And when the visitors finally come, you need to figure out how to make them stop.
Painting: French Master - Allegory of the Vanity of Earthly Things. Wikimedia Commons.
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Here's to hoping this does not happen. Cheers to you, heritage workers everywhere!
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True story. I heard this at a webinar on collections management when you have weapons in your collection. Watch your unexpected visitor donor pull a pin out of an old grenade just to "prove" to you it doesn't work. Who can say museum work is boring?
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This is what talking to your insect pests feels like.
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You put all this effort in, and now all there is left to do is wait. Tell us what you've tried to make people show up? What works? What doesn't work?
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These bastards just won't die.
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Tell us your Frodo at Mount Doom moment.
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Conservators tend to follow the principle of Minimal or Minimum Intervention - which says that we should only do the minimal actions to improve an object's stability and clarify interpretation.
Having "boring" Before and After pictures can make sharing conservation treatments really difficult - and it means your Tiktok video will probably suck.
But we still do it and just look at other people's before and after porn videos. Or we clean our houses obsessively.
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You know you want to use them, but man do they just not work how you want them to yet, do they?
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Thank you to mountmakers everywhere for keeping our measurements real. This goes out to you聽@internationalmountmakersforum聽and聽@plbroue.
Mounting objects in gallery or museum is not as simple as hammering a couple nails on the wall and tying a bit of string behind an object.
Mountmakers are specialists who make object-specific mounts that hold objects at just the right angle to keep them stable, safe, and viewable. Mounts are also meant to be as invisible as possible to stop them from distracting the visitor from enjoying the object on display. This means mountmakers need exact object measurements to work with.
Thanks to their attention to detail, staff mounting exhibitions can be sure that objects will go where they are supposed to and fit perfectly in their mounts.
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We'd better be able to laugh at ourselves some days!
You've seen the curator's name at the end/start of the exhibit.
But have you seen the conservator's name?
What about the mountmaker's?
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If you're a potential student of museum-related fields, you might have gathered by now that it's a tough one. Questionable remuneration, fast-disappearing budgets, social invisibility, a limited number of permanent jobs, and ironically high barriers to entry are some of the main complaints.
So if you know all this and you still want to do this because you love the field, then you deserve a star and a digital certificate (because there's no budget to print you a physical one and also #sustainability).
We recognise your efforts and applaud your determination! 馃憦馃憦馃憦
And recommend you also get business and marketing skills because private practice may become necessary.
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When you're a conservation student, you're taught that every object requires intense background research before any actions are taken. You can spend several weeks finding out interesting details about an object that will inform your intervention.
When you start a museum job in what we call "bench conservation" (meaning you sit down - presumably on a bench - and work on the objects), you might get given 20 things and told they need to be done by yesterday, so extra care will need to be taken and maybe extra off-work hours too!
So, if you're a student, enjoy your research time! Chances are you'll never have as much of it again after you graduate.
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If you bound the money you've paid and received into books, this is what it might look like. Yes? No? Have you found a way around this yet?
At least some schools (like the degrees in the US) cover the degree costs completely! If you want more specific details on what postgraduate conservation masters level degrees cost today, check out the blog post I wrote about it on my website. Link in bio!
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I know I promised to show you the business cards this week, but there have been several unforeseen issues with the printing, so unfortunately, I am still waiting on them to come - properly.
Stay tuned for the (hopefully) final arrival of the cards along with some lessons learned on how to do this properly in case you want to try out some special business card designs yourself.
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This is what it feels like to watch jobs come up and not be able to apply for them. What are you waiting for that makes you feel this way?
Extra points if your caption is related to GLAM - Gallery, Libraries, Archives, and Museums!
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