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#Electro-pop
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Tracklist:
Aoede • 3 Minutes • Djin • Icarus • Maghawir • Kalaam (s/he) • Tayf (Ghost) • Falyakon • Bint El-Khandaq • Asnam (Idols) • Saad Al-Suud • Ashabi (Comrades) • Marikh
Spotify ♪ YouTube
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possible-streetwear · 2 years
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pastdaily · 11 days
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Chvrches - Munich 2013 - Past Daily Morning Soundbooth
Yes, you can be a Subscriber – honest:Become a Patron! https://pastdaily.com/wp-content/uploads/2013/06/chvrches-live-in-munich-may-17-2013.mp3 Chvrches have only been around since 2011 and only started making waves in 2013 when they managed to get on most of the “best of” lists around Europe and became one of the main bands to watch in the coming year. Tonight its one of their German…
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spectrumpulse · 1 year
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youtube
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ouvidoafinado · 1 year
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 Vanish : Promenade Cinema
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biglisbonnews · 1 year
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Listen Up An introspective ode, alt-pop, indie, synth-saturated instrumentals and more new music Vagabon: Carpenter Cameroonian American recording artist Vagabon (aka Laetitia Tamko) returns with her first new solo music since 2019, the glorious “Carpenter.” Tamko co-produced the introspective track with Rostam, and says, it’s “about that humbling feeling when you desperately want to be knowledgeable, you want to be advanced, you want to be mature, forward … https://coolhunting.com/listen_up/listen-up-492/
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george-dare · 1 year
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1 night - 3 versions
https://georgedare.bandcamp.com/album/every-night-i-wanna
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appears · 1 year
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MEG: BEAM
Of the many artists that Yasutaka Nakata worked his signature electro-magic on, MEG was one of the least popular. She did not have the history that Ami Suzuki had, or even the novelty of Kate Sakai. Eventually, plucking unknown women from obscurity became something of a calling card for him, but before Natsume Mito or Kyary Pamyu Pamyu, there was MEG. MEG made her start on an indie label before getting scooped up by then still-rising Nakata, who predictably worked his peak-era creativity on the singer.
BEAM was her major Universal Music debut, and third album overall, released in December of 2007. It is almost completely composed and produced by Nakata, besides a couple of songs and the two remixes tagged onto the end. In 2007, Nakata was in the midst of developing his signature style, which despite what his recent music will have you believe, relied much less on trendy house styles to do the heavy lifting. Most songs still had a heavy foundation in the jazzy, nu-Shibuya-kei style leftover from his early work with capsule. This in-between moment, when he was emerging from one world into another produced some truly superb work like the catchy "GIRLY STEP" and laid back "IN YOUR EYES." There are two remixes included on here from electro-staples CLAZZIQUAI PROJECT and ajapai. As would become a tradition for his work, MEG also does a cover of a capsule song, in this case "dreamin dreamin."
MEG does not have the greatest voice or stage presence, but none of those things were important to Nakata since he auto-tuned the heck out of all of his artists' vocals, using most as raw material that could be manipulated to his vision rather than as integral parts of the creative process. However, it does explain why a group like Perfume, or Kyary Pamyu Pamyu, who had genuine talent and personality, went on to have enormous success, while MEG did not. MEG's music only got better as Nakata grew as a producer, but much of the popularity she had in the music world was based largely on his influence. As such, when she eventually went on to stop working with him, and pursued other activities (mostly fashion-related, which seems to be her real passion), she quickly lost traction and disappeared. However, we're still left with some really fantastic albums that the two did together.
BEAM is not the highlight of Nakata's, or MEG's career, but there are some really great songs on here, and more importantly, it's a great way to hear Nakata in the process of working out his then-new style.
Happy 15th anniversary!
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rodbestmusic · 2 years
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(Rod Best) A nice instrumental pop groove.
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radwulfmedia · 2 years
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sarahtorribio-blog · 2 years
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Song of the Day: "Did I Make You Up?" by half-alive
Song of the Day: “Did I Make You Up?” by half-alive
>>last post <<next post I like this very indie rock/electropop song quite a bit. It’s a cool mix, with petticoat-layered production values approaching the wizardry of indi-rock electronic greats like Mark Foster of Foster the People, Passion Pitt’s Michael Angelakos and the collective cacophony–albeit a lovey one–of Bombay Bicycle Club. I know. I’m just name-dropping here, and most comparisons…
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soapdispensersalesman · 2 months
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possible-streetwear · 2 years
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yellowsnow77 · 3 months
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Brittany Howard - What Now
Alabama Shakes es una banda a la que no he prestado mucha atención. Sí que he escuchado alguna vez sus mayores éxitos, como “Hold On” o “Don’t Wanna Fight”, pero nunca me paré a escucharlos demasiado. Porque, la verdad, es que su propuesta no me decía mucho. Lo que me llevó a pasar olímpicamente del debut en solitario de Brittany Murphy, su cantante y principal compositora. Hasta que me topé con…
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christmasunderground · 6 months
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Prizm "Silent Night" (2023)
Self ReleasedBuy: Bandcamp Fuck. Do I love “Silent Night” now? Dallas, Texas’s dynamic 80s-loving duo Prizm has somehow made a lush, synth-drenched version of “Silent Night,” and I had to take a break from working on my mix to write about it. Press play on the song, and it is going to sound like a *nice* electro-pop version. Not too much crazy going on here… then they transition into “The First…
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