"And when the time comes you get the chance to really test the cut of your sails, and show 'em what you're made of, Well…. I hope I'm there. catchin' some of the light comin' off you that day"
Happy 20th birthday to my absolute favorite move of all time!!!!! My only regret in life is that I wasn’t born early enough to see Treasure Planet in theaters I can’t imagine how much of a changed woman I would be if I experienced it on the big screen. This movie is so very important to me and has consistently been in my number one spot since childhood it never fails to make me cry my eyes out no matter how many times I’ve watched it. I think as a fatherless child this movie is what sparked my complete love and adoration for found family troupes and child care animes LMAOO
If u haven’t seen treasure planet wtf is wrong with you!!!!!!! Go watch it rn!!!!!!!!! Genuine perfect fiction the whole movie is astounding (except Ben fuck you ben I hate you)
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De facto partnership
…De facto partnership.
In Metatron’s words, ”I've been looking back over a number of your... previous exploits, and I see that in quite a few of them you formed a de facto partnership with the demon Crowley”.
You know, English is not my first language, and I’m not a lawyer at any point, so I just was thinking “Yeah, this is about Aziraphale and Crowley basically being in relationship unknowingly for Heaven”. But today I decided to google it. And turned out, this term actually has at least two meanings??
I mean, the first one is something I expected, more or less:
A de facto relationship is a relationship between two people who are together as a couple, but who aren’t married or in a civil union.
But the second one?
A de facto partnership, sometimes called an “Ad Hoc Partnership”, is an informal business arrangement between two or more parties.
Business arrangement. Arrangement.
And we know that for some time aziracrow tried to position their Arrangement and their relationship as a purely business transaction.
And well, by the time of S2E6 Aziracrow being “together”, be it in romantic or any other way, has been a secret for no one for four years. And it is definitely not a secret for Heaven at that point. It doesn’t exactly needs “looking back”, you can just ask Uriel about them.
But by implying he knows about the Arrangement, Metatron is all but confirms that he indeed looked back over Aziraphale’s files – you know, the same way Michael did in S1. And he looked through them carefully.
What else he could see? I don’t know. But there is at least one thing that potentially could get into these files undetected – at least at first. One thing that both Aziraphale and Crowley gravely need to keep a secret from Heaven and Hell if they want to survive.
You know. The secret behind them surviving in the end of season 1.
And there is a possibility that Heaven (or at least Metatron) already know everything.
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I would like to see Ed and Frenchie besties era in season two like: in episode five when Ed comes out all upset, Frenchie immediately gets it and commiserates; we know both of them are so incredibly smart and have a wealth of ideas for wreaking havoc upon rich people; Frenchie helps Ed with his musical performance in episode ten, suggesting that they spent time writing and practicing the music beforehand. Ed keeps Frenchie around presumably for his sewing skills but also Frenchie has seen Ed in vulnerable moments and met him with no judgment and I think there is an excellent opportunity for Ed and Frenchie to team up and run fuckeries together and enter their besties era
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the thing about the joker
is that - well, even canonically, he’s not actually “insane.” in the most canonical version of his backstory (bc there are many conflicting incarnations, but this one is the touchstone for a lot of later canon), he was part of a street gang before falling into a vat of Nondescript Toxic Waste that damaged his melanin production and That’s It. he supposedly “lost his mind” after seeing his reflection, which is absurd on many levels. no. he’s not “insane.” what he is, is an angry white boy.
the thing about the joker is that he exults in his own uncontainability. He laughs, because all of gotham - all the world - is built to be his playground. the only lunatic thing about him is the lunacy of ~Society~, to borrow from the joker’s own playbook; the lunacy of the joker lies in the world that grants him power: in the inheritance of loss: in white privilege, and what it means for everyone else.
“to prove a point.” those were the joker’s exact words, when he shot and paralyzed Barbara Gordon. she asked why: he laughed. “to prove a point.”
because that’s all he ever does. he hurts people because he can. and because all the power in the world can’t save him from getting hurt - and isn’t that just peachy?
because the thing about the joker is that he can get hurt. he has been hurt. but he has so much more capacity to harm than to be harmed. he is immortal. he and he alone will never have to face the consequences of the hurt that he inflicts on other people.
so then: why not hurt them? misery loves company, after all.
the joker is the embodiment and end result of our own social system: the madness of the exception: the laughter of the white man: the imprecation to smile, as he kills you.
(no one ever says it, i find, but it’s still true: barbara deserves to kill him.)
and who, then, is the batman? if the joker is the yin to his yang? if they’re two sides of one irredeemable coin, if they represent the “balance” of an unjustifiable system - who is he if not another white man?
because he is. Bruce Wayne is a white boy born into unspeakable privilege and forced to endure suffering anyway; who copes with his suffering by taking it out on others; who copes with his suffering, not by taking advantage of the world as it is, but by attempting to reshape it. to make it in his own image - as if it isn’t already his, as if claiming it further will crush out the pain.
the batman is the benevolent oppressor to the joker’s malevolent one. he changes nothing, in the end. two privileged white boys with their own respective navel-gazing grudges - where, after all, lies the difference between benevolence and malevolence?
because they are not “chaos” and “order.” not really. They are laissez-faire laughter and law. Joker exults in the disease of the system, Batman seeks to treat its symptoms, but neither of them will ever change anything about the root cause. because they may have suffered the faults of this system, but they still benefit so much more from it as it exists. Uphold it or break it, neither of them wants to change the law.
but the law is only as good as the people it’s made to protect. and who does that law protect, really?
waylon jones is, in one issue, explicitly depicted as Black. between that and his skin disorder, there has never once been room for his character to be any more than a monster: king croc is, always, a character to be violated and brutalized, over and over and over and still - always - written as the villain. (he tried so hard to scrape out a place for himself, so many times, in so many incarnations, and each and every time he finds himself relegated once more to the sewers. he will never be anyone’s king. there is no place under the sun for people like him.)
victor fries only ever wanted to save his wife, and a capitalist mogul decided a few extra numbers on his eight-digit paycheck were more important than the people whose lives depended on that money. fries’ body was damaged to disability by that choice, left without the resources to find a cure for his wife, and he robbed banks because there was no other option available to him. we seem to have forgotten, or maybe never really understood, why that matters. why a desperate man trying to save his life and that of his loved ones under the crushing gears of capitalism is a villain, and the one who stops him is our hero. why, under the law batman upholds, a bank vault and a CEO’s hoard is worth more than a life.
poison ivy just wants to live, too. wants a life not defined by the devastation of her body, of the beings that exist as extensions of her, a life where green and growing things are not commodities to be plowed up and poisoned and destroyed for the sake of another man’s profit. these are villains; they are written as such. these are their motives.
who does batman fight for, really? who is our hero, this emblem of our law?
is he our hero? ours, the broken and bleeding members of the world he claims to protect?
who does the law protect, except him - him, and the joker?
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"i'm sorry, jim, but you did awfully well. have a rest now" aziraphale is so encouraging and gentle with jim because that's exactly what he wanted to hear from gabriel for thousands of years. even in job, which is pretty early on, though of course they existed before earth, he instantly knows when gabriel stopped listening to him and got annoyed by him. he just wanted to be good, to do well and help people but they never gave him any love in heaven and i think him taking in jim goes beyond his infinite kindness and on a level, has to do with him wishing he was offered encouragement and kindness he is offering to jim now
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