not think—
"Is the world so changed?" he asks. "Are you so changed, dearest?"
Maglor lowers his gaze. He looks rather ashamed.
"I should not have left you," Maedhros murmurs.
Maglor meets his eyes again, startled. "How you can say that!" he says. "When I—"
Maedhros touches his cheek again. "All the same," he says, "it has been hard for you."
"Nelyo, that is absurd," Maglor says. "You cannot possibly blame yourself that I grieved you – and while you were living all the time!" He smiles again, bitterly.
Was I? thinks Maedhros. But aloud he says, "Káno, I – I barely recognise anything of myself. May I not – at the very least – remain your elder brother?"
"You are always that," Maglor says, blinking away his tears.
"Then come here," says Maedhros, and he pulls Maglor into a hug, and does not shudder to feel his body so close; so there is still this. And if Maglor is a stranger to him now he still lays his head on Maedhros' good shoulder as he used to when he was very small, and they sit that way for a while.
It cannot last forever – Maedhros is too weak to sit upright for long. Eventually, Maglor lowers him carefully down onto his pillows and fetches the evening round of medicines, and once again he becomes the carer and Maedhros the patient. He is still very gentle, as he coaxes the bitter concoctions into Maedhros, and changes the dressings on his wrist. So perhaps the world is not so changed.
***
The next morning, Maglor is carrying his harp when he comes into the tent. He looks pensive, but not unhappy, and he smiles to see Maedhros awake.
"Have you come to play for me?" Maedhros asks.
"Yes, if you would like me to," says Maglor; "but first I thought you could try playing it yourself, if you want to."
Maedhros blinks at him. "Káno, I only have one hand."
"I can teach you some simple melodies," says Maglor, and then he looks uncertain. "But we don't have to – if you would rather I played instead—"
"I'd like you to teach me," Maedhros says gently. (That was interrupting – they will punish him for speaking out of turn – no, it is Maglor, it is Maglor who loves him. Maedhros knows that.)
Maglor brings the harp over to the bed and sits down beside it. He reaches for Maedhros’ hand. “May I?” And when Maedhros nods, he places Maedhros’ fingers on the harp, and teaches him the name of each string in turn.
It turns out to be possible to pluck out a simple little melody on the harp, even with Maedhros’ numb and clumsy fingers. Eventually, Maglor stops guiding his hand and accompanies him instead, smiling encouragingly as he does so; and the sound of the music is very sweet. And when Maedhros deliberately botches the tune, moving his fingers quickly across the strings in a rapid, messy glissando, Maglor's laugh is sweeter yet.
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the-inverted-painter · 5 months
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Get Inverted!
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docwormie · 7 months
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Starmania iceberg, done in collaboration with fellow starmaniacs on our starmania discord server !! we tried to go from well-known/obvious facts to more obscure references. How many of these do you know ?
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best-at-episode · 7 months
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kha0sd3m0n · 5 months
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There’s something that hurts with the knowledge that even when Rae ‘shatters’ he breaks into pieces that aren’t technically *his*
Pieces of gods so heavily surrounded by trauma.
No piece of *Rae* was lost.
Just pieces of those who intertwined with him; against his will.
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iihavenomouth · 1 year
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I don’t have time to draw every OC contestant (maybe one day) - but here’s a few I thought were very darling, who I’m sad to see out!
Petri belongs to @starfall-isle / Zori belongs to @nintendoni-art / Wick&Casquette belong to @wispon
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