MHA Chapter 406 spoilers translations
This week’s initial tentative super rough/literal translations under the cut.
1
セントラル病院前鎮圧完了!
セントラルびょういんまえちんあつかんりょう!
SENTORARU byouin mae chin'atsu kanryou!
"Suppression in front of Central Hospital complete!"
tagline 1
各地の奮戦が希望をつなぐ‼︎
かくちのふんせんがきぼうをつなぐ‼︎
kakuchi no funsen ga kibou wo tsunagu!!
The struggles of various places connect hope!!
2
怪我人のトリアージと逮捕者の移送中!
けがにんのトリアージとたいほしゃのいそうちゅう!
keganin no TORIAAJI to taihosha no isouchuu!
"Triage of the injured and transport of the arrested in progress!"
3
奥渡島制圧完了‼︎
オクトじませいあつかんりょう‼︎
OKUTO-jima seiatsu kanryou!!
"Suppression at Octo Island complete!"
tagline 2
No.406 摑め‼︎おまえの"個性" 堀越耕平
ナンバー406 つかめ‼︎おまえの"こせい" ほりこしこうへい
NANBAA 406 tsukame!! omae no "kosei" Horikoshi Kouhei
No. 406 Grasp*!! Your quirk Kouhei Horikoshi
(*Note: This "grasp" can mean both to literally hold something and to comprehend/wrap one's head around something.)
4
分断作戦決起点制圧完了!
ぶんだんさくせんけっきてんせいあつかんりょう!
bundan sakusen kekkiten seiatsu kanryou!
"Suppression of the division strategy's starting point complete!"
5
怪我人の救出継続中!
けがにんのきゅうしゅつけいぞくちゅう!
keganin no kyuushutsu keizokuchuu!
"Continued rescue of injured persons in progress!"
6
国立多古場競技場継戦中‼︎
こくりつたこばきょうぎじょうけいせんちゅう‼︎
kokuritsu takoba kyougijou keisenchuu!!
"National Takoba Arena continued battle in progress!!"
1
Mr.スケプティック確保!移送中です‼︎
ミスタースケプティックかくほ!いそうちゅうです‼︎
MISUTAA SUKEPUTIKKU kakuho! isouchuu desu!!
"Mr. Skeptic secured! His transfer is in progress!!"
2
避難システムによる士傑への避難完了!
ひなんシステムによるしけつへのひなんかんりょう!
hinan SHISUTEMU ni yoru shiketsu e no hinan kanryou!
"Evacuation to Shiketsu by way of evacuation system complete!"
3
停止したブロックの避難民保護に出動中!
ていししたブロックのひなんみんほごにしゅつどうちゅう!
teishi shita BUROKKU no hinanmin hogo ni shutsudouchuu!
"Dispatch to protect the evacuees of the stopped blocks in progress!"
4
蛇腔病院跡地制圧完了!
じゃくうびょういんあとちせいあつかんりょう!
jakuu byouin atochi seiatsu kanryou!
"Suppression of the ruins at Jakuu Hospital complete!"
5
黒霧!イレーザーヘッドとプレゼントマイクと共に消息不明!
くろぎり!イレーザーヘッドとプレゼントマイクとともにしょうそくふめい!
Kurogiri! IREEZAA HEDDO to PURESENTO MAIKU to tomo ni shousoku fumei!
"Kurogiri! And Eraser Head and Present Mic with him, whereabouts unknown!"
6
この総力戦は最終的に
このそうりょくせんはさいしゅうてきに
kono souryokusen wa saishuuteki ni
This all-out war will eventually
7
緑谷出久を信じる戦いになる
みどりやいずくをしんじるたたかいになる
Midoriya Izuku wo shinjiru tatakai ni naru
become a battle of believing in Izuku Midoriya.
(Note: As per what I wrote in chapter 379, I would probably contextually read lines 6-7 as something like “This all-out war will come down to us trusting in Izuku Midoriya.”)
8
緑谷…
みどりや…
Midoriya...
Midoriya...
9
出久…
いずく…
Izuku...
Izuku...
1
疾い…!
はやい…!
hayai...!
"[So] fast...!"
2
あいつは死の間際…
あいつはしのまぎわ…
aitsu wa shi no magiwa...
"That guy was on the verge of death..."
3
瞬間ではあったが…
しゅんかんではあったが…
shunkan de wa atta ga...
"It was [for just] a moment, but..."
4
死柄木すら翻弄する動きを見せた…
しがらきすらほんろうするうごきをみせた…
Shigaraki sura honrou suru ugoki wo miseta...
"He showed movement that made sport of even Shigaraki..."
1-2
あいつは何かを摑みかけている途中だった…!
あいつはなにかをつかみかけているとちゅうだった…!
aitsu wa nani ka wo tsukami kakate iru tochuu datta...!
"He was in the middle of grasping* something...!"
(*Note: Again, this is that word that means "grasp" and "comprehend.")
3
この"副作用"を活かせ
この"ふくさよう"をいかせ
kono "fukusayou" wo ikase
Take advantage of this "side effect"
4
もっと!
motto!
more!
5
まだ!もっと‼︎
mada! motto!!
Still! More!!
6-7
もういい…
mou ii...
"Enough..."
8
後にする
あとにする
ato ni suru
"Leave him for later."
1
…いいさ
...ii sa
"...It's fine."
2
壊すだけだ何度でも更に
こわすだけだなんどでもさらに
kowasu dake da nando demo sara ni
"I'll just break him however many more times even further."
3
距離を取って"危機感知"で何とか凌いできた
きょりをとって"4TH"でなんとかしのいできた
kyori wo totte "4TH (kanji: kiki kanchi)" de nan toka shinoi dekita
I started to somehow pull through by keeping my distance with the "4th (read as: Danger Sense)."
4
再生+即死持ち+前より強化されている肉体にどう対処するか…答えは見つからなかった…
さいせい+そくしもち+まえよりきょうかされているにくたいにどうたいしょするか…こたえはみつからなかった…
saisei + sokushi mochi + mae yori kyouka sarete iru nikutai ni dou taisho suru ka...kotae wa mitsukaranakatta...
As for how to deal with his regeneration + instant death[-inflicting ability] + his body strengthened more than it was before...I couldn't find an answer...
5
"変速"は発動したら最後…発動時間に関わらず切った途端反動で体が動かなくなる
"2ND"ははつどうしたらさいご…はつどうじかんにかかわらずきったとたんはんどうでからだがうごかなくなる
"2ND (kanji: hensoku)" wa hatsudou shitara saigo...hatsudou jikan ni kakawarazu kitta totan handou de karada ga ugokanaku naru
If I activate the "2nd (read as: Gear Shift)," it'll be the last time... Regardless of the time for which it's activated, as soon as it's turned off, my body will stop moving due to the immediate recoil.
6
発動した以上は…
はつどうしたいじょうは…
hatsudou shita ijou wa...
Now that I've activated it...
7
今度こそ最後ーーー…
こんどこそさいごーーー…
kondo koso saigo---...
"This time is the last---..."
1
更に
さらに
sara ni
Go
1
向こうへ
むこうへ
mukou e
beyond
1
まだ
mada
"Am I still"
small text
更に向こうへってか
さらにむこうへってか
sara ni mukou e tte ka
"[They] say 'Go beyond,' right?"
2
モブか…!
MOBU ka...!
"an extra...?!"
3
エンデヴ���ーや"黒影"程の圧力も無い
エンデヴァーや"ダークシャドウ"ほどのあつりょくもない
ENDEVAA ya "DAAKU SHADOU" hodo no atsuryoku mo nai
It's not as much pressure as with those like Endeavor and Dark Shadow.
4
後にすればいい
あとにすればいい
ato ni sureba ii
It's fine to leave him for later.
5
オールマイトと比ぶべくもない
オールマイトとくらぶべくもない
OORU MAITO to kurabu beku mo nai
He can't compare to All Might.
6
これ以上 巻き戻しを進行させてまで係う程の価値も
これいじょう まきもどしをしんこうさせてまでかかずらうほどのかちも
kore ijou makimodoshi wo shinkou sasete made kakazurau hodo no kachi mo
To let the rewind proceed more than this, there's no value
7
意味も
いみも
imi mo
nor meaning
8
縁も
えにしも
nor connection*
(*Note: This is the same word All Might uses in chapter 396 to refer to a connection between him and Dave in the USA; it's a word that refers to some mysterious force such as destiny that binds two people together.)
9-10
あの石塊にはない
あのいしころにはない
ano ishikoro ni wa nai!!
in it with that pebble!!
(Note: For speech bubbles 6-10, you could combine them all together into something more cohesive like this: "There's no value or meaning or connection with that pebble to merit letting him rewind me any more than this!!" And yes, Katsuki is the "pebble," which is a reference back to chapter 7 when Katsuki called Izuku a "pebble in his path.")
1
わかってきた
wakatte kita
I've come to understand.
2
痛みだ
いたみだ
itami da
It's pain.
3
掌に溜めた汗粒が
てのひらにためたあせつぶが
tenohira ni tameta asetsubu ga
[The pain of] the beads of sweat that collected on my palms
4
全身を駆け巡ぐる痛み
ぜんしんをかけめぐるいたみ
zenshin wo kakemeguru itami
running through my entire body,
5
吹き出る痛み
ふきでるいたみ
fukideru itami
pain that spouts* out,
(Note: This word to describe the pain can mean: "gush out, spout out, spurt out" but it can also mean "send out shoots" like for plant roots. I feel like that description is relevant given the imagery we see on this page. Considering the next line, I think he's referring to pain that erupts from different individual points on his body.)
6-7
その位置間隔!
そのいちかんかく!
sono ichi kankaku!
and the space between those positions!
(Note: He's talking about recognizing the physical space between the different points of pain on his body.)
8
痛みで摑め
いたみでつかめ
itami de tsukame
Grasp* it with pain,
(Note: Again, this is that word that means "grasp" in the sense of "comprehend.")
9
誘爆のタイミング!
ゆうばくのタイミング!
yuubaku no TAIMINGU!
the timing of the secondary explosions!
(Note: I think he's saying he can predict when and where the little explosions that surround his body will happen by paying attention to the locations of the pains on his body and thus he can utilize those explosions too.)
1
何なんだ
なんなんだ
nan nanda
What is this?
2
痛ったァハハハ疾っ
いったァハハハはやっ
ittaAHAHAHA haya
"It hurts-A-HAHAHA so fast!"
(Note: Yes, he's breaking into maniacal laughter at the end of his words. Also a fun phonetic bonus: the Japanese word for "so fast" here is "haya," so he's saying "hahaha-haya!" He sounds battle-crazy, or just plain crazy.)
3
すぎて止まんねえ〜〜〜‼︎
すぎてやまんねえ〜〜〜‼︎
sugite yamannee~~~!!
"Too fast, can't sto~o~o~p!!"
4
何なんだこいつは
なんなんだこいつは
nan nanda koitsu wa
What's with this guy?
1
なぁ 出久 俺まだおまえに追いつけるかな
なぁ いずく おれまだおまえにおいつけるかな
naa Izuku ore mada omai ni oitsukeru ka na
Hey, Izuku, can I still catch up to you?
2
なんでだろうなあ
nande darou naa
I wonder why?
3
なんか今追い越せる気がする
なんか��まおいこせるきがする
nanka ima oikoseru ki ga suru
I feel like I can surpass [you] now.
4
あんた…
anta...
"Honey..."
5
勝己が…!
かつきが…!
Katsuki ga...!
"Katsuki is...!"
6
ダメだ…見れないよ…‼︎だって相手は…
ダメだ…みれないよ…‼︎だってあいては…
DAME da...mirenai yo...!! datte aite wa...
"No...I can't watch...!! Because his opponent is..."
7
見なきゃ…
みなきゃ…
minakya...
"We have to watch..."
8
だって…!
datte...!
"because...!"
1
だってあの子きっと
だってあのこきっと
datte ano ko kitto
"Because that child is surely"
2
いつもみたいに笑ってる筈だから…!
いつもみたいにわらってるはずだから…!
itsumo mitai ni waratteru hazu dakara...!
"smiling like he always does...!"
3
さっきから…!何故この石塊に
さっきから…!なぜこのいしころに
sakki kara...! naze kono ishikoro ni
Since a while ago...! Why is this pebble...?
4
何故僕はオールマイト以上の
なぜぼくはオールマイトいじょうの
naze boku wa OORU MAITO ijou no
Why am I...even more than with All Might...?
(Note: The verb at the end of the sentence is cut off here making this sound awkward in English. He's basically wondering how Katsuki is irritating him even more than All Might did.)
1
そうだ… 似ている
そうだ… にている
sou da...nite iru
That's it...he resembles [that guy].
2
与一ならもういないぞ魔王…
よいちならもういないぞまおう…
Yoichi nara mou inai zo maou...
If it's Yoichi [you're looking for], he's already gone, Demon King...
3
おまえが殺したんだ
おまえがころしたんだ
omae ga koroshitanda
Because you killed him.
4
憎しみを宿した事で鮮明に蘇る…
にくしみをやどしたことでせんめいによみがえる…
nikushimi wo yadoshita koto de senmei ni yomigaeru...
By harboring hatred, I recall it clearly...
5
そうだ こいつだ…こいつだったのだ
sou da koitsu da...koitsu datta no da
That's it, it's this guy... It was this guy.
1-3
こいつが手を差し伸べなければ
こいつがてをさしのべなければ
koitsu ga te wo sashinobenakereba
If this guy hadn't reached out his hand...
4-5
僕が最も憎いのは
ぼくがもっともにくいのは
boku ga motto mo nikui no wa
What I hate most of all is...
1
おまえのせいだ駆藤‼︎
おまえのせいだくどう‼︎
omae no sei da Kudou!!
"It's because of you, Kudou!!"
(Note: Because of the order of words in Japanese, you can also read this like the end to the last sentence on the previous page: "What I hate most of all is YOU [Kudou].")
2
ボケが来たかよ‼︎
ボケがきたかよ‼︎
BOKE ga kita ka yo!!
"So an old geezer is here!!"
(Note: This is the same grammar as All Might's "I am here!")
3
俺ァ爆豪のかっちゃんだバァアカ!
おれァばくごうのかっちゃんだバァアカ!
oreA Bakugou no Kacchan da BAAAKA!
"I'm Kacchan of the Bakugou clan*, moron!"
(*Note: "Bakugou no Kacchan" literally means "Kacchan of Bakugou/Kacchan of the Bakugous," but the grammar is an archaic style from before Japan's family registration system created family names in the late 1800's. The structure would read as "[Name] of the [clan name]." The literal word "clan" does not appear in the sentence above, but I've included it to get the archaic style to make sense in English. I should also mention that it's possible Katsuki is introducing himself here as "Kacchan" as an insult to AFO's intelligence. Like, "Oh you're a little kid/senile old man? My real name's probably too difficult for you. Here, call me Kacchan, dumbass.")
tagline
今、世界が少年を見る‼︎
いま、せかいがしょうねんをみる‼︎
ima, sekai ga shounen wo miru!!
Now, the world sees the young man!!
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Legends of the humanoids
Reptilian humanoids (13)
Melusine – mythical humanoid serpent transformed into a dragon
Melusine is a water spirit from French folklore and an example of human–animal marriage as well as princess Toyotama (See) in the East. She is a humanoid hybrid whose upper body is that of a beautiful woman in medieval costume, but whose lower body is that of a snake, and is also said to be a dragon nymph, as she has dragon wings on her back. She is also sometimes thought to be associated with mermaid lore. The Starbucks logo is also inspired by her.
Mélusine was the daughter of Pressine, the Fountain Fay, and Elinas, King of Albany, Scotland. Her mother placed a curse on Mélusine and her sisters that for one day a week they would assume the form of a snake from the waist down. Furthermore, if anyone saw them in their true form, they would be permanently remain forever the lower body of a snake and with wings.
Raymondin, Count of Poitou, who had left his family after accidentally killing his uncle, while hunting in the forest, met Melusine one day, fell in love and married her after making a covenant that he would never look at her on Saturdays. She brought her husband wealth and they had ten children.
However, when her husband heard a malicious rumour, he broke his promise and saw Melusine's true identity while she was bathing. Locked alone in her room, her upper body was human, but her lower body was that of a giant snake (or fish). She then assumes the form of a dragon, provides him with two magic rings, and flies off, never to be seen again. She returns only at night to nurse her two youngest children, who are still infants. Although many of Melusine's children had the nature of monsters, it is said that the future French monarch stood from the lineage of two children born normal.
Melusine's sons:
Julian (said to have later become King of Cyprus)
Eudes (whose appearance and face appear to be on fire)
Guy (said to have later become king of Armenia)
Antoine (with a lion's foot growing out of one cheek)
Renault (with one eye)
Geoffroy (with one large tusk)
Fromont (with a hair-covered birthmark on his nose)
Olivre (with three eyes)
伝説のヒューマノイドたち
ヒト型爬虫類 (13)
メリュジーヌ 〜竜に変身した神話上の人型蛇の妖精
メリュジーヌは、フランスの民間伝承に登場する水の精霊で、東洋の豊玉姫(参照)と同様に異類婚姻の一例である。上半身は中世の衣装をまとった美しい女性の姿だが、下半身は蛇の姿をしており、背中に竜の翼が生えていることから竜の妖精とも言われている、人型のハイブリッド。また、人魚の伝承と結びつけて考えられることもある。スターバックスのロゴにもなっている。
メリュジーヌは、泉の妖精プレッシナとスコットランドのオルバニー王エリナスの娘である。母親はメリュジーヌと妹達に、週に1日だけ腰から下が蛇の姿となるという呪いをかけた。さらに、もし変身した姿を誰かに見られた場合には、永久に下半身が蛇で翼を持った姿のままとなってしまう。
ポワトゥー伯爵のレイモンダンは、誤って叔父を殺してしまったために家を出ていたが、ある日メルジーヌに出会って恋に落ち、メルジーヌは「土曜日には絶対に自分を見ない」という誓約を交わして彼と結婚した。メリュジーヌは夫に富をもたらし、10人の子供をもうけた。
しかし、悪意のある噂を聞いた夫は誓いを破り、入浴中のメリュジーヌの正体を目撃してしまう。部屋にひとり閉じこめられた彼女の上半身は人間だったが、下半身は巨大な蛇(または魚)のものだった。 そして彼女は竜の姿になり、夫に2つの魔法の指輪を与えると飛び去り、二度と姿を現すことはなかった。彼女は、まだ幼い二人の末っ子に授乳するために夜だけ戻ってくる。メリュジーヌの子供達の多くは化け物の性質を持っていたものの、問題なく生まれた2人の子供の血統からは、後のフランス君主が立ったという。
メリュジーヌの息子たち:
ユリアン(後にキプロスの王になったという)
ウード(外見と顔が炎のように燃えて見える)
ギイ(後にアルメニアの王になったという)
アントワーヌ(片頬に獅子の足が生えている)
ルノー(一つ目)
ジョフロワ(大牙が一本あり)
フロモン(鼻の上に毛で覆われたアザがある)
オリブル(三つ目)
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MY opinion to The Chameleon
MY first version is CHINESE so I share my opinion by CHINESE. Also have ENGLISH version, BUT might not express myself well, English isn't my native language. IF you like this opinion, you can consider both the Chinese and English versions together.
the chameleon-魅影妖后
zhen-小真
其实我还蛮欣赏妖后的,除了畸形母女情戳中我的点还有一个原因是,她和其他三位的反派立意感不太一样,她面对的困境与片子里同样的学武的女性角色也不一样。
虎妞和小蛇尽管都是女性,但是一个有师傅和种族力量,一个有种族敏捷和武侠家庭背景,她们在武学这条路上社会身份(师门)和自身素质(天赋/能力)足以忽略性别(社会主流男性视角)带来的不平等,因此不会太难。从设定上来说妖后是一个没有背景、瘦弱的女性不被主流武学承认学习武术的能力和天份,所以另辟蹊径自学变形、幻术(法术?魔法?总之是魔法攻击)。三无身份不被主流接受,所以用其他方式做大做强,蜥妃回宫。如果她不是一个反派,一定会拿励志剧本的,一个从底层爬起来的女性!(这告诉我们不要在一件事上死磕,通过别的方式也能达到想要的目的,虽然我们在功夫的世界,但是我们也可以追求其他东西)
与其他三位反派相比较,妖后的设定上就会发现她其实站在一个男性(包括传统武侠)视角的对立面,她的地位在男性视角下是不受尊重的,她的身形在男性视角下是弱小的,她的性别在男性视角下是客体。一个不能被男性社会接纳、认可的女性,要么顺从社会运转的思维,甘愿成为一个客体,要么就是反抗,把自己变成主体——这样就会有两条路,要么打出专属女性的道路,要么就是变成一个拥有女性身体的男人。(我认为妖后这两条路在剧情塑造下算是融合在一块了)她攻击了每一个反派,一方面是剧情需要,另一方面算是对男性主体的世界外表层面反驳。之所以说是外表层面,因为她的变形借用其实也说明她还是认可男性主体这件事的,她没有完成真正意义上的反驳。 但这不意味着妖后这个角色很败笔,她还是展现出了其他反派相对稀缺的独立性。大龙、沈王爷、天煞将军他们其实都在复仇-获取认可,经历了他人对自己带来了巨大创伤之后做出回击,他们在情感上都有非常强烈的对具体他者的执念性。
妖后其实没有这种对具体他者的执念性,她在情感上独立,她要做的事情是来源于自我意志的,她没有上者(大龙与师傅、沈王爷与父母/羊仙姑)和同辈(天煞与乌龟)的情感纠葛,唯一有情感关系性的下者小真,也是她的自我的投射。她对小真的愤怒表层是背叛,深层是来源于自我投射的偏离。因为社会主流男性视角,习惯将女性作为客体,现代社会女性拥有了主体的权力,但客体的身份属性仍然在身上,使得女性在这样的情况下拥有主体和客体的双重视角。对妖后来说,小真作为客体是养女,作为主体是曾经的她。所以说妖后是自恋的,不允许自我意志受到外界的倾轧,她所欣赏的自始自终都是她自己。
尽管KFP4的故事不尽如人意,可是一个独立的、拥有自我意志的、自恋的底层爬起来的女性,怎么让人不心动呢?
Actually, I quite admire the the chameleon. Besides resonating with the theme of the twisted mother-daughter relationship, there's another reason: her characterization differs from the other three villains. The challenges she faces and her response to them diverge from those of other female martial artists depicted in the film.
While Tigress and Viper are both female characters, one possesses a master and racial abilities, and the other has racial agility and comes from a martial arts family background. Their social status (martial arts sect) and personal qualities (talent/abilities) are sufficient to overlook the gender-based inequalities (from the mainstream male perspective) on the path of martial arts. Hence, their journey isn't too difficult. In terms of setup, the chameleon is portrayed as a backgroundless, frail woman whose ability and talent in martial arts are not recognized by the mainstream martial arts community. Therefore, she takes a different path, self-studying shapeshifting and magic( magical attacks). With no recognized status, she seeks other means to gain power and influence, eventually returning to the palace as the Lizard Consort. If she weren't a villain, her story would likely be an inspirational script about a woman rising from the bottom! (This teaches us not to be fixated on one thing; we can achieve our goals through other means. Even in the world of martial arts, we can pursue other things.)
Compared to the other three antagonists, the chameleon characterization reveals that she actually stands in opposition to a male (including traditional arts) perspective. Her status is not respected, her physique is seen as weak, and her gender is objectified from the male perspective. A woman who isn't accepted or acknowledged by male society must either conform to societal norms and become an object or rebel and assert herself as a subject. This presents two paths: either carving out a path exclusive to women or becoming a man with a female body. (I believe the chameleon embodies both paths in the narrative.) Her attack for each villain is partly due to the plot's needs and partly a rebuttal to the male-dominated world on the surface. This rebuttal is superficial because her use of shapeshifting implies her acceptance of the male-dominated society; she hasn't truly opposed it.
However, this doesn't mean the chameleon is a failure as a character; she still exhibits independence, which is relatively rare among the other antagonists. Tai Lung, Lord Shen, and General Kai are all driven by revenge - seeking acknowledgment and retaliating after suffering immense trauma caused by others. They all have strong emotional attachments to specific individuals. The chameleon, on the other hand, lacks this attachment to specific individuals; her actions stem from her own will. She doesn't have emotional entanglements with superiors (Tai Lung with his master, Lord Shen with his parents/Sheep Elder) or peers (General Kai with Master Oogway), and her only emotional connection is with zhen, who is a projection of herself. Her anger towards zhen is superficially about betrayal but fundamentally stems from her deviation from her self-projection. Due to the male-dominated perspective, which habitually objectifies women, modern women possess the power of subjectivity but still carry the attributes of objects, giving them a dual perspective of subjectivity and objectivity. For the chameleon, zhen represents both an object (as a foster daughter) and a subject (as her former self). Thus, the chameleon is narcissistic, refusing to let her self-will be crushed by external forces, and everything she admires ultimately reflects herself.
Despite the shortcomings of KFP4's story, how can one not be drawn to an independent, self-willed, narcissistic woman who rises from the bottom?
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