Does anyone remember the internet when MLP first got popular and people online were insisting They were swearing up and down that the show was for adults, and that it was marketed towards kids but was Definitely For adults, full of mature humor and dark concepts and deep complex characters. and then nowadays you go look up an episode of MLP: FiM and the episode synopsis is something like Pinkie Pie Lost Her Balloon 🎈💔
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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Hello? Ni/ghtw/ing??
That's some... interesting dialogue there... and a few good sneezes too, imo
This isn't my video, so please don't say anything to do with the kink in their comments.
❗ PLEASE NO REBLOGGING TO NON-KINK BLOGS ❗
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all lin manuel miranda jokes aside, I REALLY liked the change they made where they needed Hermes' help to get into the underworld...had me going "psychopomp hermes psychopomp hermes PSYCHOPOMP HERMES"...the reference to others who have asked him for his help...the way it never ends well...I really liked seeing this aspect of the god referred to, and it added some weight to them heading to the LITERAL underworld
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