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#women of heartland
heartlandians · 2 months
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Behind the scenes of Heartland - 17x10 - Just the Beginning
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the-real-tc · 5 months
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Jessica Steen interview in Cowgirls in Style magazine.
Dovetails quite nicely with the Heartland on CBC mini-doc: Women of Heartland.
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A Republican congressman seeking to represent Indiana in the U.S. Senate is expressing support for a potential law barring Hoosier women from leaving the state to obtain an abortion.
During an interview on Fort Wayne's WOWO-AM radio, U.S. Rep. Jim Banks, R-Columbia City, responded favorably Thursday to a suggestion by host Pat Miller that more needs to be done to restrict abortion in the wake of the U.S. Supreme Court's June 24, 2022, Dobbs decision repealing the right to abortion established in 1973 by Roe v. Wade.
"Our work as a pro-life movement is far from over," Miller said. "If a young lady can hop in a car in Fort Wayne and in an hour and a half she can be in a place in Michigan, or in just under three hours she can cross the line into Illinois, and achieve what she was (un)able to do with abortion clinics here in Indiana, the fight is far from over."
Banks responded: "That's exactly right. I'm for federal legislation, I'm for stronger laws at the state level, whatever we can do, to save lives, to protect babies. That's what this fight is all about."
The remarks by the four-term GOP congressman sparked outrage from abortion rights supporters after they were posted Monday on Twitter by Heartland Signal, the newsroom of Chicago radio station WCPT-AM.
Democratic Illinois Gov. J.B. Pritzker was among those appalled by Banks' suggestion the government should deny women the ability to travel outside their home state to obtain an abortion.
"The GOP's plan to criminalize the most fundamental decisions a woman can make doesn't stop with overturning Roe," Pritzker said. "The fight is far from over, and Illinois stands ready to protect all women."
Earlier in the WOWO interview, Banks left no doubt he intends to target continued access to abortion in Democratic-led "blue" states if Hoosiers elect him to the U.S. Senate in 2024.
"We have some very blue states that didn't do what Indiana did. Indiana was the first state in the country after the Dobbs decision to pass a pro-life bill. So there's much more that we must do, that we need to do, that I'm going to fight for in the House, and when I get to the Senate, I'm going to fight for there in a bigger way as well," Banks said.
Indiana's near-total abortion ban, enacted Aug. 5 by the Republican-controlled General Assembly and Republican Gov. Eric Holcomb, prohibits all abortions from the moment of conception, except within 10 weeks of fertilization for pregnancies caused by rape or incest, or 20 weeks if necessary to prevent serious physical impairment or the death of a pregnant woman, or because of a lethal fetal anomaly.
Enforcement of the statute currently is on hold while the Indiana Supreme Court evaluates the validity of a preliminary injunction issued Sept. 22 by Owen Superior Judge Kelsey Hanlon, a Republican, who concluded the law infringes on individual liberties protected by the Indiana Constitution.
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Lecture 19: Pioneering heartland rocker and blues singer Bonnie Raitt performs “Angel From Montgomery,” a hauntingly beautiful song written by her friend, the country folk musician John Prine. This particular version was shown on a British music variety program on BBC2, The Old Grey Whistle Test, on March 24, 1976. For years, Raitt tended to perform on the periphery of the American music scene, drawing fans of folk and country and blues music to modest venues. That changed in the 1990s, when a series of huge hits propelled her to stardom, and suddenly turned music into a much more dependable way to make a living. 
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berthissa · 2 years
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(via T-shirt graphique « Concevez des t-shirts de cheval de montagne et des t-shirts de cheval sauvage » par ISSABERTHE)
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blackfurcoat93 · 2 years
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Heartland Amber Marshall Puffer Vest
Click To Shop Now AMY FLEMING HEARTLAND AMBER MARSHALL PUFFER BROWN VEST FOR WOMEN
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campaaronapollo · 1 year
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Jennifer Garner already has an ARO. She has Once Upon a Farm, and it’s pretty successful I think.
Once Upon a Farm and ARO aren’t the same thing.
Once Upon a Farm is organic food products for families and especially children. Its lasting image is bright, colorful, and family-oriented. An “everyday everywhere mom experience” sort of thing from a family farm in the American heartland.
ARO, on the other hand, is a curated luxury lifestyle brand for women. Its lasting image is Meghan wearing a ball gown in a rustic vineyard. That’s not a very approachable image. It’s not “everyday everywhere mom”; it’s a very specific, very certain, very niche kind of woman, who may or may not also be a mother. There is nothing child-friendly or family-friendly in anything ARO has produced.
Totally different customer bases. Totally different user experiences. No comparison.
And probably the biggest key difference is that when we see videos of Jennifer Garner mucking around in her garden/on the farm or hanging out with chickens, it’s actually real and she truly does enjoy it. Whereas any time we see Meghan outside, it is almost always some kind of self-serving photo op (for either money or attention).
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heartlandians · 4 months
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Heartland - 17x10 - Just the Beginning
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Broadway Divas Tournament: Round 1C
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Kerry O'Malley (1969) starred as The Baker's Wife in the 2002 revival of Into the Woods, which, y'know, tough act to follow. One of our few LA-based actresses, she's starred in just about every early-2000s touring production of White Christmas you can think of. Other credits include Annie Get Your Gun, On a Clear Day You Can See Forever (2011), and Showstoppers in Vegas where I first saw and fell in love with her. Her big thing is dying on stage and screen because I think I must've watched this woman kick the bucket at least eight times. She does it really well.
THE Baker's Wife, Joanna Gleason (1950) is a Tony-winning legend who set a standard that has yet to even be approached. Her Baker's Wife in the original Into the Woods beat out Patti's Reno Sweeney, and Patti is still a little pissed off about it. She was also in infamous flop Nick & Nora (1991), Dirty Rotten Scoundrels (2005), and I Love My WIfe (1977). Nowadays, she devotes her focus to directing and screenwriting and her film The Grotto won Best Narrative Premiere at the Heartland Film Festival.
PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
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"Okay, so the only reason Kerry's on this tournament is because I saw her in a Vegas show when I was a teenager and fell in love from the first note she sang. I am fully expecting her to get brutally murdered by Joanna Gleason, but she's finally getting her dues in film these days. Her ten minutes in The Killer were the only ten minutes worth watching. I was riveted. I also got to see her perform "Moments in the Woods" live at 54 Below a few years ago and she's just as pretty and sweet as I remembered. Her friend was sitting at my table, so I was able to introduce myself. I, uh, did not mention how I'd been distantly in love with her for the last decade or so..."
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"Joanna Gleason, my beloved. Look, I've loved her for a while, but a few years ago I went down a deep rabbit hole watching her play Password Plus with Betty White, and I have not been the same since. I am deeply affected by smart, sardonic, eloquent women, and Joanna is on another level of brilliant. She broke a record on that show. You need to watch and marvel. Furthermore, full offense to everyone else, but Joanna is the only one who doesn't opt up at the end of "Moments in the Woods," and that is the correct way to sing it. I hate the opt up. Fuck your opt up. Joanna plays the Baker's Wife with a razor-sharp wit none of the others can match. Their Baker's Wife's are smart, and determined, but they don't have her droll swagger. Her line readings? Unmatched."
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eaaaazygurl · 1 year
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Yarrow and Blood
Pairing - Arthur Morgan x F!reader
Summary - In search of the herb Yarrow within the expanse of the Heartlands, you come across a bloodied looking Arthur Morgan departing Valentine after his conflict with Tommy. Being the camp medic, it's your duty to tend to the injured, but such close contact with the Outlaw invites some deep secrets to be revealed.
Wordcount - 6000+ (Finally a SHORTER fic of mine!)
Notes - Angst, physical injury, some good ol' fluffy stuff!
This was just a random idea I came up with in my head. It's by no means an amazing bit of literature, but I did enjoy writing this one! Things have been pretty tricky this last month and a half, so I apologise for my absence. I won't be posting regularly but I shall try my best to post as and when :)
Song I obsessively listened to whilst writing this: Novo Amor - Repeat Until Death
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"Red petals, red petals, red petals..." Was all you could repeat to yourself for the better part of twenty minute or so, finding yourself in the middle of the grassy plateaus of the Heartlands, a beautiful stretch of land belonging to the state of New Hanover, during the late afternoon hours situated close to Valentine, the little livestock town in the near distance.
This particular plateau you were loitering about on, dubbed 'Citadel Rock' by the locals, was littered with an abundance of different herbs and flowers. One such flower you had been on the search for was proving rather difficult to find, you'd assumed this would be the perfect climate for such a herb, but you were by the second proving yourself wrong.
With a hefty sigh and a slap to your right knee, you stood from your previous crouched position to saddle back onto your mount, "Good girl, Nimbus," a beautiful silvery white Gypsy Cob mare with a sweet little singular plat in her long white mane.
Your frustration was becoming all too apparent as your browline creased and your jaw clenched.
You were the assigned medic to Dutch Van Der Linde's gang, so the entire line of men and women within said gang were all under your care, and having lost most (if not all) of your supplies during the evacuation from your previous camp in Blackwater, you were in desperate need to stock up.
The camp had no money, so buying a few tonics was out of the question. Even you yourself had been out of pocket the last few weeks, so collecting herbs to create various poultice for wounds and injuries was your only option now. You were grateful for the help Hosea had offered you to tend to your limited stock whilst you set off on the hunt for one particular herb.
A sudden strong gust of wind brought you back to your senses, letting out a dishevelled grunt at the irritation of the bluster, various strands of your own hair getting caught in your mouth. You pulled your black Gambler hat down to obscure the sun from your vision, all the while removing the fine strands of hair from your mouth.
Giving Nimbus a gentle tap on the side with your spurs, you continued on, eyes scanning the green grass and various reddish coloured flowers you came across - not one of which was Yarrow, though you had decided to pick what herbs you could find that were useful along the way for safe keeping. What you did have back at camp for now desperately needed Yarrow to complete the mix, but a few extra bits here and there wouldn't hurt.
An hour long search resulted in nothing. No Yarrow. It was growing darker by the second and soon it would be virtually impossible to see what you were looking for.
You could hardly believe it when Nimbus set foot back onto the dusty path after leaving the heights of Citadel Rock, having been certain that afternoon that Yarrow would most definitely grow there. You'd even exclaimed excitement to Dutch, ensuring him that you would find what you were looking for. Now the thought of returning empty handed almost terrified you, Dutch was already teetering on the edge of complete insanity, and you didn't want to be the one to push him over that edge, but now you had to face the music; you were going to be returning back to camp empty handed.
That's when a nicker from Nimbus caught your attention. You had company, and the mare you sat idle upon recognised the scent up ahead.
You cupped your hand in front of the lowering sun to set your gaze on the little dot in the distance, galloping towards you after exiting Valentine. A billow of dust clouded up behind the steed, growing ever larger and the whinnies from Nimbus were gaining quantity, ears pinned forward curiously. You could feel the gentle sway of her posture as she almost attempted to stand taller as if to try and make out who was advancing towards you.
Once the glare of sunlight dispersed behind the mount, you instantly recognised the horse and the rider - a large, burley looking steed that towered over any other equine it passed, a grey/silver coat complimented with white splashes and dots here and there, a magnificent white flurry of long well kempt hair and neatly buffed pinkish hooves came charging towards you, and her rider draped in muddied black clothes hid his face behind that all too familiar leather hat of his, the freyed bolo rope tastles flittering behind him.
"Arthur?" Your voice was quick to catch the man's attention as he slowed his mount with a gentle "Woah there, girl," coming to a hault in front of you and Nimbus.
His face still hid all the same, replying with a quiet, "Miss Y/l/n."
Arthur's short, stiff reply had your expression scrunch up quizzically. Usually the both of you got along like wildfire to a parched heathland, always finding the time out of both of your busy schedules to sit by the campfire at Horseshoe Overlook and simply chat until either one of you was dragged away on duty, or you felt the pinch of fatigue calling you to bed. Arthur as of right now sounded agitated and monotone, not an ounce of friendliness in his voice that you came to look forward to hearing at the end of the day, for you had grown sweet on him many years prior, but decided against revealing those feelings to the Outlaw out of respect for his involvement with Mary Gillis (now Linton, so you heard, though her husband had passed.)
It was almost as if Arthur wasn't best pleased to see you, like your presence was the last thing he intended to see.
"How are you?" A little confused, you decided to begin your conversation with something... not too invasive. Despite concidering Arthur one of the most caring men you'd come to meet, you were fully aware of his infamous temper. You didn't want to disturb that hot molten lava beneath the surface that already threatened to seep through the cracks; you'd seen it once before in camp many years ago, a fury burning brighter and hotter than the sun. You also couldn't stand idly by and ignore a potential bereavement he was facing, however. Arthur seemed tense, and the way he was positioned told you he wasn't comfortable upon horseback. You had to take this slowly, unless it was absolutely necessary to push and pry.
Arthur didn't respond at first, only rotated his apparently stiffened shoulder and drew in a heavy sniff, one that sounded almost wet, "Doin' fine. I guess."
Something was most certainly bothering him. Arthur never replied to you with such dryness. You gently ushered Nimbus a little closer with a gentle tap of your heel, noticing how Arthur tensed with every small step forward, closer to him. It was at that moment you noticed it, a splash of dried blood lining his black collar that had a trail running from his neck and chin before slipping away under the brim of his hat that he lowered some more, hanging his head in a desperate hope that you hadn't realised: but you had.
Arthur was also completely caked in thick mud, a mixture of stagnant water and sheep excrement, an overpowering scent that caught your nostrils.
"Arthur... are you bleeding? And look at your clothes... you're covered in mud!" A single brow rose as you leant forward against that silver leather saddle of yours, trying to get a better judgement at the severity of - what you guessed was - a potential nosebleed, perhaps even a busted nose.
Originally you'd planned on being gentle with Arthur, but you'd changed your mind the moment you saw the crimson liquid staining his skin. Now you were worried. Now you understood why Arthur was so distraught to see you, because he was planning on running off to hide away from your gaze and your longing to treat him for his alements.
With a heavy sigh, you slumped back into your saddle again and crossed your arms, your voice dropping to a more professional tone, "I'm the camp medic, Arthur. You've got to tell me, or at least show me. Please?"
Arthur shifted uncomfortably on his saddle, swallowing thickly at the mere thought of letting you see his face. His hands seemed to tighten their grip against the leather reins, drawing your attention to the bloodied knuckles staining his skin. You wondered, only briefly, if Arthur was concidering a quick get away, but relaxed once he let out a heavy sigh of defeat, "Fine... I'll tell ya. Ain't no convincing you otherwise is there, woman?"
"No sir." You gave Arthur a devilish smirk and coaxed Nimbus to his Silver Dapple Pinto mare's side, silently thanking yourself for stocking up on Ginseng on your hunt for Yarrow. There was surely going to be a lot of swelling, you thought, as you studied the amount of dried blood upon Arthur's neck.
"I got into a fight with the town's tough guy. Got beat pretty bad. That's it."
You frowned, and although not being able to see much damage, the way Arthur awkwardly drew the back of his hand across his chin, wiping it against his leg told you he was still bleeding, "Christ Arthur! How did you get yourself into that?!"
"Just happened, I guess... it's nothin'." Arthur's awkward sideward shrug alerted you to more than just a busted nose. You studied the way Arthur had been awkwardly hunched over, shifting against the saddle on top of Nimbus to attempt a better viewing angle and failing all the same, chewing anxiously at your inner lip. You guessed his awkward shoulder roll from earlier indicated some damage there, and the obvious blood trailing down his shirt.
"Okay," you muttered quietly and halfly to yourself as you squinted, the concentration forming a wrinkle within your browline, and a crease of your nose, "Let's get you back to camp, mister. I'll try my best to fix you up with what little we have."
The ride back to camp, albeit short, was anything but delightful.
Arthur was silent. You could almost sense the regret and guilt radiating from the man as you both gently spurred your mounts onward, careful to avoid any company that might take interest in robbing an injured man and his friend. You knew the both of you were well equipped to defend yourselves, but you'd much rather get Arthur back home and into your tent for a good clean-up and check over before running into anymore altercations.
As for Arthur, he hated the fact that you'd now see him bruised and beaten. He had no care in the world for anyone else to see him in such a state, but to have you witness the mess he'd got himself into... it made him recoil into his saddle, head hung to hide the disgust on his face - a disgust he felt for himself. "You goddamn fool." Was what he kept repeating to himself under his breath, though you could clearly pick up on those words unbeknownst to him.
While you were the gang's official medic, and you had treated the enforcers wounds in the past, Arthur more often than not would avoid camp for a few days after a bad beating and only return once he had somewhat recovered and the swelling had mostly gone down. In fact, it was a well known fact between all of the Van Der Linde gang members that Arthur would disappear after a fight, and they all knew exactly why he would, too. He simply could not face you in such a manner.
You always scolded him for hiding away, always questioning why he'd be so silly as to shy away from treatment, how his wounds could have become infected or how you could have cast any broken bones. Arthur admired your desire to treat him with every little bump and scratch you saw, how you'd emphasise your worry for his wellbeing whenever he'd return after hiding away. It seemed today of all days, when Arthur was the most bloody and bruised and covered in sheep excrement, was the day you'd finally be able to treat him good and proper, rather than run and hide from your presence.
"Who goes there?" John's raspy voice echoed from the treeline ahead of you both, the twinkle of a shotgun barrel catching your eye as you steadied Nimbus.
"Just me and Arthur, John." Waving your hand to grab John's attention, you offered him a welcoming smile, "How's those stitches holdin' up?"
"Just fine, thanks Y/n. Surprised to see Arthur with you there," John took a step forward, his face scrunching up with delight as he took one long glance at the dishevelled Outlaw upon his silver steed, "Dutch told us about the bust up you had in Valentine. Shouldn't you be off hidin' or somethin'?"
"Shut your face Marston." Arthur's tone was stale, cold and agitated once again as he narrowed those sharp turquoise eyes towards John. The two were brothers, not so much by blood, but they had both grown up together, raised by Dutch Van Der Linde and Hosea Matthews. It was only reasonable to assume they fought. A lot. Like brothers do.
Rolling your eyes, you decided to move on forward and leave the two men to throw snide remarks at one another.
The camp's lantern lights and lit firepits were a glow through the thick treeline now, and you could hear the nickering of content horses grazing on dry hay and the clashing of spoons against bowls from hungry men and women all getting their share of Pearson's stew, "Come on then, gotta get this one all cleaned up now that I finally have him," calling over your shoulder whilst wavering your hand towards a tense Arthur, you gave John a polite goodbye, reminding him to keep that wound clean as you left the amused Marston at his post.
Pushing through the treeline the first person you were greeted to was Karen. She had been fussing over her own horse, Old Belle, before setting her sights on you, "Y/n! Been wonderin' where you'd gotten yourself off to," and then Karen's expression lit up like a stoking fire, turning her attention to Arthur who had pushed through the foliage after you, steadying Pandora at her respective hitching post, "Oh and Arthur Morgan, too! What a surprise! Thought you'd have got yourself lost for a few days lookin' like that."
Arthur shot Karen a disgruntled stare, clearing his throat with a monotone, "Glad t'see you too, Miss Jones..."
"Bill told me what happened down at the Saloon, Dutch too." Karen added as she drew one last stroke down Old Belle's neck, earning a pleasant nicker from the elderly horse, "Said you got yerself into a full-on fist fight with the town's top dog. Said you looked a state after and oh boy! Williamson certainly wasn't tellin' tales!"
"Yes. Thank you Karen, for recounting the obvious... now, if you'll excuse me," Arthur wavered Karen off, barely allowing her the time to respond as he pushed past once he had hitched Pandora. He hadn't even given his poor mount the usual praises and strokes he would gift her after a long day on the road - not even a treat. You could hear the whinnies of disappointment rolling from the Fox Trotter as she cuffed a hoof along the dry earth below her.
Karen parted her jaw readying to throw out verbal retaliations to the man, but decided against it, turning her attention to you instead with a dumbfounded expression, "Wow. He really is in a bad mood, ain't he?"
"Yeah, he is. Probably 'cause he didn't get a chance to hide away from me this time... sorry Karen, I really should..." You beckoned towards Arthur who had now made it to the opposite end of camp into your medical tent and sat himself down onto one of the stools, rather unceremoniously, grunting in the process.
Karen stopped you with a flick of her hand, "Go tend to him, I'll settle Pandora. Y'best come find me after, though! Got plenty of Whisky to share round the fire tonight!"
"I'll hold you to that!" You called over your shoulder as you hurried off at the confirmation that you could leave, waving to the woman before you began stalking towards your tent.
Fingers fiddled anxiously together, practically tying themselves into knots as you came closer and closer to the busted Outlaw ahead of you.
Despite your professional approach, the reality was heavy against your shoulders. You'd known Arthur for years by this point, and still after all this time, after coming to terms with the impossible odds of calling Arthur your own, being so close to him still threw you off ballance... not necessarily in a bad way, but you could never truly get over those feelings you held for him.
You'd heard the term 'soulmates' from Mary-Beth once before around the small campfire that lie on the outskirts of camp, sharing one of her nauseating romance novels. You remembered how she spoke fondly of that term. 'Two people destined to be together,' she said, and then recalled how devastated she had been to announce that the main character in that novel she had been reading at the time had found their soulmate, but that particular opposing male character had not been 'ideally made for them,' not sharing that characteristic longing for the other. In fact, the man in said novel had found themselves their own 'soulmate,' leaving the main character heartbroken and alone.
Perhaps that was the reality you faced. Arthur was your soulmate, but to your understanding, Mary was Arthur's.
Nevertheless, you had to pull yourself together. You still had your close friendship with the Outlaw, and at this moment in time he was your patient awaiting your treatment.
You drew in a deep breath, exhaled slowly, and entered the tent.
"Hey you," you addressed the irritated Outlaw with a friendly smile, taking a few delicate steps across the small space inside the tent. It was a relatively large accommodation, able to fit your workspace in at one side as well as your belongings and bedroll on the opposite inside the canvas tarp walls. Above you both, hanging from a hook embedded into the wooden pole that held the roof of the tent upright was an oil lamp. You took the cold metal of the lamp into the palm of your hand and sparked a match you had retrieved from your pocket, the box held between your teeth so that you could strike the lighting strip. You swiftly held the tiny flame to the wick of the lamp, igniting it and watched on for a second longer to ensure the flame burst to life. Confident with the result, you flicked the dead match from your fingers through the slight opening of your tent curtains and took a seat opposite Arthur, your eyes settling on him.
Arthur was hiding behind his iconic leather hat, shifting uneasily when he realised you had sat, just by the lack of noise you were making once you settled down.
"Arthur..." You attempted to make contact, sitting forward ever so slightly with your elbows pressed against your kneecaps, chin nestled into the palms of your hands.
Arthur cocked his head down some more and tensed up, boots slowly dragging backward to bring his own knees closer towards him, shoulders hunched inward. He did not respond.
You'd never seen the man so anxious and deathly silent before. In fact, the sheer silence you were experiencing from him made you a little uncomfortable, but moreso worried. You had to at least convince him to talk, "Please, Arthur... I need to see you. I want to see you..."
"Why? You'll only be revolted by what you see..." Arthur finally responded, but his tone was low, subdued and perhaps even a little hoarse. Nevertheless, he remained seated and hiding still.
Off he went again, degrading himself. You'd heard it many times before, just in earshot though he'd never noticed you listening in. Whatever terrible self-image this man had pained you greatly.
Your brows knitted together, forming a collection of wrinkles upon your forehead. Your lips fell into a frown and your eyes darkened, heavy with sadness. Why couldn't Arthur see himself the way you saw him... "Well, firstly it's my job. I can't treat you unless I see where you're hurt, and secondly I won't be revolted."
A slight scoff came from the man. He teetered his head upwards, just slightly, but not enough for you to see his features, the shadow cast by his hat too dark to make out his face, "Why're you so sure? I'd turn tail and run if I saw me."
"But it's not you seeing yourself Arthur, it's me. Seeing you." You wanted so desperately to grab either side of Arthur's face, to hoist him up to look at you, deep into your eyes, to see the truth behind them as you spoke. That, however, was a bad idea for a number of reasons. You didn't want to piss Arthur off, and you most certainly didn't want to cause more harm than there already was.
"But-"
"Nuh-uh. Hush." You stopped the Cowboy before he could further degrade himself and drew yourself forward, hands outstretched and ready to grasp onto him.
Arthur attempted to pull back, but the twinge of seering hot pain that tore through his back held him in his previous position, a hiss escaping through his teeth.
"Look..." You began, mentally taking note of Arthur's backpain and began to gently fix his collar, cuffing off the dried mud from his shoulders next, "Whatever happens Arthur, I'll never leave. I promise. No matter what you do, how you look... why would I walk away from the person I care the most about?"
There was a brief pause from you as you sorted the twisted left suspender. Perhaps you had said too much? Sometimes you weren't as careful with your choice of words, and your secret feelings had almost been revealed a handful of times. You silently cursed yourself, chewing awkwardly at the inner flesh of your lip, hoping that such a sentence wouldn't invoke some sort of discomfort from the bust-up Outlaw.
Instead, Arthur perked up, eyes meeting your own despite the dark shadow that fell over them, "You care about me the most?"
His tone was curious, rather than disgusted. You let your shoulders lax, "Well, yeah. Of course! Who else would I come and tell my silly and embarrassing stories to round the fire?"
Arthur sensed you weren't quite telling your all, but decided against prying any further. The hope he had for you sharing the same complicated messy emotions that was dubbed most popularly as 'love' was overshadowed by the terror of rejection - even if you had just ensured him you'd never leave.
With a heavy sigh, Arthur let his guard down. His calloused fingertips met the rim of his hat, and despite a short hesitation, slowly removed it from his head. Whatever hair had been hidden underneath the expanse of said hat was now wildly sprung in various directions, some strands falling over those deep, turquoise eyes which met your own, wide and seeping with anxiety.
Arthur's face was relatively in tact, but his left eye was beginning to darken with deep blue-black bruising, and his nose was swollen to some extent. A few shallow cuts adorned his cheeks and forehead, and a single deep split weaped with blood on his top right lip.
Your first reaction was that, not of horror or revolt, but something completely opposite. Your brows rose into an arch, your mouth twisting into a bittersweet half-smile, "Thank you."
Sheer overwhelming emotion rushed over Arthur like a vicious flash flood, completely wiping out any expectation he had. You hadn't backed off, left and ran for your mount. You hadn't even shown an ounce of regret; you just smiled at him, and suddenly you were wiping your thumb ever so softly across his cheek, removing what he assumed had been fresh blood off of his cheekbone. However, when you pulled your hand back, the liquid resting upon your thumb was not that of crimson liquid, but clear salty water; tears... "Y-you really ain't bothered...?"
"Arthur Morgan. Why would I be? You're still as handsome as ever in my book," you shrugged nonchalantly, as if what you had just said was such a casual thought on your mind - which it was, truthfully.
Arthur choked up, drawing in a shaky breath in a feeble attempt to settle himself. He pressed the bridge of his nose only briefly, quickly retracting his hand at the sudden surge of pain. Guilt began to bubble within the pit of his stomach as he watched you collect a full pail of water from underneath the table beside you, a fresh washcloth in hand, "I'm real sorry..."
"Why are you apologising for?" You gave Arthur a half-amused, half-quizzical look as you gently began to wash away the grime and blood from Arthur's cheeks. His hot breath faltered against your wet lips, you were incredibly close, though you had to be to get a better judgement on how clean the wounds were.
"For not trustin' you sooner... I'm a real big fool..."
"No, Arthur. You're not. I don't think I'd be best pleased letting you see me all black and blue either," you pulled back for a short second to offer the man a reassuring smile, rinsing the washcloth and going back once more, chipping away at the dried blood that had crusted against Arthur's short beard, "Besides..." You paused, your eyes meeting Arthur's only just, and returned to cleaning the wounds. Your stomach knotted and your mouth almost went dry, but something deep inside you was forcing that question out of your throat, "I suppose Mary would still have you, even if you looked like this. She still sends you letters."
You had been the one to place the letter addressed to Arthur onto his bedside table a few weeks ago, when Arthur had been out exploring the Heartlands. You knew Mary Linton's handwriting. Arthur had shown you it many times before, in the past. It wasn't hard to make out the perfect cursive writing that danced along the white sheet of paper.
Arthur's expression darkened slightly at the mention of Mary Linton.
Perhaps you had spoken too much now. You felt yourself begin to panic, wondering if you had accidently touched a nerve. You knew that after such a messy breakup, Arthur didn't enjoy bringing Mary back up. But you had to know. You simply continued working at Arthur's injuries in an attempt to avoid confrontation.
"Y/n..."
"Sorry... I don't mean to bring her up I just... I was just curious, seein' her letter and all. I didn't read it! I just know her handwriting..." pulling back to throw the washcloth onto the ground, you turned your back to Arthur and began digging through what little stock you had left in your pantry. Hosea had kindly offered to make up some poultice earlier that day before you ventured out to look for some Yarrow, and lucky for you, it had been the poultice you needed. When you turned, you found yourself face to face with Arthur Morgan. He had shuffled closer now, close enough to be a mere inch away from your nose as he gazed at you.
"A-Arthur?"
"I ain't sweet on Mary no more."
"You aint?" Bewildered, you gave Arthur a few disbelieving blinks, breath hitched in the back of your throat.
How could he say that? Surely he was just trying to make you feel better? You'd seen him leave with that letter after reading it. He'd gone to see her...
"No." Arthur repeated, sighing softly at the fleeting memories, "I'll always have a soft spot for her, sure. But... I ain't sweet on her no more. Kinda... been sweet on someone else, actually." His hoarse awkward laugh drew a reddened blush from his cheeks as he attempted to look away from you out of embarrassment.
You felt your heart sink. If it wasn't Mary, then who else? It couldn't have been you. Perhaps it was Karen? Or Mary-Beth? Couldn't have been Tilly, the two were practically siblings. Maybe it was Charles? You couldn't be sure...
Arthur kept his gaze steadfast against the tent canvas, clearing his throat to break the uncomfortable silence. His jaws parted to say something, but no words came out.
"Let me rub this poultice in," you smiled awkwardly, attempting to settle the awkward atmosphere between you both, lifting the pulp twirling your hand to signal Arthur to sit back a little.
Arthur agreed, giving you a small nod and shut his eyes, allowing you to press and pack the mixture into his wounds. Gently moulding circles around the scratch above Arthur's brow, the Cowboy let out a hiss of discomfort at the ebbing throb and sting, causing you to apologise, promising you'll be gentler. Happy with that result, you moved onto Arthur's lip, carefully padding away at the wound with a pulp-smothered finger. The both of you held your breath. The feeling of Arthur's lips were surprisingly soft, all things concidered. They seemed dry, cracked and dehydrated, but in fact they felt soft and plump to the tough. The sensation made your heart jump.
"There, all done. See? Wasn't so bad now, was it?" You pulled yourself back and turned to pat your hand in the water pail beside you, removing the remaining poultice. When you turned back to study your works upon Arthur's face, jaw parted to tell him how brave he had been in an attempt to lighten the mood, Arthur was gone... "Arthur?"
You'd practically burst through the tent curtains into a now pitch black camp, only lit by the dancing ember flames of the campfires littered about the clearing, holding the enforcer's hat tightly in your grasp, "Arthur!"
"Woah, woah Y/n. Relax." It was Charles who came to your side. He had heard the commotion from the campfire close by, hands stuffed with a number of hand crafted poison arrows. A large hand found your shoulder to ground you, "You looking for Arthur?"
"Yeah, did you see him? I was just treating him, I'm not sure if I've completely finished yet - he just up and left before I got the chance to see..." There was a flitter of panic in your voice when you remembered you hadn't even checked the state of Arthur's body yet. He could still have wounds that needed attention.
Charles gave you a gentle smile, replacing a strand of hair behind your ear that had fallen out of place. He gave you a look of understanding, knowing that deep down, your worries didn't just lie with your work, but the feelings you had for the Outlaw. He knew how you felt, he could see it, but he wouldn't be one to start gossip. Charles pointed in the direction past Arthur's tent, "He went that way. I don't think he'd have gotten far, just follow that trail and you should find him."
Giving Charles a swift hug, you began to jog in the direction of Charles' pointed finger, "Thank you!" You called over your shoulder, not catching the look of awe on Charles face as he watched you go.
Not even a few minutes later, you found Arthur. Charles was right, he hadn't gotten far. In fact, Arthur had only made it a little ways off from camp, so much so you could still make out the flames through the treeline. He sat there, legs dangling over the edge of the Overlook, eyes studying the ground below that lead towards the Dakota River off in the distance.
"Arthur."
The Outlaw startled, giving you a not-so graceful look when you came forward, "Tryin' to scare me to death? That in your portfolio of medicine now?"
Although his tone was a little standoffish, you returned that blazen expression with a kind smile, coming to sit beside Arthur with his hat between your fingers, "You forgot your hat."
"Oh." Arthur shuffled awkwardly, taking back the leather cap to rest it against his kneecap, "Thank you."
"Why did you run off like that?" Your tone was delicate and forgiving, fingers coiling around the few grass strands that grew below your feet in an attempt to keep your mind busy.
Arthur gazed over at you for a brief moment, fingers trailing across the rim of his hat. He sighed softly, letting the misty breath escape his nostrils in a plume of white cloud, "Had somethin' on my mind, is all."
You let your gaze fall across the landscape ahead of you, the moon painting the crater below you both with a silver shimmer. Two Whitetail deer, a Doe and a Buck, came streaking out from the treeline to graze on the dew littered grass, "I'm all ears, if you need it."
Arthur had taken note of the deer below, too. A rare, genuine smile of content crossed his lips for a second. It was as if the mere sight of such creatures brought him peace, and the courage to speak his mind. He turned to face you, arm leaning against his thigh, "Remember the day I went to visit Mary? She was down at Valentine, rentin' a room for a couple a' days. She asked me to get her brother back."
Now your attention was on Arthur, that strand Charles had sorted earlier falling into your vision once again, "Jamie?"
Arthur hummed a confirmation, "Yeah, Jamie. Well, I went and got him from those Cherlonian folk, odd bunch... got him back to Mary at the station."
You remained silent, but listening all the same with a short nod.
"Well... Mary actually offered me to run away with her. To leave. There and then..."
You paused, shooting the Outlaw a curious yet confused gaze, "Why didn't you take it...?"
There was a long silence. Arthur's eyes focused on your own, his pupils blowing outward and his voice box riveting inside his throat as he swallowed thickly. There was a moment in which the two of you felt an emotion unlike any other. A chill in the wind that buffeted the strand of hair hanging limp across your left eye.
Your hearts thundered as one, and Arthur gently removed that strand and replaced it behind your ear again.
You felt yourself swallow hard, doe-eyed and intrigued.
With another drawn-in breath, Arthur met your gaze with purpose, taking your tiny hands into his oversized palms, sweaty and clammy with anxiety as they were. Despite his fear, it was now or never... he couldn't keep that secret hidden in the confines of his journal for much longer.
"Y/n... I...I'm sweet on you..."
Silence eloped the both of you for a moment. You were suddenly slack-jawed, eyes widening ever so slightly in disbelief.
"Those herbs you kept findin' on your desk? I collected 'em. The orchids? Me. That little golden pocket watch you said you loved? Went and got ya another one when I found out you lost your last one." Arthur muttered a little quieter than usual. He wanted so desperately to whip his hat back on, to obscure his face. He wanted to run, to charge to Pandora and run a thousand miles. He couldn't take another rejection, but he couldn't handle hiding the truth for much longer, either. He chewed at his lip, sweat forming upon his brow as he watched your expression evolve.
"I uh... I could jus' leave I... sorry for makin' you uncomfortable-" but before Arthur could leave, you struck.
Hands enveloped Arthur's face on either side. You were careful not to disturb any injuries whilst you pulled him back towards you. Finally, you let your lips meet his own.
Your lips were soft, sweet and tender, like honey on a rose bud.
His were rough, dry and intoxicating.
You both danced your lips together, so slow and inviting. It felt like you'd done this before, and it felt so right... as if you'd done this a thousand times before over the course of a thousand years. Large hands took your peach-fuzzed cheeks into their palms whilst your own smaller hands cupped the back of Arthur's neck, drawing tiny shapes across his sun-kissed skin.
Your dance lasted a short while longer until you pulled back, your lungs crying out for oxygen. Arthur too, panted heavily. His gentle gaze met yours, and you gave him a perfectly sweet giggle, the kind that you would make when relieved realisation would set in.
"So uh... was that part of the treatment then? Or..."
"Don't be silly," you scoffed playfully back at Arthur, batting his shoulder gently with a smirk, "That was genuine."
"Oh, good. Was worried that maybe I'd have to get myself beaten for another one." Arthur gave you a beautiful smile, one that creased his eyed and made his cheeks flush. The two of you exchanged a thousand looks, letting the serenity of the atmosphere just set in for a moment.
"Suppose this is the part where we talk things out and realise how foolish we've both been, dancin' round eachother all these years..." Arthur chuckled softly, tapping at his side with open arms to usher you into an embrace beside him.
You obliged happily, taking your stead in the comfort of his security, resting your head into the crease of Arthur's broad neck, "Should probably get some fresh clothes on ya. You're still muddy as hell."
Arthur took a glance down at his muddied clothes, a humorous smile dawning his features as he relaxed into you, "Yeah, probably should."
The pair of you relished the tranquility of the moment, allowing the serene moonlight to drown you in complete bliss. You hummed quietly, nuzzling deeper into Arthur's chest, appreciating the warmth that radiated from his bare skin where his shirt had unpopped.
"Ah-" Arthur chirped as though remembering something. He was careful not to disturb you, nestling his hand into the open flap of his satchel that sagged at his opposite side, "I found ya somethin'."
"Oh?" Interest piqued, you gazed over towards Arthur's hand which had now retrieved the gift. Clutched between his fingers was a small bouquet of red petal flowers.
Once you had finally realised just what these flowers were, you gasped with wide eyes and practically let out a squeal, "Arthur! That's Yarrow!"
"Sure is, sweetheart." Arthur felt his cheeks burn up at the sight of your bright-eyed expression, "Found it growin' on the outskirts of camp as we was comin' back, well hidden too. Didn't want Dutch kickin' up a fuss over it so... don't tell him I found 'em. Was all you."
"Oh Arthur- thank you! But I can't take all the credit," you took the Yarrow from Arthur and placed them down at your side, taking Arthur's hands into your own. You began pecking gentle kisses against his bruised knuckles and then to the soft flesh of his palm, "So..."
"Hmm?" Arthur pulled you back into a loving embrace, raising a brow in question.
Your mind thought back to the many years you'd spent smitten over Arthur, giggling halfly to yourself as you gazed upward into Arthur's sparkling ocean-eyes, so full of curiosity and excitement.
"About us bein' sweet on eachother all these years... Where did you wanna start?"
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Lecture 19: Another major female figure in heartland and blues rock is Melissa Etheridge, who sings her 1988 hit “Bring Me Some Water,” a hard-rockin’ blues song that helped her become a major American music star.  Like Bonnie Raitt, Etheridge would sing a string of major hits (”I’m The Only One,” “Come to My Window”) in the 1990s, turning her into a music superstar of the decade – another strong female figure to emerge on the American music scene of the nineties. 
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Why would you invest this kind of money in Oklahoma? Lack of major airports, few nearby population centers, lack of educated workforce, guns, violence, crime, meth labs, corrupt red state RepubliKKKan overlords, extreme heat for most of the year, unpredictable winters, lack of major water basins, poor infrastructure, rampant racism, and avoidance by blue state/foreign tourists to name a few.
Mike Pence land where gays are publicly executed. Trump land where women are raped and men have their pockets picked. Tommy Tuberville land where African-Americans are graphically returned to slavery. Jared and Ivanka’s Magic Castle with bone saw murders nightly. Abbottville where migrants are drowned. DeSatan square where uniformed Nazi re-enactors burn books and assault Jews. MTG hollow where trans people are fed to the lions. Food service by Lauren Boebert’s Fine Dining services. Color commentary on all acts of violence against marginalized people provided live by Don Jr and Eric Trump.
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scotianostra · 3 months
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On January 29th 1852 smugglers caves and bothies on Arran, numbering about a dozen, were discovered and demolished by revenue men.
Whisky was outlawed in Scotland for around 40 years in the late 18th and early 19th centuries after its growing popularity drew the beady eyes of the government, who wanted to benefit from its manufacture. But it created a huge backlash of underground smuggling, with families, women and children all involved in exporting the drink.
Soon after the government became aware of whisky’s increasing popularity, they attempted to control production and of course benefit financially by introducing tax on spirits, this led to an incentive to illicitly sell the produce of small private stills. The government then responded to this by outlawing private distilling completely in 1781. Overnight, distilling went from ‘private,’ to ‘illicit.'
Illicit distilling and smuggling were prevalent throughout Scotland but the activities were mainly associated with the Highlands. Speyside, Campbeltown and Islay were also hot-beds of illicit production but Arran, one of the main players in whisky export at the time, had been completely overlooked, until now.
After whisky was again made legal in the 1823 Excise Act, Arran was unable to transition from illicit to legal production due to its lack of infrastructure, which may suggest why it has been overlooked. The illicit distilling and smuggling formed a critical part of the island’s economy, ensuring rent payments and guaranteeing employment on the island. It was noted by a Kilmory minister (a village in Arran’s south end) that there were ‘”Few, if any, in the parish, who, at some period of their lives, were not engaged in some department of smuggling.”
One notable incident that involved a number of these Arran smugglers includes three islanders murdered by authorities in the name of illegal whisky export.
William and Donald McKinnon (father and son) and Isobel Nicol, were shot and killed by a heavily armed Excise crew near Shannochie in Arran’s south end.
The commander of the Excise party, John Jeffrey, was tried for murder at the High Court in Edinburgh and found not guilty despite opening fire on a group of unarmed islanders. The incident had a considerable impact on the island community and a memorial service was held near the site of the killings as late as the 1950s
A contemporary of Sir Walter Scott described illicit Arran as ‘the burgundy of all the vintages.
After 1823, the majority of illicit producers were barred from the whisky industry, lacking the finance and infrastructure to compete with large landowners and tenant farmers.
On Arran, the acts virtually wiped out whisky manufacture, and for over 150 years, the island’s illicit stills lay silent. In 1995, Arran’s first legal distillery in over a century was opened, and now, the new establishment at Lagg brings production firmly back to the traditional heartland of distilling in the south end of the island.
Illicit distilling has died out from lack of profitability, but rumours still persist in remote places of homemade moonshine like "Melvaig Mist"
Of course the troubles with the excise-man started long before the 19th century, Rabbie Burns, himself an excise-man for a time, wrote a poem, the end few lines are........
Scotland, my auld, respected mither! Tho' whiles ye moistify your leather, Till whare ye sit on craps o' heather Ye tine your dam, Freedom and whisky gang thegither, Tak aff your dram!
The pics are of caves and remains of an Illicit Still on the Isla of Arran, and how an Illicit Still would have looked.
You can read or listen to the whole poem here https://www.bbc.co.uk/.../the_authors_earnest_cry_and.../
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