#wonder worman

[mira-blue]

A Love Letter To Amphibia & Amphibians

well. here goes.

it feels a bit silly to be feeling so much over the ending of a disney cartoon meant for children, but it can't be helped. i don't even know how to begin to describe the impact amphibia has had on me - both as a person and on my life. not only did i have something to look forward to during what was arguably one of my worst years (never again, 2020), but in time, amphibia became more than just a show i cared about. it became something, something that drove me to create again, to reach out, to find some sort of meaning in the enjoyment i was experiencing.

and here i am now, happier than i've ever been before, with more friends than i could have ever imagined having. every single one of you - even those of you i've never spoken to - means so much to me. i've never felt like an important part of something until the amphibia fandom, and for that, i thank you.

there are a few people i would like to thank personally, so bear with me.

@maritasdump - for all the wonderful vibes you bring & for being one of my first friends on here. i can't believe how far we've come from our first interaction

@ayyyyysexual - for being my partner in crime and lightcannon brainrot and 1/3 of the braincell. here's to more unhinged 12 / 2 AM conversations

@bloop-arts - for yelling over flowers and other assorted items with me and being 2/3 of the braincell. bellflowers & journals, am i right?

@slymanner - for managing to feel like a lifetime friend in less than a year & constantly making my day better by just being yourself. you're so loved, womie

@sporadicsprinkles - for being my little sibling and a generally awesome person who never fails to surprise me /pos. can you believe it all started with this?

@wormautopsy - for being one of the coolest people ever & for introducing me to wormanity. still have our lil matching friendship bracelet

@cute-as-buttons - for allowing me to adopt you; couldn't ask for a better child. thanks for giving me the keys to apartment 3b, even if i don't use them much

@astro-inthestars - for being the best lil guy around! there's so much love stored in you; i'm happy i get to know it

@karamelys - for the softest, sweetest vibes, both in art and personality. one of my favorites of all time

@kaseyskat - for reaching out & being one of the most talented writers in this fandom (i can't wait to catch up on your stuff)

@borkthemork - for the comments you left on my fics ages ago & the absolute range of your chaos. and your pfp, of course

@honneibun - for all the banter and unending supply of great art. you're so cool, nerd

@/cinnaroll - for being here in spirit. never forgot you, never will. i hope you're well

@bigpinkbaguette - for writing one of the first amphibia fics i've ever read (can you smell the rain?). i'm so glad i found you on tumblr

@obvslybatgrl - for not only sharing my amphibia brainrot, but also my arcane (& jinx's love life) brainrot. i always look forward to seeing you on the dash or in the dms

@goodartitude - for being such a nice, lovely person. your kindness never fails to baffle me /pos & your art never fails to amaze me

@ectoplasmic-knife - for the chaos of two trucks and arson. never change dude

@generalyunan - for being so cool, but more importantly, for being a good friend. and all the psycho-analyzing

@caatjpeg - for being such a presence and loving things so passionately. getting to see you grow as a person and artist has been an honor

@cynthiacoven @chasinq-you @personthatexists @marcylore @mossnmice @pinkyshy101 @ohyoumeanher @prismhibiscusrosemary & everyone from apartment 3b - even if we don't speak much or at all, you've still had an impact.

and last, but far from least: @pyroclastic727 - for welcoming me into the fandom, and for creating amphibiapocalyse. if amphibia led us home, then you opened the door

and you. yeah you. those of you i didn't tag, those of you who think there's no way they're a part of this - you are. so thank you.

and see you on the other side

#*none of the people i tagged are required to respond #amphibia #mirambles #THIS POSTED INSTEAD OF SAVING 2 DRAFTS IM GONNA. yk what it's fine #it's out #if you see any edits no you didn't #ANWYAYS #LOVE YALL

[creature-creates]

Squirmles

INT. LIVING ROOM NIGHT

A WOMAN sits on a couch in the middle of the living room crying, a man dressed in a suit walks into frame, the man is NORMAN WORMAN.

NORMAN WORMAN

Has this ever happened to you? Do you not have any friends? Did your marriage fall apart right before your eyes, has any of this happened to you, Jenna? I know it has Jenna, I know exactly what happened Jenna, and I have the perfect solution! Introducing the squirmles!

CUT TO:

INT. MOSTLY EMPTY WINDOWLESS ROOM

NORMAN WORMAN stands behind a table covered entirely with squirmles-squirmles are small fuzzy worms with small googly eyes and strings.

NORMAN

Hello Jenna! My name is NORMAN WORMAN, and I'm here to talk to you about Squirmles. Squirmles are soon to be the newest addition to any Canadian family, or lack thereof, squirmles are perfect for adults or children or adults who lost the children in the divorce, who need some company in their lives. Squirmles are perfect for the lonely divorcee in any of our lives. Thanks to our secret method and design, they are soft, durable, and will never leave you. Unlike Chris, this wonderful product is sure to fill the hole he and the kids left in your heart when they left.

SWEEPING SHOT OF SQUIRMLES ON TABLE

NORMAN

Squirmles have small glassy eyes, incapable of showing emotions, so you'll never have to see them cry! Unlike Izzy, remember Izzy?

She cried, she didn't understand what was happening, why you and her father didn't love each other anymore, but you know what could have fixed those tears? A functional home? A compassionate mother? Come now Jenna be realistic, what she needed was a squirmle! The perfect thing to comfort anyone! Children, adults, even you, Jenna, you deserve comfort even after what you did to everyone around you, even after all your friends abandoned you.

THE CAMERA CUTS TO SHOW US A SQUIRMLE SUSPENDED IN WIND TUNNEL.

NORMAN

(shouting to be heard)

To show you how squirmles move I would like to show you a squirmle in a wind tunnel! They move so fluidly it's almost like they're alive! It's like a pet you don't have to care for, you can name it anything! Like Greg, after the goldfish you had when you were twelve! And this one will never die!

The squirmle writhes wildly in the wind.

GLAMOUR SHOTS OF VARIOUS SQUIRMLES.

NORMAN

These wonderful worms are one of the best products since The Scrungle Lads. And they can't talk so they won't ever tell you that they'd rather stay with dad, unlike Jake, but really can you blame him? You're the one who had the affair, was it worth it Jenna? Was the time you spent with Chuck worth what you lost? He left you too in the end, you never told him about your marriage did you Jenna, the only person you had to blame was yourself, until now!

Squirmles are a total blank slate, you can yell and scream at them as much as your heart desires and they'll still never leave you! This product is brand new and has limited stock available, so buy one now or be the only one without it, Chucks and Chris have already placed their orders, did you even know they moved in together Jenna? They didn't invite you to the wedding, but really, why would they? They found happiness, and you can too! But wait there's more! If you call now we'll throw in an extra Squirmle for the price of one extra Squirmle! So call now! Or be forever alone!

CUT TO:

END CARD WITH PHONE NUMBER

VOICE OVER

Call 123,4567,555 to get your Squirmle today, and if you call within the next 17 hours you'll get an extra worm for the price of one extra worm.

#i made this for a school project a couple years ago #its still one of the funniest things ive ever written #writing #ramblings of a monster #worm on a string #comedy #writing infomercials is fun but i could never get used to the writing style #idk if i should put any warnings on this #divorce mention #dark humor

[littlebigmouse]

MAG 19-22

HOLD UP I NEED TO THINK.

After MAG19 delightfully disappointed me by promising me cannibalism and then only delivering in the next episode, I began to notice that a lot of the episodes were referencing earlier episodes already. I also patted myself on the back for recognising the story with the tree and the priest.

I think there is a bit of a commonality between the tree-story and the hospital story because both suddenly had the main characters experience intense heat? I might be misremembering, or it could be a coincidence.

Either way, I expected a 'filler' episode from Freefall, some more episodes with small references, and then maybe a smaller 'plot-point' in about 5-10 episodes.

Instead I got Martin kicking in the door and yelling "Time for my amazing entrance!" while I was still getting used to the fact that he in fact, can do that. Calling that Jane Prentiss will invade the archives at some point later, because that would be rad af and I now know that they can do that :3

Although before I forget - Jon mentioned a guy named Simon Fairchild(?) at the end of Freefall (and I got so excited over Martin I forgot in what context), but I don't think I recognise the name from an earlier episode? Given the next episode was also about a random previous name drop - Jane Prentiss? The worms in a trenchcoat - I think he might be relevant and/or may have shown up before, but I don't remember at all.

Also I still don't see hide nor hair from a spin-off about Tim and Sascha breaking into places.

Martin: "You can attest to the soundness of my mind, right?" Jon: [dead silence] Jon: "anyway-"

Jon you are killing me here. But good to see that Jon's disdain of Martin is entirely one-sided, petty, and not strong enough to be genuine in the face of Martin's life being in potential danger. The fact that Jon has a room he uses to sleep in when he stays late, and the fact that Martin doesn't know about it, tells me Martin has a regard for work-life balance Jon completely lacks, and that Jon is in fact the anti-social shut in I believed him to be so far (not that that was a far fetched assumption to make). Although Martin doesn't seem to be a social butterfly either, 13 days of isolation and no friends, family or neighbours came by to check on him or bring over a pot of chicken broth for the soul and the supposed stomach problems. Although they may have all been kept away via Jane Prentiss high-jacking Martin's social media, of course, it still makes me wonder. Or maybe Martin is just +30 and british people just be like that.

... If Martin was stuck for 13 days, and Jane Prentiss used his phone to ward of suspicion, that must mean she charged it. Which means she had access to the exact charger and an electrical socket. Which implies a regular living space for here. I do wonder if the worms count as roommates. I wonder if she got the worms to pluck the charger into the phone. I can't believe they get many household chores done, but maybe I simply underestimate a person full of worms. Made of worms? A Worman. whatever.

Gosh I want to see her instagram tho.

#tma #the magnus archives #tma live reaction #martin blackwood #jonathan sims #you may laugh at me but don't spoil me please

[slsblog]

Help me understand, Tumblr!

This morning I happened to scroll through my own posts to see that three of them had been marked NSFW. Two photo sets of Wonder Woman covers and one photo set of Neal Adams’ Brave & Bold covers.  Huh? I dutifully clicked on the NSFW icon so that Tumblr admins could ‘review’ the situation and get back to me. But really...how are Batman and Diana a danger to sensitive sensibilities? 

#comic book covers #tumblr #batman #wonder worman

[pepperink]

Here is the time lapse video for my Wonder Woman chalk mural at this past weekends Sweet Chalk Festival in Lockport, NY. 9′ wide by 12′ tall, about 15 hours to complete, and only a little rain to work around. Enjoy!

#wonder worman #jim lee #chalk art #chalk mural #street art #time lapse #dc comics #comic art #comic books

[mrrubbersuitman]

Wonder Woman, Vol 1, 216, Bronze Age Comic Book. VG. March 1975. DC Comics

#wonder worman #elliot s. maggins #nick cardy #dc comics #comics for sale

[backyardi-gan]

Updated Backyardigans fanfic rec list

You said “send me the link privately” and I went, “actually I’m an overachiever for now I’ve decided” so here’s an updated version of the list of fic recs that other anon dropped a while ago. Now with more fics and little descriptions for all of them. Lemme know what you think of these! Might update you later if I find any other good fics. Happy Reading! (Note: I’d put all this under read more but I don’t know how to do that when submitting from mobile. If you want this to not take up as much space on your blog, you can like, copy/paste all this under a read more or something. I dunno) Hopefully these links work Backyardigans MiniAdventures and Randomness by WildImaginationGirl21 A collection of oneshots. Creative scenarios, and you can tell WildImaginationGirl21 was really passionate about Backyardigans at the time. A few oneshots are Austin/Uniqua A Nightmare’s Dream by casslass A fluffy little hurt/comfort fic I guess. Pretty well written. Uniqua has a nightmare. Her friends are there for her. There’s some Austin/Uniqua at the end. Very cute. Robot Rescue by Ruki Ki A sequel fic to robot rampage written in script format. They’re trying to fix all the robots. Backyardigans To The Future by cardsharks87 Goofy but in a good way. Uniqua turns an old car into a time machine and she and Pablo accidentally travel to 2050, where everything’s screwed-up and weird. Script-like format again. The Backyardigans: The Mouse Problem by Katy-Kale The Backyardigans are all staying in a hotel together for some reason and there’s a mouse. Some Easter Eggs/ references to episodes of the show, and also other things, including repurposed songs. The ending’s pretty cute. It’s All About the Paint by Sir Mustapha Tyrone and Austin are running competing paint companies and are also at war? Uniqua is a reporter that gets roped into the whole thing. Actually really well written! For a Backyardigans fic, anyway. The Masked Retriever II by Katy-Kale A 7 chapter sequel to The Masked Retriever. Pablo reads about knights and then tries to be one. Also he ditches Don Austin. Contains Pablo/Uniqua. Also contains some pretty funny scenes. Katy-Kale once again outsources songs Morning Commute by ZombieCatTookMyPudding A short crossover with the Wonder Pets about cartoon logic. Not much else to say. Smugglers Cove by backyardgameboy Quite a few typos, but still pretty good. Austin’s parents take the gang on a vacation to a touristy town called Smugglers Cove, where, rumor has it, pirates used to bury their treasure. Obviously, the Backyardigans are going after that treasure. Pablo is portrayed as really dumb here for some reason?? Austin has a dream where he turns into Sonic the hedgehog?? Austin/Uniqua. Minor Tyrone/Tasha. Lots of references to various episodes. What Is Love by casslass Short, sweet, and shippy! Takes place within the world of Robot Rampage. Robot Roscoe/Robot Reba, Austin/Uniqua. Return Of The Bug Goddess by Musk-ox-Leia Structured like an episode of the show. Tasha erases Uniqua’s memory in order to win a competition of Gods. Uses songs from the show-sorta, the lyrics are completely different Solider Boys by Bat138 Script format. One of the first Backyardigans fanfics on Fanfiction.net. Features original “songs” (though I guess it’s just text so... poems? IDK) Tyrone and Pablo have to save Princess Tasha, who was kidnapped by Austin and Uniqua Backyardigans of Madagascar by cardsharks87 A crossover with the penguins of Madagascar. Sherman got left behind when the wormans were going to Wyoming and ended up in New York via wacky hijinx now the Penguins of Madagascar and the Backyardigans need to take him to Wyoming. A Light in the Sky-The Backyardigans by Cyberstorm4 A suspenseful, supernatural Backyardigans story that takes place during summer break. Ongoing, and undergoing rewrites. Last updated March 11 of this year. The writing is okay, but the dialogue in the first few chapters feels OOC. It’s tagged creepypasta, but I genuinely have no idea why. Lastly, there’s a surprising amount of Backyardigans fanfics on deviantart. Most of them are pretty OC-heavy, I’ve noticed. Luckily, a deviantart group has already compiled a lot of them

[the-writing-experi]

Review: Repeat

by Kylie Scott

5 Stars

I enjoyed this book so much! While I could stop the review here and just say go forth and read... Time-savers, go ahead and do that! Everyone else: 

Clem, our heroine, is recovering from a vicious attack that left her with amnesia. She walks into a tattoo parlor to asks the proprietor about their past and finds out that they used to be in love. As she is making her way to recovery and building a new life, Clem tries to understand why why she ever ended her relationship with Ed. 

Clem is also coming to grips with who she is now versus the person that existed before the attack. She is delightfully forthright and snarky (classic Kylie Scott heroine!). I loved how we were able to experience her falling in love with books again -- she was able to read Kristen Ashley for the first time again! (this was probably the only side benefit besides stripping away her nervous hangups.) 

And our hero, Ed... oh, Ed... Geez, he was pretty amazing -- considering the worman who broke his heart was back in his life, and he was willing to help her get better.

This book is an audible original (audio book first, print and ebook coming later this year), and I think that this was a perfect book for the auditory experience. With the intense first person POV of Clem, we stay in her head and have to wonder who are all these people from her past life and who can she really rely on. As the plot unfolded, I found myself in suspense as I guessed who among the side characters truly hated her. In fact, this is some of the best of Kylie Scott’s writing - humor, thrills, action, love. 

The amnesia trope is one of the hardest plot devices to do well -- and Repeat does it well. Ed and Clem work hard to rebuild a new relationship that feels much stronger that what we guess happened in the past. The honesty they communicate to each other is so beautiful, and they know that it is precious since they almost lost it before. I just loved this book & hope you enjoy it, too.

#books #book review #romance #contemporary romance #amnesia romance

[maxwellyjordan]

Symposium: Fourth down and goal — Will the court punt again?

Michelle Ghetti is Deputy Solicitor General for the state of Louisiana, which authored a multi-state amicus brief in support of the petitioners in New York State Rifle & Pistol Association v. City of New York.

As we spend fall weekends watching football, one has to wonder – in the big game of constitutional football, will the Supreme Court once again punt the Second Amendment? In the words of Justice Clarence Thomas, the court has treated the Second Amendment as a disfavored right, a “constitutional orphan,” refusing to clarify the standard for assessing Second Amendment claims for over 10 years. Thomas is joined in that concern by Justices Samuel Alito and Neil Gorsuch. However, three votes do not a writ grant make. Justice Brett Kavanaugh, though, has expressed a broad historical view of the Second Amendment. Although vote counts for granting certiorari aren’t public, perhaps his was the necessary fourth vote to grant certiorari in New York State Rifle & Pistol Association v. City of New York.

But is this enough to get a decision by the court defining the contours of the Second Amendment? Justices Stephen Breyer, Ruth Bader Ginsburg and Sonia Sotomayor have expressed the views that use of arms for self-defense does not warrant federal constitutional protection and that Second Amendment rights are not fundamental for incorporation purposes. Justice Elena Kagan appears equally unsympathetic to Second Amendment claims. And, although Chief Justice John Roberts joined the majority opinions in both District of Columbia v. Heller and McDonald v. City of Chicago, he is known as a consensus builder and has long said each case should be decided on the basis of a rule of law that does no more than is necessary to resolve the particular dispute before the court.

So, what other limited issue raised in this case, wholly apart from the Second Amendment, might capture the interest of a majority of the court? Four other constitutional “plays” might get five votes: (1) decide that the case is now moot, (2) determine that New York City’s regulations violate the commerce clause, (3) conclude that its regulations violate the right to travel, or (4) hold that its rule is preempted by the Firearm Owners’ Protection Act.

Mootness

The court has sent mixed signals regarding mootness: When New York City revised its rule and requested dismissal, the Supreme Court declined the invitation, instead directing that the question be considered at oral argument. The first “play,” then, could be to decide after argument that the case is moot. My able co-contributors have fully covered that possibility in their articles. Even for those justices who ache for a decision clarifying the parameters of the Second Amendment, five pending cert petitions more directly present that question: Malpasso v. Pallozzi (whether licenses can require a “good and substantial reason” for possessing a gun), Cheesemen v. Polillo (whether licenses can require a “justifiable need” for possessing a gun), Worman v. Healey (whether “assault weapons” and “large capacity feeding devices” can be banned), Pena v. Horan (whether possession of a gun can be limited to “safe” guns) and Mance v. Barr (whether the federal government can prohibit interstate handgun sales). Finding this case to be moot and taking up one or more of these other cases may be a better route to clarifying Second Amendment law.

Commerce clause

The second most likely play to get a consensus would be to conclude that New York City’s regulations violate the commerce clause. The regulations do not allow any of New York City’s 8.5 million residents to transport a gun outside of their homes, even locked and unloaded, except to one of the seven in-city shooting ranges or to an approved in-state hunting area. Paying a fee to practice with one’s gun, to participate in a competition or to hunt on certain land is plainly commerce. Wildlife tourism – including recreational hunting and sports shooting – annually creates millions of jobs and generates billions in tax revenue and spending throughout the United States. In 2016 alone, 11.5 million people took 147 million trips to hunt within the United States, generating more than $27 billion in spending, nearly $2 billion in federal tax revenue and $1.6 billion in state and local tax revenue. Furthermore, nearly 200,000 American jobs and $7 billion in salaries and wages can be attributed to the hunting industry. It is no less a competitive, revenue-generating sport than golf or baseball and, just as a golfer or baseball player would be entitled to use his own golf clubs or bat to engage in his sport, hunters and sharpshooters need and are entitled to use their own guns. New York City’s regulations also clearly favor a small group of local businesses over those outside the city, thereby impeding the free flow of commerce.

A law isolating commerce locally blatantly discriminates against interstate commerce and can only survive if the municipality can demonstrate, under rigorous scrutiny, that it is needed to advance a legitimate local interest. New York City’s alleged “local interest” is the safety of its citizens, but it has been unable to articulate how possessing an unloaded handgun to travel to an out-of-jurisdiction gun or hunting range is any more a risk to the safety of its citizens than carrying an unloaded gun to one of the in-city or in-state ranges. Make no mistake, an unloaded gun is no more dangerous than a golf club or a baseball bat – competitive athletic equipment that no one has seen fit to restrict to the inner sanctum of one’s home. And even if an unloaded gun were dangerous, common sense dictates that it would be less dangerous to carry it outside of city limits rather than to a local range. Finally, a state or municipality simply cannot protect a local industry against competition from outside its boundaries, even for safety purposes, if reasonable alternatives exist – such as requiring that the guns be unloaded and locked in a container separate from any ammunition.

Lastly, New York City’s regulations cannot be considered in a vacuum. To determine what the practical effect of a statute may be, the court in part considers what would happen if not one but many states or municipalities adopted similar legislation. Should this regulatory scheme be upheld, given the current environment, numerous cities around the country may adopt a similar protectionist scheme. This would be devastating to gun-related commerce throughout the United States.

Right to travel

The third play would be to invigorate the seemingly dormant constitutional right to travel, which hasn’t been the basis of a decision by the Supreme Court in 20 years. The right derives from the explicit right of “free ingress and regress to and from any other State” originally found in the Articles of Confederation. No longer explicit, it is considered to be part of either the privileges and immunities clause or the commerce clause. The right to travel from one state to another is fundamental to the concept of our federal union and crucial to our “national interest in a fluid system of interstate movement.” A law implicates this right if it deters interstate travel or uses any classification that penalizes the right.

The New York City regulations unquestionably deter the city’s gun-possessing residents – believed to be approximately 1.2 million, 840,000 of whom possess premises permits – from traveling to another state with a handgun in their possession, a classification that penalizes these residents’ right to travel. This is true whether the trip is for hunting, shooting practice, competition, or just for a vacation or to visit friends or relatives.

Furthermore, taken together with New York state’s restrictive gun-possession laws, the city’s ordinance unconstitutionally restricts nonresidents, possessing a gun legally in both the departure and arrival states, from traveling through New York without running the risk of arrest and prosecution. In 2018 alone, 2.3 billion Americans traveled within the United States for business or leisure, including 65 million visitors to New York City. New York state has 24 airports, four major water ports, 3,447 miles of railroads and seven border ports of entry through which Americans pass, and it is impossible to get to or from six states by public roadways without passing through New York.

Because the city’s ordinance unreasonably blocks the right to ingress and egress based on possession of an item legal in other states, it interferes with and unconstitutionally burdens the right to travel. Furthermore, should the city’s regime be upheld and similar restrictions adopted in other jurisdictions, safe interstate travel would be in jeopardy.

FOPA preemption

Although the petitioners have not specifically argued New York City’s regulations are preempted by federal law, the fourth play, although perhaps only providing limited relief, is to interpret the Firearm Owners’ Protection Act, 18 U.S.C. § 926A, as preempting the restrictions, at least insofar as they limit travel with guns in vehicles.

FOPA provides that, “notwithstanding any other provision of any law or any rule or regulation of a State or any political subdivision thereof,” a person is entitled to “transport a firearm for any lawful purpose from any place where he may lawfully possess and carry such firearm to any other place where he may lawfully possess and carry such firearm,” if it is unloaded and, along with its ammunition, not readily accessible from the passenger compartment of the vehicle. It was enacted in response to serious abuses by the Bureau of Alcohol, Tobacco, and Firearms against law-abiding citizens. Hunters, in particular, were being arrested for firearms violations while passing through a state with tight controls.

Preemption of a state law by a federal law occurs, for example, when Congress expressly preempts state law or when the law conflicts with federal law so that a party cannot comply with both state and federal requirements. Under FOPA, Congress explicitly preempted state law on interstate travel with firearms. And if a citizen following federal law carries an unloaded, inaccessible gun in his vehicle, he would violate New York City’s ordinance. FOPA preempts that ordinance, and the Supreme Court should so hold.

Although the chief justice would prefer to view Supreme Court justices as umpires rather than coaches, there is still a level of strategy involved in the selection of cases for review and the basis of the ruling. The court has the ability to avoid the Second Amendment issue in this case once again, but hundreds of thousands of lawful gun owners hope it will not.

The post Symposium: Fourth down and goal — Will the court punt again? appeared first on SCOTUSblog.

from Law https://www.scotusblog.com/2019/11/symposium-fourth-down-and-goal-will-the-court-punt-again/ via http://www.rssmix.com/

#law #justice

[lenzwizard]

It was already a beautiful summer morning. I had dropped my wife and the dogs off at the farm and I had a free morning. The “farm” as we call it is actually a non-working farm were, we keep our commercial cooking equipment for our BBQ catering business. She likes to run the smoker herself and she chased me away. So, having a free morning for my photography I decided to head over to Delaware Township in hopes I would find some white tail deer grazing in a field.

It was about 5:45am the light was good, air was very warm at 70°, there was a ground fog that was quickly rising. The fog was not thick but, I thought it could add to any shot of deer grazing. I had the 70-200mm lens mounted and I also had my 24-70mm out and ready to mount if needed.

As I made my way along with no particular location or direction in mind, other than heading to the farmland, I felt peaceful and I actually said to myself “this is a good morning.” After heading down Route 202 I contemplated “should I just do a walk-around in the town of Lambertville?” Maybe I could catch some great street photography? Maybe not. I quickly turned up Headquarters’ road and on to Seabrook. “There it is” I thought, “that beautiful horse farm with the long winding lane.” I have captured this location in the past during the autumn colors but, hey, why not capture it during the early morning hours of a summer day.

Chicken Mushroom

I made my way down Seabrook and over to Grafton road where I was moving very slowly in fist gear and I seen a Chicken Mushroom off to the left about 50-70 yards away. And to make matters worse it was about 15-20 feet up a tree. I love Chicken Mushrooms and if that thing had been reachable from the ground, I would have snatched it. Still I took a nice photo of it to tantalize my wife with.

Then from Grafton I made my way over to Worman road, the road nobody ever seems to go down… Actually, not true lol there are several homes on Worman but, it does have a short distance of solitude where there are no houses or farms. And there they were… a doe and her lovely fawn, in the morning down by the creek for a drink of water. The fawn looked up rather quickly and flinched a bit when she first seen my truck slow down. The mother was somber but, very alert. They were about 150 feet away, down a ravine and on the opposite side of the creek. I just took a second to take in the scene, for I know once I raise the camera they will flee quickly.

 1/60 sec at f/2.8 ISO 400 185mm 6:03:58am

I moved quick with steady movement and raised the camera and snapped off a shot, then another and they started to move. Oh wait… this is not a good morning; this is an awesome morning. There is a blue heron with them and he is chomping away on minnows, having a delightful breakfast.

At this point I start going in to actions that I really don’t think about, they come rather instinctively from years of being around wildlife and knowing what’s going to happen next. First is “the blue bird is going to fly away and the deer are going to run up the hill,” I need to act fast. The road is downhill for about the next ¼ mile or more, I shut the engine down and put on the four-way flashers and shift to neutral, foot on the brake, knee on the bottom of the steering wheel. Now the deer are getting skittish and the bird is just looking. I want to get a decent shot of the all three creatures together before they disappear in front of my eyes.

1/60 sec at f/2.8 ISO 250 95mm 6:04:25am

This is how the whole sequence went down; I fired the first shot not knowing the heron was even there at all, the second shot I notice the heron and I go into the afore mentioned action of shutting down the engine. By time I take my 4th shot everybody is starting to move. Keep in mind the first shot was at 6:03:58am and the fourth shot is at 6:04:10am. Ok, so the deer are turning and getting ready to head up the hill but, my focus is on the blue heron. I know he will fly away because the always do. At 6:04:20am I get a shot of all three creatures. Next shot 6:04:23am I zoom to 200mm and get a (not good focus) shot of just the heron. I release my foot from the break and my truck rolls forward with only the gravel under the tires making a slight noise and zoom out taking another shot of all three at 6:04:25am, the heron is hopping a few steps and using the weeds as a curtain to hide form my line of sight. At 6:04:29am the deer are now heading up the hill and the heron is looking at them. 6:04:30am the heron flies but, not far. I’m still feathering the brake as my truck continues to roll down the gravel road ever so slowly.

1/60 sec at f/2.8 ISO 400 200mm 6:04:44am

The blue heron lands on a dead tree spanning the creek and positions himself so another tree is blocking my line of sight. At 6:04:44am I get a decent shot of the blue bird perched on the tree. It is not a perfect shot by any means, I’m in manual mode, 1/60 sec at f/2.8 ISO 400 200mm. I can live with those settings except the 1/60 second shutter speed, if it could have been 1/125 second, I would have had a wonderful shot. Not complaining because I am happy to just see this whole scene even if I had no camera. It is nature at it’s finest on a peaceful Sunday morning, I love it.

He now jumps from the tree down into the creek where I can barely get a view of him but, then I see him and he is already eating more minnows. I try to get shots of this but, to no avail, at 6:6:05:25am I get a shot where I can barely see he has something in his beak but, the shot is marred by weeds in my line of sight. I continue to follow him as he walks in the ravine of the creek and I fire the last shot at 6:05:38am. He is now staying stationary where I cannot see him and I know if I get out of the vehicle he will fly for sure and I get no shot because of the trees and lighting. Also, if he flies, he loses out on his minnows. So, I let him just stay hidden as I roll a little further down the road and fire up the engine and move along.

Now I continue on down Worman road seeing squirrels and birds and nothing more as interesting as the scene I had just witnessed.  Most people who are not from New Jersey think of this state as a congested wasteland of cul-de-sacs, highways and housing developments and while that is true of most of the state, there still are a few nice places where a person can witness a beautiful scene such as the one presented to me this morning.

  Thanks for reading and have a great day.

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          Early Morning By The Creek (I want to get a decent shot of the all three creatures together before they disappear in front of my eyes.) It was already a beautiful summer morning. I had dropped my wife and the dogs off at the farm and I had a free morning.

#Blue Heron #Creek #Deer #Delaware Township #Digital photography #Nature #New Jersey #Photography #WhiteTail #Worman Road

[itsworn]

Graveyard Gold with Mark Worman

Mark Worman here. The Undertaker, The Dream Maker, The Love Taker, don’t you mess around with me. Wait, I think that last moniker may harbor the vaguest hint of plagiarism. Yes, my legal team is advising me to cease and desist using that title.

OK, OK, so I ripped off Pat Benatar, so what? “It doesn’t matter who said them first, I am passing my wisdom on to you …” said Sir David Brent. All right, fine, I admit I don’t write all of my material, I may have borrowed a few lines from TV and movies, so what? Robert W. Thompson may have been credited with first inventing the tire, John Boyd Dunlop, the second, but you don’t need their names on a tire to carry you to safety, do ya?

I think now would be a great time to take the off-ramp from that slippery highway and get back to all things cars. And I’d like to start by sharing my thoughts with current and future readers of Mopar Muscle.

I admit that my articles are usually based on my highly subjective expertise (read: opinion), at least when it comes to what made this or that car great; or why this or that happened, when there’s no factual explanation available and that’s OK. I keep to the facts where there are facts to quote, and I gladly share my experience with all when it comes to the restoration of Chrysler muscle cars. But when it comes to opinions, well, that’s all they are, my opinions. So while some of you may disagree about what features on a Mopar most sear their indelible carbon tracks on your hearts, remember it’s all subject to one’s personal predilections.

I will quote from the brilliant Paul Simon now, “When I think back on all the crap I learned in high school, it’s a wonder I can think at all. And though my lack of education hasn’t hurt me none, I can see the writing on the wall.” Opening lyrics from the July 7th, 1973 #2 Billboard hit song, “Kodachrome.” While I’m not his biggest fan in the world, I sure do recognize raw talent and appreciate thought-provoking lyrics. In fact, the chorus of the same song, is what this installment of “Beyond the Grave” is about.

“Kodachrome … They give us those nice bright colors, they give us the greens of summers, makes you think all the world’s a sunny day.” Just swap out “Kodachrome” for “Mopar” and read along as I share my opinion on the old proverb, “All that glitters is not gold.”

In 1970, Dodge and Plymouth threw their collective hats in the ponycar ring — big time. The design cues of the ’70 Barracuda and Challenger revolutionized what a ponycar, a muscle car, should be and would be for generations to come. No question that even today, nearly 50 years later, they stand as two of the most seductive and stylish body designs in automotive history. However, the mindful and creative team of designers at Ma Mopar, weren’t finished — not by a mile.

Styling is one thing, engines and drivetrains, sales options, pricing, well that’s all part of the ride, pun intended. Color — vibrant, prepossessing color — that’s what Mopar may be best known for during the late ’60s and early ’70s. But as I said, “All that glitters is not gold.” Yeah, I know, I stole that one too.

Graveyard Cars just finished one of its most beautiful restorations. That’s saying a lot, considering some of the formidable contenders from our past. I’m sure many of you reading this have witnessed our restorations of some of the most valuable and rare Mopar muscle cars on the planet — like a 1971 ’Cuda 440+6, four-speed, Shaker Hood in EV2 Tor Red or a ’69 Daytona, one of only 503 ever made. Recently, we brought back a 1970 Coronet R/T, 426 Hemi, convertible, four-speed — one of only two made and the only one left in existence. Not to belabor the point, but the list goes on and on. Nonetheless, this stunning example of the famed ponycar, will melt your heart and satiate your senses.

Let’s break this gem down by the numbers and remember, a Body Code Plate, aka Fender Tag, is read left to right and bottom to top:

V5X Y05 26 EN2 N42 N85 N88 P31 R35 C55 G33 H51 M21 M31 N41 V1X A01 A62 B51 C16 C26 FF4 HRX0 000 A28 060716 E86 D32 JS29 U0B 173369

E86 440 1-4BBL HP D32 A727 3-SPD A/Trans JS29 CHALLENGER R/T SPECIAL EDITION U/0/B 440 1–4BBL 1970 MODEL YEAR HAMTRAMCK MI. 173369 SERIAL NUMBER FF4 LIGHT GREEN METALLIC HRX9 LEATHER BUCKET SEATS (BLACK) 000 FULL DOOR PANELS A28 SCHEDULED PRODUCTION DATE (OCTOBER 28) 060716 VEHICLE ORDER NUMBER V1X FULL VINYL ROOF (BLACK) A01 LIGHT PACKAGE A62 RALLYE INSTRUMENT CLUSTER (W/8K TACH) B51 POWER FRONT DISC BRAKES C16 CENTER CONSOLE C26 CONSOLETTE W/FORMED HEADLINING C55 BUCKET SEATS (FRONT) G33 LH O/S MIRROR REM/CHR/RAC H51 AIR CONDITIONING W/FRONT HEATER M21 DRIP RAIL MOLDINGS M31 BODY BELT MOLDINGS N41 DUAL EXHAUST SYSTEM N42 BRIGHT EXHAUST TIPS N88 AUTO SPEED CONTROL P31 POWER WINDOWS R35 RADIO-AM/FM-MX-STEREO (10W) V5X MOLDINGS-PROTECTIVE BODY SIDE Y05 BUILD TO SPECIFICATIONS FOR : U.S.A ORDER 26 26” RADIATOR EN2 END OF SALES CODE (2ND LINE)

  So, as you can see, this Challenger isn’t only rare, it’s also a beautiful balance of both muscle and luxury. Fortunately, it was a very complete car to start with, but that’s not to say it was without its hidden sins. We had to replace front inner fenders, front floors, rear step wells, under seat pan, trunk floor, trunk floor extensions, quarter-panels, and multiple patches due to Midwest rust.

In the end, we were able to save much of the original interior, chrome, and trim. With the options this car has, it’s a dream to drive. Air conditioning, power windows, speed control, and all the time you’re riding on rich Corinthian leather. OK, maybe not Corinthian, but it’s leather. Sorry, I was channeling Ricardo for a moment.

Now returned 100 percent to its original, assembly line condition, this car is ready to give its owner another 50 years of fun and stake its claim as Graveyard Gold, without the glitter.

The post Graveyard Gold with Mark Worman appeared first on Hot Rod Network.

from Hot Rod Network https://www.hotrod.com/articles/graveyard-gold-mark-worman/ via IFTTT

#IFTTT #Hot Rod Network

[planetmosh]

The rock and roll bus ride’s into town tonight with not one but four great bands. Big guns Skid Row are joined by hard rock glamsters Backyard Babies, you could think this is a nostalgia trip of the 80s but keeping it fresh is Sweden’s’ H.E.A.T and UK band Vega, who bring the rock and roll party to this awesome line-up.

VEGA – There’s an excitement in the air as I arrive at an already full venue. It’s not sold out but I’m impressed with the crowd turnout. Vega is already into their set, so I missed the aptly titled opener Lets have fun tonight which sounds the perfect song to get everyone warmed up and we need warming up as the venue is cold, it’s not like the O2 to skimp on the heating! Described as melodic rock Vega have more than a middle of the road sound, vocalist Nick Worman, blasts outs the notes and the crowd are appreciative of their efforts. With key synths getting up a buzz and hook-in chorus’ to sing along to, it’s not long before they have to say goodbye with set closer Saving Grace.  

Setlist https://www.setlist.fm/setlist/vega/2019/o2-academy-sheffield-england-4395af8f.html

Band Info https://www.vegaofficial.co.uk/

  H.E.A.T is next on stage all the way from Sweden but they’re no stranger to the UK as they’ve played many times over the last few years.  Their mix of AOR rock has a hard edge to it.  It’s all about tonight shows us their proficiency as a band, they certainly don’t have anything to prove, as the crowd lap it up in spades!  Singer Erik Grönwall is proud to be supporting for Skid Row and fellow Swedes Backyard Babies as he tells the fans, it’s because of Skid Row, he loves rock and roll!  Creating an electric atmosphere H.E.A.T bounce off their own vibe and Erik headbangs, dances about the stage and makes funny faces to the front row as he makes a few welcome trips to the ecstatic fans on the barrier!  During their song Beg Beg Beg they mash it up with a medley of parts from AC/DC’s Whole Lotta Rosie and Janis Joplin’s Piece of my Heart.  Erik wraps up with some words of wisdom ”keep smiling, life is good”  as the band bring their set to a close with a Shot of Redemption. 

Band Info https://www.heatsweden.com/

SETLIST https://www.setlist.fm/setlist/heat/2019/o2-academy-sheffield-england-5b95af88.html

HEAT singer Erik Grönwall by Alex English

  BACKYARD BABIES  Are the main support act tonight with a notable 13 song setlist. Their fans have made their way to the front.  I like it when fans give way to the other band’s fans so they can appreciate the show. A cool fact I discovered about the band is that Peder Carlsson, Johan Blomquist, Dregen and Nicke Borg were all born in the same year and same town, Nässjö, southern Sweden in 1973. After getting back together, there is no stopping this infectious band with their clever riffs and anthemic choruses that will whirl around in your head for days after the gig.  Shovin Rocks being one of those songs, you’ll be wondering why you keep singing ‘rock and roll’ over and over again!

Wearing a woollen scarf around his neck, singer Nicke has a cold. As he explains it’s cold here but it’s colder in Sweden. Favourites Look at you and Nomadic gets everyone bouncing before they slow things down. Taking a break the band leaves the stage. Returning is Dregan the main guitarist, who is also a big draw to the band for the fans.  Effortlessly cool he takes to stage with his acoustic guitar and with Nicke, they perform a Song for the outcast and Roads, which Dregan describes like a Dogs D’Amour song.

Backyard Babies sum up themselves perfectly with Th1rt3en or Nothing their last single from 2015. If they go straight to hell, I think they’ll be having one hell of a party down there.  Tonight, they proved that rock and roll ain’t dead, especially on a Wednesday evening Sheffield.

Band Info –http://backyardbabies.com/

Setlist – https://www.setlist.fm/setlist/backyard-babies/2019/o2-academy-sheffield-england-4b95af8a.html

  Nicke and Dregan Backyard Babies by Alex English

  SKID ROW The New Jersey rockers have a new slinger with them, vocalist ZP Theart  ex-DragonForce, whos been an official member since 2017. Who’d thought the hard rock metallers would stand the testament of time, 32 years to be precise. Their Fans have come out in force and it’s good to see, especially as the band played Manchester last night, and some fans have returned for another night of rock and roll mayhem.

ZP has a terrific vocal range and brings new life to the songs written by founding members Dave Sabo and Rachel Bolan.  Blasting off with Slave to the grind they tear through Skid Row classics Big Guns and 18 & Life, you could say some of the fans here tonight have been in it since 18 or before then?  I’m impressed as ZP hits those top notes, he has a good interaction with the crowd and teases them if they are too quiet between songs, asking ‘are you still out there?’ As he held his hand to his ear, to receive a deafening shrill of ‘yeah’s’ back from the audience.

From their B-Sides Ourselves album, bassist, Rachel takes the vocals for their cover of Ramones track Psycho Therapy, an immense punk rocking number that he screeches to a climactic end and gets an explosion of applause in return. Bolan tells us he is a huge fan of the UK and of one band, in particular, Def Leppard. He loves coming here to play with his band as they always receive a great response from the fans each time.

Taking to the stage Dave Sabo picks up on the Def Leppard story, to which he recounts an early band encounter they had with Def Leppard, which showed a young Skid Row, humility and gratitude. 32 years on he thanks  Def Leppard for that lesson and also thanks all the fans tonight for being loyal supporters of what they do, because they couldn’t do it without them!  Sabo introduces the timeless power ballad I remember you on his acoustic guitar. I’m sure I spotted a few hankies in the crowd during that epic performance.

Encoring for We are the Damned, they also played Ghost and Forever which ZP said they hadn’t played for a while. Releasing giant beach ball size balloons into the audience, the fans go crazy to the Skid Row anthem and closer Youth Gone Wild. 

Personally, I can’t wait for the big guns to return and play us more of their classic hits and more.

SKID ROW Setlist https://www.setlist.fm/setlist/skid-row/2019/o2-academy-sheffield-england-5395af95.html

Band INFO – https://www.skidrow.com/

  Scotti Hill by Alex English

Rachel Bolan by Alex English

Dave Sabo by Alex English

Flickr Gallery

  SKID ROW O2 Academy, Sheffield, Wednesday 23rd January 2019

#Backyard Babies #Frontiers #H.E.A.T #Skid Row #VEGA

[lamjunejune]

Really good show wonder worman! 看到流淚的演唱會, 只因時間的確據, 經歷、過程與成長, 需要不斷的321go! 祝褔妳在未來每一個階段也得更豐盛。 也祝福自己, 不須要待到66歲吧😂 如像火鳥在洪爐內花瓣在懸崖上躍下才可再生 #楊千嬅 #楊千嬅三二一go演唱會2017

#楊千嬅 #楊千嬅三二一go演唱會2017

[violence716]

CAROLINE - A film by Mani Nasry from MANI NASRY on Vimeo.

imdb.com/name/nm1421199/

Director/Producer/Writer -MANI NASRY

twitter.com/#!/ManiNasry

Mani Nasry an exceptionally talented filmmaker, actor and artist with a sophisticated breadth of education, skills, experience, and professional accomplishments. He trained as an actor and director in New York with Salem Ludwig and with Donna DeMatteo for playwriting. For Mani, the decision to work in the film industry guided his academic decisions from an early age. He attended a Toronto high school renowned for excellence in the arts, and was accepted into one of the highly competitive film program at Ryerson university. It is notable that he went to Ryerson with an already well-established career in theatre, film, television and commercial work, and a range of multi-faceted achievements including producing, cinematography, casting, writing, directing, acting, and editing. On his own he added stints in New York and Los Angeles with leading acting teachers, as well as learning the grace and style of many forms of dance and athletics. With courses perceptively, he has also recognized the importance of acquiring an understanding of the business side of the industry, and the varied aspects of technology and production. There are some people clearly born to follow the path they have chosen from the start. Mani Nasry has the passion to succeed, the curiosity and ingenuity required to lead and collaborate in an industry known for its impact and appeal, and the strength of character and work ethic to immerse himself in finding and telling an unforgettable story.

MANI NASRY FILM AND TELEVISION RESUME Performer Profile Gender: Male Height: 5 feet 7 in Weight: 140 Age Range: 21 - 29 Physique: Athletic Hair Color: Brown Eyes: Brown Film Family Curse (2003 TV movie) Cast-Apr 01, 2003 SHADOW WALKERS PRODUCTIONS LTD Dawn of the Dead (2004) Cast-May 25, 2003/Jul 20, 2003 CORPUS VIVOS PRODUCTIONS INC Beautiful Girl (2003 TV movie) Cast-Aug 31, 2003 NEVER TIME PRODUCTIONS LTD New York Minute (2004/I) Cast-Sep 07, 2003 NY MINUTE FILMS INC Prom Queen: The Marc Hall Story (2004 TV movie) Cast-Oct 18, 2003 ADJUSTMENT BULLOCH Childstar (2004) Cast-Nov 23, 2003/Dec 07, 2003 RHOMBUS MEDIA The Coven (2004 TV movie) Cast-Dec 07, 2003 COVEN PRODUCTIONS CORP Man of the Year (2006) Cast-Feb 14, 2006 AXIUM ENTERTAINMENT SERVICES CANADA HOOKED ON SPEEDMAN Cast-Mar 08, 2006 PLAYING ARMY PRODUCTIONS INC "WHAT DO YOU SEE 1" Cast-Mar 14, 2006 ARNOLD WORLDWIDE CANADA Road to Christmas (2006 TV movie) Cast-Apr 02, 2006/ Apr 23, 2006 LET IT SNOW PRODUCTIONS INC. 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BAXLEY Flashback Cast 14 FILM When Bad Things Happen To Good People Cast 14 FILM Television The Call (2004 TV series documentary) Cast-Oct 23, 2003/Nov 13, 2003 Life Network -1536901 ONTARIO INC VIOLENT CRIME Cast-Mar 16, 2003 VC PRODUCTIONS INC UNTITLED HOLLAND FULLER Cast-Mar 23, 2003 MILLENNIUM CANADIAN PRODUCTIONS EAST SHAKESPEARVILLE Cast-May 11, 2003 681417 ONTARIO LIMITED Platinum (2003 TV series) Cast-Mar 02, 2003/Mar 09, 2003/Apr 06, 2003/Apr 20, 2003 Platinum Television Production Inc RADIO FREE NUTLEY Cast-Jul 27, 2003 DECODE/NUTLEY PRODUCTIONS INC Wonderfalls (2004 TV series) Cast-Aug 03, 2003/Sep 21, 2003/Nov 16, 2003/Dec 07, 2003 MILLENNIUM CANADIAN PRODUCTIONS EAST Wild Card (2003 TV series) [2003-2005] Cast-Jul 29, 2003/Aug 11, 2003 AXIUM An American in Canada (2002 TV series) [2002-2004] Cast-Aug 17, 2003 YANKEE DOODLE PRODUCTIONS II INC The Eleventh Hour (TV series) [2002-2005] Cast-Sep 14, 2003/Sep 21, 2003/ Nov 23, 2003 THIS JUST IN II PRODUCTIONS INC Sue Thomas: F.B.Eye (TV series) [2002-2005] Cast-Sep 29, 2003/Dec 08, 2003/ PEBBLEHUT F.B.EYE, INC Puppets Who Kill (2002 TV series) [2002-????] Cast-Oct 28, 2003 P.W.K. 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ZOS: Zone of Separation (2008 TV mini-series) Cast-Jun 02, 2007 Whizbang Films Inc The Listener (2008 TV series) Cast-Jun 04, 2007 SHAFTESBURY LISTENERS INC Guns (2008 TV mini-series) Cast-Jun 26, 2007 HIGH CALIBRE PRODUCTIONS INC The Border (2008 TV series) Cast-Oct 15, 2006/Jul 18, 2007 MACKEREL PIE PICTURES INC The Line (2009 TV series) Cast-Aug 13, 2007/Aug 13, 2007 RICHMOND STREET FILMS INC ReGenesis (TV series) [2004-????] Cast-Oct 22, 2006/Oct 29, 2006/Aug 20, 2007 SHAFTESBURY REGENESIS III INC Life with Derek (TV series) [2005-????] Cast-Sep 10, 2007 LIFE WITH DEREK IV INC XIII (2008 TV mini-series) Cast-Nov 18, 2007 XIII TELEVISION PRODUCTIONS INC Fringe (2008 TV series) Cast-Feb 04, 2008 FRINGE ELEMENT FILMS INC Radio Free Roscoe Cast Decode/Nutley Productions Inc. Street Time Cast Cliftwood Productions Commercials PROCTER & GAMBLE Cast-Oct 09, 2003 CANADIAN CONNECTION STICKS Cast-Feb 16, 2006 DOWNTOWN PARTNERS DDB PASS ALONG Cast-Nov 15, 2006 Grey Worldwide-Toronto A SPLASH AT THE OPERA Cast-Jan 29, 2007 J. Walter Thompson GROCERY STORE Cast-Apr 13, 2007 Young&Rubicam BIG TV Cast-May 23, 2007 Bensimon Byrne D'Arcy ZOMBIES Cast-May 31, 2007 SAATCHI + SAATCHI "COMMENTARY", "SECRET Cast-Jun 25, 2007 Canadian Connection SACK Cast-Aug 10, 2007 TBWA CHIAT DAY ADV MARKER FACE Cast-Aug 27, 2007 Canadian Connection AWOL FRIEND Cast-Sep 22, 2007 BC Productions Inc. BAR Cast-Feb 09, 2008 Allard Johnson Communications (Toronto SACKVILLE Cast-Feb 24, 2008 LOWE ROCHE ADVERTISING LTD Music THE RANKIN FAMILY REUNION Cast-Aug 30, 2007 LEOPARD MUSIC PRODUCTIONS INC Performer Skills Dance: Flamenco, Club/Freestyle, Hip Hop, Salsa, Ballroom Spoken Languages: French Athletic Skills: Boxing, Swimming, Cycling, Track & Field, Baseball, Football, Rollerblading, Soccer, Basketball, Martial Arts Performance Skills: Improvisation, Dancing, Martial Arts, Host, Stunts Education MANI NASRY SCHOOL PHILOSOPHY, MANI NASRY PHILOSOPHY, 2009 IT MORE IMPORTANT TO HAVE GREAT TEACHERS THAN A GREAT SCHOOL Sharon Chatten Studio (PRIVATE CLASSES), HOLLYWOOD/Advanced Acting Technique, PRIVATE Advanced Acting Technique Allan Miller (PRIVATE CLASSES), HOLLYWOOD ACTORS NETWORK//The Craft of Acting, PRIVATE Erick Morris (PRIVATE CLASSES), HOLLYWOOD//Contemporary Style Of Acting Ruth Nerken, NEW YORK/The Scool For Film & Television/Auditioning For Film & T.V Christine Lauren, NEW YORK/The School For Film And Televsion/Audition/Cold Readings Julia Carey, NEW YORK/The School for Film &Television/Scene Study ( On Camera) Jay Goldenberg , NEW YORK/The School For Film & Television/Scene Study (On Camera) Hope , NEW YORK/The Lee Strasberg Theatre Institute/Technique/Scene Study Kathryn Sergava, NEW YORK/Herbert Berghof Studio/Stanislavski System (Play Lab) Austin Pendleton , NEW YORK/Herbert Berghof Studio/Advanced Scene Study Anne Jackson, NEW YORK/Herbert Berghof Studio/Advanced Scene Study Rochelle Oliver , NEW YORK/Herbert Berghof Studio/Advanced Scene Study Carol Goodheart, NEW YORK/Herbert Berghof Studio/Advance Technique Carol Rosenfeld , NEW YORK/Herbert Berghof Studio/Advance Technique Michael Backett , NEW YORK./Herbert Berghof Studio/Technique Salem Ludwig, NEW YORK/Herbert Berghof Studio/Directing & Advance Technique Miriam Lawrence, CANADA/Equity Showcase Theatre/On-Camera Scene Study David Rotenberg, CANADA/Equity Showcase Theatre/On-Camera Acting Rosemary Dunsmore, CANADA/Equity Showcase Theatre/Advance Scene Study Bernadette Jones, CANADA/Equity Showcase Theatre/Pinter/Mamet Scene Study Marianne McUsac, CANADA/Equity Showcase Theatre/Stanislavski System Training RYERSON UNIVERSITY, TORONTO, ONTARIO, CANADA, Film Studies RYERSON UNIVERSITY, BUSINESS OF FILM - DEVELOPMENT, Jennifer St. John/Erin Faith Young Covered are all forms of contracts, financing the project, Canadian distribution and exhibition, foreign sales, the advertising campaign, etc. RYERSON UNIVERSITY, FEATURE FILM DISTRIBUTION, Robin Smith - DISTRIBUTOR-Kinosmith [ca] This course is designed to give an overview of motion picture film distribution. It deals with the various means of acquisition of films by distributors, the creation of an advertising campaign, the selection of a release date, and the actual distribution methods. It is designed for film distributors and for those who intend to be independent producers, executive producers, and directors. RYERSON UNIVERSITY, FILM AND SOUND EDITING, Gordon Burkell Hands-on experience in the art of film and sound editing in the digital age. Creative alternatives that are possible in shaping a story for the screen. Sync-ups and laying of narration, music and sound effects tracks. RYERSON UNIVERSITY , POST-PRODUCTION SOUND, Ryan McCambridge To introduces students to the methods, systems, and techniques employed in the creating and organization of events which follow the fine-cut picture and dialogue phase of production. It deals with studio recording, sound editing, and mixing and addresses the merger of film and video in post-production. RYERSON UNIVERSITY, VISUAL STUDIES, Rhonda Abrams This studio and lab course acquaints the student with visual and design components related to film, photography, and video production. Assignments will provide the opportunity to actively investigate aspects of space, sound, time, interval, sequence, light, colour, and form with emphasis on the individual creativity of each student. Students will produce images created by traditional drawing, photography, and collage techniques. RYERSON UNIVERSITY, MEDIA WRITING-AUDIO AND DIGITAL MEDIA, Helga-Liz Haberfellner This laboratory course introduces students to the various formats, styles and approaches used in broadcast writing, with a focus on writing for radio and interactive media. Students will learn about research, interviewing, and composing scripts, with a focus on building an introductory portfolio of written material in both the fields of audio and digital media (including news reports, commentaries, commercials, and public service announcements). RYERSON UNIVERSITY, NON-FICTION SCREENWRITING, David Langer Writing and research techniques as they relate to filmmaking and the film business. The concentration is on documentary film writing methods and techniques. Methodologies for interviewing as well as subject research will be dealt with in depth. The course will also deal with the basic forms of documents required for production such as proposals, treatments, submissions, and budgets as they pertain to documentary film production. RYERSON UNIVERSITY, MOVIE MARKETING, ROBIN SMITH The various aspects of publicity, promotion, and advertising for movies will be presented, as well as a consideration of the tools used for this specialized type of marketing. In addition, we will touch upon the differences between film marketing for the American major studios and the Canadian independent film distributor. Although the basic principles are the same, the materials and responsibilities may vary considerably. We will also discuss the opportunities for breaking into this area of the film business and perhaps dispel some illusions with regard to the perceived glamour involved. RYERSON UNIVERSITY, FILM TECHNOLOGY, Monica Guddat This lecture course deals with the basic technology of the motion picture medium to enable students to understand cinematographic principles. RYERSON UNIVERSITY, BUSINESS OF FILM - PRODUCING, Adam Till/Michael A. Levine The role of the producer and many of those aspects of the film business which the producer has to deal with will be discussed. Some of the topics to be examined are: the recent history of the film business scene, copyrighting, option and purchase agreements, budgets, script breakdown and scheduling, the filmmaking production process, etc. RYERSON UNIVERSITY, MOTION PICTURE PRODUCTION III, JAMES WARRACK Students will be required to work as team members in the production of a five-minute sync sound film to be written and directed by the students themselves. The total of 168 hours of course work includes a commitment to a five-day, full-time shooting period, and a six-day full-time post-production period. RYERSON UNIVERSITY, Motion Picture Production II, Doug Arrowsmith Each student will develop a documentary proposal and shoot and edit a three- to five-minute documentary film with voice over interview, sound effects, and music. Proposals must be approved before shooting begins. Students will be given instruction on developing and visualizing a documentary idea, interview techniques, and editing techniques. Students must have a 1-2 page treatment ready for discussion by the first class RYERSON UNIVERSITY, Fiction Screenwriting, Alex Stirling The concentration is on visual writing at the outline stage for fiction films. Methodologies for interviewing as well as story and subject research will be dealt with in depth.

Directors/Films

1. Alfred Hitchcock (Psycho) 2. Stanley Kubrick (Dr Strangelove) 3. Martin Scorsese (Raging Bull) 4. Akira Kurosawa (Seven Samurai) 5. Orson Welles (Citizen Kane) 6. Steven Spielberg (Schindler's List) 7. Billy Wilder (Sunset Boulevard) 8. Ingmar Bergman (The Seventh Seal) 9. Federico Fellini (La Dolce Vita) 10. Francis Ford Coppola (The Godfather) 11. John Ford (The Searchers) 12. Frank Capra (It's A Wonderful Life) 13. Charlie Chaplin (City Lights) 14. David Lean (Bridge On The River Kwai) 15. Elia Kazan (On The Waterfront) 16. John Huston (African Queen) 17. Sergio Leone (Once Upon A Time In The West) 18. William Wyler (Ben Hur) 19. David Lynch (Blue Velvet) 20. Luis Bunuel (The Golden Age) 21. Ridley Scott (Gladiator) 22. Sydney Lumet (Network) 23. Roman Polanski (Chinatown) 24. D.W. Giffith (Birth Of A Nation) 25. Laurence Olivier (Hamlet) 26. Milos Forman (One Flew Over the Cuckoo's Nest) 27. Robert Altman (Nashville) 28. Jean Renoir (The Rules Of The Game) 29. George Cukor (The Philadelphia Story) 30. Francois Truffaut (The 400 Blows) 31. Jean Luc Godard (Breathless) 32. Sergei Eisenstein (Battleship Potemkin) 33. F.W. Murnau (Sunrise) 34. Oliver Stone (Platoon) 35. Woody Allen (Annie Hall) 36. John Frankenheimer (The Manchurian Candidate) 37. Quentin Tarantino (Pulp Fiction) 38. Tim Burton (Edward Scissorhands) 39. Sam Peckinpah (The Wild Bunch) 40. Spike Lee (Malcolm X) 41. Robert Zemeckis (Forrest Gump) 42. Erich Von Stroheim (Greed) 43. Steven Soderbergh (Traffic) 44. Michael Powell (Peeping Tom) 45. Joel Cohen (Fargo) 46. Howard Hawks (His Girl Friday) 47. Alan J. Pakula (Sophie's Choice) 48. James Cameron (Titanic) 49. Satyajit Ray (The World of Apu) 50. Clint Eastwood (Unforgiven) 51. Jonathan Demme (The Silence Of The Lambs) 52. Jean Cocteau (Orphee) 53. Sydney Pollack (Out Of Africa) 54. George Lucas (Star Wars) 55. Michael Antonioni (L'Avventura) 56. Cecil B. De Mille (Cleopatra) 57. Terry Gilliam (Brazil) 58. Yasujiro Ozu (Tokyo Story) 59. David Fincher (Seven) 60. Kenji Mizoguchi (Ugestsu Monogatari) 61. Norman Jewison (In The Heat Of The Night) 62. Brian De Palma (Scarface) 63. Andrei Tarkovsky (Andrei Rublev) 64. Luchino Visconti (The Leopard) 65. Lewis Milestone (All Quiet On The Western Front) 66. Mike Nichols (The Graduate) 67. Henri-Georges Clouzot (Diabolique) 68. Buster Keaton (Our Hospitality) 69. Robert Aldrich (Kiss Me Deadly) 70. Robert Bresson (A Man Escaped) 71. Terrence Malick (The Thin Red Line) 72. Fritz Lang (The Big Heat) 73. Victor Fleming (Gone With The Wind) 74. Michael Mann (Heat) 75. Bernardo Bertolucci (Last Tango in Paris) 76. Michael Curtiz (Casablanca) 77. Krzysztof Kieslowski (Trois Couleurs: Rouge) 78. Werner Herzog (Aguirre, the Wrath of God) 79. Fred Zinneman (High Noon) 80. John Schlessinger (Midnight Cowboy) 81. George Roy Hill (Butch Cassidy & The Sundance Kid) 82. Lars Von Trier (Breaking the Waves) 83. Carl Dreyer (The Passion of Joan of Arc) 84. Ernst Lubitsch (To Be or Not to Be) 85. Pedro Almovadar (Talk to Her) 86. Peter Jackson (Lord Of The Rings) 87. Vittorio De Sica (The Bicycle Thief) 88. Yimou Zhang (Raise the Red Lantern) 89. Max Ophuls (A Letter from an Unknown Woman) 90. Rainer Werner Fassbinder (The Marriage of Maria Braun) 91. Kenneth Branagh (Hamlet) 92. Pier Paolo Pasolini (The Gospel According to St. Matthew) 93. Vincente Minnelli (An American In Paris) 94. Mel Brooks (Blazing Saddles) 95. Nicholas Ray (Rebel Without A Cause) 96. Robert Wise (The Sound Of Music) 97. Rob Reiner (When Harry Met Sally) 98. Sam Wood (A Night At The Opera) 99. John Carpenter (Halloween) 100. Paul Thomas Anderson (Boogie Nights)

David Cronenberg (Scanners) Hayao Miyazaki (Princess Mononoke) Darren Aronofsky (Requiem For A Dream) John Cassavetes (Opening Night) Jim Jarmusch (Night On Earth) Bryan Singer (The Usual Suspects) Anthony Minghella (The English Patient) Christopher Nolan (Insomnia) William Friedkin (The Exorcist) Atom Egoyan (The Sweet Hereafter) Joseph L Mankiewicz (All About Eve) Arthur Penn (Bonnie And Clyde) Clarence Brown (Anna Christie) Peter Bogdanovich (The Last Picture Show) Blake Edwards (A Shot In The Dark) Curtis Hanson (LA Confidential) Sam Mendes (American Beauty) Michael Cimino (The Deer Hunter) John Woo (Face Off) Carol Reed (The Third Man) Ron Howard (A Beautiful Mind) Kevin Smith (Chasing Amy) Don Siegel (Dirty Harry) Harold Ramis (Groundhog Day) George Romero (Night Of The Living Dead) Richard Attenborough (Gandhi) John Singleton (Boyz N The Hood) Spike Jonze (Being John Malkovich) Jean-Pierre Jeunet (The City of Lost Children) Richard Linklater (Slacker) Rene Laloux (Fantastic Planet) Wes Anderson (Rushmore) John Hughes (The Breakfast Club) Peter Weir (Master and Commander)

MY MOVIE

A Movie Title More About This Movie A Nous la Liberte (1932) About Schmidt (2002) Absence of Malice (1981) Adam's Rib (1949) Adaptation (2002) The Adjuster (1991) The Adventures of Robin Hood (1938) Affliction (1998) The African Queen (1952) L'Age d'Or (1930, reviewed 1964) Aguirre, the Wrath of God (1972, reviewed 1977) A.I. (2001) Airplane! (1980) Aladdin (1992) Alexander Nevsky (1939) Alice Doesn't Live Here Anymore (1975) Alice's Restaurant (1969) Aliens (1986) All About Eve (1950) All About My Mother (1999) All Quiet on the Western Front (1930) All That Heaven Allows (1956) All the King's Men (1949) All the President's Men (1976) Amadeus (1984) Amarcord (1974) Amélie (2001) America, America (1963) The American Friend (1977) American Graffiti (1973) An American in Paris (1951) The Americanization of Emily (1964) American Movie (1999) Amores Perros (2000) Anastasia (1956) Anatomy of a Murder (1959) The Angry Silence (1960) Anna and the King of Siam (1946) Anna Christie (1930) Annie Hall (1977) The Apartment (1960) Apocalypse Now (1979) Apollo 13 (1995) The Apostle (1997) L'Argent (1983) Ashes and Diamonds (1958, reviewed 1961) Ashes and Diamonds (1958) The Asphalt Jungle (1950) L'Atalante (1934, reviewed 1947) Atlantic City (1981) Au Revoir Les Enfants (1988) L'Avventura (1961) The Awful Truth (1937) Back to Top B Movie Title More About This Movie Babette's Feast (1987) Baby Doll (1956) Back to the Future (1985) The Bad and the Beautiful (1953) Bad Day at Black Rock (1955) Badlands (1973) The Baker's Wife (1940) Ball of Fire (1942) The Ballad of Cable Hogue (1970) Bambi (1942) The Band Wagon (1953) Bang the Drum Slowly (1973) The Bank Dick (1940) Barfly (1987) Barry Lyndon (1975) Barton Fink (1991) The Battle of Algiers (1965, reviewed 1967) Le Beau Mariage (1982) Beautiful People (2000) Beauty and the Beast (1947) Beauty and the Beast (1991) Bed and Board (1971) Beetlejuice (1988) Before Night Falls (2000) Before the Rain (1994, reviewed 1995) Being John Malkovich (1999) Being There (1979) Belle de Jour (1968) Ben-Hur (1959) Berlin Alexanderplatz (1983) The Best Years of Our Lives (1946) Beverly Hills Cop (1984) The Bicycle Thief (1949) The Big Chill (1983) The Big Clock (1948) The Big Deal on Madonna Street (1960) The Big Heat (1953) Big Night (1996) The Big Red One (1980) The Big Sky (1952) The Big Sleep (1946) Billy Liar (1963) Biloxi Blues (1988) The Birds (1963) Birdy (1984) Black Narcissus (1947) Black Orpheus (1959) Black Robe (1991) Blazing Saddles (1974) Bloody Sunday (2002) Blow-Up (1966) Blue Collar (1978) Blue Velvet (1986) Bob & Carol & Ted & Alice (1969) Bob le Flambeur (1955, reviewed 1981) Body Heat (1981) Bonnie and Clyde (1967) Boogie Nights (1997) Born on the Fourth of July (1989) Born Yesterday (1950) Le Boucher (1970) Bound for Glory (1976) Boys Don't Cry (1999) Boyz N the Hood (1991) Brazil (1985) Bread, Love and Dreams (1954) Breaker Morant (1980) The Breakfast Club (1985) Breaking Away (1979) Breaking the Waves (1996) Breathless (1961) The Bride Wore Black (1968) The Bridge on the River Kwai (1957) Brief Encounter (1946) A Brief History of Time (1992) Bringing Up Baby (1938) Broadcast News (1987) Brother's Keeper (1992) The Buddy Holly Story (1978) Bull Durham (1988) Bullitt (1968) Bus Stop (1956) Butch Cassidy and the Sundance Kid (1969) The Butcher Boy (1998) Bye Bye Brasil (1980) Back to Top C Movie Title More About This Movie The Earrings of Madame De . . . (1954) Cabaret (1972) The Caine Mutiny (1954) California Suite (1978) Calle 54 (2000) Camelot (1967) Camille (1937) Captains Courageous (1937) Carmen Jones (1954) Carnal Knowledge (1971) Casablanca (1942) Cat on a Hot Tin Roof (1958) Catch-22 (1970) Cavalcade (1933) The Celebration (1998) La Cérémonie (1996) Chan Is Missing (1982) Chariots of Fire (1981) Charley Varrick (1973) Chicago (2002) Chicken Run (2000) La Chienne (1931, reviewed 1975) Chinatown (1974) Chloë in the Afternoon (1972) Chocolat (1988, reviewed 1989) The Cider House Rules (1999) The Citadel (1938) Citizen Kane (1941) Claire's Knee (1971) The Clockmaker (1973, reviewed 1976) A Clockwork Orange (1971) Close Encounters of the Third Kind (1977) Close-Up (1990, reviewed 1999) Clueless (1995) Coal Miner's Daughter (1980) The Color of Money (1986) Come Back, Little Sheba (1952) Coming Home (1978) The Conformist (1970) The Conquest of Everest (1953) Contempt (1964) The Conversation (1974) Cool Hand Luke (1967) The Count of Monte Cristo (1934) The Country Girl (1954) The Cousins (1959) The Cranes Are Flying (1960) Cries and Whispers (1972) Crossfire (1947) Crumb (1994) Cry, the Beloved Country (1952) The Crying Game (1992) Back to Top D Movie Title More About This Movie Damn Yankees (1958) The Damned (1969) Dance with a Stranger (1985) Dangerous Liaisons (1988) Daniel (1983) Danton (1983) Dark Eyes (1987) Dark Victory (1939) Darling (1965) David Copperfield (1935) David Holtzman's Diary (1968, reviewed 1973) Dawn of the Dead (1979) Day for Night (1973) The Day of the Jackal (1973) The Day the Earth Stood Still (1951) Days of Heaven (1978) Days of Wine and Roses (1963) The Dead (1987) Dead Calm (1989) Dead End (1937) Dead Man Walking (1995) Dead of Night (1946, reviewed 1946) Dead Ringers (1988) Death in Venice (1971) Death of a Salesman (1951) The Decalogue (2000) Deep End (1971) The Deer Hunter (1978) The Defiant Ones (1958) Deliverance (1972) Desperately Seeking Susan (1985) Destry Rides Again (1939) Diabolique (1955) Dial M for Murder (1954) Diary of a Chambermaid (1964) Diary of a Country Priest (1950, reviewed 1954) Die Hard (1988) Diner (1982) Dinner at Eight (1933) The Dirty Dozen (1967) Dirty Harry (1971) Dirty Rotten Scoundrels (1988) The Discreet Charm of the Bourgeoisie (1972) Disraeli (1929) Distant Thunder (1973) Diva (1982) Divorce-Italian Style (1962) Do the Right Thing (1989) Dr. Jekyll and Mr. Hyde (1932) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) Doctor Zhivago (1965) Dodsworth (1936) La Dolce Vita (1961) Donnie Brasco (1997) Don't Look Back (1967) Double Indemnity (1944) Down by Law (1986) Dracula (1931) The Dreamlife of Angels (1998) Dressed to Kill (1980) The Dresser (1983) Driving Miss Daisy (1989) Drowning by Numbers (1991) Drugstore Cowboy (1989) Duck Soup (1933) The Duellists (1978) Dumbo (1941) Back to Top E Movie Title More About This Movie The Earrings of Madame De . . . East of Eden (1955) Easy Living (1937) Eat Drink Man Woman (1994) Effi Briest (1977) 8 1/2 (1963) Eight Men Out (1988) The Elephant Man (1980) Elmer Gantry (1960) Empire of the Sun (1987) Enemies, A Love Story (1989) Les Enfants du Paradis (1945, reviewed 1947) The English Patient (1996) The Entertainer (1960) Entre Nous (1983) E.T. the Extra-Terrestrial (1982) Europa, Europa (1991) Every Man for Himself (1980) The Exorcist (1973) The Exterminating Angel (1967) Back to Top F Movie Title More About This Movie A Face in the Crowd (1957) Face to Face (1976) Faces (1968) The Family Game (1984) Fanny & Alexander (1983) Fantasia (1940) Farewell, My Concubine (1993) Far from Heaven (2002) Fargo (1996) Fast, Cheap & Out of Control (1997) Fast Runner (Atanarjuat) (2002) Fat City (1972) Fatal Attraction (1987) Father of the Bride (1950) Fellini Satyricon (1970) La Femme Infidèle (1969) La Femme Nikita (1991) The Fisher King (1991) Fist in His Pocket (1968) Fitzcarraldo (1982) Five Easy Pieces (1970) The Flamingo Kid (1984) The Fly (1958) The Flamingo Kid (1984) Force of Evil (1948) For Whom the Bell Tolls (1943) Forbidden Games (1952) A Foreign Affair (1948) The Fortune Cookie (1966) The 400 Blows (1959) Frankenstein (1931) The French Connection (1971) Frenzy (1972) Friendly Persuasion (1956) From Here to Eternity (1953) The Fugitive (1947) Full Metal Jacket (1987) The Full Monty (1997) Funny Face (1957) Funny Girl (1968) Fury (1936) Back to Top G Movie Title More About This Movie Gallipoli (1981) Gandhi (1982) Gangs of New York (2002) The Garden of the Finzi-Continis (1971) Gas Food Lodging (1992) Gaslight (1944) Gate of Hell (1954) A Geisha (1978) The General (1998) General Della Rovere (1960) Genevieve (1954) Gentlemen Prefer Blondes (1953) Georgy Girl (1966) Get Carter (1971) Get Out Your Handkerchiefs (1978) Ghost World (2001) Giant (1956) Gigi (1958) Gimme Shelter (1970) The Girl Can't Help It (1956) Girl with a Suitcase (1961) The Gleaners and I (2001) The Goalie's Anxiety at the Penalty Kick (1977) The Go-Between (1971) The Godfather (1972) The Godfather Part II (1974) Going My Way (1944) Goldfinger (1964) Gone With the Wind (1939) The Good, the Bad and the Ugly (1968) The Good Earth (1937) Goodbye, Mr. Chips (1939) GoodFellas (1990) Gosford Park (2001) The Graduate (1967) Grand Hotel (1932) Grand Illusion (1938) The Grapes of Wrath (1940) The Great Dictator (1940) Great Expectations (1947) The Great Man (1957) The Great McGinty (1940) The Greatest Show on Earth (1952) Green for Danger (1947) Gregory's Girl (1982) The Grifters (1990) Groundhog Day (1993) The Gunfighter (1950) Gunga Din (1939) Back to Top H Movie Title More About This Movie Hail the Conquering Hero (1944) Hair (1979) Hamlet (1948) Hamlet (2000) Handle With Care (1977) Hannah and Her Sisters (1986) Happiness (1998) A Hard Day's Night (1964) Harlan County, USA (1976) Harry and Tonto (1974) A Hatful of Rain (1957) The Heartbreak Kid (1972) Heartland (1981) Hearts of Darkness: A Filmmaker's Apocalypse (1991) Heat and Dust (1983) Heathers (1989) Heavy Traffic (1973) Heimat (1985) The Heiress (1949) Henry V (1946) Henry V (1989) Henry Fool (1998) Here Comes Mr. Jordan (1941) High and Low (Japan) (1963) The High and the Mighty (1954) High Art (1998) High Hopes (1988) High Noon (1952) High Sierra (1941) The Hill (1965) Hiroshima Mon Amour (1960) His Girl Friday (1940) The Homecoming (1973) Hoop Dreams (1994) Hope and Glory (1987) Hotel Terminus: Klaus Barbie et son Temps (1988) The Hours (2002) Household Saints (1993) House of Games (1987) How Green Was My Valley (1941) How to Marry a Millionaire (1953) Howards End (1992) Hud (1963) Ken Burns' America: Huey Long (1985) Husbands and Wives (1992) The Hustler (1961) Back to Top I Movie Title More About This Movie I Know Where I'm Going! (1947) I Remember Mama (1948) I Want to Live! (1958) If... (1969) Ikiru (1952, reviewed 1960) I'm All Right Jack (1960) Imitation of Life (1959) In Cold Blood (1967) In the Bedroom (2001) In the Heat of the Night (1967) The Informer (1935) Inherit the Wind (1960) The Insider (1999) Internal Affairs (1990) The Ipcress File (1965) It Happened One Night (1934) It's a Gift (1935) It's a Wonderful Life (1946) Back to Top J Movie Title More About This Movie Jailhouse Rock (1957) Jaws (1975) The Jazz Singer (1927) Jean de Florette (1987) Jerry Maguire (1996) Johnny Guitar (1954) The Judge and the Assassin (1982) Judgment at Nuremberg (1961) Ju Dou (1990) Jules and Jim (1962) Juliet of the Spirits (1965) Junior Bonner (1972) Back to Top K Movie Title More About This Movie Kagemusha (1980) The Killers (1946) The Killing Fields (1984) Kind Hearts and Coronets (1950) The King and I (1956) King Kong (1933) King Lear (1971) The King of Comedy (1983) The King of Marvin Gardens (1972) Kiss of the Spider Woman (1985) Klute (1971) Knife in the Water (1963) Kramer vs. Kramer (1979) Back to Top L Movie Title More About This Movie L.A. Confidential (1997) Lacombe Lucien (1974) The Lady Eve (1941) The Lady Vanishes (1938) Ladybird, Ladybird (1994) Lamerica (1994, reviewed 1995) The Last American Hero (1973) The Last Emperor (1987) The Last Metro (1980) The Last Picture Show (1971) The Last Seduction (1994) Last Tango in Paris (1973) The Last Temptation of Christ (1988) The Last Waltz (1978) Laura (1944) The Lavender Hill Mob (1951) Lawrence of Arabia (1962) A League of Their Own (1992) Leaving Las Vegas (1995) The Leopard (1963) The Letter (1963) A Letter to Three Wives (1949) Les Liaisons Dangereuses 1960 (1961) The Life and Death of Colonel Blimp (1945) Life Is Sweet (1991) The Life of Emile Zola (1937) Life With Father (1947) Like Water for Chocolate (1992, reviewed 1993) Lili (1953) Little Big Man (1970) Little Caesar (1931) The Little Foxes (1941) The Little Fugitive (1953) The Little Kidnappers (1954) Little Vera (1988, reviewed 1989) Little Women (1933) Little Women (1994) The Lives of a Bengal Lancer (1935) Living in Oblivion (1995) Local Hero (1983) Lola (1982) Lola Montès (1968) Lolita (1962) Lone Star (1996) The Loneliness of the Long Distance Runner (1962) Long Day's Journey into Night (1962) The Long Goodbye (1973) The Long Good Friday (1982) The Long Voyage Home (1940) The Longest Day (1962) Look Back in Anger (1959) Lost Horizon (1937) Lost in America (1985) The Lost Weekend (1945) Love (1973) Love Affair (1939) Love and Death (1975) A Love in Germany (1984) Love in the Afternoon (1957) Lovely and Amazing (2002) Love on the Run (1979) Lover Come Back (1962) The Lovers (1959) Loves of a Blonde (1966) Loving (1970) Lust for Life (1956) Back to Top M Movie Title More About This Movie M (1931, reviewed 1933) Mad Max (1980) The Madness of King George (1994) The Magic Flute (1975) The Major and the Minor (1942) Major Barbara (1941) Make Way for Tomorrow (1937) Malcolm X (1992) The Maltese Falcon (1941) A Man for All Seasons (1966) Man Hunt (1941) The Man Who Came to Dinner (1942) The Man Who Loved Women (1977) The Man Who Wasn't There (2001) The Man With the Golden Arm (1955) The Manchurian Candidate (1962) Manhattan (1979) Manon of the Spring (1987) Marriage Italian Style (1964) The Marriage of Maria Braun (1979) Married to the Mob (1988) The Marrying Kind (1952) Marty (1955) Mary Poppins (1964) M*A*S*H (1970) The Match Factory Girl (1990) Mayerling (1937) McCabe & Mrs. Miller (1971) Mean Streets (1973) Meet Me in St. Louis (1944) Melvin and Howard (1980) Memories of Underdevelopment (1973) The Memory of Justice (1976) The Men (1950) Ménage (1986) Metropolitan (1990) Midnight (1939) Midnight Cowboy (1969) Minnie and Moskowitz (1971) The Miracle of Morgan's Creek (1944) Miracle on 34th Street (1947) The Miracle Worker (1962) Les Miserables (1935) The Misfits (1961) Missing (1982) Mr. and Mrs. Bridge (1990) Mr. Deeds Goes to Town (1936) Mr. Hulot's Holiday (1954) Mister Roberts (1955) Mr. Smith Goes to Washington (1939) Mrs. Miniver (1942) Mon Oncle d'Amérique (1980) Mona Lisa (1986) Monsieur Verdoux (1947, reviewed 1964) Monsters, Inc. (2001) Moonlighting (1982) Moonstruck (1987) The More the Merrier (1943) Morgan! (1966) The Mortal Storm (1940) Mother (1996) Moulin Rouge (1953) The Mouthpiece (1932) Much Ado About Nothing (1993) Mulholland Dr. (2001) Murmur of the Heart (1971) Mutiny on the Bounty (1935) My Beautiful Laundrette (1986) My Darling Clementine (1946) My Dinner With Andre (1981) My Fair Lady (1964) My Left Foot (1989) My Life as a Dog (1987) My Man Godfrey (1936) My Night at Maud's (1969) My Own Private Idaho (1991) My 20th Century (1990) Mon Oncle (1958) Back to Top N Movie Title More About This Movie The Naked Gun: From the Files of Police Squad! (1988) Nashville (1975) National Lampoon's Animal House (1978) National Velvet (1944) Network (1976) Never on Sunday (1960) Night Moves (1975) The Night of the Hunter (1955) Night of the Living Dead (1968) A Night to Remember (1958) A Nightmare on Elm Street (1984) 1900 (1977) Ninotchka (1939) Nobody's Fool (1994) Norma Rae (1979) North by Northwest (1959) Nothing But the Best (1964) Notorious (1946) Now, Voyager (1942) La Nuit De Varennes (1983) The Nun's Story (1959) Back to Top O Movie Title More About This Movie Odd Man Out (1947) Of Mice and Men (1940) Oklahoma! (1955) Oliver Twist (1951) Los Olvidados (1950, reviewed 1952) On the Beach (1959) On the Town (1949) On the Waterfront (1954) One False Move (1992) One Flew Over the Cuckoo's Nest (1975) One Foot in Heaven (1941) One Hour with You (1932) One Night of Love (1934) One Potato, Two Potato (1964) One, Two, Three (1961) Only Angels Have Wings (1939) Open City (1946) Operation Crossbow (1965) The Opposite of Sex (1998) Ordinary People (1980) Ossessione (1942, reviewed 1976) Othello (1952, reviewed 1955) Our Town (1940) Out of the Past (1947) The Outlaw Josey Wales (1976) The Overlanders (1946) The Ox-Bow Incident (1943) Back to Top P Movie Title More About This Movie Paint Your Wagon (1969) Paisan (1948) The Palm Beach Story (1942) The Parallax View (1974) A Passage to India (1984) The Passion of Anna (1970) Pather Panchali (1958) Paths of Glory (1957) Patton (1970) The Pawnbroker (1965) Payday (1973) Pelle the Conqueror (1988) The People Vs. Larry Flynt (1996) Persona (1967) Persuasion (1995) Le Petit Theatre de Jean Renoir (1974) Petulia (1968) The Philadelphia Story (1940) The Pianist (2002) The Piano (1993) Pickup on South Street (1953) The Pillow Book (1997) Pillow Talk (1959) The Pink Panther (1964) Pinocchio (1940) Pixote (1981) A Place in the Sun (1951) Places in the Heart (1984) Platoon (1986) Play Misty for Me (1971) The Player (1992) Playtime (1967, reviewed 1973) Point Blank (1967) Poltergeist (1982) Ponette (1997) Il Postino (The Postman) (1994) The Postman Always Rings Twice (1946) Pretty Baby (1978) Pride and Prejudice (1940) The Pride of the Yankees (1942) Prince of the City (1981) The Prisoner (1955) The Private Life of Henry VIII (1933) Prizzi's Honor (1985) The Producers (1968) Psycho (1960) The Public Enemy (1931) Pulp Fiction (1994) The Purple Rose of Cairo (1985) Pygmalion (1938) Back to Top Q Movie Title More About This Movie Quadrophenia (1979) The Quiet Man (1952) Back to Top R Movie Title More About This Movie Raging Bull (1980) Raiders of the Lost Ark (1981) Rain Man (1988) Raise the Red Lantern (1991, reviewed 1992) Raising Arizona (1987) Ran (1985) The Rapture (1991) Rashomon (1951) Re-Animator (1985) Rear Window (1954) Rebecca (1940) Rebel Without a Cause (1955) Red (1994) The Red Badge of Courage (1951) Red River (1948) The Red Shoes (1948) Reds (1981) The Remains of the Day (1993) Repo Man (1984) Repulsion (1965) Reservoir Dogs (1992) The Return of Martin Guerre (1983) Reuben, Reuben (1983) Reversal of Fortune (1990) Richard III (1956) Ride the High Country (1962) Rififi (1956) The Right Stuff (1983) Risky Business (1983) River's Edge (1987) The Road Warrior (1982) Robocop (1987) Rocco and His Brothers (1960, reviewed 1961) Roger & Me (1989) Roman Holiday (1953) Romeo and Juliet (1936) Romeo and Juliet (1968) Room at the Top (1959) A Room With a View (1986) The Rose Tattoo (1955) Rosemary's Baby (1968) 'Round Midnight (1986) Ruggles of Red Gap (1935) The Rules of the Game (1939, reviewed 1950 and 1961) The Ruling Class (1972) Rushmore (1998) Ruthless People (1986) Back to Top S Movie Title More About This Movie Sahara (1943) Salaam Bombay! (1988) Salesman (1969) Sanjuro (1963) Sansho the Bailiff (1969) Saturday Night and Sunday Morning (1961) Saturday Night Fever (1977) Saving Private Ryan (1998) Say Anything... (1989) Sayonara (1957) Scenes From a Marriage (1974) Schindler's List (1993) The Scoundrel (1935) The Search (1948) The Searchers (1956) Secret Honor (1985) Secrets and Lies (1996) Sense and Sensibility (1995) Sergeant York (1941) Serpico (1973) The Servant (1963, reviewed 1964) The Set-Up (1949) Seven Beauties (1976) Seven Brides for Seven Brothers (1954) Seven Days to Noon (1950) The Seven Samurai (1956) 7 Up/28 Up (1985) The Seven Year Itch (1955) The Seventh Seal (1958) Sex, Lies and Videotape (1989) Sexy Beast (2001) Shadow of a Doubt (1943) Shaft (1971) Shakespeare in Love (1998) Shane (1953) She Wore a Yellow Ribbon (1949) Sherman's March (1986) She's Gotta Have It (1986) The Shining (1980) Ship of Fools (1965) Shoah (1985) Shock Corridor (1963) Shoeshine (1947) Shoot the Piano Player (1962) The Shooting Party (1985) The Shootist (1976) The Shop Around the Corner (1940) The Shop on Main Street (1966) A Shot in the Dark (1964) Shrek (2001) Sid and Nancy (1986) The Silence (1964) The Silence of the Lambs (1991) The Silent World (1956) Silk Stockings (1957) Silkwood (1983) Singin' in the Rain (1952) Sitting Pretty (1948) Sleeper (1973) A Slight Case of Murder (1938) Smash Palace (1982) Smile (1975) Smiles of a Summer Night (1956, reviewed 1957) The Snake Pit (1948) Snow White and the Seven Dwarfs (1938) Some Like It Hot (1959) The Sorrow and the Pity (Le Chagrin et la Pitié) (1971) The Sound of Music (1965) South Pacific (1958) Spartacus (1960) Spellbound (1945) The Spiral Staircase (1946) Spirited Away (2002) Splendor in the Grass (1961) Stage Door (1937) Stagecoach (1939) Stairway to Heaven (1946) Stalag 17 (1953) A Star Is Born (1937) Star Trek II: The Wrath of Khan (1982) Star Wars (1977) Starman (1984) The Stars Look Down (1941) State Fair (1933) Stevie (1981) Stolen Kisses (1969) Stop Making Sense (1984) Stormy Monday (1988) The Story of Adèle H. (1975) The Story of G.I. Joe (1945) The Story of Qiu Ju (1992) Story of Women (1989) Storytelling (2001) La Strada (1956) The Straight Story (1999) Straight Time (1978) Stranger Than Paradise (1984) Strangers on a Train (1951) Straw Dogs (1971) A Streetcar Named Desire (1951) Stroszek (1977) Suddenly, Last Summer (1959) The Sugarland Express (1974) Sullivan's Travels (1941) Summer (1986) Summertime (1955) Sunday Bloody Sunday (1971) Sundays and Cybele (1962) Sunset Boulevard (1950) Suspicion (1941) The Sweet Hereafter (1997) Sweet Smell of Success (1957) Sweet Sweetback's Baadasssss Song (1971) Swept Away (By an Unusual Destiny in the Blue Sea of August) (1974) Swing Time (1936) Back to Top T Movie Title More About This Movie The Taking of Pelham One Two Three (1974) Talk to Her (2002) Tampopo (1986) Taste of Cherry (1997) A Taste of Honey (1961, reviewed 1962) Taxi Driver (1976) A Taxing Woman (1987) A Taxing Woman's Return (1988) Tell Them Willie Boy Is Here (1969) 10 (1979) The Ten Commandments (1956) Tender Mercies (1983) The Tender Trap (1955) Terms of Endearment (1983) La Terra trema (1947, reviewed 1965) Tess (1980) That Obscure Object of Desire (1977) That's Life! (1986) Thelma & Louise (1991) These Three (1936) They Live by Night (1949) They Shoot Horses, Don't They? (1969) They Were Expendable (1945) They Won't Forget (1937) The Thief of Bagdad (1940) The Thin Blue Line (1988) The Thin Man (1934) The Thin Red Line (1998) The Third Generation (1979, reviewed 1980) The Third Man (1949) The Thirty-Nine Steps (1935) Thirty Two Short Films About Glenn Gould (1994) This Is Spinal Tap (1984) The Man Must Die (1970) This Sporting Life (1963) Three Comrades (1938) Three Days of the Condor (1975) Throne of Blood (1957) Tight Little Island (1949) The Tin Drum (1979) To Be or Not to Be (1942) To Catch a Thief (1955) To Have and Have Not (1944) To Kill a Mockingbird (1962) To Live (1994) Tokyo Story (1953) Tom Jones (1963) Tootsie (1982) Top Hat (1935) Topaz (1969) Topkapi (1964) Total Recall (1990) Touch of Evil (1958) Toy Story (1995) Traffic (2000) The Train (1965) Trainspotting (1996) The Treasure of the Sierra Madre (1948) A Tree Grows in Brooklyn (1945) The Tree of the Wooden Clogs (1979) The Trip to Bountiful (1985) Tristana (1970) Trouble in Paradise (1932) The Trouble with Harry (1955) True Grit (1969) True Love (1989) Trust (1991) Tunes of Glory (1960) 12 Angry Men (1957) Twelve O'Clock High (1949) Twentieth Century (1934) Two English Girls (1971) The Two of Us (1968) 2001: A Space Odyssey (1968) Two Women (1961) Back to Top U Movie Title More About This Movie Ugetsu (1954) Ulzana's Raid (1972) Umberto D. (1952) The Unbearable Lightness of Being (1988) Unforgiven (1992) The Usual Suspects (1995) Back to Top V Movie Title More About This Movie Vanya on 42nd Street (1994) The Verdict (1982) Vertigo (1958) Videodrome (1982) Violette Nozière (1978) Viridiana (1962) Viva Zapata! (1952) The Voice of the Turtle (1947) Back to Top W Movie Title More About This Movie The Wages of Fear (1955) Waking Life (2001) Walkabout (1971) A Walk in the Sun (1945) The War Game (1966) The War of the Roses (1989) The Warriors (1979) Watch on the Rhine (1943) The Waterdance (1991) The Way We Were (1973) Weekend (1968) Welcome to the Dollhouse (1996) The Well-Digger's Daughter (1941) West Side Story (1961) The Whales of August (1987) What Ever Happened to Baby Jane? (1962) What's Eating Gilbert Grape (1993) What's Up, Doc? (1972) When Harry Met Sally (1989) White Heat (1949) Who Framed Roger Rabbit (1988) Who's Afraid of Virginia Woolf? (1966) The Wild Bunch (1969) The Wild Child (1970) Wild Reeds (1994) Wild Strawberries (1959) Wilson (1944) Wings of Desire (1988) Wise Blood (1979) The Wizard of Oz (1939) Woman in the Dunes (1964) Woman of the Year (1942) The Women (1939) Women in Love (1970) Women on the Verge of a Nervous Breakdown (1988) Woodstock (1970) Working Girl (1988) The World of Apu (1959, reviewed 1960) The World of Henry Orient (1964) Written on the Wind (1956) Wuthering Heights (1939) Back to Top Y Movie Title More About This Movie Yankee Doodle Dandy (1942) The Year of Living Dangerously (1982) The Yearling (1983) Yellow Submarine (1968) Yi Yi: A One and a Two (2000) Yojimbo (1961) You Can Count On Me (2000) You Only Live Once (1937) Young Frankenstein (1974) Young Mr. Lincoln (1939) Y Tu Mamá También (2001) Back to Top Z Movie Title More About This Movie Z (1969) Zero for Conduct (1933)

[mrrubbersuitman]

Wonder Woman, Vol 1, 172, Silver Age Comic Book. FN/VF. September 1967. DC Comics

#wonder worman #robert kanigher #irv novick #silver age comics #dc comics #comics for sale