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#(mostly with Keith)
hychlorions · 3 months
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(looks at the time) ooh... the bitching hour
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leenfiend · 4 months
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a sunday funny (on a friday) for @mintcaboodle for no special reason at all
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heynhay · 11 months
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i love everybody because i love you
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edenfire · 4 months
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good morning sheith nation💜
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vldlance · 1 year
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klance pride icons for me and @vldkeith ❤️🧡💛💚💙
please do not use!
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roweclementine · 28 days
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I love Zac as Grant in the new Game Changer but I think it would’ve been objectively funnier if they got Keith to play him instead and then Sam never mentioned it
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arvoze · 9 months
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comic practices
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discordiansamba · 4 months
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Allura-centric AU where she stops Honerva's plan in its tracks during Genesis, but Honerva uses the energy she's absorbed for the ritual to forcibly rewrite their reality.
King Alfor and Queen Melenor never had a child. Honerva is satisfied that she has wiped Allura from existence, but what she doesn't know is that her existence was preserved- and sent ten thousand years to the future on Earth. Allura Anderson is born to normal human parents, and grows up as a normal human girl... except she remembers. She knows that this reality has been forcibly altered.
She sets the Galaxy Garrison as her goal. Surely there, she can find the paladins and connect with the blue lion. She has... a dreadful feeling when she never hears anything about Shiro nor even Sam, two well known figures at the Galaxy Garrison. Her worst fears are confirmed when she enrolls and finds that not only are none of the paladins there, but the blue lion is also missing.
At least Coran is at the Garrison. He's human now too, an instructor for the general education history course, as well as an engineer. He doesn't remember her, but they still forge a new bond. Coran is very fond of Allura! She's whip smart and very talented. Almost like the niece he never had!
But this... creates complications. The paladins aside, if the blue lion here, she's uncertain as to how she'll get off the planet. Except... there is one way left available to her. It's the Kerberos mission. For the next few years, she devotes all of her energy to preparing for it, in hopes of being chosen. It pays off- she's selected, alongside Coran which is... less then ideal.
But she's right. The Kerberos mission is still captured by the Galra Empire. Only once she finally gets there, she discovers the situation is much, much worse than she feared. Not only does the Galra Empire possess all but one of the lions- they have all but one of the paladins as well.
None of them are human any longer. But that's barely a blip on her radar compared to the fact that they are all working with Zarkon. There is a glassiness to their gazes that suggests they are not in control of their own actions, but...
...but she is no longer Altean. She can no longer simply use alchemy to break them free. She's going to have to find another way-
-and she will.
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“Pizza’s on the way,” Eddie announces. He flops down on the sofa, crashing right into Billy’s side and smiling when the little outburst goes unnoticed. “I got mushrooms and cherry tomatoes like you like.”
Without looking up from his book, Billy hums. Turns the page gently while Eddie noses a kiss against his cheek.
“Did you get plain cheese for Stevie?” Billy asks.
“Yup, with stuffed crusts.”
Billy nods once. Zones back into his book, if the way that his breathing softens is any indication. Eddie scoots closer. Glances at the page and implements the five finger rule that Billy showed him — and determines before he’s even halfway down that this book is way over his head.
“Dude, what kind of Old Testament shit is this?”
It takes Billy a moment to finish the sentence that he’s reading before his eyes stop skimming back and forth.
“The Vampyre by John Polidori,” Billy says. “It’s the original vampire novel.”
“I thought Dracula was the original vampire.”
Billy taps the page lightly with his thumb.
“This was like seventy years before Bram Stoker’s Dracula was published. Stoker’s novel is actually considered an adaptation of this one.”
Eddie nods. Leans his head against Billy’s shoulder and wraps his arms around him.
“Then why not just read Dracula?”
“Because I’m reading it next.”
“God, you’re such a goth, y’know that?”
A small smile blooms on Billy’s face as he shakes his head.
“I don’t listen to the music.”
“C’mon, I’ve heard you bopping to Siouxsie and the Banshees before.”
“One of Max’s mixes,” Billy excuses.
“The Cure?”
“Jonathan left his tape in my car and I haven’t given it back yet.”
There’s a slight pause. Eddie sits up enough to look at his partner, quirking a brow.
“Since when do you hang around Byers?”
Billy purses his lips.
“I don’t. He works part-time at the library.”
“He’s showing you music in your car.” Eddie spreads a grin and Billy’s face begins to burn a flustered shade of red. “You have a little crush on him, don’t you?” When Billy doesn’t say anything, Eddie snickers. “You definitely have a type, that’s all I’m saying.”
“No I don’t.”
“No you don’t have a crush on him or no you don’t have a type?”
Billy huffs and waves Eddie off with his hand.
“Either.”
“Lanky brunets,” Eddie lilts. “Typically of the brooding persuasion.”
“You do not brood, Munson, you’re the most bubbly motherfucker on the planet.”
“That’s why I said typically, babe, let’s try and keep up.” Eddie nuzzles closer and chews his lip. “Y’know, mostly based on Steve and Jonathan. Maybe a little bit of Hagan.”
“You’re putting way too much thought into this.”
“There’s definitely a pattern, wouldn’t you say? Lanky brunets…” Eddie wonders. “Brooding, pale skin, brown eyes…”
Billy’s eyes stay locked on the page that he hasn’t finished reading yet, jaw set as Eddie tippy-taps his fingers against the blond’s chest.
“Is your type just… vampires?” Eddie muses.
“Energy vampires, maybe,” Billy grumbles. He dog-ears the page and finally shuts his book, laying it in his lap. “But no.”
Eddie chuckles. Flattens his hand against Billy’s sternum and smooths his palm back and forth.
“Seems like it to me.”
“This may surprise you, but I’m not so shallow that I only care about looks.”
“So…” Eddie trails off. “There’s an outlier.”
“Edd—“
“Who is it?”
“I’m not doing this right now.”
“You’re my boyfriend, you’re contractually obligated to tell me about your hot man crushes.”
Billy presses his lips together and doesn’t budge when Eddie tries to shake an answer out of him. Eddie is about to start more roughly demanding when the doorbell rings, and it derails his train of thought long enough for Billy to slip away from him.
The blond jumps up from his seat to answer the door, practically ripping the door off of its hinges when he opens it. Light pours into the entryway, obstructed by a tall figure.
“Thanks for ordering Surfer Boy Pizza where we make everything fresh except…” the voice trails off momentarily, nearly cut off by the bubbly laugh that exits the guy’s lips. “‘Sup, lil’ dude!”
A hand shoots out to fist bump Billy, which he barely reacts fast enough to reciprocate. Still, the blond spreads a dopey little smile.
“Hey, Argyle,” he greets. Soft, for how flustered he is.
“Man, I didn’t know you lived right here or I would’ve been hopping the fence for backyard smoke seshes.”
Billy fishes his wallet out of his pocket.
“Yeah, it’s kind of a new situation. Still getting settled.” Which is technically true if you count the box that’s been sitting unpacked in the corner for two weeks. “You should still come by sometime, though. When, uh… you’re not working, obviously.”
“Def!” Argyle says. “That’ll be fourteen fifty, bro.”
Billy digs in his wallet for a moment before he slaps a couple of bills in the other guy’s hand, which he trades the pizza for.
“Keep the change.”
Argyle furrows his brows.
“You gave me thirty.”
“Then I guess you have some extra cash for snacks when we hang out,” Billy lilts.
Argyle nods. Spreads a grin as he pockets the cash and fist bumps Billy once more.
“Sweet,” he says, and turns on his heel. “I’ll be seeing you around, lil’ dude!”
Billy waves briefly before he kicks the door shut, turning to walk into the kitchen and stopping in his tracks when he sees Eddie smirking at him from the couch.
The blond’s face turns ten different shades of red in a matter of seconds.
“The pizza guy, huh?” Eddie teases. “I see it.”
“I haven’t seen him much since I left Cali, alright? He just moved in with Jonathan and I haven’t had time to visit.”
“Right.”
Billy shifts his weight on his feet, furrowing his brows.
“Am I under investigation or something?”
“Nerds.”
“What?”
“Nerds. That’s your type. You like ‘em kinda dorky and way too interested in their hobbies.”
Billy scoffs.
“Stevie isn’t a nerd.”
“He’s a sports guy. You can twist it how you want, but he’s a nerd about it.”
“Tommy, then.”
“Too into cars.”
“Jon— actually, I understand that one, but Argyle is definitely not a nerd.”
Eddie chuckles and leans his elbow against the armrest, setting his chin in his hand thereafter.
“How many weed strands can that guy name? More than I can, and I can name a lot.” Eddie clicks his tongue when Billy has no counter argument. “Plus, he’s super passionate about his job. He talked my ear off about toppings for twenty minutes one time when I called in.”
Billy sighs. Sets the pizza down on the counter and crosses his arms, clearly working things over in his head. Eddie gets up in the meantime and strolls over. Gently pushes a stray curl out of Billy’s face before he laces his arms around his neck.
“Jokes aside, I think it’s nice that you like so many different people.”
Blue eyes meet his, and Billy softens. Sets his hands on Eddie’s hips.
“Yeah?”
“Mhm, I mean, you have lots of love to give, y’know? Of course it’s spilling over, sweetheart. Your cup is full.”
Billy chews his lip thoughtfully.
“I never looked at it that way before.”
Eddie leans closer. Kisses the corner of his partner’s mouth while he toys with a lock of his hair, soft to the touch and free of product.
“Glad my ramblings were of use to you,” Eddie chuckles. “Wanna have a sit-down with sleeping beauty after dinner? Talk some strats for getting you out of the friend zone?”
“I dunno if I wanna do that.”
“I’m pretty sure Steve’s had the hots for Tommy for a while now, so maybe we can knock everything out all at once.”
Billy raises an eyebrow.
“You’re not crushing on anyone? I might have to do some digging on you too, Munson, mister hopeless romantic.”
“I’m fine with bothering you two for eternity. I’m actually making it my life’s goal as we speak.”
“Of course you are.”
Billy ropes him closer, pulls him up to his tippy toes so he can press his lips to his neck — one of Eddie’s many, many weaknesses.
One of the others is, unfortunately, being manhandled. Even though Billy is gentle, it sends a thrill down Eddie’s spine when he’s lifted effortlessly.
“Want me to pay you back for the pizza?” Eddie breathes.
He makes a surprised noise when a large hand squeezes his ass.
“Keep your money, baby,” Billy lilts. Low and affectionate and now Eddie is the one getting flustered. “Wanna go wake Stevie up so we can eat and have our little discussion?”
Eddie nods. Shudders when Billy mouths at his throat and holds him ever closer.
“Yeah…” he manages.
Then Billy releases him. Let’s his socked feet touch the floor once again before he’s patting his behind and ushering him out of the kitchen.
Eddie has this sneaking suspicion that they’re gonna do way more than talk after they eat.
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Klangst Week. Day 6. Lance's Monologue.
"I'm done. I'm done with this. I'm done with you. I'm done with pretending I don't feel the things I feel. I'm done pretending that maybe, just maybe, you could have loved me, too. I've tried, Keith, I have tried harder and harder every time just to gain one small glance from you, yet you never bother to look my way. What do I have to do, to finally get you to care? Is it my hair? Is it my face? Is it my voice? My clothes? Is it the fact that I really have fallen in love with you?"
Keith stayed silent, only fueling the one-sided conversation further.
"After everything we've been through and endured together, after all the times you've held my hand and told me that everything would be okay, after all the times you kissed me like I was the only person worth kissing... Was I really nothing at all to you...? I know, I know, we agreed on friends with benefits, I know we said no feelings but I can't help it when you're... When you're you. When you're the guy I've been chasing for years... I can't do this anymore. And until you're ready to love me back, I think it's best we keep our relationship... Friendly..."
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shesmore-shoebill · 2 months
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Ah, i could watch Amanda and Tommy as passive aggressive/aggressive aggressive southern ladies forever.
"your husband is GAY." "he IS GAY!"
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waugh-bao · 10 months
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The Stones (try to) take a group photo before attending the Grammy Awards (1986/Video)
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vldsideblog · 8 months
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Okay, I’m curious
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maxwell-grant · 1 year
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So yesterday was my birthday and I invited a friend over to watch some movies we’d been each putting off. He showed me They Live, which I’d somehow never seen, for the first time, and I repaid the favor by breaking his brain with Speed Racer and letting him see how everyone ever was 100% wrong about that movie at release and it is in fact the best thing ever, but in regards to They Live:
I expected a good time and had a really great one. I knew about it’s central alien allegory, and how it’s been co-opted by anti-semitic memes and right-wingers who think they’re being cute. I knew it inspired dialogue in Duke Nukem, I knew it was a John Carpenter film starring Roddy Piper with Keith David in it, and that was it. I was blissfully unaware of everything else, including the fact that it somehow winds up being a spiritual successor of “The Challenge of the Beyond”, the pulp writer round robin exercise nowadays most famous for it’s H.P Lovecraft - Robert E.Howard parts.
There’s a post on it that floats around regularly and I’ll link here for better explanation, but in short: Lovecraft’s section of this story had the protagonist George faint from terror constantly and go mad after turning into a giant alien centipede, which was followed by Robert E.Howard immediately retconning said madness in his opening line and having the character embrace his new life as a horrid centipede beast in a new planet and go on a conquering rampage of “titanic adventure” as George the Centipede Barbarian. I bring up George the Centipede Barbarian not because it’s funny, but because They Live intentionally pulled off a very similar kind of brutal tonal dissonance.
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They Live is very comparable to The Thing in the sense that it is a 50s concept told through 80s filmmaking and distorted accordingly, to the extent that the black and white parts are not just colored differently, but shot differently from the rest of the film in a way that’s far more reminiscent of 50s horror films. Our protagonist is an 80s meathead cowboy who lives in a struggling urban landscape with mysteries and horrors he never quite understood but continue to plague him and those around him, and he has a moment of truth when he puts on magical sunglasses and finds out that he’s been living in a Twilight Zone episode the whole time, and so has everyone. The black and white allegorical terrors won and have been running everything all along, and that is the point the episode should end with our protagonist horrified and broken, “wouldn’t that be fucked up / doesn’t this remind you of something / these horrors are real” message conveyed, episode over.
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Except our protagonist is an 80s meathead cowboy, so instead of surrendering to the horrors after finding out everything is a monstrous lie, he fights back with a shotgun and a bag of one-liners. Dude just immediately, like not even 10 minutes after he first puts on the glasses, starts blasting alien cops and bankers and spaceships. I really did not think that “bubblegum” one-liner happened that early in the movie. This dissonance would have been wonderful regardless but it helps that it’s done so intentionally.
I really didn’t expect that the movie was this 100% completely blatantly unsubtle about the true nature of the alien ghouls as bloodsucking capitalists. It’s not some veiled allegory that can be left to interpretation, the movie tells you repeteadly and explicitly what it is about. The film tells you that the aliens are weaponizing communist paranoia to gain control over cops, preceding a line “We'll do anything to be rich” and then a description of them as “They are free enterprisers. Earth is just another developing planet, their third world” is actual dialogue from the film and that’s just before we learn the aliens all wear expensive watches, that most of the cops going around brutally gunning down the resistance are humans who sold out, and get scenes of the aliens and humans standing around in suits congratulating each other on profit margins. I don’t meant this as an insult but it’s frankly cartoonish in how unsubtle it is, it’s insulting that John Carpenter even had to set the record straight with Yes This Was About Capitalism and Reagan and Yuppie Bloodsuckers You Stupid Fucks like the movie isn’t hammering the point constantly.
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If you haven’t watched it, did anyone ever tell you that the inciting incident of the movie is the protagonist being radicalized by police brutality? Yeah, funny, nobody ever talks about what happens in the movie before George puts on the sunglasses. The first 20 or so minutes are about the protagonist, George Nada, arriving in the city and struggling to find a job or place to stay and being offered one by Keith David’s character Frank, who takes him to a homeless community. They have a handful of dialogues together where Frank repeteadly expresses a cynical viewpoint towards life under You-Know-What, over opportunities turning into traps and steel mills giving themselves raises by screwing workers over, and George brushes him off stating he still believes in America, he still believes in getting a fair shot.
George is quickly and immediately reduced to horrified bystander as the police storms his community and destroys their church and goes around beating up them up and evicting tents by bulldozer, while George runs around trying to help and save at least one of them. The next time we see him, he puts on the sunglasses and learns the awful truth and starts his rampage (framed in no uncertain terms as an act of revolution) by doing, what else, shooting cops. Or, well, aliens who approach him as cops and tell him that, now that he sees them, they can work out a deal to profit together if he just goes quietly. The movie makes it as obvious as it could possibly make it.
So yeah, watch They Live, it’s Duke Nukem vs The Twilight Zone’s Episode on Capitalism (with Extended “Guys Being Dudes” Action, I’m glad I didn’t know about that alleyway fight scene beforehand). Also watch Speed Racer, it’s glorious, and it has the exact same villains. Had a really great time yesterday with both.
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spoonbenders · 6 months
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do the obscure ps2 game tumblr girlies know about cortex chaos. this was supposed 2 b a tie-in game to crash twinsanity that was vaguely pikmin-esque n centered around getting little dr cortex minion robots to march to their inevitable mass doom to complete tasks
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the game was supposed to feature nina cortex more heavily than twinsanity did alongside a bunch of other evil scientist guys and a fuckton of ratchet and clank esque weapon upgrades
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it never started production cuz vivendi universal said to "put it on the backburner for later" n then it never got brought up again. the more u know or whatever
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hopetorun · 1 year
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some real gems in this text from the athletic
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