The Failure of Sir Gawaine: Sir Gawaine and Sir Uwaine at the Ruined Chapel (Holy Grail Tapestries, #4), woven for Lawrence Hodson of Compton Hall, 1895-96. Overall design and figures by Sir Edward Burne-Jones; overall design and execution by William Morris; flowers and decorative details by John Henry Dearle. Now in the Birmingham Museum and Art Gallery, Birmingham, England, UK.
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For #WorldPenguinDay 🐧:
Henry Stacey Marks (British, 1829-1898)
Dominicans in Feathers, 1880–87
oil on canvas
H 62 cm (24.4 in) x W 185.5 cm (73 in)
Birmingham Museum and Art Gallery (UK)
🆔 Humboldt Penguin (Spheniscus humboldti)
“The title compares the black and white plumage of the penguins to the black and white robes of Dominican monks. It was intended to be both gently comic and more bitingly satirical. Marks was noted for both his humourous subjects and his paintings of birds. In his autobiography he notes that birds made better models that humans, since they were less conceited, less greedy and less boring.”
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Edward Burne-Jones (1833-1898). Phyllis and Demophoon, 1870. Watercolour. English. Birmingham Museum and Art Gallery, England.
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John George Brown (1831-1913)
"Three for Five" (1890)
Oil on canvas
Located in the Birmingham Museum of Art, Birmingham, Alabama, United States
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Concrete Hand
April 29, 2023
Abroms-Engel Institute for the Visual Arts
Birmingham, Alabama
I forgot to get the actual name of the piece and the artist.
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save me william morris mug...
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Rock Drill (reconstruction after the original) 1913/1974, Jacob Epstein (1880–1959) (reproduction of) and Ann Christopher (b.1947) and Ken Cook (b.1944), Birmingham Museums and Art Gallery
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Everyone should have their stuff back from the British museum,
except the greeks
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Eavesdropping at the Movies: 359 – Wonderland: Birmingham’s Cinema Stories
Eavesdropping at the Movies: 359 – Wonderland: Birmingham’s Cinema Stories
https://soundcloud.com/eavesdroppingatthemovies/359-wonderland-birminghams-cinema-stories
Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.
Flatpack Festival and Birmingham Museum & Art Gallery are running a marvellous exhibition until 30th October 2022: Wonderland tells stories of filmgoing and cinema culture in Birmingham. It begins with the earliest days of…
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Birmingham Museum and Gallery, United Kingdom
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How it began (Part 2): my first large mural painting...
The 1996 Birmingham ichthyosaur piece helped convince the Dudley Museum and Art Gallery to let me paint the murals in their temporary Sea Dragons exhibition (1997). I had never painted anything larger than A1 before, so I was winging it from the start, but I managed to paint all but one of the walls. They weren't good murals and the animal's had poor anatomy, but it was a VERY valuable experience. Murals would subsequently become an important source of income!
I revisited the Sea Dragons pliosaur composition twelve years later (2009), when I painted Leviathan, for the Museum of Jurassic Marine Life (the predecessor to the Etches Collection Museum). This painting has become my most profitable painting by far. By far!
My art-student-hair was bright crimson at this point.
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Powys Castle, Wales, David Cox II (1809-1885)
Happy St. David's Day!
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Edward Robert Hughes, Night with her Train of Stars, La Nuit avec sa traîne d'étoiles, 1912.
Watercolour, bodycolour and gold medium.
Birmingham Museum and Art Gallery, Birmingham, England.
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Circe
Edgar Bertram MacKennal (1863–1931)
Birmingham Museums and Art Gallery
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Edward Richard Taylor - Twas a Famous Victory - 1883
1,218 by 793 millimetres (48.0 in × 31.2 in). Oil on canvas.
Birmingham Museum and Art Gallery, UK
Edward Richard Taylor RBSA (14 June 1838 – 11 January 1911) was an English artist and educator. He painted in both oils and watercolours. He became a member of the Royal Birmingham Society of Artists in 1879.
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