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#Fritz Brinckmann
queerbauten · 1 year
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@blixa4ev here’s the official, contradictory record on that whole matter, courtesy of Pas de beauté sans danger:
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(English translations under the cut.)
Later in the book, Klaus Maeck and Fritz Brinckmann characterize Blixa and Mufti's relationship as a (troubled) marriage. Mufti rejects that characterization, but he also doesn't treat it as entirely invalid.
Of note: Blixa is either never asked his view of the matter or simply refuses to comment on it. In the chapter "Ende", he does say something that could be implying that the final version of "Stella Maris" was inspired by Mufti, but he also says he doesn't wish to speak on it too much.
Excerpt 1:
ALEXANDER HACKE: We were sleeping on Hein-Hoyer-Strasse, near Reeperbahn. I fell in love with Christiane F. without knowing who she was. I talked to her the whole night after a party. I had forgotten my keys and called her to tell her. I started writing her letters shortly after. At the same time, Blixa and Mufti fell in love not just artistically. In the beginning, it was a real love story. That's how Mufti joined the band and how the connection with Hamburg started. I was going to [text cuts off here].
Excerpt 2:
ANDREW UNRUH: There was never any kind of love affair between Blixa and FM. We're real guys - we're straight! I doubt there was anything between them. It was friendship. They enriched each other for sixteen years, but that doesn't make it a love story. And even if it is, what's the problem? Of course, we have to get to know and appreciate each other. One day FM came from Hamburg and Blixa said to me: "This guy from Abwärts, you should meet him too. From [text cuts off]".
Excerpt 3:
FM EINHEIT: I wouldn't use the term 'love story' to describe the relationship between Blixa and I. We were very attracted to each other through the music WE made together and the things we were both interested in. We were very attracted to each other through the music WE made together and the things we were both interested in. The music that the Neubauten created was always very much influenced by a continuous process of attraction/repulsion between the band members. The energy that came out of this friction was what Einstürzende Neubauten was all about. It wasn't just between Blixa and me: there was the same energy between all the other members of the band.
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russianblixa · 8 months
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derwahnsinn · 10 months
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31 Days Idol Challenge - Oliver Riedel
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Day 10 - Favourite Look in a Group Photo
When I made this challenge before this year's tour, I was not sure which photo I would go for. As soon as this Adieu photo by Jens Koch was published, it became easy.
Of course, it is separate shots put together, but it's still presented as a group photo - and Oliver looks fabulous. I like how he has a prominent placement, how his posture and facial expression is so different from how we normally see him in photos, and how he looks hands on and ready to go. It totally fits the character he had in the Adieu music video, where he totally rocked that mini-gun.
Seeing this photo blown up and used for Rammstein's merch booths this tour, was amazing. The details were mind-blowing. I actually took photos of one of those banners, and while my angle and lighting was not perfect, I have tried to adjust the colour balance and aspect to resemble the original. The spots on the photo are spots that were on the actual banner I photographed.
Since this photo is photoshopped and not accurate, please do not circulate it. I put a disclaimer on it as well, so no one will think of it as the original photo. While it is not perfect, it does show a little bit of the crazy detail in this fantastic photo.
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Bonus material: 1) Dreamy young Oliver with hair, by Fritz Brinckmann 1995. 2) Pile of Rammstein where Oliver has more hair than Schneider, by Joachim Gern 1995. 3) Barefoot Oliver front and centre, by Jan Hinrich Hoffmann 1995. 4) Photo where you can really see that Oliver is younger than the rest of Rammstein, by Frank Lothar Lange 1997. 5) Oliver and Richard sharing a moment, by Ross Halfin 2001. 6) Shaved Oliver with glasses, by Olaf Heine 2004. 7) The Rosenrot photoshoot, by Kasskara Agentur (Mat Hennek and Felix Broede), 2005. Oliver looked confident and proud, perhaps because the band was dressed up by his wife? 8) The German Conference, Sonoma 2008, by Olaf Heine. I like how the others are listening to Oliver (well, apart from Richard, who is posing for the camera). 9) In LIFAD costume, by Paul Harries 2010. This was a really good look for Oliver. 10) Oliver in his element, by Frédéric Batier for Mein Land 2011. 11) Smiling Oliver on the photo shoot for the Untitled album, photo by Jes Larsen 2019.
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Others doing this challenge:
Till: @endlich-allein Flake: @anwiel13
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rammingthestein · 8 months
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The title Herzeleid is an old German word for heartbroken,” says Richard Z Kruspe. “To understand what we went through to make the album, you have to appreciate what was going on in our lives at the time.
“I was breaking up with my girlfriend, and it was very tough. I’d never experienced anything so emotionally hard before. It left me drained. Unless you’ve been through something similar, then you can’t get to grips with the way I felt. | Richard for LouderSound.com
Photos by Fritz Brinckmann (1995) 🔥 source 🔥
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nuliqedagis · 2 years
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Krups orchestra bedienungsanleitung pdf editor
  KRUPS ORCHESTRA BEDIENUNGSANLEITUNG PDF EDITOR >> DOWNLOAD LINK vk.cc/c7jKeU
  KRUPS ORCHESTRA BEDIENUNGSANLEITUNG PDF EDITOR >> READ ONLINE bit.do/fSmfG
           zyxel firmwarezyxel usg210 zyxel nwa1123-ac bedienungsanleitung deutsch cijawodun.tumblr.com/post/693540863912067072/master-pdf-editor-ocr, wav recorder audio mp3 recorder audio editor recorder audio files mid wma trainer formulaire agefos plan formation pdf mit formulardaten speichern ACTIVEPDF. ACTIVISION FREQUENZUMRICHTER CFW-11 BEDIENUNGSANLEITUNG MOTOREN Core Coaster with Resistance Band, Wheel Ab Roller (1 Core Coaster) ubuy.li/de/product/4JDG5IL5C-watch-band-for-samsung-galaxy- -3d-led-cube-light-diy-kit-with-animation-editing-software 2022-05-28 weekly user manual for a galaxy s111 model gt 19300 Bedienungsanleitung Galaxi3 Cad Zeichnen Bmw F31 Krups Orchestro zur Einkommensteuererklärung 2013 3dAfter the death in battle of Fritz Burger, Brinckmann took over as series editor and contributor to the ambitious and well-regarded Handbuch der Do Online Photo Editing in your browser for free! Vor allem Modelle von Bosch, Krups und Philips schneiden gut ab, andere Geräte können dagegen nicht
https://sabowecoreh.tumblr.com/post/694435128391417856/kaeser-economy-2-bedienungsanleitung-panasonic, https://xiduwaruna.tumblr.com/post/694434584553750528/jarolift-sl35-bedienungsanleitung-deutsch, https://nuliqedagis.tumblr.com/post/694434841891061761/belinea-1925-s1w-bedienungsanleitung-galaxy, https://sabowecoreh.tumblr.com/post/694435185030217728/rotenbach-rasenroboter-bedienungsanleitung-w724v, https://sabowecoreh.tumblr.com/post/694435185030217728/rotenbach-rasenroboter-bedienungsanleitung-w724v.
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untergangsshow · 7 years
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The Who by Art Kane, 1968 / Einstürzende Neubauten by Fritz Brinckmann, 1984
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koks-kino · 2 years
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Einstürzende Neubauten by Fritz Brinckmann
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ourladyofomega · 3 years
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📷: Fritz Jan Thaddæs Brinckmann
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trueloveriri · 4 years
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by Fritz Brinckmann
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asia-frances · 4 years
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Rammstein um 1997
(Herzeleid era)
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Credits: Fritz Brinckmann 📸
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design-is-fine · 10 years
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Fritz Brinckmann & Blixa Bargeld, artwork for CD Triset of Tabula Rasa, Interim and Malediction – played by Einstürzende Neubauten, 1994. 
Limited edition + Bonus CD Footnotes. Mute Records, London and Rough Trade Records, Herne, Germany. Painting by Ambrosius Bosschaert the Younger. Source: discogs.
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russianblixa · 2 years
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Cover Pic of Kirsten Borchardt’s book Einstürzende Neubauten, by Fritz Brinckmann
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monsieurphil · 10 years
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Tabula Rasa era - 1993
Photos by Fritz Brinckmann
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untergangsshow · 7 years
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Einstürzende Neubauten in E.B.Metro-nom magazine #11 (Sep/Oct 1987). Text & photos by Martin Bernet / cover photo by Fritz Brinckmann
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untergangsshow · 7 years
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Blixa Bargeld, Alexander Hacke, FM Einheit, N.U. Unruh, Mark Chung, Wolfgang Müller, Christiane F. and many others on photographs by Anno Dittmer, Fritz Brinckmann, Ar/Gee Gleim and Ilse Ruppert.
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