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#リン・ミンメイ
choa-hyuna · 2 months
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btrinidad01 · 9 months
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nakamorijuan · 9 months
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第11話 「ファースト・コンタクト」
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katamu63 · 8 months
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k-gufu · 1 year
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「愛おぼえてますか」劇場に観に行きました。 リン・ミンメイのラクガキです(似ない) 映画にはチャイナ服出てこないんだね
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dkquentai · 3 months
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マイアニメ 1984年8月号 - アニメムック・アニメ雑誌取扱古本屋「アニエッグ古書店」
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stevethefishdotnet · 2 years
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Arii 1:6 Lynn Minmay from Macross DYRL sofubi build photoset August 13th, 2022
Here is the completed build of Arii’s Minmay sofubi model kit in 1:6 scale. So, Arii had made a few other sofubi (soft vinyl) kits of Hikaru, Misa, and Minmay from the Macross TV show, but this is Minmay as seen in the epic final battle of the Macross: Do You Remember Love movie. There are some issues with this kit. Her eyes, as sculpted for this kit, are wide and dopey, resembling the TV version of Minmay as opposed to the older version as seen in the movie.There are no earrings, and her “nether regions” are completely without detail. Which is weird, because it turns out that her skirt is way too short. They didn’t make it long enough.
I mailed parts of this kit to my friend Gary, who used to work in the toy industry before everything went digital. He re-sculpted her eyes, gave her panties, and fashioned earrings for her. She has these anti-gravity earrings that dangle yet are not attached to her earlobes, so he used fishing line to replicate that notion.
I painted Minmay using V-Color sofubi paints, her hair being first painted black as a base shade and then gone over with blue. I painted her outfit a top coat of Gaia Notes Blue Steel Arpeggio fluorescent, glow-in-the-dark lacquer paints to give her even more of a futuristic look, seeing as how her concert dress from the beginning of the movie glows in the dark. I wanted this dress to be the same.
While cutting the excess vinyl from her skirt, I ended up going overboard, not knowing exactly what I was doing, and inadvertently gave her skirt a rather peek-a-boo look to it. At that point, she’d definitely need panties. IIRC, my friend used Epoxy Sculpt to create sexy, high-leg panties for Minmay. The V-Color paints went on top of that just fine.
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グッドスマイルカンパニー PLAMAX minimum factory MF-04 1/20 リン・ミンメイ -愛・おぼえていますかVer. 超時空要塞マクロス 再入荷しました。
https://www.tagimi.net/?pid=101600599
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lovejapanese80s · 10 months
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超時空要塞マクロス
リン・ミンメイ
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cozecos · 1 year
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Super Dimension Fortress Macross
Lynn Minmay
超時空要塞マクロス
リン・ミンメイ
(撮影:シンイチローさん)
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overjazztrio · 1 year
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超時空要塞マクロス
マクロスシリーズの記念すべき第1作目。宇宙から飛来した異星人の超巨大戦艦を人間用に改修した「マクロス」を舞台に、異星人との戦いとラブストーリーが展開される。SFやアニメのファンであった若いクリエイターたちが多数制作に関わり、当時の水準にしては作品世界やメカの設定が十分になされた「リアルロボットもの」の走りとなっている。またバトルだけでなく、三角関係の恋愛模様や歌姫リン・ミンメイのシンデレラストーリーなど、従来のロボットアニメと一線を画す唯一無二の要素が多く盛り込まれた。また「オタク」という言葉はこの作品が発祥となっている。原作・スタジオぬえ。音楽・羽田健太郎。原画には庵野秀明や貞本義行が参加している。1982年。全36話。
観ました〜〜!まぁ脈々と続くマクロス一作目という目で観れば興味深く楽しい作品だったけど、けっこうツッコミどころは多いし、作画も崩壊しがちだったので星で言えば2.5くらいか。けど「文化を知らない戦うだけの種族に歌で対抗する」っていうのはほんとマクロスにしか無いアイデアだし、ミンメイ可愛いし(わがままだけど)、早瀬中尉はもっと可愛い。あとたまに出る神作画が見どころ。1番感動したのは赤ちゃんを敵に見せて「お前らにプロトカルチャーが撃てるか!!!!」って掲げるとこ。最終回前は三角関係にケリつけるためにストーリーがちょっと失速するけど、概ねよかった。音楽がハネケンなのが1番良かった。以上です。
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btrinidad01 · 6 months
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Akita Shoten “My Anime” magazine from October 1984
Featuring Lynn Minmay on the cover
Illustration by Haruhiko Mikimoto
This magazine comes with a small booklet inside focused around Macross! The title being “Macross Memories” which covers the Film Macross:Do You Remember Love, and also features a roundtable talk with directors Shoji Kawamori(河森 正治), Mamoru Oshii(押井 守) and Koichi Mashimo(真下 耕一)
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nakamorijuan · 9 months
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第11話 「ファースト・コンタクト」
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qinyueguan · 1 year
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Blog9 Session 7 - REPRESENTATION visual culture & identity
The image of Chinese people in animation tends to be the bun head, cheongsam, braids, kung fu, and if you count Chinese culture there will be pandas. In the early years this image symbolism was conducive to rapid dissemination and the arbitrary nature of the symbols was able to speed up the audience's reaction in terms of communication. So how did these Chinese symbols become linked to the Chinese identity? Between 1990 and 2000, mainly Japanese and American animation was the most widely disseminated. The reason why Chinese imagery was particularly symbolic in this period is that 2D animation is inherently flat and has more semiotic applications than the realism of 3D animation, where the cost of 2D hand-drawn pursuit of realism is so high that rapid communication through symbols is widely used. Here are a few examples of Chinese people in popular animation. Japanese games and animations from that period.
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Clothing as a key way in which identity takes a visual form Crane, D. (2000) Fashion and its Social Agendas: Class, Gender and Identity in Clothing. Chicago : University of Chicago Press Chun-Li's (チュン・リー) pillowy hair, lee kohran's (リ・コーラン) twisted braids, Lynn Minmay's (リン・ミンメイ) cheongsam and cuisine, and LI SYAORAN's (リシャオラン) do-rags and fang-jutsu, from Street Fighter, Sakura Wars, and Cardcaptor Sakura. American animation productions from this period
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Disney's Mulan in '98 was the ultimate distillation of Chinese cultural symbols. Thanks to the superb research of the Disney team, all the symbols of Chinese culture were presented to the audience in the form of animation, from the landscape, the Great Wall and the palace, to the people's make-up and armour, allowing the world to feel the charm of Chinese culture once again. In summary, it can be seen that the audience of this period was also for other nationalities around the world, so highlighting the uniqueness of the nation was the best choice to be able to distinguish itself from other races.
It is also because China is seen from the perspective of other races, and even if the symbols are summarised accurately, they lack the meaning behind them.
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Although Disney presents an exquisitely beautiful version of ancient China, its own values are Western. As one review spits out: Chinese people during the North and South Dynasties had bacon and fried eggs for breakfast, hierarchical ancestral halls overflowed with democratic discussions, and just because Hua Mulan saved the Emperor, there was no excuse for a hug with him …… This would not have been possible in real ancient China LI SYAORAN who also wears Taoist costumes should not be cloaked, if you look closely at Chinese culture you will know that hair represents essence in Chinese culture, Taoist priests hair would be worn in a bun and not a single strand of hair should be outside. While this rapid dissemination introduced viewers to Chinese elements, it also installed a biased understanding of this image of the Chinese, for example that all Chinese people know Chinese kung fu. After 2000, this stereotype took on a new dimension.
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Although the bun head and cheongsam still exist, and thanks to the previous cultural export of animation, such images of Chinese female characters have become more popular. But the culture also began to diversify.
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The King's World, a serialised manga that began in '06 and was animated in '13, moved the Chinese elements from the fantasy world to the overhead history. As a Japanese manga artist, Hara Taijiu chose the Warring States period of China as the setting for a magnificent overhead epic based on the development of two orphans.
In this work, Ying Zheng, Lu Buwei, Bai Qi, Li Si ……, all familiar historical figures of China, make their appearance. However, due to its choice of setting and relatively good koan, The King's World still managed to kill off the many homogenised Three Kingdoms titles and generated a lot of buzz in Japan.
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The portrayal of Hua Mulan in 2012's Wreck-It Ralph 2 also chose this approach of weakening the symbols: simply embroidering two golden Mushu dragons on Mulan's handsome jacket without over-emphasising its Chinese attributes. For audiences, the most immediate benefit of this trend is that we are finally moving away from the uniformity of bun heads and cheongsams and will see more interesting and unique Chinese characters in the future. And for the cultural industry, it means a fading of stereotypes, a rise in cultural influence, progress and development, and understanding and cross-fertilisation.
Crane, D. (2000) Fashion and its Social Agendas: Class, Gender and Identity in Clothing.
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rehkzero · 2 years
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超時空要塞マクロス 愛・おぼえていますか PLAMAX MF-04 minimum factory リン・ミンメイ -愛・おぼえていますかVer. ("Macross: Do You Remember Love?" PLAMAX MF-04 minimum factory Lynn Minmay -Do You Remember Love? Ver.)
零售价 : 3,000日元 发售预定日 : 2023年1月内 预约截止日 : 2022年6月5日 商品编号 : 000012895
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onyomugan3 · 3 years
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超時空要塞マクロス
1984年
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