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onecanonlife · 3 years

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Wilbur has never had wings. He has long since resigned himself to that fact. However much of his father's blood runs through his veins, it is not enough to grant him that gift.

Wilbur comes back to life, and his back begins to ache.

(word count: 6,141)

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It’s stupid, but when his back first begins to ache, he assumes it’s old age.

The thing is that he doesn’t have any real frame of reference for what constitutes as old and what does not. His father is old, but his father has lived for literally thousands of years. Technoblade is not quite so old as that, but Technoblade never dies is more than just a catchphrase. Tommy is young, he’s sure of that much, but Tommy has days where he wakes up and his head and ribs won’t stop aching, remnants of that third death that have never quite left him, so Tommy is perhaps not the best gauge of what pains are and are not normal for a young person.

Wilbur doesn’t think that he’s particularly old. He’s still not yet thirty, unless he counts the void years. Then, he’s older than thirty. Then, he’s older than his own bones. He tries not to dwell on the void years, because dwelling on the void years gives him urges that he’s still learning how to ignore. Urges like informing everyone gaily and at length when the inevitable heat death of the universe will be, or giving everyone a graphic description of what happens at a microscopic level in the human body when it picks up a stomach bug.

The point is, he’s not very old. But he feels it, a lot of the time, so when he wakes up one morning and his back is killing him, he shrugs it off and goes about his day. It hurts, sure. It hurts kind of a lot. But he’s had worse. The void took him apart molecule by molecule and put him back together again so many times that he learned to love it, and compared to that, this is nothing at all.

Life in the Arctic has been—nice. It’s been nice, reconnecting with Phil, cautiously rebuilding his relationship with Technoblade. Tommy comes to visit a lot, and it’s odd, trying to juggle the kid he thinks of as a brother with his father and his father’s best friend, especially when there’s so much bad blood between the lot of them, but they make it work. And Ranboo is around a lot, and he’s a nice kid, and Niki stops by every so often, and it’s good to see her. No one else is very interested in coming to visit him, which is understandable, but she always smiles at him, and he knows that they’re still friends. Which is good.

He’s fairly sure that the four of them, Phil and Techno and Niki and Ranboo, have some sort of secret club thing going on. They always give him different answers when he asks about it; Niki blinks and tells him it’s a book club, and Ranboo does not blink because he does not have eyelids, but Ranboo claims that it’s a pet grooming society. So they’re lying to him for sure, and he thinks he could know the truth if he wanted to, if he tapped in just a bit more to those bits of void that have nestled in his heart. The temptation is strong, sometimes, but he resists.

He doesn’t want to mess with a good thing, is all. He’s found a peace here in the snow that he didn’t think he would be able to find outside of the grave. He is hesitant to call himself healing, but most days, when his head cries out for blood and fire and burning the world and himself along with it, he can push the idea away and carry on without trying to act on it. That is healing, perhaps.

Captain Puffy tells him it is, anyway, and he’s found that Captain Puffy tends to know what she’s talking about.

But so. His back hurts. And he expects it to stop after a while, because even old person aches surely can’t last forever. Except, it doesn’t, and in fact seems to only get worse over the next few days, to the point that he starts to worry that it’s going to begin interfering with his functionality. Which he doesn’t want. He needs freedom, freedom to go where he wants, even if where he wants to go usually isn’t very far. It’s the principle of the thing. He does not do well with confinement, with spaces that are too enclosed, and if this pain ends up laying him out in his room, he’s going to go insane.

Poor choice of words, that. But the point still stands, so he makes a decision. The decision is this: he’s simply not going to allow that to happen.

So he slaps a smile on his face and carries on with his business, and does his best to ignore the way his spine starts to feel like it’s cracking open and stabbing into the surrounding muscle. And he is a very good actor, if he does say so himself, so for the most part, no one seems to notice that anything is wrong. Phil asks him if he’s feeling alright, but he’s able to deflect by claiming fatigue, and Phil accepts the explanation easily. And the pain only increases, does not let up at all, but it’s a gradual sort of increase, so before too long, he figures out how to adjust to it. It’s fine. He’ll be fine.

And then Tommy stops by for a visit, and they’re chatting outside for a moment, and Tommy says something stupid and ridiculous, so he smacks him gently upside the head, which Tommy takes objection to. And then they’re wrestling, which makes the pain flare a bit, but it’s manageable, especially since he gets Tommy pinned in about four seconds flat, which. Is concerning, a bit, because he is not particularly strong, physically, so if he can pin Tommy, there are a lot of other people who could also definitely pin Tommy.

But he’s probably not thinking about it the right way. This was a play fight, not a real one, and it’s difficult, sometimes, to remember that the server is currently at peace.

He pins Tommy, both of them panting and grinning in the snow, and he doesn’t let up until Tommy admits defeat. And then he gets to his feet, and here is where he makes the error: he turns his back.

The snowball impacts him right between his shoulder blades. He stumbles forward with the force of it, and his knees hit the snow.

Tommy is already cackling, is calling him a bitch. Wilbur barely has time to think oh, shit before something spasms, and it’s like something has taken a knife to him from the inside out. He hears a strangled little scream, choked and agonized, and barely recognizes the fact that it’s coming from him, because black spots are dancing across his vision and his lungs aren’t inflating properly and he can hardly think.

“Oh, come on,” Tommy says, a wide smile still in his voice. “Don’t be such a pussy. I didn’t even pack any ice in.”

He can’t reply. The agony is centered where the snowball hit, but it’s radiating outward, and the whole of his back feels like it’s burning and freezing all at once, and he shudders violently, breaths coming in short, quick gasps. He clenches his fists, braces them against his thighs, pressing down hard enough to leave bruises.

“Wilbur?” Tommy asks, more uncertain. And then, Tommy is there, kneeling down in front of him, and his face goes all wide and panicky. “Wilbur? Holy shit, are you dying? Are you having a heart attack? A stroke? Are you freezing to death? Have I just killed you with a snowball? You’ve got three lives again, right? Where are you hurt, Wil, come one, you’ve got to tell me, you’ve gotta tell me so I can fix it, are you—”

“My back,” he manages, “my back’s been—my back’s been hurting, it wasn’t your fault, it’s just—” He cuts off with another gasp as all the muscles in his back convulse, tensing and untensing and tensing again and sending a wave of stabbing pain through his nerves.

“Oh, Prime,” Tommy says, “oh, Prime, alright, you’re gonna be fine, big man, let’s just get you inside, alright? Can you walk? Nevermind, just—” Tommy hooks his hands underneath his arms and hauls him to his feet, slinging one of his arms across his shoulders as soon as he can get them in the right position. He lets out a little whimper, and hates himself for doing so, just a little bit, but fuck, that hurts.

The stairs are a trial. His feet drag, and he would trip and fall flat on his face if it weren’t for Tommy. But then, they’re inside Phil’s house, and Tommy sits him down on Phil’s ratty little couch, and he immediately curls in on himself, hands gripping his forearms as if the pain will go away if he hugs himself hard enough.

“Okay, shirt off, Wil, let me see,” Tommy says, and he blinks dumbly for a moment.

“What?” he asks, his tongue thick and heavy in his mouth.

“No, just—you’ve got to let me see what’s wrong, yeah?”

“‘S old man aches,” he mumbles, but doesn’t try to fight it when Tommy begins manhandling his arms, pushing at his coat sleeves.

“What the fuck are you on about?” Tommy demands. “You’re not that old. Who do you think you are, Philza fucking Minecraft? Come on, just let me see—” He finally manages to get the coat off, and then the shirt, and his skin erupts in gooseflesh as it’s exposed to the air. Tommy freezes.

“What?” he asks. “What is it, what’s—”

“I don’t,” Tommy says, running a hand through his hair, “I don’t, Wilbur, I don’t know what this is, I don’t—holy shit, that’s actually kind of scary. Um! No, nevermind, don’t pay attention to me, just keep um, breathing! Breathing is good! Breathing exercises!” He breathes in and out, loud and exaggerated. “See, just like that. I’m just gonna—”

And he puts a hand out, and before Wilbur can stop him, he rests it on his back. Light and cautious, but still too much, and Wilbur stuffs a fist into his mouth to stop himself from screaming. In the same motion, he flinches away, violently, but the damage has already been done. Because the contact hurts, a lot, but what’s worse is the horror, because in the split second that Tommy’s hand touched his skin, he could feel the way that it is wrong, that his back is wrong, that there is something terribly wrong. Because there are ridges protruding from his back, long and thick and raised, and it’s wrong and it hurts and Tommy’s right, actually, this is scary, he’s fucking scared.

“Shit, shit, shit,” Tommy is saying, “I’m so sorry, I’m so fucking sorry, I won’t do that again, I’m so sorry, Wilbur, are you okay? Please be okay, please—”

He nods, though it’s more like he lets his head fall and then painstakingly brings it back up a little.

“Okay, I think we need—” Tommy says. “I think that I don’t know what to do, so I think we need—” He takes a deep breath. “Phil! Phil!” Loud, panicked, earsplitting. Wilbur winces. “Phil! He is home, isn’t he? Phil!”

A second passes, and then, drifting up from the basement, a distant, “Tommy? Everything good?”

“Phil, get up here right fucking now!”

There is a beat of silence, and then there are footsteps, quiet at first but growing closer, and they are quick, hurried. Phil must have detected the genuine fear in Tommy’s voice, because Tommy and Phil generally stand on very shaky ground with each other, so while Phil will typically indulge Tommy in his whims, it depends on the day as to how far he’ll go, how quick he’ll respond. But it’s only a moment or two before Phil’s head pokes out of the floor, his hands clinging to the ladder, his face twisted in confusion.

“What on earth is the matter?” he asks, and then breaks off as his eyes land on Wilbur, who—he must be a sight. He doesn’t know. He doesn’t care. But terror flashes across Phil’s face, and he is crossing the floor in an instant, hands hovering over him, fluttering helplessly, though thankfully, he doesn’t touch.

“What’s wrong, where are you hurt, what—” The words come out in a jumbled flurry, but he stops just as abruptly, and Wilbur knows that he is looking at the horror show that is his back.

“It hurts, Phil,” he whispers.

“Okay,” Phil says, sounding—still concerned, but perhaps marginally calmer? “Okay, you’re going to be alright. I think I know what this is.” He settles himself on the couch right next to him and opens his arms, and Wilbur doesn’t hesitate before leaning forward, slumping against him. Phil seems to know better than to put any kind of pressure on his back, and instead places one hand on his arm and the other on the back of his head, threading his fingers through his hair.

“Then what the fuck is it?” Tommy demands.

“Tommy, I need you to run over to Techno’s and ask him for something for pain, and something for sleep. Can you do that for me?” Phil asks instead of answering, and perhaps Wilbur should be terrified by the implication that he’s going to need either of those things, but the promise of some kind of relief overrides any kind of trepidation.

“Like fuck I will,” Tommy says, “Not before you tell me what the fuck is wrong with him!”

Another convulsion wracks him. He bites his lip to keep from crying out, and tastes blood. His breath is hitching, and he can’t stop it.

“Tommy.” Phil’s voice is sharp, but then, Wilbur feels rather than hears him sigh. “It’s wings, I think. I don’t understand why now, but I went through this a long time ago, when I was very young. I recognize the signs. So Tommy, please.”

Tommy makes a surprised little sound. Wilbur isn’t looking, has his face buried in Phil’s shoulder, but he can imagine the look on his face: the slack jaw, the wide open eyes. And then, there are rushed footsteps retreating, and the door slamming, and Tommy’s muffled voice calling out for Technoblade.

And then, Wilbur processes what Phil just said.

He twists his head around so he can see his face, regretting it a moment later. Any kind of movement seems to make the pain worse, and he has to take a moment to tremble through it.

“Wings?” he whispers. “How?”

He’s never had wings.

If he were going to have wings, he would have gotten them a long time ago. He remembers nights spent as a child, staying up and hoping for feathered appendages to somehow miraculously appear on his back, just so he could be more like his dad. He remembers the crushing disappointment when he finally accepted that no matter how much divine blood runs in his veins, it is apparently not enough.

But he did accept it. He accepted it years ago. There is absolutely no reason for him to be developing wings now, as a fully-grown adult, but Phil sounds so very sure, and his back hurts so very much, and perhaps that’s consistent with actual appendages trying to sprout out of him.

“I don’t know,” Phil says. “I’ve never heard of it happening so late, even in avians. Which, I’m not exactly, but I got mine when I was a kid like they do, and I don’t—I don’t know, Wil, I really don’t, but I remember what it was like, yeah? I know what to do. It’s gonna suck for a little while, but you’re going to be fine, I promise.”

“Okay,” he croaks, “okay—” and then he has to stop talking, because the pain flares again, bright and intense and holy shit, but it’s worse this time, because now that he knows what’s going on, he can feel them. He can feel things inside of him, pushing against his muscles and his skin in ways that absolutely should not be possible, and there is too much of him to be contained in his body, and there are things inside of him trying to escape—

It’s almost like the way he gets when he thinks about the void too hard. Except not, because when he does that, he feels the urge to dissolve away, gently and peacefully, to let himself back into the quiet that is not quiet and the darkness that is not dark, where all the knowledge of the world is at his fingertips, too much for a mortal brain to contain and remain sane. That is not this. This is his own body trying to explode. There is no peace, no dissolution; it’s messy and physical and Prime he just wants it to stop.

He shifts in Phil’s grasp, fruitlessly trying to find a position that takes the pressure off, a little bit. It’s no use, of course, because he can still feel something moving under the skin of his back, and his vision whites out, and when he comes back to himself, he’s shivering, shivering and shaking and sobbing in Phil’s hold, and he doesn’t remember when he started crying but he can’t seem to make himself stop. Phil is keeping up a steady stream of soothing nonsense, and he latches onto the sound of his voice like it’s the only lifeline he has.

And then the door bursts open, and Wilbur doesn’t bother trying to look, but there are two sets of footsteps, not just one.

“Here,” Tommy says, panting, and there are several thumps, and several clinks, glass on glass.

“Oh god, don’t—and he’s doing it, he’s just dumping all of that on the floor. Don’t break those, Tommy, those aren’t splash pots. Have you never handled a potion before.” Technoblade pauses for a moment. “So, what exactly’s wrong with him? The child was making no sense at all.”

Wilbur thinks he detects a note of concern. But he’s not thinking clearly, and it’s always hard to tell anyway, with Technoblade.

“He’s got wings growing in,” Phil responds, voice clipped. Wilbur feels his hand leave his arm, and he whines at the loss of touch. And then another spasm, and he whines again, pressing his face harder into Phil’s shirt.

“Oh. Huh. Yes, that makes perfect sense, of course.”

Phil’s arm dips a bit, and Wilbur finds himself being moved, his head gently tilted back. Phil’s face comes into view, pale and blurry.

“You want to drink this for me, Wil?” he says, and then there is glass at his lips, and he parts them immediately. He doesn’t like being knocked out, doesn’t like the loss of control that comes with it, but if he has to be aware for another five minutes, he’s not going to be able to keep himself from screaming aloud.

He swallows, grimacing at the taste. The effects start hitting right away. His mind detaches from himself, and the pain drains from him. Every muscle goes lax.

He exhales.

“There we go,” Phil murmurs, “there we go. It’s gonna be alright, Wil. I’ll be here the whole time. You’re gonna be okay.”

The world falls away. He lets it. He trusts his father to catch him.

----------

He wakes up a few times, and each time, it hurts. Phil is always there, and usually, Tommy too, and sometimes Techno, and he can barely move but they always see that he’s awake, and they give him a potion and he’s under again, and he’s glad for it, because those moments of consciousness are a spiral of pain and confusion and his thoughts flying apart because he barely understands what’s going on or why he’s hurting and he just wants it to go away.

And then there is the time he wakes up and he thinks somebody is cutting his back open, and he can feel his own blood on his skin, sticky and hot, and he thrashes, trying to get away, and that makes the pain so much worse, and the sound that comes out of his mouth is inhuman, and he fights until a potion is poured down his throat and it’s back to sleep again.

And then there is the time he wakes up, and people are talking in low, hushed tones. He can’t make out what they’re saying. He cracks his eyes open, and it’s Phil and Technoblade, deep in some discussion, both looking terribly concerned. He decides he’ll ask what’s wrong later, and then closes his eyes and goes back to sleep again.

And then there is the time he wakes up, and some part of him is moving, and he doesn’t understand what it is because it’s not any of his limbs, not his arms and not his legs, and it feels alien and foreign and his back feels like it’s been shoved under a woodchipper and then tossed through a paper shredder for good measure, and he’s not aware enough to know why, so he panics. There is a bit of the void that still dwells in his heart, and he calls on it, cries out to it, and it answers, comes rushing in around him, and his mind expands to peer into galaxies.

Philza is at his side a moment later, and he is able to look at him and see all the weight of years that lie behind his eyes, and all the years that lie ahead of him, and the moment of his death, all spiraling out like a tapestry and like a mass, and the music is atonal, confused, but a closer glance reveals it to be twelve-tone, order in the chaotic lines. Wilbur is with the void again, and his heart still beats, but it’s a near thing, and he could stop it if he chose.

“Do you want to know, Philza?” he asks, words spilling from his lips like rain, like the river, like the flood. “Do you want to know when it will happen? I can see it. I can see how some part of you wants it. All our histories are like tangled up threads, but they all come to an end, and I can see those endings, Philza, I can tell you about them if you like.”

Pain constricts Philza’s face, and Wilbur doesn’t know why. He doesn’t know who wouldn’t love the void and its peace and its everything.

“I know, Wilbur,” Philza says, “I know, but how about you come back to me now, okay? Come back to me?”

“We’re all little bits of code, Philza,” he informs him. “None of us are real. We’re little bits of code and words on a page and lines in a script written by our better selves. Nothing in this world really matters. We might as well have all the fun we can before the lights go out. Do you want to know when that will be, Philza? Not too long after you, Philza. Not too long at all. I told Tommy, he knows, he didn’t want to know but that’s alright, he’s better off for it, if he hasn’t forgotten.”

“Come back, Wil, come on,” Philza says, “you can do it. You’ve got a heartbeat, do you feel it?”

Philza takes his hand and places it over his heart, and—that’s right. He’s alive. He’d forgotten. The void spins, and then it tucks itself away again, waiting for the next moment he needs it, and he is left with only vague impressions of what he’s just said and a vague idea that everything hurts and something is wrong with his back and he’d like to go to sleep now, please.

“Alright, yeah,” Phil says, “here, you can have this, you can sleep. You’re doing so well, Wil, I promise it’s almost done.”

He takes the potion. Or tries to; Phil has to hold it for him.

“Okay,” he says faintly. “I’m sorry.”

“You’ve nothing to be sorry for,” he hears Phil say, very far away. “So long as you come back, everything’s okay.”

He goes back to sleep again. He thinks he wakes up a few more times, but he doesn’t really remember. He doesn’t really want to.

----------

And then: awareness.

The first thing he processes is that everything aches, deeply and acutely, but none of it feels nearly as bad as it did before, and not even as bad as it’s been over the past couple of weeks. It’s irritating, painful, but more than manageable, really, practically a relief. The second thing he processes is that he’s lying on his stomach, and that there is something weighing him down.

His mind puzzles over this for a moment. He tries to roll over, to see what’s going on, but something stops him, and then he remembers: wings.

He’s got wings. There are wings on his back. Growing out of him. A part of his body. Wings.

As soon as he realizes that, he becomes aware of them. And it is so very strange, to suddenly have access to two extra limbs, to suddenly have additional body parts to move about and control. It’s a feeling impossible to describe, and he has to take several minutes to process it, to try to become accustomed to it. It doesn’t really work, but he tries moving them anyway, just a bit of a flex, and—

Ouch.

He groans, shoving his face into the pillow. A mistake. That was a mistake. He’d rather like to go back to sleep now and pretend that none of this is happening.

But his vocalization draws attention, and then there is a hand on his shoulder, gently brushing him just enough to feel, not enough to pain him. He turns his head to the side, reluctantly, and Phil is kneeling beside him, his face open and soft and clearly relieved, his lips curling into a slight smile.

“Hey,” he says. “How you feeling, Wil?”

He considers this, and decides on honesty. “Bit like I’ve been caught between a piston and a wall for the past couple of days,” he admits. “Better than before, though.”

“Good to hear,” Phil says, and then his face goes a bit more serious. “How much of that do you remember?”

“Not much?” he says. “I don’t think? Impressions, I guess. I know I wasn’t having a good time. I’m glad I don’t remember it too clearly. I was out for most of it, yeah?”

“Most of it,” Phil agrees, and Wilbur thinks that perhaps there is something he’s not saying, but he doesn’t feel like pressing the matter. He can guess what it is, anyway; there is a chill in his chest, and his thoughts feel just slightly more fractured than usual, so it’s not hard to assume what might have happened. Not hard to assume where he might have gone. He’s sure he’ll feel terrible about it when everything stops feeling so surreal.

He has wings.

“It’s over now?” he asks, and winces at the way his voice cracks. “It’s done?”

Phil’s eyes do the thing where they go immeasurably soft and crinkly at the edges, and it’s love and relief and sadness all at once. “It’s done,” he agrees, and then hesitates. “You’re not gonna be able to fly on them for a while, but would you like to see?”

He doesn’t understand why Phil is being so cautious about it. Of course he wants to see. If he’s going to be put through hell, he wants to see what came of it. He wants it to be worth it.

“Usually, when wings grow in, they’re all downy and shit. Like a baby bird,” Phil says, probably in response to whatever face he’s sure he’s making. “Flight feathers come in over the next few weeks.” He pauses again, and Wilbur thinks he understands his reticence, now, understands the still-present concern.

“But that’s not what happened with mine,” he states, and Phil shakes his head.

“Yours are fully fledged,” he says. “Probably part of why it hurt so much. I don’t know why, Wil. But do you wanna have a look?”

Wordless, he nods, and Phil takes that as his cue to reach out and help him sit upright. It’s far more effort than it should be, compounded by the fact that his sense of balance feels all wrong, and that’s going to take some getting used to, he can already tell. And he’s sore, like he’s run a marathon or fought another half dozen wars all in one go, and his head spins a little bit when he finally situates himself. He closes his eyes against it, breathing in sharply.

He feels Phil guiding his wings forward, into his field of vision. He opens his eyes.

They are very big, is the first thing he notices. They would have to be, of course, to hold his weight up. Magic and suspension of disbelief only stretches so far. They are very large, and the feathers are very large, and they are very angular and neat as well, so neat that someone has to have arranged them while he was unconscious, because there’s no way that they came out looking like that.

The color, though. The color. He swallows, hard.

They are black, perhaps. They look black. But he knows on an instinctive level that they are black in the same way that the void is black, and that if someone were to stare at them for too long, they would realize as much, would realize that actually, they are not black at all, but rather some color or some lack of color that is beyond human comprehension. The void translates as black to the human mind because it is as close as the human mind can get to true perception, and most of the time, Wilbur remembers it as black, but it was not, and his wings are not, and he is never going to be free of it, is he?

On some level, he knew that. Knew that the void is in him and about him, and no matter what he does, it will never leave him completely, not after all the years he spent with it, intertwined with the infinite nothing. But now he has wings on his back, and they should be a connection between him and Phil, should be something to celebrate, but he stares at the plumage and feels sick to his stomach.

“Wil?” Phil asks. He sounds confused, sounds worried by his reaction. “You okay, mate?”

He’s not sure how to phrase this in a way that Phil will understand. Not sure that he wants to.

“Void,” he manages, voice a broken whisper. “They look like void, Phil.”

He looks up just in time to see Phil’s face crumple.

“Wil—”

“They look just like it, Phil,” he continues. “Just like it. And I know I’m not always good about, about being here, about keeping myself stable, but I’m trying. I try to ignore it when it calls, I try not to reach out to it, and when I fail, I, I try to come back, I do, I swear. I can’t—I can’t have these, Phil, they’re from it, that’s why I’m getting them now, maybe it triggered something, I don’t know, but I can’t, Phil, I can’t—”

He reaches out toward them, intending to do—something, maybe, and Phil must have a better idea than he does, because his hand darts out and snags his, stopping him in his tracks.

“No, Wil, don’t do that, okay? We can work on it, we’ll figure it out, but please don’t—”

“You’re up!”

He and Phil both freeze, and as one, look to the door. Tommy is standing there, grinning like nobody’s business, and Technoblade is lurking behind him, his face contorted into an expression that looks like he wants to murder someone but really just means he’s feeling very awkward.

Tommy glances back and forth between the two of him, and his face slowly falls.

“Is everything okay?” he asks. “Nothing—I mean, it all went right, didn’t it?”

He blinks. Tilts his head slightly. Gently removes his hand from Phil’s grasp, and then spreads out his wings behind him, putting them on full display, as far out as he can make them go, and it aches and he’s not going to be able to hold them there for long, but it’s worth it. He wants Tommy to see. Because Tommy will know. Tommy remembers. And unlike him, Tommy hates to remember. Tommy hates the void. So perhaps this is an act of self-sabotage. That’s what Captain Puffy would say. But he does it anyway, because he wants someone else to see and understand, understand in a way he knows Phil won’t be able to.

“I’ve got void wings, Tommy,” he says, and a smile splits his face. “See them?”

Tommy’s eyes widen, and he flinches.

Gratification is not nearly as sweet as he thought it would be. Actually, he just sort of feels like crying.

But then, Tommy’s brows draw together. And he steps further into the room, coming closer and closer until he’s standing right up against the bed, staring at the feathers. Wilbur holds himself very still.

“I see,” Tommy says slowly, “but Wilbur, I’m not sure you do.”

“What are you talking about?” he asks, and cranes his neck to try to see whatever Tommy’s looking at. For a moment, he doesn’t; there’s just the feathers, void feathers, death feathers, a reminder that—

But arctic sunlight slants through the window, and if he shifts his angle just a little bit—

The noise that escapes him is small and involuntary. He hopes no one calls him on it, but that’s the least of his concerns right now. Because the colors do not change, not exactly, but if he holds them to the light, the sun illuminates the feathers, haloing their edges in gold, and there is a sheen of color running across them, a sheen that ripples and moves as he shifts them in the sunbeam, and it is a beautiful, rich blue.

And they’re lovely.

“Oh,” he says, and Tommy laughs at him, the fucking gremlin.

“Yeah, fucking oh,” he says. “You’re such a moron. They’re so fucking ace, Wilbur.”

“I think that maybe you need to work on rememberin’,” Technoblade says from the doorway, “that you’re the sum of all your experiences, and not just one.”

Wilbur stares at him.

“Oh my god,” he finally says. “That’s so cheesy. Who the hell are you and what have you done with Technoblade?”

“Alright,” Techno grumbles, “see if I do anythin’ nice for you ever again. I didn’t come up here to receive this kind of treatment. This is an outrage.”

He laughs. He laughs, from the sheer relief of it, and his trepidation is melting away like snow in the sunshine, and he can allow himself to revel in it, to revel in the wings on his back, and he is sore and tired but this is what glory feels like, maybe, and perhaps he can fly into the air and there will be no wax to drip away.

Perhaps these wings are of the void, but they are of him, too.

And he looks to Phil again, and Phil is smiling at him, warm and happy. His own wings are flared out behind him, tattered at the edges, so many feathers torn or still missing entirely, and the more time that passes, the more and more likely it is that those feathers are never going to grow back, that Phil truly will never fly again. Phil has already resigned himself to it, he knows, but Wilbur has never given up hope, will never be able to bring himself to give up hope.

“It’s not fair that I can fly when you can’t,” he says quietly, and the room goes still and quiet. Especially when it’s my fault, he doesn’t say, though he knows everyone hears it.

“Wil,” Phil says, “nothing could bring me more joy than this.”

And Wilbur hears what he means: you, here.

So he flexes his wings and revels in the ache and revels in the sunshine and revels at his family, here, his father sitting by him and his friend-protege-brother poking at curiously at his feathers and Technoblade still in the doorway, not leaving even for all his grumbling. He revels in this, revels in this life, and for a time, the void recedes entirely.

And in its wake is the sunlight.

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