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#Clay Records
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THE ONLY DISCHARGE COLLECTION YOU'LL EVER NEED -- AND MY PERSONAL ALL-TIME FAVORITE.
PIC(S) INFO: Spotlight on CD package design for the "WHY" EP by English hardcore punk band DISCHARGE, compiled and released by the UK label Castle Music in 2003. Also includes the band's previous three 1980 EP's "Realities of War," "Fight Back," and "Decontrol," for a total of 22 tracks on one compact disc.
Dis nightmare still @$!*#&% continues!!
Source: www.discogs.com/release/24950749-Discharge-Why.
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annihilation-time · 1 year
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bestfuckinmusic · 1 year
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Charged G.B.H. - City Baby Attacked By Rats - 1982
A little UK82 for you! Classic stuff.
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ollieoxyde · 3 days
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I don’t think I’ve ever put more love and effort into a singe piece of fanart ever in my life, and this is literally the first ISaT related thing I’ve made. I just needed a Siffrin to stare at me from my desk since I was too late to get the plush.
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xxwillowpotatox · 7 months
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Guess who just got over their sticker anxiety and decorated their computer
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p4nishers · 4 months
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thinking about the relationship between mightily oats' "the worthwhile [words] don't burn" and constable dorfl's "the words in the heart cannot be taken"
#especially the journey both of them had to go through to get to the point of saying that. like the whole of carpe jugulum oats was so TORN#and before that too about what words could you believe and who could you really trust on their word about om and the prophets and he went#out of his way to look up records disproving what the book of om said bc he KNEW nothing they said could be believed and just all the pain#and all that doubt he went thru and the part where he questioned om's 'infinite compassion' as he prayed bc really what compassion?#how many people prayed at the stake just like he was doing in that moment? how many people had to live with the silence of their god just#like he did? but still when his book of om – that he clung to the whole book for reassurance – burned he said the worthily words don't burn#the worthily words are in the heart and in the mind and not feed into his mouth by old man who just#made things up to justify their actions. he had all the words he needded the whole time and holiness was always all around him. he just had#to look#and dorfl being created with words in his head that dictated his every move . words that chained him. then he and the other golems created#'king' for themselves in the hope he'd lead them to freedom but they put too many words in his head and he failed and carrot gave dorfl his#own freedom and his own words and that lead to dorfl destroying his well child basically and destroying himself in the process but the word#in his heart his OWN words remained and they were able to rebuilt him and vimes give him a voice and his words and belief remained in him b#they were always his#god. sorry for the ramble im severally unwell about them#mightily oats#constable dorfl#carpe jugulum#feet of clay#gnu terry pratchett#discworld
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It has been such a pleasure over the last few episodes, seeing Ashton embrace the title of ‘hero.’ The moves that they are making are really cementing themself as a leader with a desire to positively affect the world. I love this shade on Ashton, and I can’t wait to see where it goes, though I have been struck with a somewhat worrying/exciting thought.
Not too long ago, I was reminded of Taliesin’s original plans for Percy, that plan being that his story would end tragically. Of course, we know that the story didn’t turn out that way, and Percy is now living in Whitestone with his wife and children. But it got me thinking that Caduceus’ character wasn’t designed with classic tragedy in mind, and also achieved a happy ending. Then I started to consider Mollymauk. Did Taliesin intend for the tiefling to have the tragic end he got? My gut instinct is to say no.
That's how this table came into existence:
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We’ve got a missing spot, don’t we? We’re missing a character that successfully achieves its predetermined tragic ending.
Taliesin has a love for creating characters with questionable and self-destructive coping mechanisms. Percy and his affinity for making deals with demonic entities and creating weapons capable of untold destruction, Molly and his hedonism and indulgence of drugs, alcohol, and mischief, and even Caduceus’ repression and ignorance towards anything that makes him uncomfortable. Ashton Greymoore is no exception. Their anger, gambling and alcoholism are all one big coping mechanism for their childhood and chronic pain.
Part of me believes that this hero mentality has become another coping mechanism for Ashton to abuse. By stepping up, Ashton has been lifting the burden of leadership from other party members, the notable cases being Laudna, Orym, and FCG. He’s been encouraging them to explore their emotions, and ever since the Solstice, he has made himself the person they can lean on for support. Ashton wants to be a hero, even if it’s at the expense of their own well-being.
Ashton has made it clear on multiple occasions that their chronic pain is handled better under greater pressure, and soft, delicate touches cause them far more discomfort (even if the softer touches lead to less trouble in the long-term). But the problem with becoming a ‘rock’ for others is that Ashton must put himself under immense emotional pressure. While they may handle it far better in the short-term, that tactic is going to cause more damage the longer they indulge it. I feel like the lyrics of ‘Heroes' by Emmy Curie best describe my feelings on the matter:
"But you’re forgetting the thing about heroes, kid, they always have to fall"
(For the record, the song is simplistic but pretty, and I highly recommend listening to the whole thing. The lyrics apply to so many characters, and not just from Critical Role)
While I love this arc for Ashton, part of me is left wondering if Taliesin has been building up this character for the purpose of falling even further. Is Ashton going to achieve the tragic ending that Percy was deprived of? Will he be the one to occupy the final quadrant of that table?
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projectmayhem-stims · 5 months
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REACHING MY THRESHOLD, STARING AT THE TRUTH TIL IM BLIND!
🔪 🔪 🔪
🎸 🎸 🎸
🖤 🖤 🖤
knives chau (spto) with no food for silly anon!
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dragonlapis · 3 months
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FABULOUS BREAKING NEWS BESTIE!~
YOUR LADIES ARE UP NEXT!
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ABOUT FUCKING TIME
The art is so soso gorgeous oh god...the wait was so fucking worth it. You can't believe or do how fucking happy I am to see this
Aaaaaaaaaa
What a wonderful thing to wake up to
Everything in the art is so fluid and the coloring is so soft. I love the movement in both the Seika and Leila art. The fish and water is sooo good and I love how gem spiked up like that. The fire around Leila and the lighting...god...Finally I just love seeing all three of them together like that
Do expect art from me sometime soon considering this sparked my creativity again. I'm thinking a redraw of that final one in my style. I will struggle ,but it will be fucking worth it. I'm open to suggestions too! You know what? Fuck it! I will start taking requests for them. If there's something you wanna see them do...let me know! Drawing requests for the apartment trio is now open!
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Muhammad Ali (Cassius Clay) playing records in his car, 1968.
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10 Favorite Movies 📽
In no particular order.
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Mallrats
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Empire Records
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Clay Pigeons
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Eternal Sunshine of the Spotless Mind
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Waking Life
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Secretary
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Donnie Darko
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Demon Knight
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The Crow
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So I Married an Ax Murderer
I would love to see yours!
@finnsbronco @gungieblog @toxicgothsyndrome @itssh0wtime @thegreatdestroyermrselfdestruct
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NO FEEBLE BASTARDS -- WAR IS A BLACK HOLE TO AVOID.
PIC INFO: Resolution at 1024x1158 -- Spotlight on "Realities of War"-era DISCHARGE, up against the wall behind Clay Records, Stoke-on-Trent, West Midlands, England, c. early 1980. 📸: Tanya Rich? Mike Stone?
Cal: voice
Rainy: bass
Bones: lead
Tezz: drums
Dis nightmare still @$!*#&% continues!!
Source: www.last.fm/music/Discharge/+images/63b4dd7b9e1d4e9bcee89441365708ac.
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zeebreezin · 1 month
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I’ve been getting into the habit of setting alarms for myself when I run out of actions mid grinding stuff, so I know both when I have actions and what I was planning on doing with them.
However sometimes these get very funny.
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fourtwentybuds · 7 months
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Carnival of Carnage turns 31 HBD COC 🎂🥳🎉🎈🎁🎊
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stinkyhyena9000 · 7 months
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FInally just got to watch Sing 2 for the first time in a month or so (I'm a very busy gal) and ohmygod I just remembered why I love Sing 2 so much: the ending.
The entire performance of Out of This World is great, but I'll only be going over Clay's part and thereafter.
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Seeing Clay down breakdown, and hearing his voice softly apologize about not being ready. It really shows how vulnerable he is, and how even if we put on a brave face and think we're ready, loss and mental struggle is not just something done quick and easy. Furthermore, it really means a lot to see him here, finally putting of his whole facade and finally letting loose a second time.
Speaking of which, I actually wanna look back in earlier parts of the movie (still within the time frame of the performance). During the time where everyone gets ready and the scene where Meena and Alfonso singing, we get to see glimpses of Clay sighing and staring deeply at his guitar case, like he knows what's inside it is going to hit him emotionally, and hit him hard.
Back to the show, when we see Ash first exit, we can see her alone, sing the songs Clay have sung before. Clay sees this, and he sees himself within her. (See me later for how they're so father-daughter). He sees this, and realizes that he can do this too, and he's not alone either.
I also want to note that Ash's quills actually do sort of resemble a white mane here. (2nd pic from later in the song)
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We can even see Ruby's ghost come in behind Clay, kinda sort of saying "get in there, she needs you." I like to think it's also a little call back when Ash asked Clay if Ruby would've wanted him to give up on music.
The theatre is flooding with lonely silence as she sings, even though it's full of people, similar to how people going through depression may feel lonely when surrounded with love. The crowd eventually chimes it, but it still feels close to that same way still.
And then BOOM, we get chills when we get hit with that first guitar. As soon as we start to hear him, the room fills with life as well. We hear applause from the crowd. We hear percussion. It's just great.
Now before I continue, I just want to mention. This scene is probably one of the best animated scenes throughout all of Sing 2. They did just such fantastic work on his facial animations. I can say that for every Clay scene in Sing 2, but especially here. And they didn't just do a fantastic job with facial animations, but all animation here.
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GUESS WHAT BABY. IM BRINGING IN LYRICS TOO!! (of course I am). So, this part also goes with the following lyrics
I believe in the Kingdom Come Then all the colours will bleed into one Bleed into one But yes, I'm still runnin'
I like to believe the lyric about running can be interpreted two ways. Firstly, it can be interpreted as a call back to him running from his emotions, in constant denial over his loss of Ruby. Another way of seeing it is him running towards, trekking on through all the hardships he has faced.
Back to the actual movie, I just want to mention: bro is getting groovy with it. You can se by the way he moves his body that he is really getting into the music, especially after 15 years
Later on in the song, we actually see Ash and Clay look at each other, kind of like thanking each other. Clay, thanking Ash for getting him out of that rut, and helping him to continue onward. Ash, thanking Clay for coming to the show, and being her idol for who knows how many years.
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Oh yeah, lyric time again! Here they are
You broke the bonds And you loosed the chains Carried the cross of my shame Of my shame You know I believe it
Ash is the one who broke Clay's bonds of that rut he was in, and she buried the cross of his shame by never making him ever feel bad about what he was going through, but being understanding with him.
Anyways, back to the main summary. God I love the song. I love how you can see the pure unadulterated hope and joy enter Clay's face as he sings his song. I love how you can see the moment he's officially caught his second-wind.
I mean, look at this face and tell me it doesn't make you feel all warm and inside. It doesn't give you hope for a better tomorrow.
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Unfortunately, I can't include any more images at the moment, but I can still go on.
Anyways, now we're moving onto the next famous bus scene. You know the one that plays that one song. We all love it.
It's just so great seeing all the cast members finally interact with each other again after being separate for a lot of the movie doing their own stuff. It's just a great reminder on how they really are just one big family. Even better is seeing how quickly Porsha, Nooshy, and Clay were integrated into it. Sure, the other two had some time to warm up but Clay? Clay just got here, and yet he's still already seen part of the family, and I'm really glad to see it.
The camera angles and lighting here and before are also just plain phenomenal. They really do a fantastic job with the camera and the different views of the different characters, and the warm lighting just does a fantastic job.
Super random but Clay also does a nice sigh here, and it really just speaks words. You can tell that that sigh was long overdue, and how he's just so ready to keep going and not be so caught up in not letting go. He's finally allowing himself to relax. Around the same time, we also see Ash cuddle up to Clay, and I just love the idea of Ash seeing Clay as a father figure. It's so good and true.
Oh and do NOT get me started on that song. I could really ramble on about it all day, but I'll try to keep it short. (Mostly) each character was saved by music, and that really makes the music fit. It's also worth noting that FUNFACT. Bono and U2 kinda made that song for funsies too.
(Quick summary of what happened: Bono teased wanting to make a song because the story of Clay spoke to him so deeply. Jennings wasn't actually expecting it to happen, but then Bono literally gave him a demo at the end of his first recording session)
And now we get to The Majestic. It is just plain gorgeous, and it really shows off of Sing 2 could've been just jaw-dropping gorgeous the entire way through given they were able to utilize their setting a lot more. LOOK AT THAT CITYSCAPE!! THOSE PRETTY LIGHTS!!
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And then we also see just a lot of nice and comforting smiles. I mean come on, look at the guy!! It's so awesome seeing Buster Moon so unbelievably proud of what he's accomplished.
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And then of course we cannot forget the final part. I'm sure everyone knows this by now, but it's so amazing and invigorating seeing Sing 2 end the same way Sing 1 started, like Buster is finally a kid again. It's just an awesome throw-back. I really don't see how Sing 3 can top this.
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featherystims · 4 months
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Adam from Record of Ragnarok stimboard !!
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