Giorgio De Chirico - Hebdomeros
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Giorgio de Chirico, Italian surrealist painter and author of Hebdomeros
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Hebdomeros
Numeric etching / Briat 2023
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Le journal du peintre
Les tableaux du peintre
Painting news project
Twitter
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Le journal du peintre
Les tableaux du peintre
Painting news project
Twitter
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Le journal du peintre
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Keith Cunningham, Cover for Hebdomeros by Giorgio de Chirico, 1964.
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Tree of Life :: Jill Carnes
* * * *
The wind rustles the oak leaves: it is the voice of a god which speaks, and the trembling prophet listens, his face bent towards earth. What is the trembling that the mystic priest feels as on a storm night he draws close to the sacred oak? […]
One of the strangest and deepest sensations that prehistory has left with us is the sensation of foretelling. It will always exist. It is like an eternal proof of the senselessness of the universe. The first man must have seen auguries everywhere, he must have trembled at each step he took.
Giorgio de Chirico, Hebdomeros
(via exhaled-spirals)
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Keith Cunningham. Cover for Hebdomeros, by Giorgio de Chirico. 1964.
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エブドメロス
ジョルジュ・デ・キリコ、笹本孝=訳
思潮社
装画=村上芳正
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New multimedia franchise dropped
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Badender Polizist (Das Bad des Hebdomeros), Poliziotto facendo un bagno (Il bagno di Ebdòmero), 1981 by J.G.Wind - Pencil drawing in the manner of Giorgio de Chirico
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The wind rustles the oak leaves: it is the voice of a god which speaks, and the trembling prophet listens, his face bent towards earth. What is the trembling that the mystic priest feels as on a storm night he draws close to the sacred oak? [...]
One of the strangest and deepest sensations that prehistory has left with us is the sensation of foretelling. It will always exist. It is like an eternal proof of the senselessness of the universe. The first man must have seen auguries everywhere, he must have trembled at each step he took.
Giorgio de Chirico, Hebdomeros
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Hebdomeros from Metamorphosis, Giorgio de Chirico, 1929, MoMA: Drawings and Prints
Gift of Abby Aldrich Rockefeller
Size: composition: 16 1/8 × 11 15/16" (41 × 30.3 cm); sheet: 22 1/4 × 17 7/8" (56.5 × 45.4 cm)
Medium: One from a portfolio with six lithographs
http://www.moma.org/collection/works/63807
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he must have trembled at each step he took
“The wind rustles the oak leaves: it is the voice of a god which speaks, and the trembling prophet listens, his face bent towards earth. What is the trembling that the mystic priest feels as on a storm night he draws close to the sacred oak? […] One of the strangest and deepest sensations that prehistory has left with us is the sensation of foretelling. It will always exist. It is like an eternal proof of the senselessness of the universe. The first man must have seen auguries everywhere, he must have trembled at each step he took.”
— Giorgio de Chirico, Hebdomeros (Exact Change, Jan 1, 1992)
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Let's Stay in This Semidarkness
“Let’s stay in this semidarkness while it lasts. Notice how people and objects all look more mysterious in this dim light. It’s the phantoms of people and things we see, phantoms which, once light arrives, disappear into their unknown kingdom.”
—Giorgio de Chirico, Hebdomeros
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Hebdomeros distrusted “originality” as much as he distrusted fantasy; “You must never gallop too hard on the back of fantasy,” he said, “what is needed is to discover, for in discovering one renders life possible in the sense that one reconciles it with its mother, Eternity; in discovering one pays tribute to that minotaur that men call Time, and which they portray in the form of a tall, dried-up old man, seated with a thoughtful air between a scythe and a clepsydra.”
[Giorgio de Chirico. Hebdomeros, p. 112.]
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Freewheeling
For a round-up of good late Summer reads go to The Fortnightly Review
Post-Summer Reading:
Hebdomeros
by Giorgio de Chirico; introduction by John Ashbery (1992 edition)
Exact Change | 258 pp | £14.93 $17.95
.
Tales I Told My Mother
by Robert Nye
Calder and Boyars, 1969; republished by Marion Boyars, 1992 | 172pp | £5.21 $13.48
.
Dandy Bogan
by Nick Ascroft
Boatwhistle 2018 | 96pp | $6.17 £8.19
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Keith Cunningham. Portada para Hebdomeros, por Giorgio de Chirico. 1964.
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