#Dallas view internet radio show

[back-and-totheleft]

A brilliant work about white nationalism and the cult of personality

This past week saw the release of Chasing the Light, the epic memoir of legendary filmmaker Oliver Stone. A word like "controversial" doesn’t even begin to describe the work of Stone, whose films have delved deep into hot button political issues and sparked intense debate for decades. Some have decried Stone as a radical conspiracy theorist who indulges in his own historical fantasies, while others consider him to be a noble patriot who ranks among the great American filmmakers of all time.

Stone had his own take on the Kennedy assassination in JFK. He skewered corporate greed with Wall Street and demystified the Vietnam War with Platoon and Born on the Fourth of July. He explored violence in the media with Natural Born Killers. He’s made films centered on the lives of Richard Nixon, George W. Bush, Edward Snowden, Alexander the Great and Jim Morrison.

Stone’s films that play with real people and events often draw the most attention, but he’s also shown an ability to create work that is ahead of its time. No film personifies this more than Talk Radio, Stone’s 1988 chamber piece that explores the complex relationship between an abrasive radio personality and his audience. In 2020, this story about participation in media, toxic masculinity, performative impertinence, mental health stigma and local news coverage is more prevalent than ever.

It’s no secret that ratings for talk and news radio programs are down across the state, with some experts suggesting that listeners are looking for escapism from news updates and political divisiveness. Talk Radio exemplifies those anxieties by showing how absorbing it is for a host to keep his listeners engaged by any means necessary.

Eric Bogosian stars as Barry Champlain, a Jewish radio host based out of Dallas who berates his callers each night with tirades of hatred and sarcasm. Champlain’s callers look to him for reliable nastiness, and throughout the course of his shows, the lines between performance and sincerity become blurred. It’s unclear if Barry talks the way he does because he needs a reaction, or if the everyday grind of listening to these callers has taken a real toll on him.

“I'm a hypocrite,” he admits at one point. “I ask for sincerity, and I lie. I denounce the system as I embrace it. I want money and power and prestige. I want ratings and success, and I don't give a damn about you, or the world. That's the truth. For that I could say I'm sorry, but I won't.”

What makes Talk Radio so significant for its time is how it deals with the cult of personality that often dominates media viewership. Champlain’s callers aren’t calling because they’re interested in his viewpoints or even his outlandish statements. They’re addicted to him. One caller calls to tell Champlain about her obsession with his show, but when pressed for details, she can’t name anything other than how she “loves everything about (him).”

Although the story is loosely based on the life of the Denver radio host Alan Berg, its relevance about the prevalence of white nationalism feels pertinent to the current moment.

Stone explores how dominating this on-air persona can be. Champlain receives a barrage of vitriolic calls every night from listeners who despise him and often sling anti-Semitic insults his way. Champlain takes each call in stride, aiming to never show a sign of vulnerability, as that would contrast with the person he is presenting himself as.

Any moment of sincerity feels like a loss from Champlain. When he shows genuine concern for a caller who claims to be nearing an overdose, Champlain quickly learns he’s been duped by a particularly vile prankster. The radio host becomes angry, not just because he’s been deceived, but because the concern he showed is at odds with the uncaring facade he has constructed for himself.

A common talking point in today’s political discourse links the rise of radicalization as a result of extremist movements that are passed along through social media channels, often preying upon easily impressionable listeners. Champlain begins to recognize this process for himself throughout the course of Talk Radio, in which he realizes that many of his viewers view his program unironically and treat his most absurd hyperboles as a form of gospel.

Champlain’s boss Dan (played by a young Alec Baldwin) tells him that it’s only a job, but throughout the course of the film the audience learns how all-consuming the work has become. A desperate Champlain calls his ex-wife Ellen (Ellen Greene) at one point asking for help with his depression, but when she calls him on air, he treats her with the same resentment that he does any other caller. Champlain’s staff are horrified at the fact that he would use his prior relationship as material for his show, but for Champlain, they have become the same thing.

The notion of Jewish anxiety looms over the film; Champlain is a Jewish man with leftist views, and he’s often at odds with his conservative viewers. Even if he’s able to lampoon his abusers with a clever one-liner, Stone notes the real danger that Champlain is in, particularly as one caller makes a bomb threat while espousing hate speech. Even if Champlain isn’t afraid to put himself out there, it’s clear that he’s facing an uphill battle every day.

Although the story is loosely based on the life of the Denver radio host Alan Berg, its relevance about the prevalence of white nationalism feels pertinent today. Champlain’s anxieties stem from the fact that his tormentors confront him on open airwaves, thus giving a voice to others who are inspired by hate speech. In a time when platforms like Twitter and Facebook are slow to ban calls to violence, Champlain’s experience feels less like an anomaly and more like a precedent.

Despite the attention he receives, Champlain is very much alone, and Stone’s notion that those with the most recognition are often the most isolated was a novel theme in the pre-internet era. Conversations about the impact of social media on mental health often note how online interactions can lead to a false sense of well-being, and Talk Radio explores the very idea of using superficial relationships as a coping method.

If many of Stone’s films feel like a rallying cry or a call to action, Talk Radio is among his more nuanced and meditative works. The film certainly has pity for Champlain, but it doesn’t condone his actions. If anything, Talk Radio aims to explore how hostile media environments create people like Champlain, and how people are seduced into granting him any power.

A cautionary tale and a useful tool in exploring the ways in which strangers interact, Talk Radio is a forgotten classic that sheds some insight into what discourse has become. As Stone’s entire filmography is reconsidered as his memoir is celebrated, Talk Radio deserves to be appreciated for the brilliant work that it is.

Talk Radio made its streaming debut on Peacock. It can be viewed for free there.

-Liam Gaughan, “Oliver Stone Has a New Film, but Let's Look Back at the Ever-Relevant Talk Radio,” Dallas Observer, Aug 2 2020 [x]

#oliver stone #talk radio #dallas observer #judaism

[dallasviewmediagroup-blog]

Check out Part II of the “MadeByTerry” interview, the  we had this week! Meet a man, hailing Minnesota, who is determined to take his destiny in his own hands and create one of a kind music for the world! Find out where he’s from, how it shaped him, his progression and his plans for the future!

#MadeByTerry #Made by Terry #Dallas view internet radio show #Dallas view media group #Regina bryant #Pierre Rhodes #Littles Hollaman #live stream interview #live #Dallas intenrviews

[attorney04927hnta-blog]

Approaches To Get The Best Traffic Attorney At Law 855-397-9071

Ads for attorney help hotline seem to pop going on daily on radio stations, highway billboards and the Internet. There are numerous websites that advertise and https://dallas.craigslist.org/dal/lgs/d/dallas-attorney-help-hotline-24-7-free/6869379995.html find the money for traffic ticket attorneys' addresses in their directories. Therefore, finding one is not a hard task. Traffic attorneys back up you notify your thing to the authorities. Explanations of causes of the traffic misdemeanors behind speeding to acquire to a hospital, or parking in tummy of a fire hydrant due to a brusque emergency require a plausible story to the judge. Where there is no defense or explanation additional than negligence, a traffic attorney might be dexterous to put up to you get a judgment in the same way as which you are satisfied. There are several attorneys that hurry to the accident scenes similar to the object of representing the victims showing a thriving entrepreneurial spirit. These are just a few in the big-money spectrum that is considered a growing authenticated market. However, it's the speeders and drunk drivers who are chasing the lawyers to represent them since judges.

There are traffic attorneys https://dallas.craigslist.org/dal/lgs/d/dallas-attorney-help-hotline-24-7-free/6869379995.html who often devote their entire practice to traffic tickets. They are known as the ticket specialists. Sometimes they handle hundreds of cases per day. To prove just how immense it is, some even pay for a money-back guarantee if they fail to acquire your good abbreviated or save the ticket off your record as a publicity ploy. Mitchell Frank, who has been a traffic ticket attorney in Plantation, Florida, for more than a decade says they agree to whomever they want, and it's just built into the system that if there are errors on the ticket, it gets dismissed. If there are no attorney help hotline mistakes, next it's not going to be dismissed, but they still might get out of the points and the bookish and get a reduced fine, bearing in mind a compensation for a fine record.

However there are concerns afterward whether the traffic lawyers deliver the goods. The lawyers acquire the tickets dismissed past they know the technicalities. The lawyers as well as know which tickets they can't get dismissed and past afterward attorney help hotline the ticket is perfect, upon the courts side, there is not much the lawyer will to be able to reach for you, in view of that they make a covenant or plea upon such. The traffic ticket lawyers are great if one doesn't have get older to go to court or if their driving collection isn't great. Traffic ticket lawyers keep period and allowance for traffic offenders creating a further legitimate shout from the rooftops that is wealthy and of mutual improvement to the attorneys and the clients. Ads for traffic lawyers seem to pop taking place daily on radio stations, highway billboards and the Internet. There are numerous websites that advertise and meet the expense of traffic ticket attorneys' addresses in their directories. Therefore, finding one is not a hard task. Traffic attorneys support you run by your situation to the authorities. Explanations of causes of the traffic misdemeanors subsequent to speeding to get to a hospital, or parking in tummy of a ember hydrant due to a short emergency require a plausible relation to the judge. Where there is no reason or excuse new than negligence, a traffic attorney might be competent to urge on you acquire a judgment taking into account which you are satisfied. There are several attorneys that rush to the accident scenes subsequent to the goal of representing the victims showing a well-off entrepreneurial spirit. These are just a few in the big-money spectrum that is considered a growing legitimate market. However, it's the speeders and drunk drivers who are chasing the lawyers to represent them since judges.

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[shirlleycoyle]

Hacktivist Posts Massive Scrape of Crime App Citizen to Dark Web

A hacktivist has scraped a wealth of data from the crime and neighborhood watch app Citizen and posted it on a dark web site, Motherboard has learned. The data includes a huge amount of data related to 1.7 million "incidents"—events that Citizen informs users about concerning crime or perceived crime in their area—such as the GPS coordinates of where the incident took place, its update history, a clip of the police radio that the incident relates to, and associated images.

On their dark web site, called "The Concerned Citizen's Citizen Hack," the hacker writes "Fuck snitches, fuck Citizen, fuck Andrew Frame and remember, kids: Cops are not your friends." Andrew Frame is the CEO of Citizen; Frame was responsible for putting a $30,000 bounty for information that would lead to the arrest of a person the company mistakenly suspected of starting a recent wildfire, The Verge reported.

Do you work at Citizen? Do you have access to internal Citizen documents? We’d love to hear from you. Using a non-work phone or computer, you can contact Joseph Cox securely on Signal on [phone], Wickr on josephcox, OTR chat on [email protected], or email [email protected].

Much of this information would ordinarily be available to users as part of the normal functioning of the Citizen app. But with the hacker scraping it en masse and releasing it as a series of files to download, the data is qualitatively different to what the Citizen app offers, and allows journalists and researchers to gain greater insight into the use and spread of the app around the country. The scrape is somewhat similar to other recent mass collections and re-distributions of public information, such as the Parler scrape that occurred after the January 6 insurrection at the U.S. Capitol.

"It's like a full log of police activity in multiple U.S. cities," the hacker, who said they affiliate themselves with the hacking collective Anonymous, told Motherboard. Citizen incidents are often (but not always) linked to police activity; Citizen produces its own summaries of events by listening to police scanners and pushing alerts about them to Citizen users. Users can also contribute their own videos.

A screenshot of the dark web site. Image: Motherboard

The hacker also provided Motherboard with a count of how many incidents were in each U.S. city. New York had over 520,000; Los Angeles over 250,000, Philadelphia nearly 120,000. The data also shows Citizen's use in other cities across the country, including Austin, Atlanta, Dallas, Portland, and Flint. The hacker said the New York scrape dates from January 2018 to May 2021.

As well as the incident data, the released cache also includes metadata for videos uploaded to Citizen, as well as a large list of URLs to 1.5 million videos stored on Citizen's servers (totaling 70 TB worth of clips), the hacker said. The list appears to include videos that have been marked for removal from public consumption on the app by Citizen's content moderation team, with some including the tag "Moderator Blocked Stream," according to the hacker and Motherboard's viewing of the files. These videos are still accessible if visited with the direct link included in the scrape.

The dark web site is also hosting COVID-related information that Citizen exposed to the open internet. On Tuesday, Motherboard reported that Citizen had mistakenly posted users' self-reported symptoms, tests, and Bluetooth-enabled contact tracing information online. The hacker said that included 490,000 status updates.

In a statement, a Citizen spokesperson told Motherboard "All of this information is publicly available on our website at citizen.com/explore. Our users broadcast these videos to the Citizen community to keep their neighbors safe and informed. Newsrooms across the country use these videos in their broadcasts daily. We are proud of the fact that we moderate every piece of user-generated content on our platform, and our team of moderators work around the clock to hide videos which do not meet our guidelines." Very shortly after Motherboard contacted the company for comment, Citizen made a change to its infrastructure potentially making future scraping efforts harder.

"First ever hacktivism in support of the #BlueLivesMatter movement (and by that we mean the Blue Man Group)," the hacker's site adds.

The hacker said they started by analyzing the Citizen website, and found how the company serves videos. From there, they identified an Amazon S3 bucket where the videos were stored. They said they then used the Citizen app to find an API that let them provide a video filename and receive the related incident identifier in return. They also obtained the incident metadata in bulk with another API, they added. Finally, they found another bucket that let them obtain the identifier of every incident, including those without videos, they said.

Last week Motherboard reported that Citizen is testing an on-demand private security force in Los Angeles, collaborating with private contractors that include Securitas.

Subscribe to our cybersecurity podcast CYBER, here.

Hacktivist Posts Massive Scrape of Crime App Citizen to Dark Web syndicated from https://triviaqaweb.wordpress.com/feed/

[dorothysamuels]

Tips In Link Building For Price Of Running

Once your press release is written you can submit it to newswires (PR networks). While it is possible to do a cost-free press release don't expect a associated with attention in order for it. On the web you get what you pay for, for $250-$375 discover a much more exposure. PR distribution sites that charge around this price range will usually distribute your press release to targeted channels including daily and national newspapers, Radio, TV, and online news resources. In accessible products . this the successful internet tool that allowed many people to browse and the look at websites. However as time moved forward, this has developed into heavily used option for spam stuff. This would happen when more than one person was linking from operates spot those who have the names simply blended in along. This simply made it impossible for users to click on just one particular particular. The idea of having so many links within the same spot, made people have to think and continually work to keep their building system complete. Search engines do possess a way of knowing when an link is unnatural. Some publishers approached link building in a manipulative way such that the links are forced into content material. Making your link 'look natural' isn't as good as 'being natural'. Explain link building by describing the relationship of link building and increased revenue, coach you on usually get management's attention. You will need management's support offer you the along with money you'll want to get into GSA Search Engine Ranker video tutorials engines or directories, so their understanding vital. One for the most important things that should do noticable sure can get in order to your website is generate back sites. Most people choose that it is much simpler to hire somebody else than it is to do it themselves. Advertising are in order to hire somebody to build links experience to guaranteed that that however reliable and that they exactly what they are going to do. Having said all that, I haven't used Twitter much, excluding SEO constructing purposes. I find most messages or tweets do wander away in the flow of tweets. Is not tweet falls in cyberspace, and a person reads it, is the operation is GSA Search Engine Ranker a twitter? Make your internet site have an attractive appearance. Having a web-based site provides a more professional look will have more visitors in addition to individuals on your website. GSA Search Engine Ranker Most popular versions professional looking your site, the more credibility enterprise will gain. It is a major part of human psychology. People tend to gravity towards things or people that attractive. Therefore, make internet page attractive, and individuals will be keen on it. It comes with a top 10 ranking guarantee on the surface of its one month money back guarantee. You actually do not get a great 10 ranking from using IBP, you are entitled any refund with a year. Is actually a a significant way that IBP distinguishes itself from other products. I once owned a pre-owned car sales business as well as the last thing that I did so before displaying the cars for sale was to send out it in order to the reconditioning shop. As i handed the keys the potential customer their first impression was opening auto door. A nice clean shiny car in and out built credibility and trust as against a filth mess. Your sites appear and feel is common. The very first impression your visitors get is the layout and show off of your website. Is your look and feel specific for your sites theme? A nice look and feel that the visitors expect builds confidence. For instance: A health site will stand out from a photography site the way it uses colors, photos, and general layout. 23. Examine meme trackers to see what ideas are increasing number GSA Search Engine Ranker video tutorials .

If you write about popular spreading ideas with plenty of original content (and chek out some among the original resources), your site may get listed as a source from the meme tracker site. What occurs all those Wavers that think [ i ]Getting Links = SEO[ /i ] when that most of the Google algo is devalued in ways? Wavers built their fortunes on "links=seo". When that goes away, the Wavers have zero to retain. 12. Syndicate a website article. Take the time to GSA Search Engine Ranker permit GOOD (compelling, newsworthy). Email it a lot of people handpicked journalists and webmasters. Personalize the email message. Clean drinking water . measure, submit it to PRWeb, PRLeap, etc. Now, be realistic to see a huge difference right away--when you start any generating 1 way backlinks effort (and Article Marketing is a connection building tool), it would be several months before view any change or impact in the above bits data. For associated with us you that wondering where a link building tool works, the response is yes. Perform indeed work very well. The key is try and learn acquire that they work. An internet search engine considers all links that are provided to a particular website a sign of exterminator dallas. This means that her site to obtain a higher ranking and search results. For being for your own website to rank high, just one or two to have solid in order to help individuals.

[thenwcollective]

Rumors of Video Production

To end up being a successful company with a solid customers base, web video clips need to be weaved into the site. Consumers yearn for videos over print advertising and marketing, yet reports have brewed regarding video clip manufacturing to those that are unfamiliar with the suggestions of the profession. These rumors that have hypothesized do not have any truth, but they are widely thought amongst those looking to look into video clip production to boost their business.

  The very first and most hypothesized report of video clip manufacturing is that is it pricey. Certain, cost is an important element when promoting a service however video manufacturing does not require to be a huge part of the expenses. Carrying out the right tools and also techniques can result in an affordable way to realize the focus of the target market. Using the right tools, abilities, as well as tips for an effective video will do what it is indicated to do. Standard advertising and marketing that includes television, print, and also radio contrasted to internet video production is much more expensive and also timely. Dallas video clip production firms provides their given rates for video clip production in addition to examples of their work.

Video Production Services Portland

With the application of video production, the video can be distributed across several websites which ultimately connects to a bigger target market. Internet video clips are brief and wonderful and also can be accessed at any moment. Unlike television and radio advertising and marketing, internet video clips can be seen whenever and also any place. Particularly currently with the consistent existence of cell phones, the video can be watched on a hand held tool that makes internet videos that a lot more of a crucial facet. The visitors want the information as rapidly as possible and also want continuous access to the details.

  Do all videos need a recognized, experienced star to be effective? No, they absolutely do not. The message of the video can be made without using a specialist star. Show passion as well as expertise regarding the business as well as the message will certainly be conveyed. Supplying expertise regarding the company will reveal their reliability and will show what sets them besides other business. As long as the video engages the audience with the right techniques a star is not required. But if an actor is instead required or requested, video clip production companies use a checklist of actors that can be made use of for production. The website extends examples of each star's help the audiences taking.If conducting your very own video, make sure to carry out the ideas for internet video clip success to guarantee an excellent, effective video.

  Sadly, some believe that not enough individuals enjoy video clips on-line. Google is the first biggest search engine and also YouTube is the 2nd largest online search engine. Both of these online search engine consist of internet videos, obviously YouTube.YouTube video clips produce 60 hrs of video per minute, receive 4 billion views each day, and also draw in 800 million new viewers per month (youtube.com). According to these stats, video clips are certainly viewed by enough individuals. The variety of videos that are readily available on YouTube is vast. From educational video clips, to commercials, to video YouTube has something for everyone.

  None of these reports have any type of reality to them. With the right tools and suggestions, video clip manufacturing is an effective method to boost an organization and also to make their services known to the audience. 1 in 5 individuals will give a phone call after checking out a video clip (BIA/Kelsey), so do on your own a favor and create one now.

#Video Production Services Portland

[aboriginalnewswire]

4thWorldRadyo // Civilised a pensé ou le Révisionnisme de Raciste? / Civilized Thought or Racialist Revisionism?

[caption id="attachment_13218" align="aligncenter" width="849"] Dr. Cheikh Anta Diop at university in Paris.[/caption] - SUMMARY: @TheAngryindian returns in this dispatch to deconstruct the sociopolitical and ideological millstones crushing critical-thought and progressive activism in North America and its ethnic/cultural sub-divisions. Indigenist theory aside, this spoken-word assessment (again) questions the nonsensical popular acceptance of doddery pseudoscientific beliefs and other wild conspiratorial theories based on nothing but the neoconservative desire to promote social confusion and instability. It is rarely pointed out that neo-cons work overtime using aggressive, arrogant rationalisations; deliberate misinterpretations and harridan-like spreading of flat-out falsehoods (via the internet) to justify traditional chauvinisms as well as their own petty, individual peeves and cultural anxieties. The host argues that until we decide to critique the social spaces where we happen to be by leaving them; to really see them as they are through a different context/perspective(s), our thinking will/can always be subject to unacknowledged parochialism and easily confused with a self-assured objectivity that isn’t neutral at all. EXTRAS: Political clips; socially-conscious PSA’s and an archived interview between legendary American African broadcaster Listervelt Middleton and Dr. Cheikh Anta Diop on subjects related to Pan-Africanism, African history and his elemental theories regarding the cultural and ethnic foundations of the Mother Continent round-out this IRB programme. All this and much more on, 4WR. The official internet radio broadcast of the Aboriginal Press News Service/ANG Listen / Download: -- 00:00:00 -- (mp3) / (ogg) Further Reading:

Cheikh Anta Diop – Wikipedia

Stone tools in India suggest earlier human exit from Africa

Cheikh Anta Diop (Author of The African Origin of Civilization)

Cheikh Anta DIOP Biography

Dr. Cheikh Anta Diop: Anthropologist, historian, physicist and scholar | New York Amsterdam News: The new Black view

Civilization or Barbarism an Authentic Anthropology by Cheikh Anta Diop | South African History Online

Université Cheikh Anta Diop | cies-uni.org

[C01] What is critical thinking?

Defining Critical Thinking

Ex-Obama spokesman righteously goes off on GOP memo clown show: 'This is government by conspiracy theory'

Officials: No charges for officers who killed Dallas sniper

Kellyanne Conway rants wildly in attack on fact checkers: ‘Americans are their own fact checkers'

-- Notes: Forward us your suggestions as to how Aboriginal & African communities can effectively and intelligently respond to our respective issues. Your suggestions and audio responses might be mentioned/played on future dispatches. — eMail + ‘[email protected]’ SKYPE + ‘aboriginalnewsgroup’ VoIP + ‘[email protected]’ Voicemail/G+Talk + ‘aboriginalmediagroup’ APNSPR + ‘feeds.feedburner.com/aboriginalpressradio‘ Be sure to catch 4WR on: 4th World Radyo [ aboriginalradio.wordpress.com ] Radio Free Kansas [ blogtalkradio.com/fightincockflyer ] Berkeley Liberation Radio [ berkeleyliberationradio.info ] Chiampa Radio [http://www.chiampa.info/] …

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[tigerstrikesasteroidnetwork]

LA / HIGH BEAMS

HIGH BEAMS January 4 - January 26, 2020 Opening Reception: Saturday, January 4, 2020 from 7-10 pm

[Images]

Tiger Strikes Asteroid Los Angeles is pleased to announce an exhibition titled HIGH BEAMS featuring work by Chris Burnside, Christopher Dunlap, Kate Harding, Sarah Heinemann, Gyun Hur, Gabriel Hurier, Andy Kolar, Ryan Scails, and Karen Tepaz curated by Lacey Fekishazy, the founder/director of SARDINE in Brooklyn, New York. There will be a reception for the artists Saturday, January 4, 2020 from 7-10 pm and the show will be on view through Sunday, January 26, 2020.

The title HIGH BEAMS is a literal reference to the setting of an automobile's headlights, which brighten a longer distance in front of the car. This setting is particularly useful on dark roads to avoid accidents and improving vision and therefore driver response. While these beams clarify the more distant road on clear nights at higher speeds, they can also blind other drivers or reduce the vision and speed of the driver in fog, rain, or snow. Curator Lacey Fekishazy chose the artists in this group exhibition for their intuitive insight, long haul dedication to process, and their ability to brighten of the future in a darkening world. While the work is an illumination, it can also accent the invisible just before us.

HIGH BEAMS is part of #ArtistRun2020, a year-long exploration of artist-run spaces from all around the country organized by Tiger Strikes Asteroid and Trestle Gallery. SARDINE is one of 11 artist-run projects asked to curate an exhibition at our various locations with the intention of building relationships and expanding our collective networks. Founded in 2011 by Lacey Fekishazy, SARDINE is a contemporary art gallery in Brooklyn, New York presenting solo exhibitions, small group shows and occasional limited editions by featured artists. SARDINE's modest size is a key asset in the construction of a contemplative, intimate space which has been used to showcase carefully curated collections of work as well as immersive, site-specific installations. What started as a small enterprise has grown into more than 8 years of operation and approximately 69 events and exhibitions. SARDINE has been featured in ArtNews, Artsy, Maake Magazine, The New York Times, Time Out New York, The New Yorker and Hyperallergic. 

Chris Burnside was born in Seattle, Washington. He received his BFA from the University of Washington and his MFA from the University of Pennsylvania. He has had solo exhibitions at the Gross McCleaf Gallery (Philadelphia, PA) Washington Art Association (Washington, CT) Nexus Foundation (Philadelphia, PA) and the Alpan Gallery (Huntington, NY). His work has been exhibited in various group shows including the National Academy Museum (New York, NY), SOIL Gallery (Seattle, WA), Kresge Gallery at Ramapo College (Mahwah, NJ), and Outside the Time Zone at Camel Art Space (Brooklyn, NY). Burnside lives and works in Seattle.

Christopher Dunlap was born in Pullman, Washington. He received his BFA from University of Washington and his MFA from Massachusetts College of Art. He has had recent solo shows at Hiromart Gallery in Tokyo, Japan in 2019 and at SARDINE in 2017 and 2019. His work has also been exhibited in various group shows including Albada Jelgersma Gallery (Amsterdam, NL), Transmitter Gallery (Brooklyn, NY), No Place Gallery (Columbus, OH), Site 131 (Dallas, TX), Mckenzie Fine Art (New York, NY) and Spring Break Art Fair (New York, NY). He has been reviewed in The New York Times, ArtFCity and Travel Magazine. Dunlap lives and works in Harlem, New York City.

Kate Harding is an artist living and working between Los Angeles, New York City and Missouri.  Harding received an MFA in Art Practice from School of Visual Arts (New York, NY) in 2014, a BFA in Fine Arts from Otis College (Los Angeles, CA) in 2003, and an AAS from Fashion Institute of Technology (New York, NY) in 2001. Solo and two-person exhibitions have included: 3A Gallery, The Chelsea Hotel (New York, NY); SARDINE, Grace Space (Brooklyn, NY); Track 16 (Los Angeles, CA); East Central College (Union, MO). Selected group exhibitions, performances and screenings have included Art in Odd Places, La MaMa, International Print Center New York, Electronic Arts Intermix, MoMA, Vanity Projects, CP Projects (New York, NY); SARDINE, SoHo20, Invisible Dog (Brooklyn, NY); Rosamund Felson, Edward Cella Art + Architecture, Circus Gallery, SeeLine Gallery, Echo Park Film Center, Statler Waldorf Gallery (Los Angeles, CA). Her work has been written about in The Brooklyn Rail, ArtFile, The Huffington Post, American Artist: Drawing Magazine, Fiberarts Magazine, Notes on Looking: Contemporary Art From Los Angeles, ArtScene, and The Missourian among others. Her writing has appeared in The Brooklyn Rail, The Tool Book Project, Café Dan Graham Poetry Slam vol. 3, and the upcoming Mapping Meaning Journal #3. Harding is the creator and host of the weekly internet radio show Bicoastal Carpool on WPIR Pratt Radio and is currently part-time faculty at Parsons, The New School in and Pratt Institute.

Sarah Heinemann is a painter based in Brooklyn. Originally from Chicago, IL, Heinemann attended Smith College in Northampton, MA., and holds a BFA in painting from The School of the Art Institute of Chicago. She is currently a graduate candidate at CUNY Hunter, class of 2022. Recently included in the show ‘Another Matter’ at Lazy Susan Gallery curated by Gisela Guieros, she has shown with the Knockdown Center, SARDINE, ATM Gallery in New York as well as Mass MoCA’s 28 Holden Gallery in North Adams, MA. Heinemann is slated to have a solo show at SARDINE in 2020. She has worked for the studio of Sol LeWitt since 2000 realizing LeWitt wall drawings for museums, galleries, and private collections.

Gyun Hur was born in South Korea, she moved to Georgia at the age of 13. Hur is a New York based, interdisciplinary artist and an educator whose experience as an immigrant daughter deeply fuels her practice. She was recently an artist-in-residence at NARS Foundation (Brooklyn, NY) and an AIM 38 fellow with the Bronx Museumand is currently a professor at the Parsons School of Design (New York, NY). She has performed and exhibited in Canada, China, Hong Kong, Italy, Turkey, and the United States. Gyun completed Pratt Fine Arts Residency, BRICworkspace, Danspace Project Platform Writer-in-Residency,  Ox-Bow Artist-in-Residency, Vermont Studio Center, and Virginia Center for the Creative Arts. She is the recipient of The Hudgens Prize, Artadia Award, and Joan Mitchell Foundation Scholarship. Her works have been featured in Art In America, Art Paper, Sculpture, Art Asia Pacific, Public Art Magazine Korea, Hong Kong Economic Journal, Yahoo! Tech, Huffington Post, Brooklyn Street Art, Atlanta Journal-Constitution, Pelican Bomb, Creative Loafing, Jezebel, and The Atlantan. She was listed as the Best Emerging Artist by Creative Loafing and selected in Oxford American’s “100 Under 100: Superstars of Southern Art” issue. Her interest in art making in public space led her to various artist presentations at the TEDxCentennialWomen, the international street art conference Living Walls: The City Speaks, the Atlanta Contemporary Art Center, The Hong Kong Polytechnic University, and many others. She recently contributed as an artist writer to fLoromancy September Issue 36, The Brooklyn Rail and The Forgetory.  

Gabriel Hurier was born in Cincinnati, Ohio and lives and works in Newburgh, New York. He studied painting and printmaking at Miami University in Oxford, Ohio. Hurier has participated in numerous group shows in the greater New York area including Gallery 128 (New York, NY), ATM Gallery (New York, NY), Matteawan Gallery (Beacon, NY), Space Create (Newburgh, NY) and more in Chicago, Cincinnati, North Adams, San Diego, Singapore, and Zagreb. Hurier has had solo shows at SARDINE in 2012 and 2014. He is currently exploring shapes in maps and color relationships in landscapes observed as a traveler and a father. His work often utilizes everyday materials leftover from construction and 15 years of realizing wall drawings for Sol LeWitt. 

Andy Kolar was born in Spirit Lake, IA. He is a LA based artist represented by Walter Maciel Gallery with whom he has had two solo shows (2017 & 2015). Kolar received his MFA in Drawing and Painting at California State University, Long Beach in 2007 and earned a BFA in Painting & Printmaking at Minnesota State University, Makato, MN. Kolar has been included in numerous exhibitions in Southern California including the recent shows ‘Edge to Air’ at Denk Gallery (Los Angeles, CA), ‘Painting Architecture’ at UCR Arts Block (Riverside, CA), ‘6018 Wilshire’ at Edward Cella Gallery (Los Angeles, CA), ‘Wall Painting 2013’ and ‘FORMS OF ABSTRACTION’ at the Irvine Fine Arts Center (Irvine, CA) and ‘De Stil' at Andrew Shire Gallery (Los Angeles, CA). In 2010, Kolar was one of 45 artists included in the California Biennial curated by Sarah Bancroft at the Orange County Museum of Art.  He was previously represented and included in solo and group shows at Carl Berg Gallery.  Kolar’s works are included in several private and corporate collections including the recent acquisition at Pimco Corporation in Orange County. 

Ryan Scails was born in Danbury, CT. Scails’ most recent exhibitions include a solo show titled ‘Another Now’ at SARDINE, ‘Here Today | Gone Tomorrow’ at Space Create (Newburgh, NY) curated by Lacey Fekishazy, ‘Able Bodies’ at 287 Gallery (Danbury, CT), and ‘Object Lessons|Adaptive Research’ at High Desert Test Sites HQ (Yucca Valley, CA). In between shows Scails has also participated in residencies at MASS MoCA (North Adams, MA), A-Z West (Joshua Tree, CA), and will be a JMKAC Arts/Industry (Sheboygan, WI) resident in the Summer of 2020. Scails received his BFA from Cooper Union in 2014. He lives and works in Brooklyn, NY.

Karen Tepaz, born in Los Angeles, CA, holds an MFA in Sculpture from Yale University School of Art and a BFA in Ceramics from California State University, Long Beach.  Recent exhibitions include solo shows at SARDINE, (Brooklyn, NY) Thomas Hunter Projects (New York, NY) CACTTUS gallery (Long Beach, CA), and group shows at Underdonk (Brooklyn, NY) Tiger Strikes Asteroid Los Angeles (Los Angeles, CA) Copyright Berlin (DE) The Shirley Fiterman Art Center, BMCC (New York,NY), The Gallery ATLAS (Newburgh, NY), BOMB POP-UP (Brooklyn, NY) among others. In 2018 Tepaz co-curated ‘Flat Touch’ and ‘In Between the Lines’ in Steuben Gallery at Pratt Institute (Brooklyn, NY). She is the recipient of the Art Farm Nebraska Residency, and will be attending Yaddo this winter 2020. Tepaz lives and works in Brooklyn, NY.

About the curator:

Lacey Fekishazy is an artist, curator, gallerist, and draftsperson for the Estate of Sol LeWitt with roots in the Hudson Valley and NYC art communities. After a decade in NYC, Fekishazy currently lives and works in Newburgh, New York with her young family. She has organized the outdoor sculpture/installation show ‘Glenlily Grounds’ (GLG) as part of Newburgh Open Studios for the past 6 years. In 2019, She was invited to co-curate the inaugural exhibition of the Newburgh Sculpture Project at SUNY Orange. Fekishazy earned her MFA at Queens College CUNY in 2010 after working at Dia:Beacon and for the Estate of Sol LeWitt for many years. She holds a BFA in Painting from SUNY New Paltz and an AAS degree in Fine Arts from the Fashion Institute of Technology. Fekishazy has shown her own artwork at Art 101, Possible Projects, Small Black Door (Brooklyn, NY); ATM Gallery, The Puffin Room, (New York, NY); Dorsky Gallery (DGCP) (Long Island City, NY); and Mass Moca (North Adams, MA).

#highbeams #tigerstrikesasteroid #tiger strikes asteroid

[www5starcigar]

Make sure that you tune into Dallas View Internet Radio Show www.dallasviewinternetradioshow.com I will a guest on tonight's show so tune in tonight from 7-9pm

[cynthiadshaw]

What’s the Most Important Lesson You’ve Learned Along Your Journey?

Every twist in our story, challenge we face, and obstacle we overcome is an important part of our story.  These difficulties make us stronger and wiser and prepare us for what’s ahead.  As we grow and succeed we may imagine that soon the challenges will fade away, but in our conversations with business owners, artists, creatives, academics, and others we have learned that the most common experience is that challenges never go away – instead they get more complex as we grow and succeed.  Our ability to to thrive therefore depends heavily on our ability to learn from our experiences and so we are asking some of the city’s best and brightest: What’s the most important lesson you’ve learned along your journey?

Aamina Masood | Pastry Chef Entrepreneur

The most important thing I’ve learned on my journey from Computer Engineer to Pastry Chef is that hard work and consistency pay off. Trends come and go but treating someone well never goes out of fashion. I treat all my clients with respect and the quality never falters.

brilliantcakes.com

Johnathan Thrall | Director of operations and  Michelle Thrall | Director of Business Development and Marketing

Never stop sowing. God will not bless you with the harvest, but he will provide the seed.

thethrallgroup.com @thethrallgroup @thethrallgroup 

Anfeernee Munoz | Designer & Creative Director

Dalia Arriaga

I’ve learned to remain humble, patient, and never try to dampen someone’s success. That is not what Most Hated Clo is about. I’ve learned to stop complaining “why them and not me?” And changed my mentality to “how can I get myself to be that successful like he/she?”

Mosthatedmunoz.com @mosthatedmunoz @mosthatedclo

Alexis Flores | Freelance Videographer/Photographer

Models: @lunarkris @Sheridanlemon

One of the most important lessons I’ve learned so far is that without initiative nothing will happen, you have to be willing to try it even if you know it wont turn out the way you want it to be.

@alexflrs19

Intelligent Comedian | Local Photographer and Video Creator

The most important thing I’ve learned is to not stress about the negativity because it all comes from one’s thought, instead see the beauty to life because at the end of the day photography and film making is all an art, and art can be literally anything. There’s no point in competition but rather admire other people’s creativity.

@intelligent_comedian youtube.com/intelligentcomedian?uid=vtN_59JnxYYGNdT9GSJbkw

Matthew Gatson | Photographer

Patience is key. Everything can’t be rushed so be patient. I have a lot of friends who I see as inspiration and I used to think to myself, “I have to catch up to them somehow”. Doing whatever I can to be as successful as them in such a short time. Nowadays I see them as rivals, my competition, because I know that eventually I’d become as great as them and I know that my time will come when the spotlights on me and when everything that I’ve worked for will come to reality. Once I learned that, it made my life easier and also made me more dedicated to my dreams, Times when I used to think I was falling behind into an entirely different route, I was going down the same as most as slowly catching up without even knowing it. I waited for my turn to become better than I was before and it helped me much more than what I expected.

@shotbymthw

Steve Niedringhaus | Owner | Operator of AB & E Logistics | biker and family man

The most important lesson I’ve learned in my journey so far is to ensure that you communicate! It is something that you need to do very well and very often. Developing relationships on a personal and business level is how you survive and flourish in both realms of your life – period. A great relationship is something you have to work for. It’s not an automatic gift given to you. Trust me – My wife and I have had to work very hard on our relationship through our 25 years of marriage. It’s not easy work but the gifts a great relationship provide keep you in the game. It keeps you coming back for more and forever working to make it even better. The key to this is communication. To me, It’s no different in business. I provide a service and like most industries it’s highly competitive. You have to set yourself apart and the best way I’ve found to do that is to build relationships based on great communication. I basically complete the same tasks others do in my industry but I take it a step further. I talk to all levels of personnel at the customer any chance I get. I try to build those relationships from the person loading my trailer to the CEO of the company who happens to walk out while I’m loading. I want to ensure they know my name, my companies name and the service I provide and try to get to know them on a personal level. It’s not always price that brings in clients. It’s how they remember you when the next time for them to call on your industry comes up… You want to be that face and personality they remember!

@stevienied  @ab_and_e_logistics  @abandelogistics

Harlan Bowling | Designer | developer |  photographer and full-time traveler

I think the most important lesson I’ve learned (and am still learning!) in my journey is to be authentic and to open your heart and mind to the experiences of others. No one gains anything by keeping everything to themselves, and the willingness to share experiences, creativity and vulnerability with others offers both of you the chance to learn and grow. Sometimes I can wear my heart on my sleeve a bit too much, but I wouldn’t trade those deep moments I’ve had with people because of it for anything.

@grymttrs @grymttrs grymtt.rs

Alissa Fletcher | model/cosplayer

To go with the flow. Work hard but also remember everything happens for a reason.

bunniecupcakes.com @bunniecupcakes

Sydney Kurtz | Data Analyst | Rise Nation Instructor, & Dallas Fitness Ambassador

Perseverance is absolute key. If you set your mind to it and don’t give up, whatever goal you want can be achieved. There are no great successes without failures.

@sydney.kurtz @dallasfitnessambassadors @texasspiceonlamar @omnidallas

  Kerry L. Gipson Jr. | Comedian KG or “Komedian KG™

Addison Improv, Arlington Improv, Hyenas Comedy Clubs, Joke Joint, Gulley’s Comedy Event Center, Dayton Funnybone, Cleveland Improv, Backdoor Comedy Club, The Comedy Theater(Little Rock, AR), HaHa Café, LA Comedy Club, and more… During the start of his career, Komedian KG has networked with many great names of entertainment as well from; Robert Powell III, Talent Da’ Comedian, Finess Mitchell, Ronney Jordan, Jason Russell, Blame The Comic, Lil Duval, Carl Payne From “Martin Lawrence TV show, Christopher “Kid” Reid, Flo Hernandez, Shaun Larkins, Shun Jones, Flex Alexander, Dameon “Mr. Entertainment” Ellis, Kool Bubba Ice, Rodney Perry, Kenny Howell, Quinn Hudson (BET), HA HA Davis, Sydney Castillo, Clint Coley, Dean Lewis (Last Comic Standing), Ryan Davis, Roy Lee Pete(R.I.P), Comedian Michael Shawn (K104 Radio), IBF Boxing Champion Errol Spence Jr. and Dallas Rapper Yella Beezy

During the start of my career on this journey, I’ve learned that standup comedy is a small group of entertainers that has been growing rapidly due to internet and social media. Every day a new stand out talent is discovered. I’ve learned that social media has changed the way standup comedy and how comedy is portrayed to it’s audiences and viewers. As this rapid approach to spotlighting talent via social media is occurring, you must be adaptable with keeping up this change, creative and innovative with your ideas that will allow you to go the distance in your career. Stand-up comedy isn’t like any other career in entertainment, the level of difficulty to rely a story, message, and/or joke from your personal point of view will always cast judgement and opinion from others. Being able to expand your routine will help overcome these challenges as a standup comic. Change is inevitable in the career of entertainment and performing arts and you have to remain humble, stay focus on your goals, learn the business and soak up and filter all advice as you go. Never be afraid to learn and innovate new ideas!. Dallas, Texas is growing with new talent in every genre of entertainment and performing arts, and will someday be one of the world’s premiere go to places for pursuing entertainment as a career in the near future.

@komediankg @komediankg @komediankg @komediankg reverbnation.com/artist/video/15554643 soundcloud.com/komediankg youtube.com/channel/UCrgolqahdIyUYRyP5Ea5NPw komediankg.webs.com

Gigi Davison | Hair Stylist, Makeup Artist & Aerialist

The most important lesson I’ve learned on my journey so far is that I am the creator of my own path; and take advantage of opportunities… they always lead to more.

@gigioligy @beauty_bygigi  @mrs.gigid

Wayward Coffee Co. | Mobile Craft Coffee & Community

Jason Arreola

We’d say the most important thing we’ve learned so far, even though this is all new to us and we have a whole lot of work to do ahead, is that you have to just go for it. Each of us has had a dream at some point to start their own coffee business and we had to just take that passion and drive and finally do it. It has all come together in such a cool way and we’re real thankful for it. We’re so stoked about this and we want to make it the most unique, meaningful, genuine thing ever and bring so many other people along for the ride with us.

@waywardcoffeeco

Neil Kenner | Coach of Movement, Mindset, and Holistic Lifestyle

I resigned from my job as the SMU Women’s Assistant Tennis Coach in May of 2018 to embark on what I defined as a “Learning Journey,” so the lessons have been coming in literally nonstop. If I had to pick just one lesson, I would say that the ability to have patience and maintain self-belief throughout the journey has been the biggest. To expand on that, there are a lot of people out there who urgently strive to fill their schedules as quickly as possible. That may be the perfect protocol under certain circumstances or at a particular stage in life, but doing just the opposite has been my recent approach.

When I first started coaching, I said an emphatic YES to everything. My schedule was completely packed with private lessons, groups, tournament coaching, event planning, and anything else a tennis club could offer. I prided myself in taking no days off. After all, I was making pretty good money for a young single guy, developing a solid reputation as a coach, and gaining a crazy amount of experience in very little time. In my five years coaching at T Bar M Racquet Club, I must have experienced the equivalent of 15 years when compared to most. It was nonstop, and everything I did lead to growth.

A decade later, I find myself in a much different position. Rather than viewing a full schedule of lessons as a symbol of success, I now consider it a growth-stunting trap. Time is the ultimate item of value to me now, specifically having control over my own time. Sure, there are compromises that sometimes need to be made, but leaving enough open time and space in my schedule is what has allowed me to make this dream journey a reality. For much of the past year and a half, I chose to use that time to LEARN as much as I could from the resources that I felt were most applicable. Later on, I began shifting my focus more into digesting and then organizing all the new information into a form that made sense to me. Then more time went into applying this stuff into my own practice and combining it with what I’ve learned throughout my career. Just now am I at the point where I am ready to CREATE – which is what I love to do. One of the few things that I love more than creating is being able to SHARE my creations with others as a means to help improve lives, so the ability to begin doing so has been incredibly fulfilling.

Spending lots of my current time in creation mode and now getting a taste of sharing is only the beginning, and none of it would have been possible without PATIENCE. Had I panicked and begun filling my schedule with lessons again, I would most-likely not have had the time and energy required to achieve my bigger goals. So yes, PATIENCE has been my most important takeaway – and unwavering SELF-BELIEF has gone hand in hand with it.

@neilkenner

Chris Mendez | Realtor®️ & Dog lover

@annmariemendezphotography

In my journey, I have been able to learn that everything is possible if you set your mind to it. It may sound like a cliche, however, we are capable to achieve great things in life if we develop our mindset and put it to work. You are the one that can make it happen. Your mind is a dream and goal achieving machine. YOUR DESTINY is dependent on your DECISIONS.

@chrismendez_realtor @chrismendezrealtor LinkedIn: chris-mendez chrismendez.brayreg.com

Chidimma LaQueen Nwosu | Blogger/Influencer

For as long as I can remember I have always been the chubby girl who was shy and lacked confidence. I let people’s opinions of me tell me who I was. I never really knew who I was and this persisted into my adult years. After college a couple years ago, I decided to take on a healthier lifestyle and with that I lost weight. A lot of people think this would be the end all be all and you’re automatically happy, but more often than not, this is not the case. I still struggled a bit with my identity. Sure, my self-esteem went up, but I still was not internally happy and still lacked self-confidence. A little over a year ago, I moved to Dallas from Maryland to attend chiropractic school. Usually when you move to a new area, it is a chance to start over and meet new people. This was very hard for me and immediately felt out of my comfort zone. I retreated to myself and for the first time in my life I felt homesick. After the holidays and a few life changing moments, I decided that I need to get to know myself and really portray how I want the world to see me. Thus, began my selflove / body positive journey. I was terrified in the beginning, but in order to achieve the goal I set out I had realized that with uncomfortability comes strength. After a while I noticed that my vulnerability allowed me to own and embrace everything that makes me, me. Not only that, I also received messages from women saying that I have encouraged them to do the same. Knowing I have helped at least one person, is by far one of the best feelings ever! Society loves to tell women what we should be doing, from an outfit you shouldn’t wear because of your size to what lipstick you shouldn’t use because of your complexion. But when we come together to support and empower one another the sky is the limit. We can be any shape, size, or color and still run the world. In my 26 years of living, I have never felt so empowered and confident. This is not a one and done journey, life is ever changing. I look forward to the changes to come and will continue to share. If I can do it, you can do it too. Accept yourself for who you are first and everything will fall into place. There is so much more beauty in life when you change the narrative into something positive. Lessons I’ve learned along the way is that regardless of what I do, I won’t be everyone’s cup of tea and that’s okay. Whoever or whatever is meant for me will always be for me and no one person can take that away from me. I also learned that the tongue has power. Speak to yourself with kind and positive words because what you speak is what you create.

@ChidimmaLaQueen

BRYSON PRICE | Music Producer & Artist

Balance in life is KEY. You see a lot of musicians rise to the top, then fall off the map a couple years later. Life is a marathon, not a sprint. I’m still a long way from achieving my goals, but I’m taking my time and doing things right. Don’t get me wrong, I’m all in! I’m putting forth my BEST effort and giving it all I’ve got, but it’s possible that I’ll never “make it.” Music is my passion, but I feel that the most important thing is my spiritual health, physical health and my family. Slow growth is much more sustainable than overnight success and I’m working hard towards my goals every single day. There’s no shortcuts..I’m making the best use of my time, grinding day in and day out, while making sure that my life is balanced.

BrysonPrice.com youtube.com/channel/UCImrrfbrWlax3REURMR7twQ @bryson.price.35 @BrysonPrice

Bryan Valadez | Visual Artist and Determined Individual

The most important lesson I have learned in my journey so far can be best described with the word perseverance. Throughout my years of painting I have come across personal challenges such as critical self reflection of my abilities, wondering if audiences will react well to my work, or even questioning the probability of being able to make it as a visual artist.

Although in these instances it has always been the act of striving to move forward despite any difficult situation, which has allowed me to grow. If there were doubts about my skills as an artist, I would push myself to become better with practice. If I wondered how people would react to my work, I would suggest to myself to keep working because I am making art to express myself. If fear of not being able to achieve success as visual artist were to arise, I remind myself that I’m devoted to achieve my goals and in fact I am hungry for success. With that in mind could I come to a conclusion and maintain constant progression. A vital lesson not only evident in my journey’s past but also applied to whatever I approach now.

@vala_alla_b  @bvaladezart

Cameron Taylor | Visual Leader & Photographer

That it is okay to not be in the same place as everyone else. With access to social media we tend to compare ourselves to our peers and even people we have never met. With things such as age barriers, financial differences and overall different circumstances it’s not fair for anyone no matter your social stature to put yourself against someone else or to bring yourself down cause you may not “be where someone else is in life”. It’s honestly a huge self love thing that I had to learn the hard way when for so long I thought I did love myself and was happy where I wasn’t and to find out I wasn’t in my mid twenties was a huge and rattling wake up call. I have expanded my time to utilizing social media to not just post about my life, granted I do that haha, but to also have conversations with people, make friends online and to unplug every once and awhile. The self love you have for yourself is so huge and I’m still learning each day on this journey called life how to get better and better at it.

@okcamcam longleglifestyle.com

Dr. Ragan Brown | Educator | Author | Self Care Influencer | Travel Specialist, and Academic Coach

Life as a Self Care Influencer began by me posting various positive quotes on my Instagram and Facebook page. Soon it developed in a career that affords me the opportunity to help others go from chaos to calm. Early in life I knew my gift was encouragement relatability and relief. However it took a while to come to the realization that being a light when others see darkness is truly part of my assignment. Many days there are battles and struggles with the idea of am I truly cut out for this journey. There are days when leads and sales opportunities happen and then there are days when you are pulling your hair out. Honestly, I question myself almost everyday. However every no, detour, and under construction. One of the most important lessons of this journey is that it multifaceted, which is a beauty all by itself. As an entrepreneur, you develop strength, that you didn’t know you possessed. Another important lesson on my journey is that it simply is a journey. It’s not a race or a destination. Although we feel that we should go with the crowd, on the entrepreneurship journey you must take “the road less traveled.” roadblock has some sort of lesson attached. Overall faith keeps me focused. Traveling through life as an entrepreneur is multifaceted. There are several layers to maneuvering your business. I wouldn’t say you completely master it, because you are always learning and growing from various situations. This journey has also led to multiple collaborations. From book anthologies to lifestyle photo shoots to commercial advertising and speaking gigs to help empower young women. These past few years I have realized how multifaceted and This entrepreneur journey has helped me to be a risk taker. Often times, I have to take a risk on investments that don’t yield monetary returns. Because of this, I have gained business buddies, and people who are just as passionate about my success as I am about their success. As a risk taker I have also invested in various projects and businesses in an effort to have multiple streams of income aside from that I recently embark on a new journey as a travel agent to further stress all things self-care. Almost every other day, I just want to give up as I continue to hone in on my niche. In the beginning, things were simple because I remained in the academic coaching box. As life became a whirlwind, opportunities were presented which required me to have a business growth spurt. My support system of family and friends remain a fixture for me as they keep me centered and grounded. The Lord has also connected me divinely to like minded individuals to propel me, push my buttons, and hold me accountable. As a business owner, I’m most proud of my growth, versatility and willingness to learn more. Sometimes it appears as the stars aren’t aligning, but when I revisit the core of why I chose an entrepreneur journey. I thank God over and over for choosing me to complete these assignments and bless others.

@drbrownconnection FB: Ragan Brown

Christopher Jenkins |Personal Trainer and Nutritionist at Grizzly Fitness and Herbalife nutrition

I use my journey to get through everything in life. The most important lessons I’ve learned in my journey is to first have faith and trust God; Even when I couldn’t see or understand. Proverbs 3: 5-6 states, “Trust in the LORD with all thine heart; and lean not unto thine own understanding. In all thy ways acknowledge him, and he shall direct thy paths.” I’ve learned that it takes motivation and dedication to achieve your goals. Philippians 4:13 states, “I can do all things through Christ which strengtheneth me.” This is my motto because without God giving me the strength, this weight loss would of been impossible. It took much encouragement from my Pastor Calvin Wortham, Patrick Jefferson, my entire family and church family, and my brother and coach Alsce Crocker.

@gohustlapeewee

@GoHustlapeewee Facebook: Christopher Alonzo Jenkins Snapchat: peewizzle24

Myda Chapa | DFW realtor with Coldwell Banker Apex

One thing I have learned is to always keep an open mind and just go for it!

@mydachapa

Makya Love | Computer Science Engineer & Aspiring Model

@drivenimage

The most important lesson I have learned as a young model is that my journey is unique and far different from other aspiring models. It’s so easy to get distracted by others’ journey and their success. In the beginning of my modeling journey I used to dwell on the progress of other models around me, instead of focusing on my own progress. Later down the line, I learned quickly that the more I compared my journey to others, the more distracted I was from fulfilling my own journey 100%. So, keeping my eyes steady and ahead on my individual career path has been the most important lesson learned thus far.

@especiallymakya  @especiallymakya youtube.com/channel/UCvgzPmiqKygMMyigT_wLv5g

Jacky Alberto | Hairstylist & Online Boutique Owner

Alex Gonzalez

The biggest lesson I’ve learned this year is to stop fearing and overthinking, just do it. For the longest time I’ve had several ideas, goals, and dreams but I found myself fearing the “what if it doesn’t work out” and being very self critical with my own work and ideas that I allowed that to become paralyzing in my journey which just kept me stagnant. This year I’ve learned to just take a leap of faith and trust God. I believe he places these thoughts, ideas, dreams, and passions in our hearts for a reason. If we don’t go for it then the years will just pass us by and we are left with regret of things we wished we would’ve went for. I’ve gotten a taste of what “shooting your shot” feels like with some of my goals and dreams and I’ve built momentum from that, it’s definitely been one of the best decisions ever!

fash-cultureboutique.com @fash.culture

Madeline Reid | Wedding and Lifestyle Photographer

The most important lesson I’ve learned in my journey of capturing life moments, is that every single person has a different story and a different way of expressing their story! The best way to capture people’s individual moments in the way that highlights their story best is to actually get to know your clients. Ask them about their life, what they do, where they work, what are their interests? what keeps them going? When you know someone for who they are rather than “just another client”, you are able to capture their story in a whole new way, and the photos end up being so much better!

Madelineanikkaphotography.com @madelineanikkaphotography

Ashton Danora | Capturing Purpose Through Lens

This year has been really challenging. Throughout this week, I really had to sit down and think about what I learned about myself through the journey of 2019. What stood out the most is learning how to be present. I am always planning for the future and I tend to forget about, for the lack of a better word, the “now”. I used to be so focused on tomorrow’s agenda, or a week from now…and I would miss out on the blessings and opportunities of the present. As this year has flown by, the last three months of 2019 will be dedicated to seizing the moments that come to me.

@_ashton.danora

Cynthea Thomas | Entrepreneur & Jewelry Designer

Olivia Friesen with Copper Curls Photography

A lesson I have learned is to never compare myself to others. By doing this I don’t progress to where I want to be and it’s not a great place to be in. I am unique in my own way and I want to spread joy and love through what I create during my journey.

royalmadnessdesign.com  @royalmadnessdesign @royalmadnessdesign  @Cyntheyeahh

RJ Monae | Fitness Coach

The most important lesson I’ve learned so far is, “”You have to change to grow and to grow you have to change”. I think we all expect change throughout our lives. The mistake many make is that we don’t change personally. We hope to be the same in every area of our lives and not realizing that a different version of “”YOU”” is required. The key to change is “”YOU””. I learned that about seven years ago and begin to put pieces of my life back together.

I had to learn things don’t always happen the way we want them to. We tend to give up then accept things as they are. The action of not accepting leads to depression, weight gain, health issues, and stress levels. Don’t be hard on yourself; embrace every mistake, failure, disappointment, and heartache. I have been in health and fitness for about seven years. I officially started fitness coaching about four years ago to coach people through the process of change and becoming the best version of themselves. Many already know what to do; they need someone to guide and educate them to make the best choices for their lifestyle needs.

I have been a mentor and coach for 14 years. I have dedicated my life to help others become the person they’ve always wanted to be. My health, fitness, and lifestyle have taught me no matter what area or stage you are in your life, change is required. In the past seven years, I have worked to claim my independence back. Now, I want to help others to reclaim theirs through health and fitness because it’s never too late. “Don’t be afraid to change, be afraid to STAY the same”.

@rjmonae @rj.monae @rjmonae RJMONAE.COM

The post What’s the Most Important Lesson You’ve Learned Along Your Journey? appeared first on Voyage Dallas Magazine | Dallas City Guide.

source http://voyagedallas.com/2019/12/19/whats-important-lesson-youve-learned-along-journey/

[justlanroyref-blog]

Ku klux klan dating website

Freakonomics Chapter 2: How Is the Ku Klux Klan Like a Group of Real Everything a Klansman or Klavern needs.  The third, present, version of the Klan sprung up after the Second World War to oppose the Civil Rights Movement and have been implicated in the murders of numerous civil rights activists.  The Klan has somehow managed to survive two World Wars and several other wars, while also staying afloat through many arrests and prosecutions.  And, that same year, it engaged in a failed attempt to underwrite St.  Rochelle: Knight Riders Knights of the Ku Klux Klan 19.

Ku Klux Klan Scottsburg: New Empire Knights of the Ku Klux Klan Kentucky 34.  Pasadena: White Camelia Knights of the Ku Klux Klan 90.  The group's leaders, from Duke to current chief Thomas Robb, have been plagued by their own racist views, which inevitably shine through the smokescreen, and by the attacks of other Klan members who view their interest in mainstream media and politics as hypocritical and counterproductive.  I am not a lawyer but I am cheap Frank: Edwards went for contempt I believe but the prison time was for drug charges.  Brookhaven: Mississippi White Knights of the Ku Klux Klan 48.  I just read back over this thread of our convo and it is pretty hilarious.  The ku klux klan of our country has never been more relevant than today and we stand for the protection our past history and for our future.

Ku Klux Klan (KKK) (U.S. National Park Service) A similar organization, the Knights of the White Camelia, began in in 1867.  Burlington: Loyal White Knights of the Ku Klux Klan 61.  Are you in favor of a white man's government in this country? Its ideology of hatred and white supremacy continued to keep attracting new members through the Holocaust, the civil rights movement, and on past the election of America's first black president.  The Klan is strongest in the South and in the Midwest.  Make it Want to join the movement? But in fact, studies suggest that age, gender, and race are all factors in voting.

Knights of the Ku Klux Klan A caravan with loudspeakers drove through town to drum up support, hurling racial slurs.  The number of hate groups in the U.  Dallas: Knight Riders Knights of the Ku Klux Klan New Braunfels: United White Knights of the Ku Klux Klan 93.  A new past time for the average family was the theatre.  Even at its height, the Klan did not boast a well-organized structure or clear leadership.  In the 1920s, the Klansmen numbered at least 8 million.  Do you believe in the inalienable right of self-preservation of the people against the exercise of arbitrary and unlicensed power? Grant promptly used in 1871 to crush Klan activity in South Carolina and other areas of the South—outraged Democrats and even alarmed many Republicans.

The Influence of American Politics on the Ku Klux Klan That, plus the prosecution of several group leaders including Duke for allegedly inciting a riot at a New Orleans meeting, decimated the Knights.  Congress took action to curtail the violence and the organization by using Enforcement Acts to prosecute Klansmen.  This call was never made in vain, nor will it be to-night in the new world.  Its members waged an underground campaign of intimidation and violence directed at white and black Republican leaders.  Bryan: Traditionalist American Knights of the Ku Klux Klan 98.

Ku Klux Klan pictured at 1920s peak in chilling photos The 19th-century Klan reached its peak between 1868 and 1870.  Seale was sentenced to serve three life sentences.  After the recognition of the Lumbee in North Carolina, Ku Klux Klan wizard James W.  Overall, there may be as many as 5,000 members and associates of the Ku Klux Klan.  But surprisingly so, the site, as offensive to most as it was, was just a well-organized site for the Klan and its followers to do business, such as contacting their congressmen and recruiting new members.

Ku Klux Klan pictured at 1920s peak in chilling photos During the Enron Scandal, the powerful Enron Corporation, which provided and traded energy, went bankrupt, and tried to defraud stockholders.  Are you in favor of constitutional liberty, and a government of equitable laws instead of a government of violence and oppression? The fourth suspect, Herman Cash, died before he was indicted. .  Abbeville: New Empire Knights of the Ku Klux Klan Tennessee 81.  A Ku Klux Klan initiation ceremony, 1920s.

The Ku Klux Klan opens its door to Jews, black people and homosexuals On Sunday, three people were shot dead at two Jewish community centers in the Kansas City area.  Me: You might, as your self-appointed legal adviser, want to reword that snarky white-tail deer comment you just posted.  Oklahoma City: United White Knights of the Ku Klux Klan 74: Tulsa: United White Knights of the Ku Klux Klan Pennsylvania 75.  Another striking fact about lynchings in the U.  This all served to reinforce the public image of a more modern, educated Klan, an image that Duke reinforced by shunning Klan robes for suits and ties.  Duke has an account on Stormfront which he uses to post articles from his own website, as well as polling forum members for opinions and questions, in particular during his internet broadcasts.  Radio hosts across the country continued repeating Klan passwords, infuriating Klansmen.

Disturbing Historical Photos Of Kids In The Ku Klux Klan It was a combination of the disguises and secret rituals that soon gave way to their historical mob-like and sometimes murderous behavior.  Ku Klux Klan members parading along Pennsylvania Ave.  Munfordville: Ku Klos Knights of the Ku Klux Klan 35.  Surprisingly, exit polls showed Dinkins winning by a full 15 points.  David Duke, the infamous leader of the Ku Klux Klan, ran for public office on several occasions, but never succeeded.  With the help of online searches, ordinary people could find information on their own instead of trusting in so-called experts who would often give them the wrong information, anyway.  Yet Kennedy himself was a fervent opponent of racism, and spent much of his adult life collecting the folk tales of African Americans in the South.

Ku Klux Klan Chicago: United Northern and Southern Knights of the Ku Klux Klan 26.  Frank: After he left he blamed my wife as part of his reason for leaving Me: What is his connection the Black Panthers? After exhausting the appeals process, Hays was executed for Donald's death in Alabama on June 6, 1997.  Duke's claim that the Knights were founded in 1956 by Ed White a pseudonym for Jim Lindsay has, however, been largely discredited as a propagandistic attempt by the budding Klan leader to fend off depictions of his group as an inconsequential upstart.  Recent estimates suggest there are between 5,000 and 8,000 members.  The Klansmen were run out of town, and the 1958 event made the national news, including in The New York Times and magazine.

#Freakonomics #Chapter #2: #How #Is #the #Ku #Klux #Klan #Like #a #Group #of #Real

[flauntpage]

On Philadelphia and Video Gaming: A Conversation with Fusion Chief Business Officer Joe Marsh

The Philadelphia Fusion lost last night, but it happens.

They went down to the New York Excelsior, which is a dumb team name. I hate losing to New York, but losing to the “Excelsior” is even worse.

I checked out the Twitter replies last night and people didn’t seem too happy with the performance of “Sado,” who I think is our main tank. Some fans were calling for “Fragi” to play instead, so it seems like we’ve got a bit of a controversy brewing. I might even call up Sports Radio 94 WIP to share my feelings.

Anyway, I stopped by the viewing party at Xfinity Live last night before the match started. I didn’t have time to stay for the actual thing, since I had to roll back to the Wells Fargo Center for the Sixers game, though it looked like a nice crowd was there for the event.

I did have a candid and interesting conversation with Joe Marsh, who is the Fusion’s Chief Business Officer. We talked about the popularity of esports and the growth of a nascent Fusion fan base, and even though I load my Fusion articles with satire and humor, I tried to keep it pretty straight with Joe while learning some things about gaming along the way.

Here’s the full discussion:

Crossing Broad: I gotta be honest; the last time you guys did this, for the season opener, I looked at the crowd photos and was kind of shocked. This place was packed. I assume you were not shocked.

Joe Marsh: Not anymore. But if you would have asked me that in January of last year, I think our first watch party had something like 300 people at Wahoo’s. As the season progressed we started building the fan base. This was all from scratch, you know? We were a hockey team with no esports experience, so we had no fans. Then we had to shoot content and shoot video for a team that was playing on the west coast, so it’s kind of hard to attract a fan base when your talent is across the country. But once we reached the playoffs it kind of spiked from there with the underdog video. We brought the guys to (Philadelphia) and did a thousand people twice. The first watch party had 800 people pre-register before they even walked in the door. Consistently drawing a thousand people each time is pretty good.

Moe after the jump:

Crossing Broad: When I come to one of these events and I’m looking at the crowd here, who am I seeing? Am I seeing young? Old? Men? Women? What is the demographic of the Fusion fan base?

Marsh: You’re definitely seeing young. But you’re seeing a lot more women, even as far as merchandise sales it’s 60/40 women, which is surprising, because most games you’ll see the stats and it’s 88% male fans vs. 12% female. But at live events, purchasing merchandise, it’s primarily female. Even in Korea, when we go there, a lot of the fans are women. The fans here are female, but it’s not because they like one player, it’s because they like and play the game. A lot of young fans, too, the average age is probably 14 to 25. We do see older fans because it’s parents bringing their kids down here. I always like to chat up the fans that are sitting there and they say, ‘I have no idea what’s going on, but my kid likes it, so I take them down here,’ and I’m thinking ‘cool, that’s awesome.’

Crossing Broad: Do you see a cross-section of… I guess I should ask it this way – What is the cross-section of Philadelphia Fusion fans that are also interested in the Sixers, Eagles, Flyers, and Phillies –

Marsh: Four for four.

Crossing Broad: Yeah, the old cliche we hammer into dust is this “four for four” thing. Do you see the Fusion fan base interfacing with those other sports?

Marsh: I think the biggest benefit that we have as a team is the fact that we’re a Philadelphia-based team. Because you have that built-in (idea of) ‘you’re from Dallas and I’m from Philadelphia, so we hate you.’ Overwatch is the only geo-based game right now, so we have a market, we have a home base to go to. We have that built-in kind of grounding, but the difference is our fans, a lot of them could never relate to traditional sports, that four for four idea. But when video games like Overwatch came out, now they can relate to that (mentality). Now you’re seeing the same passion you’d see with a Sixers or Flyers game watching one of our matches. When we went to the grand finals in Brooklyn (last summer), that was primarily Philly fans. We bused them up there and they were the loudest people in the building. That same fighting spirit, the cheering, the never give up attitude, it’s carrying over. It’s what we do in Philadelphia. It’s kind of ingrained in you.

Crossing Broad: Older people who might not be familiar with esports, they always get hung up on this idea of, ‘why am I going to sit around and watch somebody else play video games?‘ I’m sure you guys have heard it a million times now and tried to combat that narrative a million times now. What’s your answer to that?

Marsh: It’s the same question asked right back to them. Why do you want to watch a basketball game when you’re never going to be able to dunk? You might be the size of Muggsy Bogues, but you’re not Muggsy Bogues. Why would you want to watch the Eagles play? Because you’re never going to be able to throw a 50-yard touchdown. It’s the same concept. You just enjoy watching someone who is the best at something ply their trade. It’s the same thing in video games. I can play a video game, then I play against one of our guys and I suck. If I played pickup basketball with LeBron, I’d lose 10-0. I’d lose 10-9 if he spotted me nine points. You just like to watch the best in the world do what they do, and that’s the reply to that.

Philadelphia Fusion/Comcast-Spectacor

Crossing Broad: One of the things I find intriguing about esports is that when I was a kid, I hated sitting around watching other people play. I’m a thirty-something year old kid from the suburbs –

Marsh: Me too (laughs).

Crossing Broad: So you can relate. We would sit around, and if someone else had the Nintendo 64 controller, I got bored. Now you’ve got kids growing up, a generation that experts say are addicted to their phones, they can’t sit still, everybody has A.D.D. or whatever, yet here we are in 2019 and they’re watching other people play games. I guess the question is, what changed? Is it the advent of the internet? Twitch? Accessibility? Why is it different now?

Marsh: I think it’s the internet and it’s also the sites you can go to. If you go on Twitch, you can look at any kind of content. It’s like going down a rabbit hole on Youtube and you start looking at Kimbo Slice fights.

Crossing Broad: I wanna watch Soundgarden videos.

Marsh. Yeah, exactly. Twitch brings you some of the best gameplay in the world. In the NBA, we don’t get to see those guys practice. We just see them playing the game. Gaming fans are allowed to see that. They stream. Our players go stream, and you watch them have fun and goof off and talk to them, interact with them on their streams and donate money and support them.

Croossing Broad: People do the same thing with Youtube stars and influencers, they’ll just sit there and consume their content for hours at a time. It’s really not that much different.

Marsh: No, it’s not. I think it’s more – with Youtube you can’t interact with those people in real time. You can type comments. On Twitch, I could make a donation and you can respond and say, ‘hey Joe, that was awesome, thank you.‘ For that person, it’s a big deal to them. You can interact with them. It’s the connectivity. I think it’s a lot of that, and having the accessibility on your phone. A lot of our fans, you’ll see them in there double screening and they’re looking at the phone, they’re interacting on Twitter, they’re watching their tweets on the big board. It’s the ability to multitask and do more than one thing and I think that’s what separates the young vs the old crowd. And I’m like you, I grew up playing Goldeneye in the basement, no Oddjob.

Crossing Broad: Yeah, no Oddjob, remote mines in the facility.

Marsh: In college we’d play Call of Duty with the door open and talk trash.

Crossing Broad: Halo was big, too.

Marsh: Yeah, so we’d do the same exact thing, but now it’s online. Before it was just in person, and now it’s gone global. You can be in your house with your headset on and people say it’s anti-social, when you might be talking to someone in Israel.

Crossing Broad: Right, you could argue that it’s the total opposite of being anti-social.

Marsh: For sure.

On the big screen, esports. On the small screen, Sixers pregame live.

Crossing Broad: So tell me about the new arena.

Marsh: Been working on that for a year. Originally when we looked at it, we were trying to go to University City, where the critical mass of college students is located. Timing wasn’t going to work out. So when they offered us the plot of land next to Xfinity Live, which – this was always in the master plan, to build an arena or an amphitheater here –

Crossing Broad: Yeah, and I remember the original blueprints for this place, and it was supposed to be bigger.

Marsh: Yes. This was supposed to be bigger and there was supposed to be an arena there. When they offered us the land we jumped at it. We interviewed architects and found Populous. Since the fall we’d been designing and trying to find the right fit, and what you saw a few weeks ago is what we’ve got. It’s 3,500 seats with traditional arena amenities, so our training center will be in there. It’s got full-on production space and a media room. Then you look at premium seating. You have club seats, you have box seats with TVs that show you the perspective of a player on the stage. You have traditional suites and a VIP back bar. Everything you’d find in a traditional arena is there. It just happens to house an esports team, but it’s also fit for concerts and comedy shows and all that other stuff.

Crossing Broad: Last one for you, and this is kind of an open-ended question. If I was sitting in the Fusion board meeting and y’all were talking about strategies to move this thing forward, what would I be hearing? What are some of the immediate goals to grow this thing and get more people interested?

Marsh: I think getting more colleges in the amateur scene involved. The NCAA is never going to regulate gaming. Players get paid right now, so you’d run into the same argument traditional sports is having right now – getting paid vs. scholarship. These colleges are now giving out scholarships for gaming, but they’re able to collect prize money.

CB: So if I was on the League of Legends team at Penn State or whatever, I could get paid for that?

Marsh: Yeah. When you enter tournaments, you get prize money. Certain schools, like Harrisburg University, which is one of our sponsors, they actually give you a scholarship to play there, AND you get your prize money. So you’re kind of double dipping anyway, which then gets you into the age-old argument with the NCAA and paying athletes in traditional sports. I think servicing that scene, getting more colleges involved, getting more high schools involved (is important). The City of Philadelphia was kicking around starting a league this spring. Programming our venue with those types of events – because we only have 14 nights a year with the Fusion – it makes you think about what you want to do with the rest. It’s amateur events, getting those collegiate events, then also getting major events in Europe and the west coast to come here. And there’s always going to be the next new game, so like now it’s Apex Legends, being first to those things is what’s going to drive a new market. Games are going to fade. League of Legends has been around for a decade-plus, but then you have games like Fortnite, which has been around for two years-plus. That could fade away. Call of Duty popped, then didn’t really go anywhere. Sea of Thieves was hot for like three minutes. You’re always going to have the next fly-by-night game, it’s about capitalizing on that fan base. There’s a lot of crossover in hosting events. The live event experience is what makes gaming that much better than watching online. It’s like hockey. Watching hockey is much more exciting in person than on TV. Watching playoff hockey is even that much better.

….

Thanks for reading.

Let’s go Fusion.

The post On Philadelphia and Video Gaming: A Conversation with Fusion Chief Business Officer Joe Marsh appeared first on Crossing Broad.

On Philadelphia and Video Gaming: A Conversation with Fusion Chief Business Officer Joe Marsh published first on https://footballhighlightseurope.tumblr.com/

[marcorpage]

Gli youtuber: le star di domani

Dal blog #MRP75... Gli youtuber: le star di domani #MRP75 #YouTube #youtuber #influencer #internet #socialnetwork #SMradio #streetradio #webradio #Milano

Gli youtuber: le star di domani

Dalla televisione alla radio, dal cinema alle librerie: gli youtuber sono le vere star 2.0.

Non più legati esclusivamente alla piattaforma che ne ha visto nascere il successo, questi nuovi personaggi dello show business stanno colonizzando tutti i media.

Nomi come Willwoosh, all’anagrafe Guglielmo Scilla, Favij o iPantellas sono oggi molto noti,…

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#influencer #mrp75 #SMradio #social network #youtuber

[rolandfontana]

Criminal Justice News Coverage in 2017

After a year of concentration on national politics, much coverage of crime and justice in 2017 in the U.S. news media shifted to a discussion of the presidential election’s aftermath and of a topic given new prominence by Donald Trump’s presidency: immigration.

Also dominating the year’s news cycle were two subjects that hadn’t been so prominent before: drug overdoses and sexual abuse.

The media also paid attention to what seemed like an endless series of mass shootings and a continuing focus on fatal encounters between police and private citizens.

We’ll cover all of this and more in our annual review of how the news media treated major crime and justice subjects over the year.

A capsule of what captured the most mainstream media attention can be seen by looking at what the three major broadcast networks covered in their nightly news programs, as compiled by analyst Andrew Tyndall.

In 2016, the biggest single crime stories by far were the gay night club massacre in Orlando and the killing of five police officers on the same day in Dallas.

Last year, not surprisingly, the most-covered crime stories were mass shootings: the killing of 58 concertgoers in Las Vegas by Stephen Paddock, followed by the attack on members of Congress at a baseball practice in northern Virginia, and the massacre at a Texas church in which 26 people were killed.

Viewed through a broader lens, seven of the top 20 stories on all subjects had some criminal justice element, leading with the investigation into possible Russian meddling in the 2016 U.S. elections and including President Trump’s firing of FBI director James Comey, the White House ban on travel from Muslim-majority nations, and the immigration crackdown generally.

This assessment of criminal justice in 2017 as reported by the media will be supplemented by a conference call conducted by Criminal Justice Journalists with James Alan Fox, a criminologist at Northeastern University; William Freivogel of Southern Illinois University and the Gateway Journalism Review; Marea Mannion of Penn State’s College of Communications; Brandt Williams of Minnesota Public Radio; and Dan Shelley of the Radio Television Digital News Association.

Editor’s Note: A transcript of the conference call will be posted online. Please check The Crime Report for availability.

CRIME TOTALS VARY, DISAGREEMENT ON TRENDS

Crime had been rising in many big cities in the two years before the 2016 presidential campaign, giving Republican candidate Donald Trump a major issue to discuss. The final crime numbers are not in for Trump’s first year in office.

Because the FBI reports its national crime count so late (typically in late September for the previous year), an advocacy group, the Brennan Center for Justice at New York University, has commanded much of the media attention to the subject by publishing its own compilation of crime totals from the 30 largest cities.

Typical was this report by NPR, which quoted the Brennan Center’s projection that when the totals are in, rates for overall crime, violent crime and murder in the U.S. will have declined in 2017.

One subject that received less national media coverage last year than it had in the last few years was crime in Chicago, where homicides in recent years had hit the highest levels in two decades. That is because the total dropped in 2017. This Chicago Tribune summary said that the year’s murder count was down 15 percent, or more than 100.

The newspaper said the decrease has “raised new hopes that Chicago could make progress in shedding its national reputation for gun violence, an image fueled by both President Donald Trump’s frequent mentions and by the distressing loss on Chicago’s streets.”

The FBI in September issued the final crime numbers for 2016, as submitted by local police agencies. The website FiveThirtyEight.com reported a month later that the newest edition contained about 70 percent fewer data tables, most of the missing ones concerning arrests and homicides. There was little explanation for the omission other than that the data tables had relatively few hits when they were posted on the internet in the past.

Even later than the FBI report was the U.S. Bureau of Justice Statistics’ annual victimization survey, which on Dec. 7 estimated 5.7 million “violent victimizations” in the nation in 2016 but said that because of a redesign of the survey, there could not be a precise comparison between 2015 and 2016.

Newsweek magazine reported that Attorney General Jeff Sessions had misrepresented his own agency’s statistics by saying in a speech, alluding to that report, that there had been a 13 percent spike in the violent crime rate. “The report he was citing clearly said there had been no measurable change,” Newsweek said.

TRUMP, SESSIONS PURSUE “TOUGH ON CRIME” POLICIES

The pledges by President Trump and Attorney General Sessions to take a tougher line than the Obama administration on crime and punishment have shifted Department of Justice polices—and raised concerns among reformers and advocates. The details were just beginning to be laid out in 2017, but the national media chronicled the unfolding story.

“Return of the war on drugs” was the front page headline in the Washington Post on Sunday, April 9. The story featured Sessions’ hiring of federal prosecutor Steven Cook of Knoxville, Tn., an advocate of tougher federal sentencing. The Post reported that Sessions and Cook “are eager to bring back the national crime strategy of the 1980s and ‘90s from the peak of the drug war.”

The following day, in “The Rise and Fall of Federal Efforts to Curb Police Abuse,” the New York Times described another Obama-era policy likely to fall under Trump, the use of consent decrees to impose reforms on policing in cities across the nation. The article detailed the history of the first such decree, in Pittsburgh in 1997. “The only realistic way to look at this is that it did not stick,” University of Pittsburgh law Prof. David Harris told the newspaper about the Pittsburgh experience..

Then in June, the administration replaced a National Commission on Forensic Science with an in-house task force. The Washington Post reported on this, as well as the suspension of an effort to set uniform standards for forensic testimony and to widen a review of FBI testimony on several controversial techniques.

Another notable example of Trump policy coverage was published by the New York Times on Nov. 22 under the headline, “Dept. of Justice Eases Scrutiny of Local Police.” The newspaper said that many police chiefs lamented the demise of the Justice Department’s “collaborative reform” program in which police department got Justice Department advice on best practices. The article attributed the conversion of the program to “technical assistance” in large part to the Fraternal Order of Police, which believes that the previous effort was too burdensome on rank-and-file officers.

The Times treated Trump’s overall philosophy on the crime issue with a healthy dose of skepticism, as indicated by a “news analysis” on Aug. 28, headlined “A Law-and-Order President (Enforcement May Vary).”

The article was prompted by Trump’s pardon of former Maricopa County, Az., Sheriff Joe Arpaio, who had been found guilty of contempt of court after he was found to have violated an order prohibiting his office from engaging in racial profiling. The Times quoted the conservative Washington Examiner, which said in an editorial that “once again Trump really means ‘busting heads’ when he says ‘law and order.’ “

IMMIGRATION GETS INTENSE ATTENTION

Immigration has been a contentious issue for decades, but the Trump administration ratcheted up media attention with its vow to crack down on undocumented residents nationwide. The news media have devoted a considerable volume of coverage to the issue. It was 16th on the top 20 story subjects covered during the year on the Tyndall summary.

A study by Harvard’s Shorenstein Center on Media, Politics and Public Policy of media coverage of President Trump’s first 100 days in office found that immigration was the single most covered subject during the period, commanding 17 percent of coverage by the major media (health care was second, with 12 percent).

The study assessed the tone of coverage, finding that overall coverage of Trump “set a new standard for negativity,” with 80 percent of it judged to be negative. Notably, immigration received far the most negative coverage of any topic, by the Shorenstein Center’s assessment, with a full 96 percent of stories judged as negative.

Could some of this be due to journalistic ignorance? David Seminara of the non-partisan Center for Immigration Studies, who is frequently interviewed on immigration issues, wrote that “for every one reporter I’ve spoken to who understands legal and illegal immigration, there are 20 who are absolutely clueless.”

One reason that so much of the coverage is deemed negative may be that news stories often point out misstatements by President Trump and his associates.

For example, on Aug. 10, Slate.com  reported on Trump’s repeated references to the 2015 killing of Kate Steinle in San Francisco by a man who had been deported from the U.S. five times and who then re-entered the United States illegally. (The man was acquitted recently.)

Early in this presidential campaign, Trump said, “Public reports routinely state great amounts of crime are being committed by illegal immigrants.”

Slate said, “This is not true. Study after study shows undocumented immigrants commit crimes at lower rates than the general population, and crime rates in cities with large immigrant populations have fallen disproportionately. Regardless, the lie that undocumented immigrants are likely to be violent criminals would help propel Trump to the GOP nomination and ultimately the presidency.”

That story would have been classified negative to Trump by a study like Harvard’s (which was issued before the Slate article), but such coverage seems to be based on facts and not bias against Trump.

Much of the local coverage has dealt with aspects of the “sanctuary city” question, with many stories about the administration’s threats to withhold federal aid from jurisdictions that don’t cooperate with federal authorities on detaining undocumented immigrants. Many big-city mayors and police chiefs have not complied, arguing that many citizens, both legal residents and others, will not cooperate with law enforcement on any issue if they could be threatened with deportation.

On May 14, the Washington Post said that many police departments had experienced a drop in crime reporting in predominantly Hispanic neighborhoods, which police chiefs attributed to undocumented immigrants being hesitant to deal with law enforcement because they feared deportation.

The media have devoted considerable effort to correcting other utterances by President Trump relating to immigration. The Washington Post Fact Checker said that the most popular fact check in the column’s 10-year history involved Trump’s statement that his executive order blocking travelers from seven majority-Muslim countries was comparable to what President Obama did in 2011. In fact, Obama was responding to an actual threat:  two Iraqi refugees were involved in bombmaking that targeted U.S. troops. No specific threat prompted Trump’s order, and Obama’s policy did not prevent all citizens from Iraq from entering the U.S., the Post said.

MASS SHOOTINGS: “We Are Inundated by Rage”

The United States seems to be plagued with terrible mass shooting incidents several times a year.

They follow a predictable pattern in the media: The event gets saturation coverage, with detailed attention both to the shooter and the victims, there are cries for reform from gun control advocates and opposition from gun-rights advocates saying legal changes would make no difference, and then little coverage until the next episode.

One prominent episode occurred on June 14, when James T. Hodgkinson of Belleville, Il., opened fire at a baseball practice involving members of Congress in the Washington, D.C., suburb of Alexandria, Va., severely wounding House Majority Whip Steve Scalise (R-LA).

The New York Times termed it the latest example of a “grim trend” of politically-inspired violence (the shooter was a fervid opponent of President Trump).  Former Sen. John Danforth (R-MO) observed, “We are inundated by rage … it’s the demand from the base of the two parties and it is in large part encouraged by the media.”

The October shooting at a Las Vegas concert by Stephen Paddock, whose victim toll of 58 was the largest in recent U.S. history also brought a torrent of news coverage. It was unusual that many months later, neither law enforcement nor the media has been able to determine a motive for the massacre.

In early November, Devin Kelley opened fire in a Baptist church in the small town of Sutherland Springs, Tx., killing 26 people. In most such cases, it becomes clear that either the shooter obtained his weapons legally (as apparently was the case in Las Vegas) or there would have been no easy way to prevent him from obtaining them.

This case was different. As the New York Times put it in a lead story on Nov. 7, the Air Force immediately admitted that it had failed to enter Kelley’s domestic violence court-martial into a federal database that could have blocked him from buying the rifle that he used.

The episode prompted many articles about flaws in the federal background check process, but as seems typical in coverage of firearms issues, the stories mostly came to an end after a few days.

The day after the Air Force story, the Times published a detailed analysis of the mass shooting trend. Its conclusion was that “the only variable that can explain the high rate of mass shootings in America is its astronomical number of guns.” One figure cited is that the U.S. has about 4.4 percent of the world’s population and 42 percent of the world’s guns.

 MEDIA TRACK SHOOTINGS BY POLICE

Police officers in the United States have long been involved in gunning down citizens. It took the death of unarmed black teenager Michael Brown in Ferguson, Mo., in 2014 to make the phenomenon been a major subject of national and local news coverage.

In the absence of reliable federal data, the Washington Post has been maintaining a database of police shootings. Early in 2018, the Post reported that last year’s total was 987, roughly the same as in the previous two years. The newspaper said that since its project began, it had logged the details of 2,945 police shooting deaths, which it compiled from local news coverage, public records and social-media reports. The number of unarmed black men killed last year declined from 2015.

Earlier, the Post ran a front-page story on May 3 reporting that the U.S. Justice Department had decided not to bring charges against a Baton Rouge, La., police officer for shooting Alton Sterling on July 5, 2016 in a case that got much national attention. It was the first major federal decision in such a shooting during Jeff Sessions’ tenure as attorney general

One of last year’s well publicized and controversial police shooting incidents involved the July 15th fatal shooting in Minneapolis of Justine Ruszczyk Damond. The 41-year old Australian woman was shot moments after she called 911 to report an alleged assault in a back alley behind her home, and reportedly struck the side of a police squad car       .

An officer in the passenger seat fired a single shot shortly after Damond approached the vehicle from the driver’s side. The incident not only came with a racial angle twist—Damond was white; the officer who killed her is of Somali descent—but it attracted international coverage as Australian journalists traveled to the Twin Cities to cover the case.

The coverage was distinctive. “American Nightmare” was the front page headline in the Sydney Daily Telegraph.

  “In Justine Damond’s native country, news of the meditation teacher’s baffling death has dominated the airwaves, newspapers and websites for days, feeding into Australians’ long-held fears about America’s notorious culture of gun violence,” wrote the Minneapolis Star Tribune.

In essence, the coverage overseas appeared to castigate and place more blame for Damond’s killing on the United States’ gun culture than at the hands of an individual police officer, who may or may not ultimately face criminal charges in the shooting.

The Washington Post is one of the few national media outlets that have closely following the problem of police misconduct since the Michael Brown shooting.

On Sunday, Aug. 6, the newspaper published results of a major investigation headlined “Fired/Rehired,” concluding that since 2006 at least 1,881 officers had been fired by 37 large police departments. Some 451 of them appealed and won their jobs back through rulings of arbitrators.

Policing reforms overall did not get much significant attention from the news media last year. One exception was a front-page story in the New York Times on October 21 reporting a study in Washington, D.C., that seemed to show that equipping police officers with body cameras had almost no effect on their behavior. Police Chief Peter Newsham was quoted as being surprised by the results, but he said the city’s police force would continue using cameras because they bring benefits that are not easily measured.

THE OPIOID CRISIS WORSENS

The overdose death totals from the opioid epidemic keep rising, especially in the Rust Belt states of Ohio, Pennsylvania and West Virginia.

Media attention also has increased, notably in newspapers like the Washington Post and Cincinnati Enquirer.

The Post has provided extensive coverage of the national picture, reporting on Aug. 9 that newly released data showed that drug overdoses increased in the first nine months of 2016. The story also said that President Trump had declined to declare the situation a national emergency, something he later did.

CBS’ “60 Minutes” and the Post deserve credit for an investigation that was broadcast and published on October 15. It reported that as the opioid epidemic raged, Congress in the spring of 2016 stripped the Drug Enforcement Administration from its strongest weapon against drug companies that are suspected of providing large quantities of prescription narcotics to the public. The law made it virtually impossible for DEA to freeze suspicious drug shipments from the companies.

The reporting had at least one significant result: It highlighted the fact that the legislation had been spearheaded by Rep. Tom Marino (R-PA), who had been nominated by President Trump as the director of the White House Office of National Drug Control Policy (popularly known as the “drug czar.”) After all of the publicity, Marino withdrew his candidacy.

The Post has long been ahead of the curve in reporting on the drug industry’s role in the crisis. On April 3, the newspaper published a lengthy story detailing the federal government’s failure to file criminal charges against Mallinckrodt Pharmaceuticals for failing to report suspicious orders of 500 million pills it manufactured that were distributed in Florida between 2008 and 2012. The firm ended up agreeing to pay a $35 million fine, a sum one government official described as “chump change” for the company.

The Cincinnati Enquirer, located in the heart of the area most affected by the opioid epidemic, published a special report on Sept. 10 headlined “Seven Days of Heroin: This Is What An Epidemic Looks Like.”

As described by Nieman Storyboard, during one week in July, the newspaper sent more than 60 reporters, photographers and videographers to document the impact of heroin in the Cincinnati area. They went to jails, courts, methadone clinics and psychiatric hospitals. The reporting included witnessing overdoses, listening to 911 calls, attending recovery meetings and riding with police officers who were looking for users and dealers.

They tallied 18 deaths and 180 overdoses during the week.

Nieman Storyboard called the paper’s effort “a riveting portrait of the human face of heroin. Instead of a traditional narrative, the project was presented largely as a series of chronological vignettes, interspersed with photos, social media posts, 911 recordings and rap lyrics. The mixed-media collage effectively showed that virtually no local geography or institution was left untouched by heroin.”

In the New York Times on June 18, freelance journalist Sam Quinones contributed a strong piece about an effort by two dozen county jails in Kentucky to start “therapeutic communities” for their increasing population of addicts.

These and other stories are indications that the media have covered the opioid crisis both as a public health emergency and as a criminal justice challenge. This contrasts with the treatment of the crack cocaine surge of the 1980s, which was mostly reported on the topic as a law enforcement issue.

Media coverage also highlighted the business aspect of the opioid crisis. “Mexican heroin is flooding the US, and the Sinaloa cartel is steering the flow,” was the headline to a Business Insider piece last fall, referring to the band of traffickers formerly headed by Joaquin El Chapo Guzman.

  SEXUAL HARASSMENT’S MEDIA MOMENT

Sexual abuse in the U.S. may not have increased, but news media coverage of it has intensified notably, as it seemed that hardly a week went by in late 2017 before another celebrity was accused of harassment, some of it dating from decades earlier.

At least one case from years past already had attracted considerable interest before the year began: Accusations against comedian Bill Cosby in the form of a criminal case filed in the Philadelphia suburbs. A well-covered trial ended up with a hung jury.

The issue exploded again onto the front pages in early October, when the New York Times published an extensive report that Hollywood producer Harvey Weinstein had quietly settled at least eight sexual harassment complaints over three decades. It was not clear in early 2018 that any of the numerous accusations against Weinstein would lead to a criminal case, but the Weinstein story has set the backdrop for a number of other prominent charges against entertainment and media figures as well as politicians, such as U.S. Sen. Al Franken (D-MN), who was pressured to resign after he was accused of abuse in several cases.

The news media themselves were hit by a barrage of major departures over sexual harassment charges, including Matt Lauer of NBC, Charlie Rose of CBS, Michael Oreskes of NPR and Ryan Lizza of the New Yorker.

“The news media is supposed to be a surrogate for the public, and most Americans don’t like the thought that our surrogates are living in and endorsing workplace environments in which sexual harassment now seems to be too common,” Jeffrey McCall, a professor of media studies at DePauw University, told The Hill.

“Further complicating the media’s image in all of this is the sanctimonious manner in which the media has covered sexual harassment in other corners of society,” McCall said. “It is difficult for the news media to parade around as haughty overseers of right and wrong in broader contexts of society when they clearly have in-house confusion about first principles of decency.”

Between the time allegations first surfaced about Weinstein in early October and Nov. 20, the evening-news programs of ABC, NBC and CBS devoted 218 minutes to sexual harassment stories on their weekday newscasts, according to industry consultant Andrew Tyndall, Variety reported. Most of that coverage involved Weinstein and Alabama U.S. Senate candidate Roy Moore. (By comparison, the probe into Russian influence on the U.S. presidential election drew 85 minutes of coverage during the period and the church massacre in Texas 67 minutes.)

Kelly McBride of the Florida-based Poynter Institute, a longtime writer on media ethics, says that many media policies on reporting sexual harassment are behind the times, limited to rules such as “Because of the stigma associated with sexual assault, we do not publish the names of victims.”

McBride issued a challenge to news organizations:

Rather than starting with a policy that tells us what to avoid, what if our policies encouraged us to tell the story of sexual assault more completely, so that the public might understand how it happens and how to prevent it? Today’s policies presume that our journalistic motive for telling a sexual assault story is rooted in our urge to improve public safety. But sexual assault isn’t really a public safety problem; it’s a public health problem. 

    CRIMINAL JUSTICE REFORM – A STATE ISSUE

Criminal justice policy, from policing to courts to prisons, always has been primarily an issue for states and localities to decide, but the issue had more national resonance in recent years as the Obama administration and a bipartisan group of U.S. senators focused on ways to reduce the rapidly growing federal prison population, which is larger than the total in any single state.

The Trump administration worked on increasing the number of federal criminal cases and has shown no interest in reducing prison sentences, in line with positions taken by  Attorney General Sessions as a U.S senator.

This has made prisons and sentencing again more of a question for states than for Washington, D.C., but the news media have shown only sporadic interest.

One of the few national examinations of the subject ran on the front page of the New York Times on May 19, which focused on a reform bill in Louisiana and reported that 30 states had limited some sentences and expanded alternatives to incarceration.

The New Orleans Times-Picayune and The Advocate also reported on the reforms, with the Times-Picayune quoting Gov. John Bel Edwards on May 17 as saying that the state may still have the nation’s highest per capita rate of incarceration after the new law goes into effect.

DECLINE IN LOCAL NEWS REPORTING RESOURCES

While we have reported on significant criminal justice coverage by many news media organizations from around the nation—and there are many others that are not reflected here—it is important to note that the manpower available to report on justice and many other major topics has dropped sharply in recent years.

Washington Post columnist Margaret Sullivan discussed this trend in an April 17 column that cited the Pulitzer Prize for investigative reporting that had just been won by the Charleston, W. Va., Gazette-Mail for stories on the prescription drug epidemic.

The family-owned, 37,000-circulation paper with a staff of 50 decided to pursue the question of “where all these drugs were coming from, and how could so many pills be diverted onto the street,” said executive editor Robert Byers.

Gazette-Mail reporter Eric Eyre attributed the winning series partly to his coverage of the state attorney general’s office.

The problem, The Post’s Sullivan says, is that this kind of journalism is disappearing. Over the last 15 years, the workforce of U.S. newspapers shrunk from 412,000 employees to 174,000. The number of reporters covering statehouses—where much criminal justice policy is made—has declined even further. (After Sullivan’s column was written, the Gazette-Mail filed for bankruptcy but will continue to publish under new ownership.)

Newspapers are not the only source of local reporting, of course. Television and radio stations, and community newspapers, continue to thrive in many areas. Websites have filled some of the gap left by the erosion of daily newspapers.

Among nontraditional sources that have contributed notable reporting on justice subjects are the California-based Center for Investigative Reporting’s Reveal, the Frontier in Tulsa, Ok., and the Grits for Breakfast blog in Austin, Tx.

Crime and justice always have been staples of local reporting, and that hasn’t changed. There is bound to be less of that reporting as the number of people doing it on a regular basis is much diminished in many U.S. cities.

Ted Gest is president of Criminal Justice Journalists (CJJ) and Washington Bureau chief of  The Crime Report. Rubén Rosario is Metro columnist for the St. Paul Pioneer Press and a CJJ board member. The Center on Media, Crime and Justice at John Jay College thanks the Harry Frank Guggenheim Foundation for its continuing support of the crime journalism year-end reviews.

Criminal Justice News Coverage in 2017 syndicated from https://immigrationattorneyto.wordpress.com/

[thenwcollective]

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#best video production companies Portland

[digital-strategy]

https://ift.tt/2mJ5ely

Editor’s note: Per Westergaard is a longtime editor-in-chief and CEO of a range of Danish regional, national and digital titles. Søren Schultz Jørgensen has worked as a journalist and editor at several Danish news media during the last 20 years. Last year, they undertook an international inquiry into the state of newsroom innovation; here’s what they found.

The news media most successful at creating and maintaining ties with their readers, users, listeners and viewers will increasingly be media that dare challenge some of the journalist dogmas of the last century: the dogma of arm’s length; the dogma of neutrality; the dogma of objectivity; the belief that journalists have a special ability to find and choose what is important for citizens. And not least: the basic idea, that journalism is primarily about transporting news and information from A to B.

For journalism to be relevant for citizens in the future, it will to a large extent need to challenge these deeply rooted professional dogmas, thus creating a media landscape that is more varied, more lively, more organically open to the citizens and much more diverse than the news industry we have seen for a hundred years.

These are some of the conclusions in our book, The Journalistic Connection, published in Danish this past March under the title Den journalistiske Forbindelse. The book is the written result of a yearlong research journey, undertaken in 2017, through nine European countries and the United States, visiting and studying 54 media companies pioneering new ways to connect with their audiences and communities.

We identified nine different ways by which news media in the Western world are currently trying to forge closer ties and stronger relations to their communities and audiences. Below, we’ll take a look at each of the nine ways. First, however, we need to clarify the purpose and the ambition of our journey.

Our angle on the current state of journalism is this: The crisis of journalism and legacy news media is structural, and not just a matter of technological challenges or broken business models. When citizens of Western societies, to a deeply disturbing extent, turn their backs on original news journalism, spend less time on news on radio and television, buy fewer newspapers, and express a growing distrust of media institutions, we need to submit the core content of the news media — journalism itself — to a critical review.

Today’s core questions for news media — old or new, small or big, privately or publicly owned — must be social and cultural: How can journalism regain its relevance, meaning, and trusted prominence in society? How can journalism reconnect with citizens?

These were the questions that guided our journey, starting at home in Denmark, where we researched an initial list of 120 media that could be rewarding to visit — new media, legacy media, born-digital, radio, television and printed newspapers. We sorted through that list and ended up with just over 50 of the most interesting and innovative outlets in the international media landscape today.

The outlets were selected because they try out new ideas, in areas such as journalistic engagement, cooperation, listening, and activism. But at the same time, they’re able to demonstrate that new ways of connecting with and engaging citizens create better results in terms of user satisfaction, circulation, audience, or earnings.

The journey in the U.S. took us through New York City, New Jersey, Philadelphia, Washington, Austin, Dallas, San Francisco, San Diego, and Seattle. The European leg of the trip led us through Spain, France, the Netherlands, Poland, Germany, the U.K., Sweden, Norway, and Denmark.

Half of the interviews were conducted in the U.S., the other half in Europe, with the ambition of gathering inspiration, ideas, and strategies that both American and European news professionals can mirror themselves in and — hopefully — learn from. We need to learn from the best on both sides of the Atlantic to a much greater degree.

As mentioned above, we identified nine ways — or movements — through which news media are pushing their journalism in a more engaging, cooperative and community-oriented direction:

1. From neutrality to identity

Many news organizations are working intensely on sharpening their own profiles and identities, challenging the dogma of neutrality and fleeing away from the catch-all omnibus news ideal for several reasons. The need for a clear media identity grows when online news content is spread in small, unidentifiable bites across the Internet. Also, in order to make people relate to and identity with you, you must show them what you stand for. Show them who you are, and from which perspective — geographically, socio-demographically, or politically — you view the world. Prime examples of news media working with their identities in this targeted way are the Norwegian newspaper

Klassekampen

(The Class Struggle), the regional online news site

Voice of San Diego

and

The Evergrey

in Seattle.

2. From omnibus to niche

Niche media’s ability to create relevance for users — and to mobilize both interest and willingness to pay — is far greater than the ability of the omnibus media. And apart from a very few media with global reach (e.g. The Guardian, BBC, CNN), all news media can be considered niche operations. However, many broad-reaching legacy media hesitate to openly show and communicate which niche audience they seek to engage. Maybe because the democratic value of niche media is somewhat controversial: creating strong bonds among a homogenous audience instead of bridging different communities. Nonetheless, targeted niche media like the Seattle-based tech site

GeekWire

, Berlin-based youth site

Ze.tt

and the intellectual daily

Information

in Copenhagen show that is possible to create both quality journalism of high public value and cater to targeted audiences at the same time.

3. From flock to club

Gathering people around the news media, in clearly defined communities — clubs — is a strategy gaining momentum on both sides of the Atlantic. This implies transforming what were formerly known as subscribers, users, or readers into members, that must either register or pay to join the inner circles of the crowd around the news media. Spanish

El Diario

and French

Mediapart

have put membership models at the heart of their identities and their journalistic operations. Many American media companies — from legacy players like The New York Times and the

Gannett group

to online startups organized in the

News Revenue Hub

— follow the same path.

4. From ink to sweat

Many media companies are pursuing new ways to create physical journalism in the form of public meetings, festivals, events, and stage plays. Live and engaging. And yes, they consider it journalism. French daily

Le Monde

has made physical live events an important way to engage with citizens and to generate new revenue. The same strategy is used by

The Texas Tribune

, which carries out a variety of small and big events yearround. Danish startup

Zetland

regularly sets up journalistic shows around the prominent theaters in Copenhagen.

5. From speaking to listening

The legacy media business often has the character of a walled fortress more than of an open and accessible house. But both in the U.S. and Europe, news organizations are increasingly opening up — physically and mentally — in order to be more accessible to the citizens they serve. More than anything, this means listening to citizens and creating more transparency in editorial matters. This can be done through direct personal dialogue, through physical presence in communities, or through the systematic use of small and big data. The listening solutions developed by Chicago-based

Hearken

are now used by public radio and TV stations in the U.S. The regional German newspaper

Braunschweiger Zeitung

, which brands itself Bürgerzeitung — the newspaper of the citizens — listens through extensive use of physical meetings in local communities and by each day dedicating editorial resources and columns in the paper to cover questions asked by readers.

6. From arm’s length to cooperation

In order to maintain independence and neutrality, modern journalism has kept its distance, holding everyone outside the newsroom at arm’s length: citizens, interest groups, public institutions, private corporations, decision makers. However, this pattern is clearly changing. More and more newsrooms are involving citizens directly throughout the journalistic process: from ideation to research to delivery of independent content to the subsequent debate of published stories. The Dutch online site

De Correspondent

, German

Correctiv

, and

ProPublica

in New York are prime examples of organizations that have refined this co-creation process — without giving up editorial gatekeeping. They have all also pioneered cooperation with grassroots, NGOs, and public institutions — as well as with other media companies — as a way to create a both substantially deeper and more engaging journalism.

7. From own to other platforms

It weakens business opportunities of the news media and their journalistic control when they put their content on social media. That seems to be the common consensus in the news industry. Using social media is a double-edged sword, but handled in the right way — maybe more as a way to cooperate than distribute — social network technologies have big potential to enhance and deepen engagement, while at the same time creating stronger journalism.

David Fahrenthold’s

Twitter-based research on Donald Trump’s charitable giving, earning him and The Washington Post a Pulitzer Prize, is the golden example. The

Wall Street Journal’s use of Snapchat Discover

to cover the lives of Americans hit by the opioid crisis in the U.S. is another.

8. From problem to solution

Even the most hardcore investigative journalists have discovered they gain greater impact if they add a solution-oriented level to their work. Constructive journalism simply creates more engagement among readers, users, viewers. They read more, they are more likely to share content, and they express more interest in knowing more about the issue when the piece has a constructive angle. The Danish public broadcaster

DR

has refined this type of journalism over several years, thus improving ratings and reach of its TV news. In the U.S., the Berkeley-based

Center for Investigative Reporting

integrates a solution-oriented element in many of its investigative projects — even arranging solution summits for the stakeholders around some of the problems its deep-digging journalists have uncovered.

9. From observers to activists

Several news outlets — established as well as new ones — are testing whether they can create a new relevance to their readers, users, and viewers through activist campaigns or journalistic advocacy. This move is particularly controversial for many journalists — and clearly not a strategy suitable for all types of media operations. However, a campaign-oriented approach to journalism has successfully been used as a way to engage and create action among citizens for European news media such as

The Guardian

,

Gazeta Wyborcza

in Poland, and the Danish regional newspaper

Fyens Stiftstidende

.

Our book describes and analyzes all these examples and many, many more, in depth and detail. If there’s a common denominator for the 50-plus news organizations we’ve met and studied — apart, of course, from striving to connect with citizens in new ways — it’s their focus on innovation and experiments.

All the new digital publishers we’ve met seem founded on the courage and ambition of radical innovation. But also, in the legacy media institutions we visited, there seems to be a new understanding of the need for dramatic change and open-ended experiments.

This is why we find no reason to preach one particular model of journalism for the future. All the experiments and ideas unfolding in the current media landscape on both sides of the Atlantic indicate that there will be dozens, if not hundreds, of different models, all of which carry a hope for journalism in the future.

via Nieman Lab

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