hi!! first of all, i just wanted to say i love your art <3 i was in the twst fandom for a while and i'm currently into toku, so it's a nice surprise to see you like both! this is kinda dumb but, out of curiosity, how have you been making your ride kamens predictions? i.e. what hints are you referring to to make your guesses? i saw some jp artists making their guesses as well so i feel like i'm missing something
p.s. i also want a meteor/fourze-inspired character but that's probably not happening lol
thank you! :> glad to see there are more of us with excellent taste out there (characters being idiots = the best).
I think we're all just working off of the silhouettes? there's the ones that are in the PV, and then the full-body ones from this tweet (plus a couple of as-yet-unreleased character logos on the bottom); if there's been any other info released, I haven't seen it. so...mostly it's just speculation and wild guesses!
based on the ones we've gotten so far, it's going to be literally impossible to tell who anyone is before they're revealed, but it's still pretty fun to guess! I'm still holding out a tender hope that maybe Fourze or Meteor is hidden in there...somewhere...😔
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as a multishipper it’s so weird to me seeing takes like “zolu (or sanuso) have so much in canon but zosan not really so ofc zsn shippers just see them as hot or smth but there’s nothing more” and others like it. first of all… thats a weird hill to die on. since when does canon basis makes one ship superior to the other. second of all: some people just don’t enjoy having everything already established and served on a silver plate. i love zolu with all my heart, they are wonderful and perfect in a lot of ways and interpretations. but what also clicks for me in a special way (and why i can’t let zosan go since i was 16, even tho they’re very much not a priority anymore) is thinking what would it take characters that incompatible fall in love. how would it happen. how would they behave and deal with it and be stupid but also vulnerable in a lot of ways. how would this develop and change them and their worldview. its fascinating! its cool when things are pretty much established in canon and two characters are written like each other’s half but. it’s so much fun to make it difficult and make it a journey. the conclusion is always so satisfying.
so no, zosan is not just “they hate fuck and its cool”
its being incompatible and messy and weird and angry but also trusting each other and respecting each other in so many ways. it’s “you know the worst of me but you still here and i trust you with my life” and also rethinking their view on love and
it’s not for everyone, sure, but it’s not so hard to accept other people’s taste and way of thinking instead of demeaning it or making it a weirdest competition. it’s not. (especially when it’s about literally two of the most popular ships on fandom lmao)
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Blue Eye Samurai & Themes of Breaking Free from Binaries and Boxes
Mizu must choose between being a woman or a man, between feminine and masculine.
Mizu must choose between being Japanese or white.
Mizu must choose between being human (loving) or demon (hateful).
Mizu has struggled against the chains placed upon her since birth, but no matter how much she writhes and pushes against them, the chains remain. And they will continue to, until she learns to accept all of those facets of herself and suppress none of it.
Mizu must realise that she is both feminine and masculine; Japanese and white; human and demon. Mizu is all of these things and everything in between and at the same time she is none of them. She is simply Mizu. Only upon accepting this can she slice through the chains and find freedom.
But Mizu isn't the only one faced with these stifling binaries and predetermined paths. Each of the main four characters represent this theme as well.
"This is the world. It grants women a fixed number of paths. Proper wife or improper whore." -Seki, to Akemi
Akemi, as a woman, must choose between being a wife (modest, meek, but rich) or whore (sexually liberated, willful, but exploited). Both of these would amount to defeat, both of these are cages. So what does she do? With the cards she's been dealt and the rules outlined for her, she decides to change the game so she can win, manipulating her husband (and father, who is now under her care) to give herself the advantage. This way, she blazes her own path ahead to achieve power for herself.
"As it says, there are four paths through the world. The way of the farmer, the artisan, the merchant, and the warrior. Each of these can lead to greatness. I never even cared which path, so long as I found mine." [...] "I know I can't touch greatness any more than I can swallow the sun. But, I can help. I can help greatness." -Ringo
Ringo, partially due to his disability, faces barriers succeeding any of the predetermined paths set out for him, but freely moves between each one in search of one that can lead him to greatness. However, upon meeting Mizu, his horizons expand. Now, he forges his own path, deciding to rise beyond a quest for his own greatness, choosing to instead to help greatness. This is similar to the role teachers take. Teachers do not get to be rich or successful or written into history books, but they help, teach, and inspire others so that they can rise up to their fullest potentials.
"Eighty-four thousand Dharma doors. For me, there were only two. The net or the sword. I could become my father, or I could cut my way free of the net." -Taigen
Taigen, born and raised impoverished, had only two options to survive. He could either be a fisherman and remain poor, or he could strive to work hard as a swordsman in the hopes to one day escape poverty. To him, it was a choice between a life of suffering or a chance at glory. Either way, the chances of dying (from either starvation or getting killed) were present, so obviously he'd taken the chance to run away and try his hand at greatness. But then, he lost his honour, and thus lost everything. Now his only choices are to regain his honour or simply kill himself. He tries the former, but upon bonding with Mizu and Ringo, he finds out there is more to life, that there is a third option open for him he'd never realised before: happiness. Rather than just mere survival, or toiling for material gain, he realises that life is about living.
Overall, the story is very multifaceted through its exploration of societal expectations and norms, and how people are forced to conform, but also the ways they can break free from those boxes.
And in my opinion each of the characters represent differing aspects of marginality, and can be analysed from differing perspectives.
Akemi's story is a predominantly feminist narrative about the marginalisation of women.
Ringo's story is a predominantly disabled narrative about the marginalisation of disabled folks.
Taigen's backstory is a Marxist narrative about the marginalisation of the poor and working class.
Mizu's story is most prominently a postcolonial narrative about the marginalisation of racial Others, ethnic minorities, and hybridised identities. However, as the protagonist, Mizu's story is the most multilayered and thus also heavily features feminist, queer, and Marxist themes due to her complex relationship with gender as well as her background as an orphan living on the streets.
I just found it very interesting that, altogether, the four main protagonists each represent groups that are fighting against an unjust system.
Even Takayoshi, son of the shogun, who should thus be one of Japan's most powerful men himself, is instead seemingly powerless as he is silenced and manipulated by his own mother due to his disability—his stutter.
I also find that these themes of breaking free from conformity and expectations are very interestingly displayed in Taigen, who had thought he'd found a way to join those unjust systems and play by all its rules, and by doing so he had played the role of antagonist. Because one of the central conflicts of the show is Man Vs Society, in which society is the antagonist and the man is Mizu, among others. So by becoming one with that cruel society, Taigen in turn also becomes Mizu's antagonist. Only when he is stripped of everything, all his years of struggle immediately stomped into the dirt as soon as he loses a single duel, only then does he shift away from his antagonistic role. Disgraced and dishonoured, he, too, now rejoins the margins of society, becoming an outcast alongside Mizu and Ringo.
So, TL;DR the society and world portrayed in Blue Eye Samurai is shitty for pretty much everyone unless you're a rich, corrupt, able-bodied cis man. Thus, essentially no one is free and everyone is restricted into neat little boxes where they play their roles and stay in line while the rich and powerful benefit. But Mizu, Akemi, Ringo and Taigen challenge this, and slowly they will rip the boxes go shreds—choosing what they want, and what they want to be, for themselves.
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