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we fuck in the hay shed
                  and it’s easy you know? my fingers slipping into yours and this golden scent everywhere.   never mind we both get hay fever.
                          we are gentle, gentler than the lambs in the field.  the hay is scratchy but it’s nothing compared to your nails on my back.   your fringe falling                            down over green eyes, 
my reflection painted gold inside them and man, we could be like this forever.                       i swallow you like water. your laughter hits the ceiling and joy invades my pelvis.
                 we are hollowed out with euphoria. with tenderness. with wonder. and sure, we skipped breakfast but i’m never hungry. you steal all my oxygen and we become timeless.
you’re just too breathtaking in this hay shed.  i’m struggling to breathe and it’s the hay fever but even more, it’s you surrounded by golden light. you, with your broad shoulders,  the stubble on your cheeks, and those eyelashes, longer than your mother’s.
i’ll love you till the cows come home (and i open the back paddock gate                          and shoo the herd away, so they never come back,  so i never have to stop loving you.)
gold & gay // chelsea moon
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Richard Siken, “Birds Hover the Trampled Fields” | Marc Fishman, La Belle Dame Sans Merci | Paul Rader, Strange Breed cover | Soccer Mommy, Skin | Florence + the Machine, 100 Years | Gentleman Jack | Carly Rae Jepsen, Too Much | Grace & Frankie
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i’m like [this is a love story] [if we want the rewards of being loved we have to submit to the mortifying ordeal of being known] [self recognition through The Other] [it’s rotten work not to me not if it’s you] [don’t you think there is always something unspoken between two people?] [ON PURPOSE, ON PURPOSE I AM GOING TO CARE ABOUT YOU] [don’t you think maybe they are the same thing? love and attention?] [i will take good care of you i will take good care of you everything you feel is good if you would only let you] [i’d take care of you if you’d asked me to in a year or two]
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“It’s like autumn arriving. You expect nothing from its arrival. You expect everything.”
— Alejandra Pizarnik, Extracting the Stone of Madness; from ‘Extracting the Stone of Madness’, tr. Yvette Siegert
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you wear an ancestor's face. you look like a woman you'll never meet. in that mirror, there's thousands of you. and in the bath, when you look down, she looks back, shaking and deforming in the ripples as she lies beneath the surface.
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At first I thought I’d lost my own body,
felt it slip with the wind. Then I began
to practice the faith of bare trees,
learned to enter winter, an empty cathedral,
enter nights as dreams that sing
in different shades of green.
— Marcene Gandolfo, from “When She Leaves, I Think of Demeter in Autumn,” published in Glass
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You stood up and the water fell from you in silver streams. I didn’t think, I waded in and kissed you. You put your arms around my burning back. You said, ‘There’s nobody here but us.’ I looked up and the banks were empty.
Jeanette Winterson, from Written on the Body (via mythaelogy)
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I’m very, very proud to be Muslim!
Iman Meskini in the Norway’s Costume September 2017
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Katherine McNamara for PopularTV
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shadowhunters && colors: jace + black, purple, yellow, blue
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Chris Pine by Randall Mesdon for InStyle
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I wanted to write a book about all the people I knew and loved before I forgot them, but I see that my book is something else now. I see that I have been praying a selfish prayer for myself. I see that I have been praying this prayer…Please tell me I existed. Please tell me I was born. Please tell me I sang, and laughed, and danced, and saw and dreamed. I am beyond fucking memories now. It is a time for forgetting. God bless the forgotten. God bless the forgetful.
Scott McClanahan, Crapalachia (via emmaylor)
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You have to want to go to hell. Deserve’s / got nothing to do with it.
Michael Robbins, from “The Deep Heart’s Core,” published in The Nation (via lifeinpoetry)
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Hayes, wardrobe appreciation → 1x03 [Dropping Bombs]
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What would happen if Black Widow and Elektra fought? Lauren Mary Kim (Elektra’s stunt double in “Daredevil”) created this fight with Amy Johnston (Scarlet Johansson’s “Avengers” stunt double) to find out. It’s an amazing fight. Lauren Mary Kim is quite the choreographer.
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