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jubaer01 · 2 months

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NEW ZEALAND Government of New Zealand Electronic Travel Authority

Official NZ Visa Online - Novozelandsko elektroničko tijelo za putovanja, službeni internetski zahtjev za novozelandsku vizu Vlada Novog Zelanda

Address : Mlinovi ul. 135, 10000, Zagreb, Croatia

Phone : +385 1 4637 011

Email : [email protected]

Website : https://www.new-zealand-visa.org/hr/visa/

Business Hours : 24/7/365

Owner / Official Contact Name :Millie Drake Fuji

Description :Najjednostavniji i najpovoljniji način dovršetka online aplikacije New Zealand Electronic Travel Authority ili NZeTA je odvojiti nekoliko minuta i ispuniti web mjesto. Potrebno je samo malo osnovnih podataka poput vašeg imena, podataka o putovnici, zdravstvenog stanja i datuma dolaska. Možete nam poslati e-poštu ili učitati svoju najnoviju fotografiju lica. Fotografirati možete svojim mobilnim telefonom ili mobitelom članova vaše obitelji. Fotografija ne mora biti vrlo specifična jer ćemo se mi pobrinuti za prilagodbu vaše fotografije kako bi bila prihvatljiva imigracijskim službenicima. Vlada Novog Zelanda preferira da podnesete zahtjev za novozelandsku vizu putem interneta putem NZeTA obrasca za prijavu. Morate izvršiti plaćanje putem internetske debitne ili kreditne kartice nakon što ispunite kratki obrazac za prijavu na mreži. Kada platite pristojbe za ulazak u Novi Zeland, već plaćate pristojbu za međunarodne posjetitelje koja je već uključena. Kako biste dobili odobreno NZ Electronic Travel Authority ili NZeTA za Novi Zeland. Kad god završite s NZeTA online prijavom, fila odobrenje će vam biti dostavljeno e-poštom u roku od 72 sata ili manje. Ponekad to može potrajati dulje zbog pozadinskih provjera. NZeTA ili New Zealand Visa Online bit će povezana s brojem putovnice koji se koristi za ispunjavanje NZETA obrasca za prijavu. U trenutku kada se viza provjerava na imigracijskoj i graničnoj kontroli u zračnoj luci, službenik će pregledati odobrenje vize. Obavezno uzeti e-mail odobrenja ili isprintati na papiru. Nema potrebe posjetiti veleposlanstvo u bilo kojoj fazi ili dobiti fizički pečat na putovnicu. 191 zemlja ispunjava uvjete za dolazak morskim putem, a 60 zemalja ima pravo za dolazak zračnim putem. Sve zemlje ispunjavaju uvjete za tranzit međunarodnom zračnom lukom Auckland. Sljedeće zemlje ispunjavaju uvjete za dolazak na Novi Zeland zrakoplovom koristeći NZeTA ili NZ Visa Online metodu, Francuska, Estonija, Grčka, Njemačka, Švedska, Portugal, Ujedinjeno Kraljevstvo, Slovenija, Danska, Latvija, Malta, Mađarska, Litva, Španjolska, Irska , Luksemburg, Slovačka, Italija, Hrvatska, Poljska, Nizozemska, Bugarska, Belgija, Cipar, Češka, Austrija, Finska i Rumunjska Građani. The most simple and convenient method to finish the New Zealand Electronic Travel Authority or NZeTA online applicationis to take out a couple of minutes and fill on the website. Only a little bit of basic information is required like your name, passport details, health and arrival dates. You can either email us or upload your latest face photo. You can take photo with your or your family members mobile phone. Photo doesn't have to be very specific because we will take care of adjusting your photo for it to be acceptable by the immigration officers.New Zealand Government prefers you to apply New Zealand Visa Online using NZeTA Application form. You need to make payment using a debit or credit card online after completing a short application form online. When you pay the fees to enter New Zealand, you are already paying for International Visitor Levy which is already included. How would you received an approved NZ Electronic Travel Authority or NZeTA for New Zealand.

#Address : Mlinovi ul. 135 #10000 #Zagreb #Croatia #Phone : +385 1 4637 011 #Email : [email protected]#Website : https://www.new-zealand-visa.org/hr/visa/#Business Hours : 24/7/365 #Owner / Official Contact Name :Millie Drake Fuji #Description :Najjednostavniji i najpovoljniji način dovršetka online aplikacije New Zealand Electronic Travel Authority ili NZeTA je odvoji #podataka o putovnici #zdravstvenog stanja i datuma dolaska. Možete nam poslati e-poštu ili učitati svoju najnoviju fotografiju lica. Fotografirati možete svojim #već plaćate pristojbu za međunarodne posjetitelje koja je već uključena. Kako biste dobili odobreno NZ Electronic Travel Authority ili NZeT #fila odobrenje će vam biti dostavljeno e-poštom u roku od 72 sata ili manje. Ponekad to može potrajati dulje zbog pozadinskih provjera. NZe #službenik će pregledati odobrenje vize. Obavezno uzeti e-mail odobrenja ili isprintati na papiru. Nema potrebe posjetiti veleposlanstvo u b #a 60 zemalja ima pravo za dolazak zračnim putem. Sve zemlje ispunjavaju uvjete za tranzit međunarodnom zračnom lukom Auckland. Sljedeće zem #Francuska #Estonija #Grčka #Njemačka #Švedska #Portugal #Ujedinjeno Kraljevstvo #Slovenija #Danska #Latvija #Malta #Mađarska #Litva #Španjolska

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radiogornjigrad · 2 months

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Francuska nije prva zaštitila pravo na pobačaj ustavom

EPA/CHRISTOPHE PETIT TESSON Piše: Anja Vladisavljević (Faktograf) Točno je da je Francuska prva zemlja koja će eksplicitno u svoj Ustav unijeti pravo na “dobrovoljni prekid trudnoće”, ali manje izričita, a po značenju jednaka zaštita u Ustavu postojala je još u SFRJ. Prošli ponedjeljak Eiffelov toranj obasjale su poruke “Moje tijelo — moj izbor” i “Legalan pobačaj”. Oko njega su se okupile…

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#ANJAVLADISAVLJEVIĆ #francuska #PRAVO NA POBAČAJ #sfrj

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zoranphoto · 10 months

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Preminula je Jane Birkin

Legendarna Jane Birkin pronađena je mrtva u 76 godini u svom domu, javljaju francuski mediji Englesko-francuska zvijezda bila je poznata po svojoj privatnom i poslovnom odnosu s glazbenikom Sergeom Gainsbourgom i smatrana je modnom ikonom kasnih 60-tih i 70-tih godina prošlog stoljeća. Rođena je u Londonu, ali je slavu stekla pjevajući na francuskom. U Francusku se i preselila kasnih 70-tih. Francuski mediji javili su da je pronađena mrtva u svom stanu u Parizu. Njezin osobni i umjetnički odnos s Gainsbourgom proslavio ju je diljem svijeta nakon njihovog međunarodnog hita "Je t'aime... moi non plus", dueta snimljenog 1968. Par je bio zajedno 12 godina, a ostali su prijatelji nakon razlaza, te je Gainsbourg i dalje pisao pjesme za Birkin. Njezine poznatije uloge uključuju filmove poput klasika "Povećanje" iz 1966., "Smrt na Nilu" (1978.) i "Zlo pod suncem" (1982.). Birkin je bila i model i mnogi su je smatrali modnom trendsetericom koja je nadahnula 'birkinicu', slavnu Hermesovu torbicu. U rujnu 2021. objavljeno je da je pretrpjela moždani udar, zbog čega je morala otkazati planirani nastup na američkom filmskom festivalu. Tportal.hr By Georges Biard Read the full article

#francuska #janebirkin

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cgvijesti · 1 year

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U pucnjavi u prodavnici ranjene četiri osobe

Četiri osobe ranjene su u pucnjavi koja se dogodila na jugu Francuske u prodavnici hrane u centru Marseja. Tri osobe su povrijeđene u razmeni vatre sinoć u prodavnici, dok je četvrta osoba ranjena ispred prodajnog objekta, prenosi portal BFM TV, navodi Tanjug. Žrtve su mlađi muškarci starosti između 20 i 30 godina, koji su sa prostrelnim ranama na donjim ekstremitetima prevezeni u bolnicu, ali…

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#Francuska #Marsej Francuska #pucnjava u Francuskoj #pucnjava u prodavnici hrane

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zanimljivaekonomija · 1 year

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Rezime posle dva kola po grupama na Svetskom fudbalskom prvenstvu u Kataru

FRANCUSKA, BRAZIL I PORTUGALIJA PLASIRALI SE U OSMINUFINALA

U grupi A: Holandija i Ekvador imaju po 4 boda, ali Ekvador još nije siguran za osminu finala, mora da odigra bar nerešeno sa Senegalom (ima 3 boda). Holandiji će svakako biti lakše protiv Katara, koji je bez bodova.

U grupi B: Engleska je sa 4 boda najbliža osminifinala. Iranu bi protiv direktnog konkurenta SAD-a bio dovoljan bod (ako Engleska ne izgubi od Velsa). Reprezentacija SAD bi morala da pobedi Iran da bi prošla u osminufinala.

U grupi C: Svi mogu dalje, svi mogu i ispasti. Poljska ima 4 boda ali još igra sa Argentinom (3 boda). Meksiko pobedom nad S.Arabijom može do 4 boda (i da na osnovu gol razlike ode dalje, u slučaju poraza Poljske). S.Arabija sa pobedom sigurno ide dalje, a sa remijem čeka poraz ili Argentine ili dovoljno visok poraz Poljske. Nerešen ishod meča ARG-POLJ bio bi im nedovoljan zbog bolje gol razlike koju bi imala Argentina.

U grupi D: FRANCUSKA je prva (na šampionatu) obezbedila osminufinala. Australija i Danska će u međusobnom meču odlučiti o drugom mestu. Tunis bi samo (senzacionalnom) pobedom nad Francuskom mogao da se “umeša”

U grupi E Nemci su se izvukli iz ponora i došli do prvog boda i sada igraju sa Kostarikom koja je na “nuli”, pa imaju veliku šansu za prolaz dalje. Španiji (koja ima 4 boda) je sasvim dovoljan bod protiv Japana, ali u slučaju poraza Japanci bi išli u osminufinala, a Španci bi se nadali boljoj gol-razlici od Nemaca (imaju 7:0 protiv Kostarike). Realnije je, ipak, da pobede i Španija i Nemačka i, prema očekivanjima, plasiraju se u osminufinala

U grupi F tri prvoplasirane reprezentacije odlučuju o svojoj sudbini, odnosno ko će do osminefinala. Hrvatska i Maroko imaju po 4 boda, Belgija 3… Belgiju samo pobeda vodi dalje, a Maroku može da odgovara i remi protiv Kanade. I Hrvatskoj odgovara remi sa Belgijom, ali ako izgubi verovatno ostaje bez daljeg plasmana

U grupi G BRAZIL je obezbedio osminu finala. Za drugo mesto konkurišu sve tri preostale reprezentacije, s tim što bi Kamerun morao da napravi senzaciju i pobedi Brazil da bi eventualno bio u konkurenciji. Ovako, realno o plasmanu u osminufinale odlučiće meč Švajcarske i Srbije, Srbiji je potrebna pobeda, a Švajcarskoj je dovoljno i nerešeno…

U grupi H PORTUGALIJA je sa 6 bodova obezbedila plasman u osminufinala (i čeka za protivnika drugoplasiranu ekipu iz grupe G). Meč za drugu vizu za osminufinla igraće Urugvaj i Gana. Gana je u bodovnoj prednosti (3 na prema 1), ali ako pobedi Urugvaj – on bi išao dalje.

Mečevi 3. kola po grupama igraju se od 29. novembra do 2. decembra.

Fotografija fudbalera Srbije: fss.rs

#katar #katar 2022 #fifaworldcup #srbija #francuska #brazil #portugalija #osminafinala #qatar #qatar2022 #ronaldo

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balkanin · 2 years

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Štednja energije: Makron u džemper rolki

Francuski predsjednik Emanuel Makron pridružio se trendu “oblačenja debele odjeće”, koji je inicirala Vlada kako bi time bila primjer drugima radi uštede energije u Francuskoj. Makron se na sastanku u Jelisejskoj palati u Parizu pojavio u debelom džemperu. Umjesto košulje s kravatom, kao što je to obično radio, francuski predsjednik se pred kamerama pojavio u džemper rolki, zbog čega se odmah…

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#balkanin #energija #EU #Francuska #Makron #štednja

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skrzynka · 6 months

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BOZE ZAPOMNIALAM ZABRAC OD RODZICOW OLEJ SEZAMOWY

#A TO MOJ OLEJ JEST !!! ZA MOJE PIENIADZE !!! TYLKO PRZY PRZEPROWADZCE MOJEJ TAM TRAFIL!!!#zabrac kogo co czy kogo czego #najpierw napisalam oleju sezamowego ale to chyba niepoprawnie #nwm studiuje matematyke a wczesniej filologie francuska co mnie deklinacja obchodzi .

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magazynkulinarny · 24 days

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Filet Americain

Filet Americain to pasta z surowej mielonej wołowiny, doprawiona odpowiednio dobranymi przyprawami. Popularna jest w Holandii, Belgii i Francji.

W kraju Rembrandta jest gładka i najczęściej podawana na pieczywie, zaś w kraju Magritta i Moneta zazwyczaj dodaje się do niej siekaną cebulę, kapary lub korniszony, czasem także natkę pietruszki i serwuje albo jako danie główne, z frytkami i sałatą, albo jako smarowidło. Żółtko nie jest obowiązkowe, choć pojawia się w niektórych przepisach.

(źródło: Tripadvisor.com)

Zrobiłam oba rodzaje. Holenderska wersja jest obficie doprawiona majonezem, musztardą, Srirachą, sosem Worcestershire, czerwoną papryką, a nawet ketchupem, co nadaje jej zdecydowanego koloru i ciekawego smaku (trzy pierwsze zdjęcia). Z kolei wersja belgijsko-francuska z cebulą i korniszonami przypomina mi bardziej naszego tatara (dwa zdjęcia niżej). W każdym przypadku dodatek majonezu wykonał dobrą robotę - smak jest oryginalny. Amatorom tatara, carpaccio, basashi, ceviche, sashimi, sushi i innej surowizny na pewno przypadnie do gustu!

Potrawa została wymyślona przez belgijskiego szefa kuchni, Josepha Nielsa, w założonej przez niego w 1926 roku w Brukseli restauracji-tawernie Canterbury. Lokal ten stał się szkołą dla wielu belgijskich kucharzy i stopniowo przepis zyskał wielu amatorów w kraju, a następnie za granicą.

Wcześniej - w restauracji La Taverne Royale - Niels przygotowywał wielokrotnie bardzo popularne w tamtym czasie w Belgii danie, Steak Tatare. Kelner łączył na oczach gości majonez z żółtkami, musztardą, solą, pieprzem, cebulą i pietruszką, kaparami, sosem Worcester, anchovies, czosnkiem i często cytryną, a następnie mieszał je z surowym mielonym mięsem wołowym. Mięsną pastę wydawano z frytkami, rukwią wodną, cebulą i piklami.

Składniki:

Wersja holenderska

300 g chudej wołowiny 1 1/2 do 2 łyżek majonezu płaska łyżeczka musztardy łyżeczka sosu Worcestershire 2 łyżeczki papryki w proszku łyżeczka Srirachy (lub 1/2 Tabasco) łyżka ketchupu sól i czarny pieprz do smaku

Wersja belgijska

300 g chudej wołowiny 1 1/2 do 2 łyżek majonezu płaska łyżeczka musztardy łyżeczka sosu Worcestershire 2 łyżeczki papryki w proszku łyżeczka Srirachy (lub 1/2 Tabasco) 2 małe ogórki konserwowe łyżeczka kaparów 1/2 cebuli sól i czarny pieprz do smaku

Wykonanie:

Wersja holenderska

Z mięsa usunąć białe części powięzi lub tłuszczu, jeśli są. Używając maszynki do mięsa lub robota kuchennego z częścią do siekania rozdrobnić wołowinę. Dodać pozostałe składniki i dokładnie wymieszać. Spróbować i doprawić zgodnie z preferencjami.

Podawać na ulubionym pieczywie.

Wersja belgijska

Z mięsa usunąć białe części powięzi lub tłuszczu, jeśli są. Używając maszynki do mięsa lub robota kuchennego z częścią do siekania rozdrobnić wołowinę.

Cebulę obrać i pokroić w drobną kosteczkę. Podobnie pokroić pikle. Kapary z grubsza posiekać.

Dodać pozostałe składniki i dokładnie wymieszać. Spróbować i doprawić zgodnie z preferencjami.

Podawać na pieczywie lub z frytkami i sałatą.

#filet americain #raw beef spread #tatar po holendersku #tatar po belgijsku #przystawki #appetizers #appetizer #dania mięsne #meat dishes #meat meals #kuchnia belgijska #kuchnia holenderska #kuchnia francuska

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sprawa-przybyszewskiej · 2 years

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Transnationalism

One thing which I haven't seen being brought up before, is the issue of transnationalism in Przybyszewska's work. At first - while I usually try to have a less biography-oriented approach - I have to say this cannpot be discussed without knowing Przybyszewska's very peculiar personal standing in regards to belonging to a nation and a state (but I will try to keep it to a minimum).

She was born as an out-of-wedlock child in times when it was not regarded lightly. Though both her parents were artists, and her father extremely extravagant and with a reputation of a Don Juan (bad reputation, and entirely deserved) at that, it didn’t change much. Her mother, no matter how artsy and talented she was, was herself a protegee of an influential family, not to mention - a youg woman. Which means her pregnancy was not taken lightly, her protectors were disappointed in her, she had to move to Paris not only because it was one of very few places were women could potentially make it big as professional painters, but because she would not be received in her usual society at home. All of this jumpstarts Przybyszewska's life as a person uprooted and banished from her home - but it's not all, nor is the fact that despite knowing who her father was, she was not officially recognized as his daughter until her teen years.

When she was born, Poland was still partitioned, which made Przybyszewska a stateless person, a subject to Austria, but of course not regarded as a fully fledged citizen (and that's without even taking into account the first 12 years of her life, when she lived as an expat, mostly in France, with her mother). In fact, she lived in these conditions for the first 17 years of her life, which makes it exactly a half of it (she died at 34). And if this was not enough, when she lived in Poland, she spent the majority of her time in Gdańsk, which was a Free City, with two nationalities - Polish and German - flowing more or less freely (Polish on evidently becoming subdued as the war approached). Seeing as Przybyszewska wrote a good prtion of her works in German, and thought of it as a language far superior to Polish, and knowing her personal opinions on the state of Polish cultural life versus the cultural life in Europe, I'd wager to say she was never, ever someone who felt somewhere "at home".

Nationalities aside, she was also decidedly a gender non conforming person, which is its own issue (I attach a photo of her, and it should speak for itself). I'm not making any claim about her, it's just that everything in her life points to a. uprootedness, and thus b. being a foreigner in her own country/language/life/skin. (I think a bit more could also be said about Robespierre’s sexual orientation in the plays, and how it’s adding another layer of alienation, but I think I prefer to store it away for a post focused only on the love story. The most important part here is that he doesn;t even need this, something which may well have alientaed him in the real life, to be portrayed as a foreigner in his own country.)

This is interesting to me not only because it weaves itself seamlessly into what I was talking about previously, the multirealities. I think looking at her through lenses coloured with understanding just how much of a stranger she was everywhere and with everyone, we may begin to understand the way she portrayed Robespierre, most importantly in Thermidor.

Maxime is presented as someone who does not have much in common with his fellow people, and despite working, ultimately, to preserve/save the Republic, his methods seem so unorthodox he is more than once suspected of a treason, most notably in Thermidor as a whole, but also in The Danton Case, when he vehemently disagrees with arresting Danton. This last scene is important on more than one level, actually, because the suspiscion spreads to more than just having potentially erronous opinions, he is also alluded to be gay, which is a small thing (in the universum of these plays this is like the smallest thing of all one could be "charged" with), but still, it is something which deviates from the norm, putting Maxime - and anybody who follow him by proxy - outside the circle of what is considered normal and approvable.

And in Thermidor we see it on two different fronts, which are both very unlike each other, but they tend to the same goal. On the mental level, Maxime is a foreigner, because he is not even human (he's a "sterile god", as Billaud puts it), which I discussed more broadly HERE; and he was on few ocasions compared to plants, animals and objects, making him less humane as a result. He is also very far removed from his usual social circle, both in terms of mentality - his vision spans such a distance no one else can comprehend him - and physical space - he doesn't leave his rooms, when Barere relays the news, the whole Comsal is surprised to hear he has gone out to the streets. Everybody seems to perceive him as a stranger, a foreigner, an extraterrestrial being, an unwanted element not simply because his opinions are faulty (Billaud has similar ones, yes, but what is more important - Saint-Just has the very same ones, and yet the Comsal did not want to destroy him, they only wanted to destroy his friendship with Robespierre; this is very interesting to me and I will focus on this more next time). On the much more factual, physical level, though, Robespierre is a foreign element in his own Republic, because what he has undertaken is, in fact, treason:

Showing through Robespierre that the only way to move out of a stalemate is through cheating his compatriots, and without any remorse about doing so, Przybyszewska dots the is in regards to how she saw the world. Robespierre is such a singular being, that what is a treason objectively - in him is only a hidden mean to a good end. She (probably consciously; she was well aware of the grey zone she lived in and did not mind it all that much) put him outside of any ircle he might belong to, therefore all his choices are in the same time foreign and not maliscious. It's reassuring she at least showcased what happens whena being who is not foreign (Saint-Just) tries as he might to break the fence and either let the alien element in, or join it on a higher level of understanding. Of course, by showcasing it, she only underlined the point I made. This is expecially not-cliche, in my opinion, in plays focused on one of the greatest spurts of patriotism she could think of. Admiring revolutions on one hand, and admitting in the same breath they cannot be saved from within, only from without, only through means that are doubtful at best, is an interesting choice of action, not expected from someone who made it her whole life to proclaim revolution to others.

Making Robespierre become a traitor in the last, decisive stage of his life isn’t, in my opinion, an autobiographical commentary by Przybyszewska, I think it’s much more of a blind spot for her – I don’t think she thought what he has done was traitorous at all, just seen as such due to legal technicalities. It is also a bit like a disease, in that he literally contaminates Saint-Just with his thought:

Not all of them follow Maxime so easily, though, do they? (Also, a side note: in the original, Saint-Just does not speak „matter-of-factly”, he speaks „nearly with admiration”. It changes a lot, if not everything, in what he has just said.) Not all of them are as easily picked up by the wind of new ideas, because they are all too firmly rooten in th ground; Saint-Just I find to be someone on the edge between the two states, he’s way more grounded and at home in the world than Maxime, but not nearly as much as, say, Barere. Ha later admits to following Maxime „mostly” (so not in fullness), he also insists: „you are already burning in the blast furnace of your spirit. You alone.” (so he’s not sold on the idea completely, it’s more that he loves Robespierre and is ready to accept almost everything of his’ at face value). Besides – while I don’t necessarily think it should have been understood literally – there is this one small scene, laden with symbolism:

It is, of course, about death. It is also, equally, about pulling Maxime back to Earth by someone whose head is lost in the clouds a bit less often. Death fits the story all too well, because in this instant Robespierre is tempted to die, because what he has undertaken is too much, yes, but also because he miscalculated, his ideas were too lofty and otherworldy to become applicable (and! don’t even get me started! how his plan was not destroyed by someone hostile to him, but by Saint-Just, whose only crime is being too practical).

Przybyszewska’s writings are full of such creaturs, great minds who cannot 100% find their place in this world, and, more often than not, the end they meet is death. Her other French Revolution heroine, Maud de la Meuge, is the one who scarcely avoids it, by means of a concoluted (and, frankly, a little banal) plot, but the words from this play fit here very well:

Of course, no one would dare to talk to Robespierre down so, but the thought remains. And if Przybyszewska were ever able to finish Thermidor, he would have died, too, not because his story follows the original as closely as could be done in the circumstances, but because he’s doomed from the beggining by his overgrown genius.

#Stanisława Przybyszewska #stanislawa przybyszewska #Maximilien Robespierre #robespierre #maksymilian robespierre #literary analysis #frev #French Revolution #the danton case #sprawa dantona #thermidor #saint-just #antoine saint-just #ninety-three #dziewięćdziesiąty trzeci #rewolucja francuska #pollit

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