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So I'm reading for an art history class, and Baudrillard is talking about the trends in colour usage from generation to generation (mostly in interior design, but there's definite spillover into fashion, architecture, etc.), and how every new colour movement is a direct rebellion against the previous one, like how the bright colours of the 60s/70s were a direct response to the austerity and seriousness of the WWII/postwar era, and how a shift back to organized, moralistic neutrals were a direct rejection of 60s/70s gaudiness, etc., and that all makes sense, people find their parent's style tacky, sure
But he goes on to observe how we've now been stuck in a lull of pasty tones and naturalistic finishes for some time, and I'm thinking yes, he's so right, but that's weird, because its been hanging around for so long, like what is it rebelling against anymore? What is it answering to? Well all I had to do was be patient because lo and behold, Baudrillard provides the following sentence, which caused me to completely wig out:
"...except of course, for the spheres of advertising and commerce, where colour's power to corrupt enjoys full rein"
And I'm like ooohhhhHHHHHH, so this colourless minimalist wasteland of a design principle:
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Is maybe hanging on so stubbornly because this corporate hellscape:
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is assaulting all of our eyes, inside and outside of our homes, every waking second, and is tainting the very concept of colour into something we can't relax around in our living spaces.
EDIT: The reading was The System of Objects by Jean Baudrillard, 1996 Ed., Part A, Section II, Subheading "Atmospheric Values: Colour" (p. 30-36 in my copy). Even if this was a passionate spur-of-the-moment post, omitting this was pretty silly; my bad.
EDIT 2: I was trying to be chill and leave this one alone, cuz I know most people in the notes are talking to themselves and their followers and not actually me, but 11,000 notes in it's starting to get to me - yes, I am aware that decreased homeownerhship/increased renting/landlord specials/hyperfocus on resale values, are all very direct causes of this too. I totally agree. For me, those were the obvious answers; I think we all get why the owning class is serving this to us. My epiphany moment was about understanding the flip side, the psychology of the consumers who keep accepting it, and even seem to enjoy it. That's what I couldn't understand before, but now I suddenly do. (And for those of you saying such people don't exist, no one actually wants to live without colour - check the notes, bb, they're everywhere. Not everyone has the same brain as you. We all deal with the horrors of capitalism differently.)
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OH!!! OH!!!
DO YOU SEE THIS??
DO YOU SEE IT??
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SHE'S TOUCHING HIS SHOULDER!!
Oh mah gawd. He doesn't let anyone touch him unless they're his friends.
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If they aren't his friends, he'll either lean away or wipe off his hand. He hates being touched if he's not the one initiating it, to the point of wiping his sleeve off when Lucifer's hat just BARELY grazed against it.
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He didn't wipe his shoulder off when Charlie stopped touching him either.
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AND!!!
And!!!
Before You Say 'He did lean away', or 'She wasnt actually touching him, her hand was just near him', Take A Look At This!!
Look closely at how he moves when she splits them up. He doesn't lean away, she SHOVED him. She actively MOVED him. That wasn't an 'oh she's making contact with me, guess I should lean away', it was a 'well she's shoving me now, I'll shut up for a minute'.
Which also proves she WAS touching him. She couldn't have shoved him if she wasn't making contact.
He didn't lean away from it, he didn't retaliate. The ONLY people he lets touch him are people he cares for. And not only did she put her hand on his shoulder, she actively pushed him back, and he showed no sign of discomfort towards it. So why am I screaming about this?
Because he DOES care! It proves he cares for her. Don't get me wrong, I still think saying he's her 'dad' is a bit of a strech, but he does care enough to let her touch him. He doesn't dislike or even have a neutral opinion on her. She's his friend, even if just a little bit.
Just an edit to clarify; I know 'friends' is probably also not the best word to use, but it's just the easiest way for me to describe it.
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“Brand safety” killed Jezebel
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I'll be at the Studio City branch of the LA Public Library this Monday, November 13 at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!
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Progressives: if you want to lose to conservatives, all you need to do is reflexively praise and support everything conservatives turn into a culture-war issue, without considering whether they might be right. Because sometimes…they're right.
Remember early in the Trump presidency, when conservatives all woke up and discovered that America's spy agencies – excuse me, "the intelligence community" – were dirty-tricking psychos who run amok, lawlessly sabotaging democracy? Progressives have been shouting this ever since Hoover's FBI tried to blackmail MLK into killing himself:
https://en.wikipedia.org/wiki/FBI%E2%80%93King_suicide_letter
But millions of progressives forgot about COINTELPRO, CIA dirty tricks and CIA mass spying when this "intelligence community" temporarily set out to wrong-foot Trump. Remember James Comey votive candles?
https://www.usatoday.com/story/opinion/2019/08/30/james-comey-fbi-memo-leaks-trump-inspector-general-report-column/2157705001/
Anthropologists have a name for this phenomenon, in which one side reverses its positions because their sworn enemies have done so. It's called schizmogenesis, and it goes like this: "If they hate it, we love it":
https://pluralistic.net/2021/12/18/schizmogenesis/
Schizmogenesis is an equal-opportunity delusion. Within living memory, white evangelicals supported abortion, because their sworn enemies – Catholics – opposed it. Some of those white Boomer women who voted Trump because abortion was literally the only issue they cared about held the opposite position on abortion not so long ago – and completely forgot about it:
https://text.npr.org/734303135
The main purpose of the culture war isn't immiserating marginalized people – that's its effect, but its purpose is to distract low-information turkeys (working people) so they'll vote for Christmas (the ongoing seizure of power by American oligarchs). For the funders of conservative movement politics, the cruelty isn't the point, it's merely the tactic. The point is power:
https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars
Which brings me to "woke capitalism." Conservative string-pullers have whipped up their base about the threat of companies embracing social causes. They (erroneously) claim that corporations have progressive values, and that big business is thumbing the scales for causes they despise. The purpose here isn't to sow distrust of capitalism per se. Rather, it's to stampede talk-radio-addled supporters into backing the oligarchy's agenda. Remember when culture war leaders told their base to support being gouged on credit-card junk fees "to own the libs?"
https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping
That's schizmogenesis working against the conservative rank-and-file, tricking them into taking the side of a cartel of wildly profitable payment processors who are making billions by picking their pockets (credit card fees are up 40% since the covid lockdowns), because (checks notes), Target pays these profiteers a lot to process its payments, and Target sells Pride merch (no, really):
https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping
It's easy to point and laugh at conservative dopes when they're tricked into shooting themselves in the balls to own the libs. This is not a hypothetical example:
https://pluralistic.net/2020/05/28/holographic-nano-layer-catalyser/#musketfuckers
But progressives do it, too, particularly when they embrace monopolies as a force for positive social change. Remember 2019, when people got excited about playing loud pop music at Nazi rallies in the hopes that the monopoly video platforms' copyright filters would make any video from that rally impossible to post?
https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/
I warned then that if this tactic worked, it would be used by cops to prevent you from recording them when they're macing you or splitting your skull with a billyclub, and yup, within a couple years, cops were blaring Taylor Swift music in hopes of preventing the public from posting videos of their illegal conduct:
https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas
Conservatives are (partially) right about woke capitalism. It is a threat to democracy. Concentrating the power to decide who gets to speak and what they get to say into the hands of five or six corporations, mostly run by mediocre billionaires, is bad for society. The moderation decisions of giant platforms are a form of (commercial) censorship, even these don't violate the First Amendment:
https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/
(The progressive delusion that censorship only occurs when the First Amendment is violated is a wild own-goal, one that excuses, for example, the decision by school book-fair monopolist Scholastic to remove books about queers and Black and brown people from its offerings as a purely private matter without consequences for free speech):
https://www.themarysue.com/scholastic-response-to-authors-and-illustrators-on-diverse-books/
Conservatives are only partially right about woke capitalism, though. Here's what they're wrong about: corporations don't have values. Target isn't selling Pride tees because they support progressive causes, they're selling them because it seems like a good way to increase returns to their shareholders. Individuals – even top executives – at Target might endorse the cause, but the company will only durably support the cause if that endorsement is profitable, which means that when it stops being profitable, the company will stop supporting the cause:
https://www.cnn.com/2023/05/23/business/target-lgbtq-merchandise/index.html
The idea that corporations have values isn't merely stupid, it's very dangerous. The Hobby Lobby decision – which allows corporations to deny basic health-care expenses for women on the basis that a Bronze Age mystic wouldn't approve of an IUD – rests on the ideological foundation that corporate personhood includes corporate values:
https://en.wikipedia.org/wiki/Burwell_v._Hobby_Lobby_Stores,_Inc.
Citizens United – the idea that corporations should be allowed to funnel unlimited funds to politicians who'll sell out the public good in favor of investor profits – also depends on a form of corporate personhood that includes values:
https://en.wikipedia.org/wiki/Citizens_United_v._FEC
There are undeniably instances in which corporate monopoly power benefits progressive causes, but these are side-effects of corporate power's main purpose, namely: taking money and power away from working people and giving it to rich people. That is what monopoly power is for.
Which brings me to ad-tech, "brand safety," and the demise of Jezebel, the 16 year old feminist website whose shuttering was just announced by its latest owner, G/O Media:
https://www.metafilter.com/201349/This-is-the-end-of-Jezebel-and-that-feels-really-really-bad
Jezebel's demise is the direct result of monopoly power. Jezebel writes about current affairs – sex, politics, abortion, and other important issues of great moment and significance. When we talk about journalism as a public good, necessary for a healthy civic life, this is what we mean. But unfortunately for Jezebel – and any other news outlet covering current events – there are vast, invisible forces that exist solely to starve this kind of coverage of advertising revenue.
Writing for the independent news site 404 Media, reporter Emanuel Maiberg and former Motherboard editor-in-chief Jason Koebler go deep on the "brand safety" industry, whose mission is to assist corporations in blocking their ads from showing up alongside real news:
https://www.404media.co/advertisers-dont-want-sites-like-jezebel-to-exist/
Maiberg and Koebler explain how industry associations like the World Federation of Marketers' Global Alliance for Responsible Media (GARM) promulgate "frameworks" to help advertisers automatically detect and exclude real news from consideration when their ads are placed:
https://www.peer39.com/blog/garm-standards
This boycott makes use of scammy "AI" technology like "sentiment and emotional analysis" to determine whether an article is suitable for monetization. These parameters are then fed to the ad-tech duopoly's ad auction system, so Google and Meta (who control the vast majority of online advertising) can ensure that real news is starved of cash.
But reality is not brand-safe, and high quality, reputable journalistic outlets are concerned with reality, which means that the "brand safe" outlets that attract the most revenue are garbage websites that haven't yet been blacklisted by the ad-safety cartel, leading to major brands' ads showing up alongside notorious internet gross-out images like "goatse":
https://www.404media.co/sqword-game-dev-sneaks-goatse-onto-a-dozen-sites-that-stole-his-game/
More than a fifth of "brand safe" ad placements end up on "made for advertising" sites, which 404 Media describe as "trash websites that plagiarize content, are literally spam, pay for fake traffic, or are autogenerated websites that serve no other purpose than capturing ad dollars":
https://www.ana.net/miccontent/show/id/rr-2023-06-ana-programmatic-transparency-first-look
Despite all this, many progressives have become cheerleaders for "brand safety," as a countervailing force to the drawdown of trust and safety at online platforms, which led to the re-platforming of Nazis, QAnon conspiratorialists, TERFs, and other overt elements of the reactionary movement's vanguard on Twitter and Facebook. Articles about ads for major brands showing up alongside Nazi content on Twitter are now a staple of progressive reporting, presented as evidence of Elon Musk's lack of business acumen. The message of these stories is "Musk is bad at business because he's allowing Nazis on his platform, which will send advertisers bolting for the exits to avoid brand-safety crises."
This isn't wrong. Musk is a bad businessman (he's a good scam artist, though). Twitter is hemorrhaging advertisers, notwithstanding the desperate (and easily debunked) stats-juking its "CEO," Linda Yaccarino, floats onstage at tech conferences:
https://www.techdirt.com/2023/10/11/math-problem-for-linda-yaccarino-if-90-of-the-top-advertisers-have-come-back-but-are-only-spending-10-of-what-they-used-to-how-screwed-are-you/
But progressives are out of their minds if they think the primary effect of the brand safety industry is punishing Elon Musk for secretly loving Nazis. The primary effect of brand safety is killing reality-based coverage of the news of the day, and since reality has a well-known anti-conservative bias, anything that works against the reality-based community is ultimately good for oligarchy:
https://en.wikipedia.org/wiki/Reality-based_community
We can't afford to let schizmogenesis stampede us into loving things just because conservative culture warriors have been momentarily tricked into hating them as part of oligarchs' turkeys-voting-for-Christmas project. "Swivel-eyed loons hate it, so it must be good," is a worse-than-useless heuristic for navigating complex issues:
https://locusmag.com/2023/05/commentary-cory-doctorow-the-swivel-eyed-loons-have-a-point/
A much better rule of thumb is "If oligarchs love something, it's probably bad." Almost without exception, things that are good for oligarchs are bad for the rest of us. I mean, this whole shuttering of Jezebel starts with an oligarch imposing his will on millions of other people. Jezebel began life as a Gawker Media site, beloved of millions of readers, destroyed when FBI informant Peter Thiel secretly funded Hulk Hogan's lawsuit against the publisher in a successful bid to put them out of business to retaliate for their unfavorable coverage of Thiel:
https://www.theatlantic.com/business/archive/2018/02/hogan-thiel-gawker-trial/554132/
This, in turn, put Jezebel under the ownership of G/O Media, who are unwilling to pay for a human salesforce that would – for example – sell advertising space on Jezebel to sex-toy companies or pro-abortion groups. G/O has been on a killing spree, shuttering beloved news outlets like Deadspin:
https://deadspin.com/this-is-how-things-work-now-at-g-o-media-1836908201
G/O's top exec, an oligarch named Jim Spanfeller who answers to the private equity looters at Great Hill Partners, is bent on ending reality-based coverage in favor of "letting robots shit out brand safe AI-assisted articles about generic topics":
https://www.msnbc.com/opinion/msnbc-opinion/ai-articles-disinformation-future-g-o-media-rcna95944
Three quarters of a century ago, Orwell coined a term to describe this kind of news: duckspeak,
It was not the man’s brain that was speaking it was his larynx. The stuff that was coming out of him consisted of words but it was not speech in true sense: it was a noise uttered in unconsciousness like the quacking of a duck.
When investors and analysts speak of "content" (rather than, say, "journalism"), this is what they mean – a warm slurry of platitudes, purged of any jagged-edged fragments to render it a perfectly suitable carrier for commercial messages targeted based on surveillance data about the "consumer" whose eyeballs are upon it.
This aversion to reality has been present among corporate decisionmakers since the earliest days, but the consolidation of power among large firms – ad-tech firms, online platforms, and "brands" themselves – makes corporate realityphobia much easier to turn into, well, reality, giving advertisers the fine-grained power to put Jezebel and every site like it out of business.
As Koebler and Maiberg's headliine so aptly puts it, "Advertisers Don’t Want Sites Like Jezebel to Exist."
The reason to deplore Nazis on Twitter is because they are Nazis, not because their content isn't brand-safe. The short-term wins progressives gain by legitimizing a corporate veto over what we see online are vastly overshadowed by the most important consequence of brand safety: the mass extinction of reality-based reporting. Reality isn't brand safe. If you're in the reality based community, brand safety should be your sworn enemy, even if they help you temporarily get a couple of Nazis kicked off Twitter.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/11/11/ad-jacency/#brand-safety
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fumifooms · 5 months
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Chilchuck’s wife and family - Facts, theories and headcanons
I want to keep this as a sort of masterpost on Chil’s family situation if I can, but if we get a lot of information on it (in the additional content that Kui is gonna make) that renders this more or less useless I probably won’t update this anymore. If you find other crumbs of information or I've said anything factually incorrect please do tell me! I'm planning to edit this as we go since I want to compile most if not all of the information and pages we get about this topic on here, and if I just wait to post it perfection paralysis will nip this in the bud. It focuses a lot on Chilchuck and Chilchuck's wife relationships, but the daughters and Chilchuck's own parents and siblings are talked about as well.
CW/disclaimer: This post talks about messy family dynamics and such, there’s no outright abuse I’m implying anywhere, but alcoholism and neglect are mentioned and discussed. I’m not here to demonize anyone! I love every character involved and I just want to theorize about the topic as a layered issue that involves complex characters. Also, I try to use very transparent language as to when I’m citing or analyzing canon information and when I’m giving a personal interpretation or headcanoning.
Abbreviated table of content:
Timeline and circumstances
Possible strains on the marriage
The hair question. Confirmation on what his wife looks like?
Other family dynamic & post-canon theories & headcanons
Parenting style + misc in a reblog addition (new)
Let’s start with the facts, shall we?
Timeline and circumstances
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So, we see that Chilchuck and his wife are childhood friends, and they married at 13 years old and had two children in that same year. Since half-foots reach the age of maturity at 14, they seem to be what we'd call teen parents. It's a bit debatable though, since Laios says the age of maturity for tallmen (humans) is 16 instead of 18 or even 21, so what's considered to be the age of maturity is a cultural thing and isn't fully reliable when we want to compare to our irl understanding and what developmental stage it perfectly aligns with. Also, during the succubus chapter Chichuck says that his daughters were all now of age to be independent, and Chilchuck's wife leaves to live with Flertom, which would mean that Puckpatti was independent at age 10 and lived away from home as well (since she's the third/last daughter). Ah yes another interesting thing to note is that we don’t know the pregnancy periods for the races, since Meijack and Flertom were born the same year. It could be tight timing or it could be something else, but I don’t think they’re twins, they keep talking about them being the oldest and the middle child, them being twins is definitely the sort of thing that would get mentioned.
Him starting working on the island notably happens just one year before his wife leaves him. I don't remember the other instances of him mentioning it though I feel like it happened, but since he started working at the Island's dungeon, working as a dungeon diver and then forming the half-foot guild, that probably means he started being away for longer periods of time and having a less reliable schedule on when he'd be coming back home. It is said that he went back home somewhat regularly iirc, though he usually ends up sleeping at the half-foot guild quarters. I'm not sure if Kahka Brud is also where he lived with his family, or just since he rented someplace new after she left him. He and his timeline state that he was born in a small village "northeast of the island", which he left at 14 one year after being married, but it isn’t stated where they go after so it’s unsure how far his home was from the island if it wasn’t in Kahka Brud. We don’t know when his father died so if that factors in to him leaving his village we have no clue.
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Chil also says that he hasn’t seen or spoken with his wife nor daughters since the incident, which would mean he's gone 4 years without contact with his family during the events of canon. I don't remember if Chilchuck is said to exchange letters with his daughters, beyond the initial one from Flertom saying her mother was with her, so I've been assuming he hasn't.
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He also says "For about ten years I’ve been travelling to dungeons in various areas and doing work" which considering he’s turning 29 that year would mean he started around 19 years old? The panel also gives details what sort of work he’s been doing. Either way it’s confirmed that Chilchuck travels for his work a lot.
In addition, since Chilchuck has the seal of approval of the bicorn + says so himself, he has always stayed faithful to his wife. So that means that unless he's had previous adventures before he was 14 and got married, he's never dated anyone else in his life, nor had romantic or sexual encounters/experiences with others in his 16 years of marriage right up to canon (year 514). I feel it’s safe to say that it’s implied that during all these years starting from when they were married, Chilchuck's wife was a housewife whose main job was taking care of the kids and the house.
Marcille's take on what happened is unreliable, as Kui even takes the time to directly say so in the Adventurer's Bible, so I don't want to use it as a baseline even if it offers some insight on what could have happened (her feeling out of place, leaving to test his love, etc etc).
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What Chilchuck says seems to be accurate though since it pertains to his perspective of the events! Unlike how Marcille's theory flows, Chilchuck was aware that something was off before she left since she "suddenly fell into a bad mood".
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Piecing everything together, my theory: Chilchuck and his wife were childhood friends and have always always sort of danced around of each other, the classic movie love story with childhood sweethearts, until they ultimately confessed and got together. While dating, Chilchuck's wife becomes pregnant and they're both unequiped to deal with the situation but decide to marry, either a bit forced in order to cover it up or hopeful to make the best of it. They make it work as they can and Chilchuck works to provide for the family while she takes care of the home and the kids, which means that even though he's not a deadbeat father (he cares, he was at least a bit involved in their lives and raising them since for example he knows how to braid hair after all) he ends up being rather absent from home. It only gets worse over the years, especially when Chilchuck starts working further and further away from home and coming home less often, and since Puckpatti left home Chilchuck's wife is alone at home most of the time, never knowing when Chilchuck would be coming and if to prepare the table for two instead of one, or even if he'd be coming back at all since his work is dangerous. The humdrum and lifestyle would get to her, they've grown into different people in these 10 years of marriage and she doesn't feel the spark or feels valued & seen anymore, so she leaves. He feels confused and betrayed which turns into anger so he doesn’t try to reach out and mend things, and with the way he says they’re estranged and he moves away I think he’s avoiding his family somewhat.
Possible strains on the marriage
Tfw all your daughters are independent and your husband is gone to work almost all the time and he barely even tells you that he loves you, is there even a reason to stay together anymore? Every day it’s just you and an empty house and chores to do, wondering if you have to cook for one or for two today.
Alright it’s analysis and theorizing time! Although there are more facts down in this post if you care about Chilchuck's wife's appearajce, Chilchuck's parents & siblings or the kids, the essential facts so to speak were all in the first part.
We don't see Chilchuck showing any discontent with his wife through the manga so I'm assuming that he was content in his marriage, happy with his wife, and with how he stayed faithful to her even in the 4 years after she left (and never stopped calling her his wife. Which also shows a weird stubborn attitude since he wasn’t planning on reaching out to her and mend things but I’ll put aside the possible entitlement/coping mechanism for another time) I think he truly loved her and still does. Since she left him and not the reverse, I'm putting a lot of emphasis on his wife's side of things. Especially since we do see how Chilchuck is at work quite a bit but never see how he is at home. I’ll be sounding harsh towards Chil on this but he’s pretty much the only party we can criticize since we don’t know her, I still side with Chil on the leaving issue though, he’s justifiably pissed if she left without a word what the hell even.
Alcoholism and health
Chilchuck’s favorite food as listed in the Adventurer’s Bible is beer, and it’s shown that he’s prone to drinking until drunk whenever he gets the opportunity to. A cheerful drunk is still a drunk. (Extra reading: if interested here's a oneshot FMA fanfic by a friend that goes in depth about this very topic that really illustrates what sort of family dynamic that can bring about. It’s not dunmeshi but it’s a good read.) Chilchuck is also canonically underweight, starving himself for a strict weight management diet (Extra reading: you can look at a short compilation post about that here). Did you know under eating makes one irritable? And this is on top of Chilchuck sometimes/regularly coming back home with "horrible injuries", since Marcille guesses it and he acts like she’s dead right on everything that far.
It’s rough seeing someone you love mistreat themselves, not being able to shake them out of that and having to stay to see them wasting away. It’s rough seeing them put their work above their own health. Putting their work even above their family. Putting alcohol over family time. It's not that simple, but there's always that element when asking someone you love to tone it down with things like alcohol or such, that if they refuse, then it feels like they value that thing more than they value your feelings or opinions. That they love alcohol more than they love you.
You know how there’s often this thing of "Well I’m providing everything for this family, so whatever else that I do you don’t get to complain." I do think that it’s something they’d have argued over a little bit, not that he’d say it that way, but the essence of it. "Chilchuck, you’re drinking a lot of alcohol often, I’m worried maybe you should ease up on it." "This is what I want to do in my free time, give me a break.", "Dear, your mood gets worse when you’re hungry, I really think you should stop dieting-" "Would you rather I die in a trap because I was too heavy?", "Honey I don’t like when you work so far away from home for so long" "Well what else can I do, do you have any better idea?". That sort of thing. Even if not being passive agressive or snappy, or even spoken upon, these situations can cause tension, or a feeling of powerlessness or imbalance in the relationship. Although I personally feel like they were both rather passive in their relationship (thus having little arguments), which itself can be a problem since yes they let each other live but they grew more distant and less communicative as a result, more on that later. Content and tolerating, rather than happy and fulfilled.
Workaholism and long distance
Spending a lot (or even a majority?) of time away from home for years and years obviously can strain relationships in many ways. Besides becoming more distant, both with his wife and his daughters, there's just that side that maybe you grow apart or you end up not knowing them all that well. Like the fictional dialogue excerpts I wrote just above, the way Chilchuck puts work above most things can by itself be the source of a lot of unhealthy habits and strains that could not only hurt himself but his relationships too. Devoted doesn’t mean attentive, even if Chilchuck 100% devotes himself to only her romantically and works in the goal to support her that doesn’t transfer into being there for her, even when he physically is.
An absent father isn't necessarily a deadbeat father, but an absent father is absent. And alright, we don’t know what his schedule was like exactly, but he was busy and traveled around, I think it’s fair to assume that if we were to make comparisons it’d be like parents irl who are often on work trips. We don't know what Chilchuck's wife's social circle is like, but regardless of how big or small or supportive it is it would be easy to get lonely I think. Besides raising the kids undoubtedly falling more onto her shoulders as well. Managing a household can be very hard and tiring even when not alone, I can imagine she felt like she missed the support of Chilchuck either as help or comfort oftentimes. We know very little about her, but I don't get the impression that she'd build up resentment over it except maybe her ‘falling into a bad mood’, but exhaustion? Absolutely.
It’s also implied imo, even beyond Chil not often being at home, that they rarely go out together. And that could very well be part of why she was mad after the outing. In Marcille’s theory she says that her wife felt out of place amongst all the cool adventurer coworkers, and if it’s a rare time that they go out together and it was supposed to be about her meeting his coworkers… I feel like what could have happened was that she felt out of place yes, and even moreso if she ended up not participating in conversations much because of it and no one really seemed to care, and the evening was all Chilchuck and his coworkers chatting it up as always and she was an outsider, if she sort of just faded into the background, if it felt like nothing would have changed wether she was there or not... If she felt like her presence didn’t matter on this special outing that rarely happened, it could have been the straw that broke the camel’s back for her to want to leave, definitely. He finally comes back after a long work travel and they finally go out and this is what their quality time is like? The outing that was supposed to be about her & them both ended up being all about him, and once more she was supposed to just orbit around him and his life without complaint or her own selfish wants like a devoted wife. With how Chil said that she got mad "all of a sudden" on the way home and he didn’t know why, plus that he was probably drunk (which may very well have made the whole thing worse), I feel like it supports that he didn’t pay her much attention during the evening, not that I’m assigning him ill intent at all, I’m sure that for him, it was a casual and fun night out and he didn’t think it'd been unpleasant or alienating for her.
That night
And all of this speculation in order to try and figure… What happened? Why did she leave? I've already gone into it a fair bit, but this is where I discuss it fully in depth.
We can’t rely on Marcille’s theory. Neither in the why she felt so out of place enough to want to leave, nor if her intention when leaving was to "test" him. I definitely agree that the reason why she left is layered and that the night/outing was the straw that broke the camel’s back more than the cause perse, but besides that it’s hard to say how much of it was impulsive and how much was because nothing else had worked to fix their relationship, or how long she'd been thinking of maybe leaving him.
Personally my favorite interpretation isn't that she found herself to be boring surrounded with Chilchuck's adventurer coworkers, or her reason for leaving is super centered around insecurity and if Chilchuck even loves her anymore, but that she sees how rich and eventful Chilchuck's life is and at the same time realizes how stagnant her own life has been. Chilchuck has adventurers for coworkers and they go out to bars and spend evenings together chatting it up, while she always does the same house chores every day and waits, and wonders, uncertain about when her huband would come back, and waits some more. She has a sort of passive role in her own life that gets pulled in one way or another by the people around her at their whims and needs, which is also a recurring theme in the manga: having a passive role in your own life, or a role that's devoted to others. Like with Falin who's always following her parents' directives or following Laios around, being the party's healer and eventually sacrificing herself for Laios and Marcille (she also doesn't seem to think much of marriage, as seen with Shuro proposing to her and her not having answered yet, which fits with how she was supposed to have an arranged marriage in her hometown too; a loveless marriage isn't something alarming to her). Izutsumi too, whose whole arc is about her gaining freedom and figuring out how to use this empowerment for herself and what she wants.
So she'd sit there, not knowing anyone except Chilchuck and not being able to follow their conversations about dungeons, and think about how this is a world she's totally apart from. How she knows so little of the world compared to him. She'd realize that while she's always waiting for Chilchuck to come home, dedicated to him and their family, Chilchuck's world doesn't stop and end at where and when he sees her, that while she's waiting he's living and experiencing things and being self-fulfilled. She's so passive and devoted and her tasks seem almost senseless now that the house is empty except for her, and in that time he's formed half-foot unions and she understands so little of what his life has become outside of her sight. This isn't a diss on Chilchuck or his attitude, I just think that it'd make her ponder about happiness and lifestyles, what's worth it and if she's content with her life. I think she'd find that her and Chilchuck aren't on the same page anymore, and probably they don't communicate much or even that they don't know how to communicate with each other anymore.
Other factors
They really do seem to be on different pages and not know how to communicate with each other well, since for example Chilchuck thinks that on the way back home she "suddenly" fell into a bad mood and seemingly left it alone, or otherwise they didn't talk until he knew what was wrong. Or like how she left and Chilchuck never reached out to her to talk or mend things, just like she never reached out either. According to Marcille it could be that she wanted to "test his love" and see if he'd even care if she was gone, but Chilchuck just got angry that she left like that and never reached out to her, so if that's true they definitely have incompatible expectations or ways to deal with things like that. Maybe she thought of leaving as something he should react to by trying to win her back, but Chilchuck did nothing and let her do her thing, and tbh if that were me I'd also have waited on her to reach out because I figure out that if someone leaves me they want space from me idk. He seems to be rather passive when it comes to interpersonal relationships and how they can mess up, made an analysis post here that talks about it, so the way he reacted by not reacting doesn't feel surprising, maybe she didn't know/remember that part of him, or wanted to shake him out of that tendency. He has no clue why she left, and there are just so many misunderstandings here that it's impossible to know what happened and how she felt and what she wanted for the future.
Also, we’re shown that younger Chilchuck, when he started dungeon crawling, is much more "innocent" and optimistic, less closed off on himself and bitter, and maybe he hasn't even developed his famous "sarcastic retorts" and "abusive remarks" yet as is plastered on all his character introductions and stats. Chilchuck has definitely changed a lot over the years, and some would argue not for the better. Staying with someone for so long has implications that they'll change and be different of course, but signing up for marriage with someone can still leave you questioning that choice decades down the line when they're so different
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We get to see his freckles fade in sync with his corruption arc /j
Tfw when you can’t recognize the man you fell in love with.
The hair question
Edit 1/13/2024 leak!!!! Things aren’t officially confirmed but this is a safe bet. You can still read this section to see my reasoning to thinking she had black hair prior to this tho haha
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It's not all that important rationally, but the community's been split on the topic: is Chilchuck's wife blonde or not?
Kui highlights Chilchuck being attracted to blondes a grand total of three times, and many assume that his wife is blonde due to this. However, the only vision we see of Chilchuck's wife is Marcille imagining herself as a halfling, so it's up for debate! Flertom has black hair, and that's mostly been the key clue that has people arguing.
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I'm not an expert in genetics but black hair is a dominant gene, but it also doesn't mean a black haired parent can't have a brown haired kid, or that two brown haired parents can't have a kid with black hair. As long as one of the parents have it in their genetic code from somewhere in their family tree, it's possible, if not maybe unlikely.
People have been taking Flertom having black hair as evidence that Chilchuck's wife has black hair, but it could be Chilchuck that has the gene and could pass it on. Although...
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That seems unlikely. We don't know what Chilchuck's elder brother's hair color was, and his elder sister does have a darker brown hair color, but in the case their parents had black hair or the gene for it, it seems highly unlikely if not impossible for the dominant black hair gene to miss this many amount of time in the gene russian roulette game.
And so I shall now call a witness to the stand, and you reader shall be the judge… Dandan.
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You know, this guy? He makes appearances throughout the whole manga, but only has one spoken line in an easy to brush over flashback iirc. He's most often seen hanging out around Chilchuck and other half-foots, but it's unsure how far back he and Chilchuck go.
Now. Remember how Chilchuck and his wife are childhood friends? What if, and hear me out, what if Dandan is related to her. A cousin, or a sibling. Or maybe he's Chilchuck's cousin, even, if we go the reverse route.
The chapter cover
Look at the chapter cover below! We see each member of the main party at a table that's meaningful to them and their history, mostly showing themes of family, community and routine. Laios and Falin sharing a meal by themselves, Marcille at a meal in the cafeteria at the magic academy, Senshi by himself cooking in the dungeon, Izutsumi with Inutade at the Nakamoto household, and... Chilchuck, surrounded by much more mysterious and unknown characters and surroundings.
The only face we see besides the infant is a young one on the left which strikes me as looking a ton like Chilchuck! I doubt it's Meijack or Puckpatti, or someone else, especially since Chilchuck left his hometown pretty early which must make family gatherings harder (and routine is implied with the others’ panels). If it were Meijack I think Kui would have drawn it to more closely match her too, and have her usual freckles. I also don't think it's just Chilchuck and his own family, since if that's Chilchuck the only sibling with black hair he could have is his elder brother and the infant in the middle is clearly, well an infant.
My thoughts are that the table is shared with family friends, or at least members of the community. The elderly person implies that either there's extended family or it’s a gathering, especially if Chilchuck's grandparents don't live with them. Community is implied to be very important with half-foots imo, and if Chilchuck is from a small hometown like he says that would surprise me even less. Childhood friends are often brought together as friends because of circumstances, such as proximity or their families being friends! Doesn't that kid almost off-panel on the right, with a Flertom-like hairstyle and black hair, look to be the same age as the Chilchuck on the left? 👀
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Also… Notice the dragon plush she’s holding?
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Passed down from mom to daughter? The "most likely belonged to his daughters" is interesting too
If he is related, Dandan could be the infant. I suppose he doesn't end up mattering all that much in the end if you theorize that the Flertom-like kid is his wife on its own though haha. But wether or not you think that this is convincing enough, it's all we have on the topic for now.
Ah yes! Lastly, I've seen the sentiment around that his wife should be blonde, that Chilchuck's taste for blondes, if not the thing that brought them together, should be an acquired taste from loving his wife. That if that's not the case, then Chilchuck's type being blondes is either out of place or insuting or unromantic, etc etc. I can't help but disagree! I think, especially with how Chilchuck and his wife are domestic and all about knowing each from a young age, familiarity etc etc, that it would be so sweet if she wasn't his type! Loving someone so deeply, even if they aren't an idealized type... Which is a common theme/story & character beat in Dungeon Meshi.
Family dynamic theories
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Meijack is the most capable, takes after her father the most, seems to have her own business as a locksmith but has a stable steady life. Flertom is the most social, she works at a tavern which seems stable and is ambitious with marriage plans, she has a caring side to her since she sent her dad a handmade gift. Puckpatti is the most upbeat, though she has the most unstable lifestyle, seemingly doing odd jobs.
His daughters do seem well adjusted, which encourages me in that their family seems amicable on the whole and (at the very least) decently functional. We don’t hear what they think of Chilchuck but presumably none of them are on bad terms with him or each other. Flertom does say that "half-foot men are stingy" which, gee, I wonder what half-foot man would have made taught her that- though it does also seem to be a racial stereotype in general, with how for example Namari also says to "steer clear from stores with half-foot clerks".
Flertom seems to be the only one who reached out after their mother left (the only one who's mentioned to have done so at least), and it's because she was the one who took in her mother. It’s not implied that they exchange letters regularly too iirc, it possibly was the only letter they've exchanged since then. I wonder if the daughters even know the full story, if their mother told them all about it or very little. Maybe some are pretty out of the loop, or more distant.
It strikes me that they don't seem to be very close. We're not shown anything that leads us to believe they don't like their father, but I think they're so used to him being absent for work that such distance is normal for them and they don't really long for a deeper relationship or to see him often. They were already out of the house and it seems like they didn't see each other much at that time either so for them it would be just a bit less than the regular amount of Dad time. It's been 4 years Chilchuck what are you doing... But yeah! From what we see they seem mostly unaffected, almost indifferent, not that we can truly tell. I imagine Flertom is the one most attached to Chilchuck with how she sent him a handmade cowl, and I think he rubbed off the most on Meijack teachings wise (besides her attitude, she’s also the one who still wears braids, and we see that Chilchuck braids hair). It makes sense, since they're oldest, and on the contrary I think Puckpatti is the one that knows her father the least. It'd fit the timeline with him working away more while she grew up imo.
Wouldn't it be interesting then that she's the one that Chilchuck says is carefree, in the official translation "doesn't treat life real seriously"? That she's the most optimistic, the most go-with-the-flow, out of the bunch? To me that sounds like a result from her being the youngest and Chil being the most often at work, thus her getting raised by her mother without as much involvement from Chil. Far be it from me to say Chilchuck would raise his daughters to be unhappy btw, not at all, we just all know what down-to-earth values he wants others to have so he doesn't have to worry about them.
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Although… Puckpatti spotted?? Seems like he wants to stop her from buying something? His heart meter for her is full <3 (Note: I’ve seen it be argued that this could be his wife. I disagree, since the "stop them" and way that the long haired one is off-center compared to everyone else gives the sense that it’s many of his daughters, and the fact that it’s styled after a dating sim doesn’t mean it’s romantic love as we see with the others. Otherwise imagine being her wife and he tells you not to buy stuff when you go shopping together rip)
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Headcanons time:
When naming the daughters, together they choose a pool of names they’d like but only one has the final say, and they alternate between who that is. Chilchuck sticks around more near the end of her pregnancies, and he hasn’t missed any of their births. I don’t have any opinions on who named who right now, but there could be some interesting stuff to theorize with Puckpatti, like them taking extra care picking the name together because they settled on her being their last daughter for fluff, or it was supposed to be Chilchuck but he was so busy that he ended up not picking in time and she was the one to name her for angst.
Actually scratch that I have a new theory : What if it’s actually customary for each parent to pick one half of their half-foot kid’s name? So then each would have chosen half of each girl’s name… And this could be why Chil calls Puckpatti Patti instead of Puck which is her first name, because he’s stubborn since Patti was his pick lmaoooo. Pattipuck doesn’t have the same ring to it alas, his wife was so right
Chilchuck liked to do activities with the girls when they were young. He's not opposed to relaxing at home with them perse, but he likes to do workshops with stuff like arts & crafts to develop their agility some. I don't think they'd do much outings to places like restaurants or theatres for money reason, and I don't think Chilchuck is much of an outdoors type, but he could accompany them to nice fields to play in, or in winter places to play in snow and sled, and organize some activities at home. He's not home very often so when he is he likes to take it easy as a break from work and values the time he gets with his family.
Chilchuck would sometimes work from home as a locksmith, say, unlocking a chest for a customer. In those times, Meijack would take interest and watch him work, even handing him the tools he needs as he goes. In this way, Chilchuck taught her a lot about the work of a locksmith over time. He's also the one that would oil door hinges or do renovation around the house- when he's available.
Like the plushies under his table in his home that we see in illustrations, Chilchuck has a lot of mementos from his daughter (and his wife) he keeps around. Sometimes they take a bothersome amount of place, but throwing anything out isn't something he's seriously willing to consider. Flertom's the most artistic and she used to help with sewing clothes back together, so he has a cheap ceramic mug painted by her when she was really young and small embroideries around.
Imo Meijack would be the most distant in the present. Flertom makes efforts for her parents and is pretty involved, and Puckpatti's distance is more out of being a bit airheaded and being busy + not having a great grasp on time or what's a normal amount of family contact, but Meijack's the one who knowingly and intentionally keeps some distance. I think she’d be the least optimistic about their family situation, and although she’d be hopeful when Chilchuck reached out to them again she’d be a but hesitant. I think Meijack would hold some grudges, being the one most critical of their parenting, both grateful to her dad for working so hard for them and saddened that he wasn't in their life more. Since Flertom was born in the same year I think it’s possible that Meijack was pushed aside a bit to take care of the younger baby more, out of necessity rather than lack of love. Her mom probably needed a lot of help around the house too. Flertom wasn’t blind either, and she cared about & noticed her mom’s emotional states, but she’s on the whole more hopeful and forgiving.
This is my most far fetched one but it is a hc after all, but I think it'd be interesting if one of them had food hoarding tendencies/stress. I like to think it's Flertom, because she's the middle child and would get told that her older sister and younger sister are "growing and need the food" so she wouldn't be allowed to take as much refill or such, add that to them not having much money to frivolously spend on food and that makes a kid who's worried about not eating to her hunger and tends to be possessive over food (I'm projecting). Differential treatment is inevitable in families with many siblings, and it can manifest in small or big ways, maybe they realize it maybe they don't. Working in a tavern has helped eased that tendency of her though, and while she does diet a bit she always leaves a meal feeling satisfied.
When they were younger, Flertom was a real firecracker, loud and spirited with some troublemaking tendencies! She was the daughter that got in trouble & got scolded the most. You can still see slivers of it now that she’s an adult, but she’s much more poised and diligent. She has much more acquaintances than friends, but she has a couple of best friends and usually gets along well with most people. Puckpatti was always a bit head in the cloud, very kind if not gullible, and tended to make friends somewhat easily but didn’t keep them for long, preferring to keep meeting new people and not keeping in touch well. She isn’t super talkative but tends to ramble when she does. Meijack is very introverted, she has more trouble making friends, she has a good handful though they don’t meet up often, her friendships tend to last and she’s close to them. She’s grown more confident over the years, less repressed and more quiet. Meijack as the big sister tended to be the listener for her younger sisters who had more social mishaps. Flertom has dated once before and it only cemented to her that she was going to have very high standards from then on.
Meijack wears thigh-high boots because she hates when sand, dirt or snow gets in her shoes. She wears practical clothing but avoids anything frilly or flashy. Puckpatti also dresses practically, but she does enjoy pretty clothes, it’s more out of necessity and due to not having enough money to indulge. Flertom has a social stable job and she loves prettying herself up (especially as she’s in search of a husband) so she’s the one who gets the most and nicest fashionable clothes and accessories.
Chilchuck is hinted to have had a rather dysfunctional family himself (alcoholic father, distant siblings, etc). So he doesn’t really have the best model on how to raise someone and such. I imagine it was a sort of neglectful home situation, where the kids are encouraged to be independent. If they didn’t have to work or help around much, then free range parenting sort of thing. We do see how the family has full and warm feasts, where someone cleans his mouth with a rag, so it’s not like he didn’t have a caring circle or a tragic childhood though! I don’t remember if it’s explicitely stated, but he’s heavily implied to having grown up poor, as most half-foots, and I just think it's the hardened hardworking family type of childhood where just like he does with others they instill somewhat harsh life lessons in him, which in turn encourages him to indulge in the simple pleasures of life like alcohol and sex, or at least women’s beauty and crass jokes. We do see he seems more optimistic when he's younger in flashbacks, so a bunch of his harsh view on the world is still likely learned and earned rather than taught. I still think he inherited many flawed views from how his father acted, like his attitude about excessive drinking not being a big deal and worth it. That work hard play hard, enjoy life die young mentality he has, shown mostly in the "alcohol" section of his Adventurer's Bible profile, could very well be partly a result of the general poverty half-foot communities are that he grew in as well, like how he doesn't hope for things to be as best as they could be and contends with good enough. As far as I remember, his mother is never mentioned, but I doubt it implies she was out of the picture. She was probably a regular sort of mother that took care of the home as well and was still around when his father died. It looks like there’s a good age gap between one sibling to the next, that could be interesting to dig into too.
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A part of Chilchuck’s character is that he takes responsibility for safety and actions of people around him and is very often looking out for them to not do faux-pas wether socially or literally with stepping onto traps. The way he says "I’ve got three people to think of here" makes me think that’s also how he’d think about having to provide for his family, and that could be a source of stress and insecurity for him. Caring for others is a pretty integral part of his character and we see time and time again that his family is very important to him, in any case.
Post-canon
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This pic has so much to say!! It’s the ‘thank you for reading’ double page spread where they’re going to a big dining table at the castle with Laios and the main gang. First family gathering in 4 years perhaps?! I’ll say, not feeling very hopeful that his wife isn’t in this, not even implied to be just off-panel with a hand or anything… I imagine before this he still talked to them at least a bit and figured their family situation out, but I think this is still in the early stages of reconnecting. Haha imagine being one of them and receiving a letter saying "Hi it’s been a while… I want to introduce you to my ex-coworker the king and his friends, you up for that?" I don’t want to reconsider all my hcs for this yet, but this pic does seemingly show an eagerness from all the daughters to reunite and reconnect! Meijack’s could be seen as more hesitant, but I think it’s just awkwardness from meeting so many new people, of high status no less. Chilchuck does seem awkward and somewhat self-conscious though, and while that could be just from say Marcille and the others meeting his daughters and him not knowing how to act, I think that also shows that Chilchuck is unsure how to act around his daughters too. Can’t blame him, I’d be stressed too. Anyways, the daughters are all dressed up! Puckpatti even brought flowers! And I doubt it’s just for Senshi, or just to be in with the king. Oh also also, Puckpatti chides Meijack here, seemingly on manners?, so that implies new/different family dynamics there~
We know with the succubus chapter that he does plan on reaching out to his wife again and shooting his shot, and when Marcille was dungeon lord he told her she could help think of a plan to make up with her together at which point Marcille showered him in gifts and flowers intended for her and his daughters. So we do know that whatever happens and however it happens, Chilchuck definitely will at least reach out to her to win her back or worse case scenario get closure on the situation.
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These are his plans before it’s revealed that the Island is… Well, not an island but the golden kingdom, so the news that Laios is king and that might have changed them a bit, but I think he’s still gonna stick around to help with the half-foot guild for a while.
My personal ideal post-canon Chilchuck life is that after around a year or two of helping around in the golden kingdom, especially regarding half-foot working rights, he gets his shop and finally settles down. He prioritized the whole half-foot guild because there are changes to attend to and people to help, but also used that to procrastinate a bit on getting in touch with his wife again. He does send a letter though, and when she replies they then meet face to face. They explain how it was like on their end, their grievances and their feelings, and they do reconcile. But… It’s been 4 years and his wife has frankly moved on. She’d rather they stay as friends, and Chilchuck has mixed feelings on it but is ultimately fine with it. He was halfway resigned to not reconciling with his wife in canon after all. But no longer do they have cut contact! They get together with the girls for the holidays and the ambiance is nice! He starts exchanging letters more regularly. He also gets a second family of clingy asses with Izutsumi and the main gang and so though he lives alone in his shop he’s well surrounded and well loved, and his daughters visit to check up on him every so often.
I really like the… Maturity of Chilchuck’s plotline, if that makes sense? To me the ending that fits the most is him and his wife reconciling, but not getting back together. I like that they could still be adults about it and at least amicable even after divorce, and that that wouldn’t be treated as a tragic ending. In the end, they were childhood friends and teenage parents, they rushed things a bit and I genuinely think they’re just not that compatible. If not then, at least having it be a gradual process, getting back together and making it work until they’re truly comforatble with each other. Destroy the relationship to better build it again stronger!
Although, his arc in the manga is to allow himself to form connections and be optimistic, which would fit well with him and his wife getting back together. I def think Chil would get healthier post-canon which could fix the issues they had in their relationship though. Like for one he starts eating more, which improves mood & irritability & health, and also after the whole half-foot guild he plans to settle down with a shop so it wouldn’t be long distance or unstable anymore which would definitely give his wife some peace of mind. If they still do some long distance at first while he gets the half-foot guild stable, it’d be really cute if he sent pressed flowers with his letters to her… That could make a nice fic concept, like over time all the pressed flowers and exchanged letters hehe (oh shit that’s a nice title)
My post-canon timeline is Chilchuck lives a nice life living alone in his house except his friends all visit him and care and even tho he likes living alone it’s also bittersweet and every corner of his life is haunted by mementos of the ones he loves and the moments he had with them. But then it’s also like the shared duty of everyone to pass by his shop when they can and keep the old man company and sometimes that means many people come at the same time like if both Meijack and Marcille came the same day~ Cozy life, no regrets except a lil regrets still. That’s it that’s all I want.
Misc
I didn’t know where to put this, so new category time! Family truly is a central theme of Chilchuck’s character. His reaction to learning more about how life gets made is so awed by the wonder of the world. Life indeed…
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The implication of this page is that Chil didn’t know about the science side of how procreation works, though of course he did know about the practical side of it. This is speculation, and we have no clue how widespread the information of how reproduction scientifically works lol, but I think it’s fair to think that half-foots’ education especially in smaller communities is handled by the parent, school of life style, or if there are schools then the education is very general and it probably ends early. I think this is supported by how for example half-foots’ jobs we’ve seen are based on experience rather than knowledge, like being a locksmith. Of course any job has its fair share of specialized knowledge to learn, but jobs you learn on the fly pretty well. This sort of dynamic contrasts a lot against elves many tallmen communities, like with the magic academy, where education and knowledge are valued almost above experience, this is what the mandrake chapter was all about after all. Poorer communities tend to have poorer education systems as well irl, it’s a whole issue.
So I already said my piece about his wife not being blonde and it being nice and romantic because literally you don’t need someone to be a beauty ideal to love them and that’s fine and normal and even more romantic imo. But!! I do have an headcanon, now that his wife’s appearance is all but explicitly confirmed. While their hair is blonde, yes their hair is wavy and the ‘main’ one has deep-set eyes, not unlike his wife! Now this is a ‘which came first the egg or the chicken’ question, but while most people seem to be assuming that he got with his wife because she was his type, since they’re childhood friends I feel like it’s his love for his wife that shaped his preferences in that deparment. Like ok he loves golden hair and hers is black, but isn’t it so much more romantic that he has so much love and devotion for his wife and has stared lovingly at it so much over the years, that it’d become his ideal? He loves her eyes <3
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Conclusion
Reminder that I’ve got more stuff in a reblog addition now. What I've got left to add at some point:
Compile more info on Chilchuck's father and his other family
Reread the manga and catch details like exchanged letters & his work schedule. Reword some things to repeat myself less maybe
A buddy is planning to make a name analysis post for everyone, and I might have more to say especially about the daughters once I know what possible meaning their names have
Other stuff I may be forgetting about
And thus I leave you with a lil web weaving I made about Chil & his wife’s relationship~ And this is where I’d put panels of Chilchuck’s wife… IF THERE WERE ANY
Should we call Chilchuck's wife Mrs. Tims... We don't know dunmeshi marrital traditions though, and half-foot already have somewhat complex naming conventions... I hate that we don't really know if the daughters' last names are Chils or Chilz. Oh yeah the last names change each generation, that’s odd right? But in english it sounds like saying Chil’s, like, [father]’s, so I think this also supports how half-foots communities tend to be tightly knit and live in the present, for them to be like "Ooh so you’re [father]’s little one eh? I know who that is and this is insightful as to who your family is to me!". Iceland’s a place where last names are like this, though I don’t know about pros and cons of it in that context
Ah and I have a bittersweet spotify playlist about her and Chil too, here if ya want. That’s it the post is over
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omennatural · 11 months
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Crowley has something in his hand–a plate of what? Little cakes?
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Cakes? Like in the promo picture? The cakes next to Crowley's wine? WHATS THE SIGNIFICANCE OF THESE LITTLE CAKES. WHAT HAPPENS WITH THE CAKES?
UPDATE*
I was scrolling through my personal Twitter when I spotted THIS tweet
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Ya'll I was like is this fucking play about me? ikgjerijgeiro I DIED but then in the quotes I found THIS:
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So it really does look like he brought him cakes. Some theorize he's wearing a turtleneck in the shot where he's going into the shop, so it's possible it's a cut from later in the series after he knows Gabriel is there and it's not cakes? I think it's likely it is cakes, but who knows. All I can say is this reached farther than I thought and I'm gonna be so disappointed for all you and me if it's not cakes he's brought his angel (maybe from the coffee shop? idfk)
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mybigfatgaylife · 9 months
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The tunglr iOS app has taken to showing me posts out of chronological order. Specifically when I reblog something and then keep scrolling, my reblog will show up even if I’m deep in the past of my watchlist. And then other reposts of my posts will start showing up, like there’s some sort of weird temporal incursion going on.
So: poll time!
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fromtheseventhhell · 4 months
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Arya learned the Braavosi language and culture well enough to pass as someone "born and bred" there while interacting with actual native Braavosi, but I'm supposed to think she's going to have difficulty navigating Westerosi noble life...as someone who was actually raised as a Westerosi noble? The way you can tell that people don't think before they "theorize" about Arya will always crack me up
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so @theeminentlyimpractical and i were yodelling at each other in the DMs last night talking about general time-fuckery stuff in s2 and trying to riddle it all out, and i mentioned that i had noticed something that only now seems obvious from the s1 scriptbook (and im sure that someone pointed it out in 2019 but im wondering how relevant it still is):
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everything is running late.
working backwards chronologically in s1, we have when newt arrives at jasmine cottage:
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unfortunately the line isn't in the show, but in the interest of pooling all resources, the scriptbook says the following:
NEWT - I swerved to avoid Tibetans in the road. At least, I think I did. I've probably gone mad.
ANATHEMA - If you have, noone's going to notice. You're twenty minutes late.
we then know that crowley was late for arriving to collect the antichrist:
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which the scriptbook doesn't elaborate on/give a timeframe, and may be extraneous to the previous and next example, but the antichrist is reportedly part of the Great Plan, so im including it for the moment.
but the kicker is agnes nutter, right?:
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a precise and accurate prophetess who doesn't foresee that pulsifer would arrive late to execute her? how?
so when it came down to it, i started to wonder where something might have happened that has shunted the timeline along, between 10-20 minutes... maybe something in eden? but no - laure cracked it:
GOD - Archbishop James Ussher claimed that the Heaven and the Earth were created on Sunday the 21st of October, 4004 BC, at 9:00 a.m. This too was incorrect. By almost a quarter of an hour. It was created at 9:13 in the morning, which was correct.
now. all of the times don't match up completely, but the general sense is that the world may be running a little behind schedule, compared to what it should be - ie. the timeline that agnes predicted, and ussher/his team calculated.
we know that adam reset everything at the end of s1, but:
given that he's not omniscient, would he know that the world is 15 mins behind schedule (and therefore, when s2 starts, are we still running late)? probably not, so does he revert things back but keeps the world on the original clock, so to speak?
alternatively, did he reset the clock, and is the universe that we see in s2 actually on the correct time?
this might not mean much, if anything at all (see: it's just all for The Bit), in the grand scheme of things... but im now starting to wonder if it does. because what would have happened if everything had run on time? because maybe it's not so much thinking about individual events, and how they would have played out otherwise if the world had been on the 'correct' timeline all along, but maybe just the sheer possibility that there is an 'alternate reality' in which those 10-20 minutes meant things played out very differently?
ive talked about the chair (x), and ive talked about the sideburns (x), and ive talked about how crowley somehow seems to be existing at a different time to everything else around him (alternatively - whickber street itself is running in a different... reality? timeline?), as well as the random moments where time seems to disappear entirely/the clock swaps its hands around in ep6 (x). about crowley's comment about it being "too late", and how he seems to act slightly odd just before aziraphale tells him about the metatron's offer (x)... but is it all somehow interconnected? and connected to the 13-minute delay?
and if it is... what caused it? what might have delayed god by 13 minutes, or what might have gone wrong to cause the delay, that has then had a hypothetical knock-on effect, whether it be because adam did fix it, or didn't fix it?
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i-am-a-fan · 10 months
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So remember in the episode “The first Ring” from season 3 where Mei and Redson bump into each other and share a vision of Mei getting the samadhi fire? Okay, well something's been bugging me. (Here's the full image btw. )
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First off please appreciate how beautiful the artwork is because damn. Second, what does it mean? While the different color fires could be an homage to how the Samadhi Fire was first created, we would need to see the 5 elements, not the 3 fireballs we see in the photo. (pg. 575)
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Therefore, I'm going to assume this is more foreshadowing, since the LMK team is amazing at planting seeds that will only grow within future seasons. (ex. Macaque's relationship with Wukong, the lady bone demon, Mk's nature, etc etc.)
So... I'm going to dissect the hell out of this frame.
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The main focus is someone in the center taking in the power of the 3 fireballs. Their form isn't clearly defined, but we can tell it's most likely someone with the standard Lego build: Mk, Mei, Redson, PIF, Tang, etc. I always assumed this was Mei, but I feel like if it was they would have shown it. The next frame shows us Mei with the fire (and once again look at the artwork's beauty.) I have more thoughts on this, but I'll circle back.
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Next up we have the balls of fire. I saw somewhere that these might represent the traffic light trio. Although Redson has mostly been sidelined, I like the sound of that theory, so I am going to piggy back off of it.
Mei would obviously be the green color, MK seems to be the yellow fireball, but then that leaves a blue flame. Yet, not one of the traffic light trio has their signature color as blue. The only character that comes to mind is Sandy/ Mo, but he doesn't have the standard Lego build.
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Of course, this can be Redson, since the original samadhi fire was blue. However, at no point do I remember that Redson has had any teal/ blue markings. In her flashback, Redson is shown with dark red and black, the same as Mei when she eventually gains the fire.
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Unless...
Maybe they character isn’t teal yet..
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Ring a bell????
That's right, the blue/teal might actually end up being Mk. Thus, giving each character a flame. (Redson = Red/yellow, Mei = Green, and Mk = Teal)
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Doing some color drops, you can see that these colors are very similar, but they aren't exactly the same. That being said, they’re close enough that it raises alarm bells in my mind.
Now, circling back to the main image and the person at its center. I think we might see Mk gain the Samadhi fire next. In the image, there is a red background, green under the person's feet, and blue fire emerging from the person's back.
Personally, I think it might be the framing of a timeline using background, middle ground, and foreground. The red background would be Redson, the person who (in this universe) was born with the fire and created it as a whole. Next up would be Mei, who gains the fire in season 3, but seems to lose it at the end of the fight with the lady bone demon. So, that only leaves the future...
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A future that I am personally hoping for...
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Edit: I fixed some grammatical errors. Sorry y’all, dyslexia never rests.
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utilitycaster · 11 months
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The greatest past campaign NPC that could possibly be introduced into Campaign 3 is, without a doubt, Eadwulf Grieve. He's a wizard. Ludinus is his (girlfriend? wife? best friend?)'s boss. He's a follower of the Raven Queen who openly wears her symbol. He definitely knows a lot about residuum and probably knows a decent amount about potions of possibility. His arms are incredible.
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kleefkruid · 7 months
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Tumblr's inventing new wrong ways to use Dutch again
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beanzdoodlez · 5 months
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Saluting the man who helped me understand and become a part of the fnaf fandom
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creauchiergh · 2 days
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guys, guys, guys. jax isn't an npc; he's a game dev/mod who got trapped in the circus.
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i'm sure someone has already put forth this theory, but with the series still being in its early stages, it's hard to say exactly which direction it's going. while i don't think the npc theory is bad, i think it lacks a foundation and is more so the fandom's attempt to justify jax's moral greyness or give him depth where there currently isn't any. i just wanted to share some of my own thoughts about what his deal might be.
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firstly, his design, which is honestly just my own speculation but bear with me. i know goose made some jokes about his clothes being farmer's overalls, but when i look at him, i almost get mechanic vibes? like if he wasn't such a prick, he'd be in charge of fixing any bugs that crop up during the adventures, which is pretty much what a moderator does.
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speaking of which, he has keys to all the rooms, which is already pretty sketchy in itself, but it makes sense if you consider that he helped make the circus. naturally, he'd have them on hand in case he needed to access any areas of potential danger. to me, it's a bit like having cheat codes, which definitely gives him an upper hand above the other circus members. (but again, it's not like he's ever going to do his job.)
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there's also the "figurine thing," which is probably either a throwaway joke or a thinly-veiled attempt at foreshadowing the npcs-- since their models resemble figurines-- but it's still worth noting. if we assume that the "figurine thing" is referring to the npcs-- which it probably isn't, but again, bear with me-- then it shows just how much jax knows about the circus. as far as i remember, none of the other characters have ever brought up the outside of the map, but obviously, if jax made the game, he's going to know its layouts and inner workings like the back of his hand. i won't go so far as to say he's all-knowing, but i'm sure he knows a lot more than he lets on, and i have a feeling we're going to see that in later episodes.
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if he really can predict caine's adventures and whatnot, since he designed them, it explains why he's so unfazed by everything that happens at the circus, from zooble getting taken by the gloinks to running into the gloink queen. the only time he really seems to be surprised is when the game glitches-- when the one gloink started bugging out, when kaufmo abstracted, etc.
i think the mod theory explains jax's personality and motivations. when he first arrived at the circus, there might've been a time when he acted more responsibly, fixing all the bugs, trying to stop the abstractions, etc. he could've been caine's right-hand at keeping everything under control. but maybe he slowly gave up these responsibilities when he realized that people were going to get abstracted no matter what, as we can see from the crossed-off doors in the pilot. it's very possible that he became consumed by his mod privileges when he began acting more recklessly and faced zero repercussions for his actions. essentially, he's a step above everyone else in terms of knowledge, awareness, and grants of power-- probably just below caine on the power ladder, though pomni could also rival him as she comes to learn more about the circus. depending on how jax uses his abilities, he could either help everyone find the exit or slowly lead them towards abstraction, and given what goose has said about the future of the series, it's not looking very optimistic for anyone involved.
but what do i know? this theory could be completely nonsensical and riddled with plot holes. i just like to hyperanalyze jokes 🥲
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kadextra · 1 year
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Maxo just had some awesome lore. I recommend everyone watch his stream VOD, from the theory bros meeting to the end because it was really cool. If you can’t do it right now, I made a summary below:
During the meeting with theory bros BBH and Cellbit, they were going over the conspiracies and catching Cellbit up. Cucurucho was spotted spying on them. They all quickly fled and promised to meet again soon.
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But Cucurucho approached Maxo, a short while later when he was alone.
Maxo quickly lied that the theory room was an “underground game room” where he brings his friends to play games together.
Maxo challenged Cucurucho to a chess match, with the condition that if he wins he gets information about the island. During this match we did get small snippets of info:
Cucurucho confirmed they are indeed part of the Federation and acts like the messenger
They wouldn’t answer if there used to be people on the island before.
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They placed this weird picture on the wall and said they liked it. And put a bunch of flaming skull paintings all over, kinda feels like a threat ngl
To Maxo’s question of why they keep spying on people, Cucurucho replied in a book: “Is that not what a good host does? Being aware of your guests.”
Maxo won the chess match (it was really stressful) and demanded to know this information as a reward:
Why can’t we leave the island?
Cucurucho answered with this.
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Cucurucho disappeared and all the paintings on the walls instantly changed into art of them.
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Next to the chess table was this threatening image directed to Max: “DISFRUTA LA ISLA” - ENJOY THE ISLAND.
While he did get information, Maxo was upset & felt tricked that it was so little. They already know the duck in the recordings is sus. He resolved to himself that he going to find the truth no matter what. He will build his communication tower and talk to the theory bros again soon about all of this.
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Thought you may be interested in this-
hmmm you know it could be a blend of "Remember" and "rem" as in "REM sleep", i would put stock in That more than it being just a straight play on remember
WHICH. HM. okay bc as soon as i saw it i thought "oh! like the REM stage of sleep!" but REM stands for Rapid Eye Movement - the stage characterized by high brain activity (vivid dreaming).
so either it being specifically REMderem has meaning, or it's just the best play on words (maybe in relation to "remember" as you've pointed out!)
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Roier keeps lagging and crashing whenever he logs onto the server lately
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Cellbit's joked that Roier's lag is just him being clumsy in-universe (though in Portuguese they apparently say the server "fell" so Roier keeps "falling" because of lag). I personally imagine that q!Roier hasn't been sleeping well, if at all since Bobby died, so when he lags / disconnects, it's just him passing out from exhaustion momentarily. But I think we could make an even more interesting in-universe explanation for this, because lag and crashes aren't the only things he's been experiencing
Roier's been falling out of the world
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It's a funny glitch that inevitably resolves itself, but there's room for interpretation here. Bad's theory was that the happier a person is, the closer they are to being assimilated by the Island. Roier is one of the most depressed people on the Island at the moment -- he lost his son, he was betrayed by a past partner, lost his current one (Cellbit), we have no idea where Jaiden is, his mental health is garbage, and overall things are looking pretty grim for him.
So what if these glitches weren't just glitches? What if the Island is having a harder time keeping up the illusion of "perfection" for Roier, and he's starting to see behind the truth behind it all?
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