Zeina Hashem Beck, “Savage Sonnet”
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heirloom by Zeina Hashem Beck
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when i was a little girl i wanted to bury the afternoon
when longing was long & my parents slept & slept
i stood in the corridor & repeated i i i i i until i
flickered in & out of myself
— Zeina Hashem Beck, from "ode to the afternoon," O
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We salvage ourselves. We savage ourselves.
Octobers mean grief, deep into our bones.
Can you spell worship? Do you mean warships?
Are family trees reddening? you ask.
Zeina Hashem Beck, from 'We Savage Ourselves'. Published in The Literary Hub.
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Aid to Gaza via poetry prints, Expedition Press, Seattle, WA, December 2023
«Expedition Press stands in solidarity with the Palestinian people and we are dismayed more each day at our country's role in the current genocide. We feel complicit and we feel despair. Can poetry do something? For the month of December 2023, Expedition Press will donate 50% of sales from prints by Lena Khalaf Tuffaha, Zeina Hashem Beck, and Mosab Abu Toha to Emergency Aid: Gaza Under Attack, a joint campaign of the Palestinian Feminist Collective x Middle East Children's Alliance.»
Mosab Abu Toha: Things You May Find Hidden in My Ear (City Lights).
Zeina Hashem Beck: O (Penguin), Louder than Hearts (Bauhan), There Was and How Much Was There (Smith|Doorstop), 3arabi Song, To Live in Autumn (The Backwaters Press).
Lena Khalaf Tuffaha: Something About Living (forthcoming Akron Press 2024), Kaan and Her Sisters (Trio House Press), Water & Salt (Red Hen Press), Arab in Newsland (Two Sylvias Press)
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"Savage Sonnet", Zeina Hashem Beck
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"Savage Sonnet" by Zeina Hashem Beck, published at Lit Hub, November 8, 2023
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Time, Zeina Hashem Beck
[ Text ID: Time, I know / I can’t reason with you. You go on and on. ]
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Relentless
“Stop writing about war,” he said. “Stop
writing about borders and blood. Stop writing
about revolutions and revolvers, about cities,
rooftops with antennas and snipers.
Stop writing about bread
and barefoot children with their dark
skin, their hair blond from too much sun.
Stop telling the story of how your friend
bought hats for them and gave them out
from her car window, saying put this on
put this on. Stop telling the story of the gates
your grandfather painted on his wall
to remember, and the gates he painted
on his heart to forget. For God’s sake stop
writing about religion, I’m tired
of minarets and crosses, even the prayers
are tired and want to sleep. Just write
some shade for me to sit in.”
So I drew him a tree without roots
and a street with enormous wings and said, “Here
is a tree that cannot be uprooted
and a street that will take flight
before it explodes.” And I drew myself
some mud, two strong legs, a clothesline
upon which to hang my drenched words,
to see what this sunlight would make of them,
and black birds on a fence
like the pattern of a kufiya.
— Zeina Hashem Beck
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from “ode to my husband who brings the music” by zeina hashem beck
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I asked about the soul & mom said God has tender hands.
Zeina Hashem Beck, from “Ghazal: Hands,” in O
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It was truly an honor to take part in the 100th Radical Poetry Reading this August. Deepest thanks to Sahar Muradi for inviting me to take part and to The Brooklyn Rail for creating space and others in support of art, culture, and political discourse. I hope you'll take a look and listen.
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Body, body, o dear ordinary miracle,
I want. To learn how to be bold in my body.
It’s always young, it’s always old in my body
& at what age does one begin? I begin.
Are you lost? Are you tide? I want you to be
September, with its promise of rain. With its prophecy
of storm.
— Zeina Hashem Beck, from "Ghazal-Ode for My Body," O
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ode to my husband, who brings the music by Zeina Hashem Beck
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Zeina Hashem Beck - Ode to Hunger
How I crave the strawberries
we bought on a road
in Cyprus the day we got married.
Their scent was divine & we forgot
to eat them.
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