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rubber-ducksss · 16 days
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I remember once someone got really mad that people were giving Tim a scar from getting his spleen removed in fan art and fanfiction because you typically don’t have visible splenectomy scars
and listen i’m not a medical expert like they claimed to be, but I’m guessing that the giant sword going through his torso that caused them to need to remove an organ might've left a little bit of mark
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rubber-ducksss · 16 days
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you all hate the position i sleep in because you haven’t advanced to my level and you’re jealous of my mental acuity and caustic wit as well as being extremely good at sleeping
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rubber-ducksss · 1 month
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*deep breath*
BLUCK BLUCK BLUCK BA BLUCK BLUCK BLUCKA
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rubber-ducksss · 1 month
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A while ago I was looking for a post of all of Nathan's tattoos, and I couldn't find one, so I made one! "Nathan has several tattoos, two simple black star outlines on the inside and outside of his wrist, three stars of the similar style on his hip, a crest pattern of some sort under his arm*, and a swallow [bird] on his back." (Misfits wiki).
*this tattoo is actually another swallow between two scrolls
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Screenshots taken from
Season 1: Episode 1,2
Season 2: Episode 1,2,6
All credit goes to e4 Misfits!
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rubber-ducksss · 1 month
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rubber-ducksss · 2 months
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Ides of march but it’s just one big knife
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rubber-ducksss · 2 months
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Guys you got stop updating things my 10 y/o laptop can’t handle it:((((
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rubber-ducksss · 3 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Yet all fits with what the interior design tries to hide, namely how unerringly peculiar the house is, yet it is not entirely able to do so because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.
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rubber-ducksss · 3 months
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Red Robin #12, 2010
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rubber-ducksss · 3 months
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my friend made the prettiest art of me I’ve ever seen
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rubber-ducksss · 3 months
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I made an art/anatomy tutorial about birds! I hope people will find it helpful!
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rubber-ducksss · 3 months
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Me in your frontal lobe if I’m being completely honest
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I post some weird shit on here but I also prevent myself from making posts like "your frontal lobe is an erogenous zone and baby, I'm a thorough lover" so maybe some gratitude is in order
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rubber-ducksss · 3 months
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rubber-ducksss · 3 months
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since im a twin im a bit bias ¯\_(ツ)_/¯
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rubber-ducksss · 3 months
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reblog if it's okay for your mutuals to message you and create an actual friendship, not just interactions
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rubber-ducksss · 3 months
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Short DPXDC Prompts #569 (nice)
If Tucker knew that this train was going to be held hostage for one of Riddlers schemes he would have taken the bus instead.
One participant of the train had to solve the Riddlers puzzles before they would meet some flavor of gruesome end. The Bats were working on establishing a connection to the transit captives to help with the clues but so far no dice.
This’ll be easy. What could go wrong?
Tucker volunteers to solve the Riddlers puzzles.
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rubber-ducksss · 3 months
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John Peters - You know the farmer?
Click for Imaginary Corn 🌽
( The transparency made it pixely, it’s better under the cut.)
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