"THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" (2011) Review
"THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" (2011) Review
Roughly five years ago, a relative of mine had suggested I watch a BBC television movie about a Victorian-era murder story. Although it aired on the Amazon Prime Video streaming channel (and still does to this day), I had assumed it was a documentary. To my surprise, it turned out to be a television movie called "THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE".
Before watching the movie, I had quickly discovered that the production was an adaptation of Kate Summerscale's 2008 non-fiction book, "The Suspicions of Mr. Whicher or The Murder at Road Hill House", winner of Britain's Samuel Johnson Prize for Non-Fiction for that year. Hence, the reason why I had initially assumed this was a documentary. The book was an account of the real-life murder of three year-old Francis Saville Kent in 1860 Wiltshire. Francis, the three year-old son of a "Factory Commissioner" for the Home Office named Samuel Saville Kent, was found murdered on the Road Hill House estate in Wiltshire, leased by his father. The child's nursemaid, Elizabeth Gough, had announced his disappearance. Two estate hands eventually found Francis' body inside a privy-house, with knife wounds on his chest and hands, and his throat deeply slashed. Outrage over the brutal murder of a prominent man's child, Scotland Yard had dispatched Detective Inspector Jack Whicher to solve the case.
Whicher's assignment to the case proved to be a godsend for Gough, who immediately fell under the suspicions of Police Superintendent John Foley of nearby Trowbridge. The latter would have pressed for her arrest if Whicher had not cleared her of any further suspicions. However, the Scotland Yard detective's suspicions rested on another member of the household, namely Kent's sixteen year-old daughter, Constance Emily Kent. Whicher also began to suspect Constance's brother, fifteen year-old William Saville Kent. The detective believed Constance (with her brother's help) had sought revenge against their former nanny, Mary Pratt Kent, who had married their father following the death of their mother. There had been suspicions that Kent and his second wife had an affair during his marriage to Constance and William's mother. Since young Francis had been conceived during their father's second marriage, Whicher suspected Constance or both of them of murdering the three year-old boy.
"THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" did not strike me one of the most fascinating murder mysteries I have seen on film or television. This did not surprise me, considering the television movie proved to be more of a fictionalized account of an actual case that had been solved over 160 years ago. I would say "THE MURDER AT ROAD HILL HOUSE" was more of a historical drama or a "true life" crime movie than a murder mystery. After all, it did not take the protagonist very long to produce a believable suspect, halfway into the narrative. The movie eventually became a mental tug-of-war between Whicher and Constance, in which the former struggled to convince the latter to confess to the murder. At the same time, Whicher and his close friend and colleague, Adolphus "Dolly" Williamson, raced to find physical evidence to support his suspicions. Despite their success in discovering hard evidence against Constance, the pair's efforts ended up being stymied or sabotaged by Superintendent Foley, head of the local police. Not only did Foley resented an outsider becoming the lead investigator in the Kent case, he seemed offended that any working-class man would accuse the sixteen year-old daughter of a respectable, middle-class citizen like Samuel Kent, of murder. What made this even worse for Whicher is that many of the locals and the media seemed to share Foley's class bias.
I have to give kudos for the movie's production values. I believe David Roger's production designs really captured the look and style of 1860s Britain. And I believe he did so without being either extravagant or cheap. Roger's work was ably assisted by Jo Kornstein's set decorations, Kate Evenden's art direction and Matt Gray's photography. Lucinda Wright's costume designs managed to perfectly captured Roger's balanced look for the movie's setting. Were her costumes accurate for 1860s Britain? I honestly cannot say so. Regardless of accuracy, I do believe Wright's costumes managed to perfectly captured the essence of the movie's characters across both gender and class.
"THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" featured some solid performances. At least from the supporting cast. Performers like William Beck, Emma Fielding, Kate O'Flynn, Tim Piggott-Smith, Ben Miles, Donald Sumpter, Charlie Hiett, Julian Firth, Sarah Ridgeway and Antony Byrne all gave competent and solid performances. However, I believe a few did give what I consider to be the movie's best performances. Naturally, I felt Paddy Considine was sensational as the solid, yet intelligent Jack Whicher. I thought he did a superb job of conveying Whicher's growing frustration of the impediments that made his investigation to reach a successful conclusion. Equally sensational was Alexandra Roach, who gave an enigmatic and skillful performance as the cool and supercilious Constance Kent. Peter Capaldi's portrayal of Constance's father, Samuel Savill Kent, struck me as surprisingly complex and ambiguous. Capaldi did a great job of conveying hints that the public's suspicions of his character might be justified. I also found myself very impressed by Tom Georgeson's performance as the narrow-minded Superintendent Foley. The actor did an excellent job of portraying his character's class bigotry and resentment toward Whicher's role in the investigation.
As murder mysteries go, "THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" seemed like an ineffectual effort. When the main protagonist manages to discover the true culprit halfway into the production, it seems a waste of time to label the movie as a murder mystery. However, "THE SUSPICIONS OF MR. WHICHER: THE MURDER AT ROAD HILL HOUSE" proved to be a very effective and well-done historical drama about a famous murder case, thanks to a skillful direction from James Hawes, a first-rate adaptation written by Neil McKay and superb performances from a cast led by Paddy Considine. As a fictionalized account of a famous true crime, the television movie proved to be quite fascinating.
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School Bus Graveyard incorrect quotes because I'm bored
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Taylor: Look how creepy it is looking down this hallway.
Ashlyn: I'm gonna get vertigo.
Aiden: I'm a Virgo!
Tyler, deadpan: No, you're a virgin.
...
Aiden: You lying, cheating, piece of shit!
Tyler: Oh yeah? You’re the idiot who thinks you can get away with everything you do. WELCOME TO THE REAL WORLD
Aiden: I’m leaving you, and I’M TAKING ASHLYN WITH ME
Logan, picking up the monopoly board: I think we’re gonna stop playing now.
...
Taylor: Why is Tyler so upset?
Logan: He took one of those “Which Character Are You?” quizzes
Taylor: And...?
Logan: He got Aiden.
...
Ashlyn: What did you do with the phantom's body?
Aiden: What didn’t I do with the body?
Everyone:
Aiden: Okay, that sounded more sexual than I intended. I disposed of the phantom respectfully.
...
Aiden: Here’s a fun Christmas idea. We hang mistletoe, but instead of kissing, you have to FIGHT whoever else is under it.
Logan: Aiden, no.
Ben, with text to speech: Mistlefoe.
Logan: Please stop encouraging him.
...
Taylor: Who thinks I can fit 15 marshmallows in my mouth?
Tyler: You’re a hazard to society
Aiden: And a coward. DO TWENTY.
...
Emma, trying to be nice to Ashlyn's new friends: Would you like to stay for dinner?
Mike, excited for his daughter: WOULD YOU LIKE TO STAY FOREVER?
...
Logan: What's a word thats a mix between 'sad' and 'mad'?
Ben: Disgruntled, miserable, desolated-
Aiden: Smad.
...
Ashlyn: Why are you on the floor?
Aiden: I'm depressed.
Aiden: Also I was stabbed, can you get Ben, please.
...
Taylor: Aiden and I were crossing the street, and this dude drove by and honked at us
Ashlyn, sighing: What did he do?
Taylor: he chased him to the next red light, then reached into his window and...
Aiden: Who wants a steering wheel?
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Aiden: If I accidentally sat on a voodoo doll of myself, would I be trapped forever in that position, doomed to starve to death?
Logan: How am I supposed to know?
Tyler: You say that as if we don’t use you as a source of knowledge of the occult.
Logan: ...You wouldn't be trapped.
...
Ashlyn: Tyler, keep an eye on Aiden today. He's going to say something to the wrong person and get punched.
Tyler: Sure, I’d love to see him get punched.
Ashlyn: Try again.
Tyler, sighing: I will stop Aiden from getting punched.
...
Aiden, holding a python: Guys I impulsively bought a snake, what do I name him
Tyler: You did WHAT–
Ben: William Snakespeare
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Ashlyn: Dandelions symbolize everything I want to be in life
Taylor: Fluffy and dead with a gust of wind?
Ashlyn: Unapologetic. Hard to kill. Feral, filled with sunlight, bright, beautiful in a way that the conventional and controlling hate but cannot ever fully destroy. Stubborn. Happy. Bastardous. Friends with bees. Highly disapproving of lawns. Full of wishes that will be carried far after I die.
Aiden: edible
...
Taylor, whispering to Aiden, who’s on the phone with Ashlyn: Ask her something!
Aiden: How are you feeling?
Ashlyn: Fine.
Taylor: Something personal!
Aiden: At what age did you start hearing voices?
...
Aiden: If I die, my funeral is going to be the biggest party ever and you’re all invited
Logan: If?
Tyler: Great, the only party I’d actually go to and he might not even die.
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Logan: We need a distraction.
Ashlyn: Is anyone here good at jumping up and down and making weird noises?
Aiden, whispering: My time has come
...
Tyler: Where are you going?
Taylor: To get ice cream or commit a felony, I’ll decide on the way there
Tyler: I'll come with
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Mike, buying a whole bag of knives, guns and other weapons like he's going to war on a random Tuesday: I can explain
Jacob (shop owner): Can you?
Mike: If you give me thirty seconds to think of a lie.
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Taylor: Heads up, if you try to make a candle with food colouring, it will just sink to the bottom of the glass, and when the flame eventually reaches the bottom all the food colouring will catch fire and become one giant tall flame that you cannot possibly blow out and the glass will start to crack and then you'll throw your tea on it in a panic and then the extremely hot food colouring will boil and sizzle horribly and then the glass will shatter.
Tyler, sighing: What did you do?
Taylor, wailing: A MISTAKE
...
Mr. Thomas: What are your goals?
Ashlyn: To pet all the dogs.
Mr. Thomas: No, I meant your goals for this trip.
Ashlyn: To pet all the dogs in Savannah.
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Logan: Is letting someone win at chess sapiosexual bottoming?
Ashlyn: Does anyone in this godforsaken group ever think before they speak?
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Taylor: Aiden isn’t answering their phone
Ashlyn: I’ll call
Taylor: Ben and I have both tried six times each, what makes you thi-
Aiden: Hello?
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Aiden: I was arrested for being too cool.
Tyler: The charges were dropped due to a lack of supporting evidence.
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Aiden: Jail is no fun. I’ll tell you that much
Taylor: You’ve been to jail?
Aiden: Once. In Monopoly.
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Mike: You love me, right?
Emma: Normally, I’d say yes without hesitation, but I feel like this is going somewhere and I don’t like it.
...
Aiden: Let’s watch Sharkboy and Lavagirl.
Ashlyn: Okay
Aiden: And make out during the scary parts.
Ashlyn: The-
Ashlyn: The scary parts?
Ashlyn: Of Sharkboy and Lavagirl.
...
Ashlyn: How petty can you get?
Tyler: I once edited a Wikipedia article to win an argument I was wrong about.
Taylor: I KNEW IT-
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Aiden: I've already sent good vibes your way… they’re coming. There’s nothing you can do to stop them.
Logan: This is the most threatening way I’ve ever been cheered up.
...
Mike: So what’s for dinner?
Emma, staring at the food she just burnt: Regret.
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That's all for today!
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I'm gonna talk about why Norman like totally has a big fat crush on Ray he's in love with him actually
Bro is literally below him in terms of intelligence at the farm but Norman’s always acting like Ray is superior like wtf kinda gay ass shit is this
He was also like really overdoing it explaining just how smart and cool and logical and dependable Ray is like omfg we get it
ok so we all know he's talking about Ray here right and he's blushing at the thought of bringing Ray with them too that Ray isn't bad okkk trust me on this you need to have a little faith in me while you're reading this ok
bro is so touched like he's seriously shocked too by how much he did for them AND impressed by how smart Ray is (he's literally always impressed by Ray somehow I'm ngl)
he literally suspected that Ray's the traitor because he thinks he's perfect in every way he's like "omfggg no way Ray is COOL and SMART enough to be the traitor noooo"
whatever THIS is... "become my boyfriend now AHEM COUGH COUGH um spy become my spy now 😏"
bro is writing an essay in his mind about how AWESOME Ray is like he's properly losing his mind rn you can't tell me he doesn't wanna be like him at least a tiny bit
speaking of which Norman actually wants to be more like Emma because Ray is more silly with her he's like "grrr why doesn't Ray hit MY head when I'm being silly... I have to be more like her!!!" (trust me on this)
Bro is defending him with his LIFE
Ray's face is always covered in this nightmare and when it's not he's behind Norman he cannot bear seeing him like this
bro's been hyperfixated on this for so many chapters I couldn't even count
he's happy there's an ALLY on the outside because he's COMPHET and CLOSETED
He's actually trying to look at Ray here (proof: I said so and I'm never wrong)
he sees Ray in the room like "ah fuck he's about to come up with some self-sacrificial plan to make sure I survive fuckkkk too bad I'M gonna do that for him though haha"
I'm telling you bro would rather die than let Ray break some bones
idk but this is gay
he wanted to see Ray one last time </3 his eyes were so empty when Emma said he didn't wanna send him off
his crazy admiration strikes once again "he's amazing" SHUT the FUCK up GAYASS
he's so gay even Ray could tell at this point
let's just say bro got inspired by Ray's methods
I don't think I have to explain
Norman's reaction after Ray FAMILY-ZONED him he also broke down crying after this he was in disbelief
I'm pretty sure Norman just made him vice ceo because he just wanted him around I'm not sure if Ray actually gaf about the company or where they got the money (he was probably more focused on actively searching for Emma and now that they found her he's just vibing and eating chips)
and THAT'S why Norman is GAY for RAY and I'm too lazy to write anything more um :3
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