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#Daniel Pemberton
fukutomichi · 9 months
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Spider-Man: Across the Spider-Verse Favorite Scenes + OST
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itsartistickiwi · 5 months
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Realised that I made this over the course of a few days back in September inspired by a post from @binary-bird and the works of classical composers (Dmitri Shostakovich specifically) but never posted it anywhere! Thought it's time to share it, so I touched it up, added a few things and boom! All I ask is that this please not be reposted anywhere else, thank you!
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Everything we know about The Bad Guys 2.
A post detailing everything about the sequel of The Bad Guys, from confirmed to unconfirmed information, leaks & more. We'll update the post whenever something new comes up, so stay tuned!
🟢Confirmed info:
On March 26th 2024, DreamWorks officially announced a sequel of The Bad Guys in development, coming to theaters August 1st 2025.
Synopsis: "The Bad Guys are struggling to find trust and acceptance in their newly minted lives as Good Guys, when they are pulled out of retirement and forced to do ‘one last job' by an all-female squad of criminals."
Just like the first film, whose story was loosely based on book 1 through 4 of The Bad Guys book series, it appears the sequel will be loosely based on the events of book 5 through 10 of the book series.
Returning cast & crew:
Pierre Perifel (director)
Damon Ross (producer)
JP Sans (co-director, was previously head of character animation)
Daniel Pemberton (composer)
Sam Rockwell - Mr. Wolf
Marc Maron - Mr. Snake
Craig Robinson - Mr. Shark
Akwafina - Ms. Tarantula
Anthony Ramos - Mr. Piranha
Zazie Beetz - Diane Foxington
Richard Ayoade - Professor Marmalade
Alex Borstein - Misty Luggins
Lilly Singh - Tiffany Fluffit
Voice actors for the new characters have not yet been revealed. Director Pierre Perifel previously confirmed that Marmalade's real identity is indeed true to what it is in the books (no spoilers) although it is unknown if the reveal shall be made in the sequel, despite him strongly pointing towards it being the case.
🟡Yet to be confirmed:
According to IMDb, the budget of The Bad Guys 2 is that of $80M. The budget of the first film was $70M. It also claims that the creator & author of The Bad Guys himself (Aaron Blabey) will write the script alongside Ethan Cohen. Aaron was previously the producer on the first film, in order to ensure the characters he created are well portrayed.
🟣Leaks:
On March 9th 2023, an insider known as "The V Scooper" on twitter revealed that a sequel of DreamWorks' The Bad Guys is in development. He even provided some extra plot details of the movie, which closely resembles that of the official synopsis. Although he commented that some plot points may change in the final version of the script, since that was still early on in production.
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aspiringsophrosyne · 10 months
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Leitmotifs in Across The Spiderverse.
Let's talk about how the music of Across The Spiderverse tells us more than what might be obvious. Spoilers for both movies from here on out: you've been warned. 
EDIT: added in one more very important instance.
For those who don't know or need a reminder, a leitmotif is a musical signature associated with a character, an idea, a situation, or some or all of those things together. And for the first Spiderverse movie, Daniel Pemberton made excellent use of at least two big ones. 
To see what I mean, check out this video. If you haven't already. It highlights how music helped tell the story of Into The Spiderverse. 
While this video exclusively covers the leitmotifs in the soundtrack of ITSV, once you know what they sound like, you can hear their inclusion in ATSV.
For instance, Miles' personal leitmotif (that ties together the themes that makeup Miles-as-a-person's journey) shows up both times he attempts to tell his mother that he's Spider-Man.
But the Spider-Person theme, in particular, is all over the place in ATSV. This is fitting, considering it features so many Spideys. Not only is it front and center in Peter B.'s theme and is hiding out in Gwen's, Pavitr's, and Hobie's themes, it demonstrates how Miles-as-Spider-Man has developed between movies: playing throughout My Name is Miles Morales. It's one of the first things we hear when we see the young hero again.
This is an evolution from before, as for most of the first film, the Spider-Person motif plays incessantly for the other Spiders but sparingly for Miles. Whenever it was used for him, it was to show he'd reached a new station in his learning and growth. It plays for him when he first thwips away from Doc Ock and intertwines with his personal theme during his leap of faith to show that he's finally become Spider-Man.
So to have multiple iterations of the Spider-Person leitmotif jammed into the song that plays when we first see Miles again shows how much he's grown.
However....the other places it plays in the movie can give us clues about the nature of the conflict between Miguel's Spider Society and the newly formed Spider-Band. To illustrate this, I want to talk about three specific moments where it's prominent in the soundtrack.
During Nueva York Train Chase, Miguel busts out of the train like a horror movie monster and calls after the younger Spider: "Who do you think you are? Really!?"
Miles answers: "My name...is Miles Morales. I was bitten by a radioactive spider. I'm pretty sure you know the rest, jerk!" He then proceeds to drop, kick Miguel in the face, and then nail him with a ball of webbing.
This is around 2:05 of Nueva York Train Chase on the official ATSV soundtrack by Daniel Pemberton. What do we hear after Miles declares this and then (temporarily) eludes 2099?
The Spider-Person leitmotif.
It's not much later that we hear it again. When? At about 2:25 in the track The Go Home Machine. When Margo Kess, Spider-Byte, decides not to interfere with the titular machine and keep Miles in Nueva York.
This moment is critical. Miguel is trying to stop Miles. Even if the machine doesn't take him home, it gets Miles out of the older Spider's clutches and gives him a chance. And when he gets away, what plays? The Spider-Person leitmotif. The music tells us that at this moment, in trying to escape and save his father and not halting his escape, Miles and Margo are acting like Spider-People.
The music is on Miles' side. The music tells us that Miles is acting like Spider-Man by resisting the Spider-Society. He's doing the right thing.
And on top of that, what do we hear after 2:35 of Start a Band? The moment where Peter B. looks outside and sees Gwen waiting for him? The Spider-Person leitmotif. It tells us that in taking Hobie's watch and gathering her band together, Gwen's acting like Spider-Woman.
It then plays over and over again until the credits role. The music is telling us that the Spider-Band's mission marks them as Spider-People. They are living up to the title. They are doing the right thing.
I don't think the music is the only thing in the movie that points the audience to that conclusion. There's also a lot of subtext, meta, and suspiciously little information about how Cannon Events and the multiverse generally work. But this is one of the simplest ways the movie tells us that Miles and the Spider-Band are in the right. 
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kaidiaries · 1 month
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i’m aware i can say this about any piece in daniel pemberton’s spiderverse soundtrack and be valid but Falling Apart….fucks so hard. 5:58 onward? i start getting violent. god put me on this earth to embody spider-man in the falling action of his story with the entire city and its impossible expectations closing in around him. and don’t let it be raining when this comes on during my commutes home. oh my god
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cappyapollo · 10 months
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one specific thing I like about the spot's theme is that it sounds like a desperate scream. the sound itself gives off a kind of lovecraftian horror vibe while still having a hint of tragedy in it. like yeah he's a villain but he's also just some poor pathetic dude that got completely mutilated and had his life ruined, who yearns to be respected to no avail, and is sort of losing his grip on sanity. kind of just sounds like the howls of a sad lost stray dog who's kind of also a bit fucked up and evil, which is incredibly accurate to the spot.
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starxcxboy · 5 months
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— Spider-Man: Into the Spider-Verse (2018), directed by Bob Persichetti, Peter Ramsey and Rodney Rothman.
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heyhelloitsmilo · 5 months
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i am sUCH A SLUT FOR MUSIC GOD DAMMIT
god fucking daniel pemberton ATE THAT SHIT UP when writing that goddamn soundtrack i've been saying this for seven fucking months now im
im gonna fall over and perish
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mmoodd-jobutupaki · 10 months
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I honestly love the Across The Spiderverse Score. The intro? It's a perfect introduction. Gwen's theme? Fits her perfectly. The drums and guitar>>
All the music in Mumbattan (From start to end, and yes that includes Hobie's intro) are just great.
I dare you to list one song in the whole score that isn't a banger (you can't).
Man, Daniel Pemberton outdid himself
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weirdhappycigarette · 10 months
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Miles: *wins a fight and gives him a hug*
Officer Morales: "okay i guess you didn't kill my brother we cool now"
Gwen: *is literally his daughter*
Officer Stacy: "imma read you your mirandas"
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humandisastersquad · 9 months
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Losing my goddamn mind at this song and this brilliant comment about it
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fukutomichi · 10 months
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I can't believe how good this sounds after the news.
Makes me start crying every time.
I recommend listening to the entire thing, it builds up to the ending perfectly.
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dimonds456 · 10 months
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Shoutout to Daniel Pemberton btw. Spiderverse would not be Spiderverse without his music. Period.
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Daniel Pemberton's got some good-ass music.
He made songs for LittleBigPlanet, and composed the soundtrack for Into the Spider-Verse and Across the Spider-Verse.
(...and a lot of other big films too, guy gets around!)
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This account is dedicated to covering news about the theatrical adaptation of The Bad Guys sequel by Dreamworks, and the book series! We'll also be counting down until the release of the sequel, in theaters the 1st of August 2025.
Synopsis: "The Bad Guys are struggling to find trust and acceptance in their newly minted lives as Good Guys, when they are pulled out of retirement and forced to do ‘one last job' by an all-female squad of criminals."
Note: if you've read the original book series, then you already know who this all-female squad of criminals are.
Returning cast & crew:
Pierre Perifel (director)
Damon Ross (producer)
JP Sans (co-director, was previously head of character animation)
Daniel Pemberton (composer)
Sam Rockwell - Mr. Wolf
Marc Maron - Mr. Snake
Craig Robinson - Mr. Shark
Akwafina - Ms. Tarantula
Anthony Ramos - Mr. Piranha
Zazie Beetz - Diane Foxington
Richard Ayoade - Professor Marmalade
Alex Borstein - Misty Luggins
Lilly Singh - Tiffany Fluffit
X.source.X
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