Stolen Face (1952) Terence Fisher
January 21st 2024
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Laudamus
Michel-Richard Delalande (15 dicembre 1657 - 1726): Te Deum, grand motet per soli, coro e orchestra S.32 (1684). Emmanuelle de Negri e Dagmar Šaškova, soprani; Sean Clayton, haute-contre; Cyril Auvity, tenore; André Morsch, basso; Le Poème Harmonique e Ensemble Aedes, dir. Vincent Dumestre.
Te Deum laudamus
Te aeternum Patrem [2:12]
Tibi omnes angeli [3:21]
Sanctus, Sanctus, Sanctus [5:07]
Te…
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Journées du Patrimoine : le CAUE 21 propose deux visites et une exposition entre Saulieu et Dijon
Journées du Patrimoine : le CAUE 21 propose deux visites et une exposition entre Saulieu et Dijon
Samedi 17 et dimanche 18 septembre, le Conseil d’Architecture, d’Urbanisme et de l’Environnement (CAUE) de Côte-d’Or organise trois événements à propos du patrimoine durable, très en phase avec sa raison d’être. “Archi” recommandé.
La Maison Bandelier (2018, 20 euros), ouvrage sur la maison sédélocienne qui se visitera le 17 septembre. © D.R.
🏠 André Wogenscky à Saulieu, visite de la maison…
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The Saint: The Crime of the Century (3.22, ITC, 1965)
"What's that?"
"It's a cologne called Wolf Whistle, Munster uses it all the time."
"I suppose there's some of that in his case as well?"
"Yes, there is."
"That's something you didn't have in your files, Claude: Munster has no sense of smell."
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eliminated dilfs
andré lotterer
valentino rossi
romain grosjean
cyril abiteboul
mika häkkinen
jacky ickx
kevin magnussen
alain prost
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"Une Jeune Fille qui va Bien" de Sandrine Kiberlain (2021) avec Rebecca Marder, André Marcon, Françoise Widhoff, Anthony Bajon, India Hair, Cyril Metzger, Florence Viala et les participations d'Anne Rotger et Ben Attal, mai 2024.
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In the twisted labyrinth of modern Athens, where the echoes of ancient tragedies resonate through the chaos of contemporary life, Neith Galanis and Cyril André dance on the razor's edge of a love as tumultuous as the city itself. "Lie To Me" unfolds against a backdrop of vibrant streets tainted by shadows, where history and despair converge.
Neith, bearing the scars of past betrayals and the crushing weight of a father imprisoned in a sterile hospital owned by Cyril's influential family, seeks refuge in the arms of the enigmatic Cyril. Yet, the threads of their connection are woven with the barbed wire of adversity. Cyril, burdened by the suffocating expectations of his privileged existence, spins a web of lies, a desperate attempt to shield Neith from the corrosive realities of his world. He fears her judgment, constructing walls to keep her at bay.
As their love blossoms amidst the ruins of trust, Neith becomes a captive of Cyril's deceptions. Each lie, a venomous dagger, pierces the fragile fabric of their connection, creating chasms that threaten to consume them. Yet, despite the incessant push and pull, Neith remains ensnared, a moth drawn to the flame of a love that defies reason.
Haunted by their own demons, Neith and Cyril stand at the crossroads of their disparate worlds, forced to confront the harsh truths that linger in the shadows. Will their love endure the trials of deceit and the crushing weight of societal expectations, or will the insurmountable forces that bind them ultimately become their undoing?
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[Belladova-Opéra Garnier's ballerina(Giselle) and soprano(Richard Coeur-de-Lion)(Kopit's Phantom(90, 91)]
0:01 15th Century Chartres(French) hymn tune ( -> Saw You Never, in the Twilight(Cecil Frances Alexander)(1853)) - Michèle Lagrange
0:13 Giselle(, ou les Wilis (=Giselle, or The Wilis') 2:35 )(1841)(Music - Adolphe Charles Adam) (* Teri Polo who played Belladova(and Christine) had learned ballet for many years.)
1:25 Giselle(, ou les Wilis)(1841)
(Choreographer - Jean Coralli & Jules Perrot, Music - Adolphe Charles Adam, Libretto - Jules-Henri Vernoy de Saint-Georges & Théophile Gautier)
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- Yvette Chauviré(Giselle) & Cyril Atanasoff(Albrecht)
(* Yvette Chauviré was a French 'Prima ballerina assoluta'(She is the only French dancer to hold the title) and actress. She is often described as France's greatest ballerina, and was the coach of prima ballerinas Sylvie Guillem and Marie-Claude Pietragalla. The role of Giselle was a particular passion for Chauviré, and she considered it her signature piece. Of course, she is considered one of the gratest Giselles in history.)
1:56 Carla Fracci(Giselle) & Erik Bruhn(Albrecht)
(* Carla Fracci was an Italian ballet dancer, actress and ballet director. Considered one of the greatest ballerinas of the 20th century, she was a leading dancer of La Scala Theatre Ballet in Milan, then worked freelance with international companies including the Royal Ballet, London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre. Fracci is known for her interpretation of leading characters in several Romantic ballets, such as La Sylphide, Giselle, Swan Lake, and Romeo and Juliet. Fracci is considered one of the gratest Giselles in history too.)
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5:34 & 6:20 Je crains de lui parler la nuit(= I'm afraid to talk to him at night)(André Grétry's Richard Coeur-de-Lion(=Richard the Lionheart)(1784)) - Michèle Lagrange
(* André Grétry(you might see his face at Belgium 1000 Francs) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his opéras comiques.)
7:42 Je crains de lui parler la nuit
(André Grétry's Richard Richard Coeur-de-Lion(1784)) - Mady Mesplé
11:03 / 13:45 Пётр Ильи́ч Чайко́вский(Pyotr Ilyich Tchaikovsky)'s Пиковая дама(= Pique Dame = The Queen of Spades)(1890). Tchaikovsky(Чайко́вский)used Grétry's 'Je crains de lui parler la nuit'.(In Grétry's Opera, Soprano sings this, but in Tchaikovsky(Чайко́вский)'s opera, Mezzo Soprano sings this song.)
13:45 - Soňa Červená
15:31 - Sofia Preobragenskaya(acted by Yelena Polevitskaya)
(* Virginia Zeani - One of the greatest female opera singers of the 20th century - sang this song too(as a Countess in The Queen of the Spades(In Italian)). You can find that audio recording at youtube.)
17:29 Musical version (Kopit(Book) & Yeston(Music and lyrics)'s musical "Phantom"(1991))
P.S. You can see two famous actors - Burt Lancaster(7:39) and Олег Александрович Стриженов(Oleg Aleksandrovich Strizhenov)(14:54) in this video. From this film(Пиковая дама(1960)), Oleg Strizhenov received the Aleksandr Pushkin's Big Gold Medal and the prize of the Russian Musical Fund of Irina Arkhipova "for the brilliant realization of the figure of Hermann in the film Queen of Spades".
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Playlist - Opera x The Phantom of the Opera(with English subtitles / 한글, 한국어 자막): https://youtube.com/playlist?list=PLxVjmfb0YlsGxobwIudGb5OJmVvDY7PSo
Playlist - The Phantom of the Opera 1990 × Opera(+English subtitles, 한글 자막): https://youtube.com/playlist?list=PLxVjmfb0YlsExPULC9h1BvlZfYX6sPzjs
Thank you for allowing me to use your 4k Phantom of the Opera 1990 video, Phantom Retrospective 2.0! https://youtu.be/8f3Hr422BPk
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Anna May Wong in Piccadilly (Ewald André Dupont, 1929)
Cast: Gilda Gray, Anna May Wong, Jameson Thomas, Cyril Ritchard, King Hou Chang, Hannah Jones, Gordon Begg, Harry Terry, Charles Laughton. Screenplay: Arnold Bennett. Cinematography: Werner Brandes. Art direction: Alfred Junge. Film editing: J.W. McConaughty.
I share the opinion of the contemporary reviewer of Piccadilly that Arnold Bennett's screenplay is more interesting than what its director, E.A. Dupont, made of it. Bennett was a major novelist who, like such contemporaries as John Galsworthy and H.G. Wells, fell from favor with the ascendance of modernist writers like James Joyce and Virginia Woolf. It was Woolf's riposte to Bennett, who had written an unfavorable review of her 1922 novel Jacob's Room, that severely damaged his standing among intellectuals. Her essay, "Mr. Bennett and Mrs. Brown" contained the much-quoted observation that "on or about December 1910 human character changed," Woolf's way of saying that an exhibition of Post-Impressionist art indicated a new way of approaching existence through the arts. Bennett's naturalistic fiction began to fall in critical esteem. It may simply be that Bennett was so prolific a writer, with more than 30 novels, scores of stories, a substantial number of plays, and hundreds of essays, that he simply spread himself too thin. But his script for Piccadilly shows his interest in marginalized characters, including the lowlife of Limehouse and the backstage competitiveness of the London theater. And most of all, it gave Anna May Wong one of her most prominent and interesting roles, that of a scullery maid named Shosho who becomes a night-club sensation, but falls victim to jealousy tinged with racism. Unfortunately, Dupont's direction is often a little sluggish, and his staging of Shosho's big dance scene doesn't make it clear why her finger-waving hoochie-koochie -- she's outfitted in a costume more Balinese than Chinese -- causes such a sensation. Still, the film benefits from atmospheric sets by Alfred Junge and cinematography by Werner Brandes. It's also full of watchable actors, including Gilda Gray, who rose to fame for her shimmy, as the dancer Shosho replaces in the interest of the audiences and of the club owner. We first see Gray's Mabel when she's teamed with Victor, played by Cyril Ritchard, in a dance duet modeled on Fred and Adele Astaire. Dupont seems more interested in shots of the audience than in the dancers, partly because the plot is set in motion by an unruly diner complaining about a dirty dish. The diner is played by Charles Laughton in his feature film debut. His complaint leads the club owner, Valentine Wilmot, played by Jameson Thomas, to discover that the dishwashers are goofing off and watching one of them, Shosho, dancing. Though he fires Shosho on the spot, he later takes her to his office where he watches her dance, which gives him the idea to give her a big number in the club. When she succeeds, and Mabel discovers that Valentine has fallen in love with Shosho, the plot, as they say, thickens. Although made as a silent film, Piccadilly was enough of a success that the producers decided to add some scenes with sound and a music score. TCM, however, shows a silent version with a score added in 2004 after the film was restored.
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""Piccadilly" review"
On Monday, I saw "Piccadilly" directed by Ewald André Dupont . It stars Gilda Gray and Anna May Wong. I enjoyed this. The story seems a little dated today but I think at the time it was new. The story could have been more melodramatic but it wasn't. I thought it was well done. I enjoyed the acting and I enjoyed the cinematography. The new release was well done. The only issue I had with it was the music. I would have liked something more in keeping both with the time the picture as made and also some music more fitting to various scenes.
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LE PAS DE CÔTÉ | TRAILER | SHORT FILM from Bayle Joaquim on Vimeo.
PRAL présente
Un film de Joaquim Bayle
Avec
Logann Antuofermo
Charif Ghattas
Ecrit et réalisé par Joaquim Bayle
Produit par Alix
Directeur de production Antoine Watine
Directrice de casting Marie Levy
Chef opérateur Angelo Marques
Costumière Marlène Jacquet
1ère assistant caméra Félix Sulejmanoski
Chef opérateur son Olivier Laporte
Ingénieur du son Kiêm Pham
Chef Électricien Hugo Brossard
Régisseur général Robin De Dieuleveult
Photographe de plateau Robin Watine
Montage Joaquim Bayle
Mix & Sound design Raphaël Prat
Compositeur Alexander Kelvy
Etalonneur Arnaud Laurent
Illustrateur Florentin Leblond
Graphiste Anaïs Pyrczak
Figuration
Monika Klink
Jean-Marc Bailloeul
Rudi Sénécal
Patricia Lhommais
Muriel Gottrand
Yveline Varré
Cyril Desfontaines
André Weste
Sabine Delbart
Valérie Krzych
Maryse Le Bot
Brigitte Brayel
Pascale Diart
Faride Kerrar
Remerciements
Marie-Henriette & Gérard Vandamme, Robin Watine, Famille Bayle, Marlène Jacquet, Boulangerie Cori, La ville d'Arras, Restaurant L’entre Nous, Martin Sigler, RVZ, Richard Pyrczak.
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J'HONORE MON PèRE MONSIEUR CYRILLE CÔME
FIER D'ÊTRE RéUNIONNAIS
A FONDé
LE 1ER GROUPE DE SCOUTS
A SAINT-ANDRé EN 195?
A L'ÎLE DE LA RéUNION
DONT PERSONNE NE PARLE
CAR LA JALOUSIE
REGNE PARTOUT....
PAYS D'OUTREMER
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South African Report on Alleged Arms Supply to Russia Classified
By André van Wyk
Cape Town — The Democratic Alliance will oppose President Cyril Ramaphosa’s plan to classify the findings of a probe that determined whether arms and ammunition supplied from South Africa were loaded onto a Russian cargo vessel in 2022. This comes after Presidential spokesperson Vincent Magwenya confirmed the probe was not an official commission of inquiry, and its findings and…
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Kobla André Cyrille, CEO of Koancy Reveals the Answer to the Growing Need for Digital Skills in Contemporary Market
http://dlvr.it/Sn9y6b
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