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#which is not new and I have seen criticism for it
t1gerlilly · 3 days
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I’ve seen a number of posts dismissing discussions of racism in the new storyline out of hand. To the point where I have no idea what the original criticisms were. And I think that’s really unfortunate. Partly because it feels like there’s a part of our community we’re not listening to and partly because I have some questions on the subject and would really like to hear what people are saying about it, but I’m clearly not following the right people.
I think folks forget how important Eddie is as Hispanic rep. Although 25% of the US population is Hispanic, only 3.3% of lead roles in TV are played by Hispanic actors (source) They’re also only 1.6% of showrunners and 1.9% of directors. And they are also under 5% of executive or management roles in media (source). So there is clearly a systemic problem.
But how does that apply to 911? Well - Carlos on lone star is notorious for having the least screen time of any character, despite the fact that his character is the closest to Athena in terms of role. And Eddie? Well, the latest I could find was season five totals - and Eddie and Chim, the non-white or black men, were bottom of the barrel. To really establish a pattern, you’d want more than two shows, but at least across half a decade of shows, the pattern is pretty consistent. I’m not making an argument about the reasons for that, but those are just the numbers. If I were to speculate, I’d assume it was a combination of who the network exec, showrunner, and executive producer was, since they have the power to make decisions. Just coincidentally, their racial identities mirror the screen time of the characters? Hmmmm
So then let’s look at who does press for the show - making themselves more visible…yeah, that’s largely Oliver. And you can say that’s because he’s a POV character- but you might be surprised to learn that in many seasons either Hen or Athena had more screen time than Buck. Yeah. Really. But you NEVER see Aisha put out to do press the way that Oliver is.
Why is that? Is it because she’s a black woman? Because she plays a queer character? And who is making that decision and why? Because that lack of visibility impacts her personal career. Same thing with Ryan Guzman and Kenneth Choi, who both have less screen time AND less press.
But in particular- and this is the rub - Ryan has CLEARLY been making intentional acting choices FOR YEARS to shape his character and his dynamic with Buck as queer. Oliver played into them, thinking of them as natural chemistry- but it’s clear that other creators on the show - notably the directors and writers, picked up on Ryan’s choices and fan reactions to reframe the dynamics and the characters.
And it’s really clear that Tim originally intended to have Eddie come out, but the poor reaction to Natalia and the fact that the actress was unavailable led him to switch the storyline to Buck. All of which is perfectly understandable.
But if there’s one person most responsible for the reason we ultimately got bi!Buck, it’s Ryan Guzman - for the bravery and perseverance of his choices as an artist. It’s amazing to me that in all the praise for Oliver saying that he “would have” leaned into Buck as queer even without the go ahead…no one has thought to praise the actor who actually DID THAT - for YEARS- when he was in a much more precarious position as a character and an actor. Like really take a minute to look at what that took…he was risking his livelihood with that choice.
And then, when the show DOES finally make it canon…who gets the praise? The buzz? The support? The white guy who was mostly oblivious for the past five years. Like…how is THAT fair?
And OK, the original plan was for the helicopter pilot to be Lucy, and that fell through so they reached out to Lou, because Tommy was a former character- but also quite likely because he looks a good deal like Buck - and the SL was supposed to have that character be a stand-in for the other half of Buddie. When they switched to Buck, they had to make Tommy have similar hobbies to Eddie to establish the similarities, since they couldn’t rely on looks.
But that meant they totally whitewashed the story line. And if you want to talk about firsts - when has a Hispanic lead come out as gay or bi? And how many of them were men? And how many were over 21? And on a mainstream show?
And no, it wasn’t intentional (just a function of having so many more white characters than Hispanic characters), but it was unfortunate. Not to mention the intersectionality of it all.
So…I honestly think there’s a decent basis for critique there. Not a “these people are terrible” critique, but a “not paying attention to diversity systemically” in a way that lets unconscious bias have the same impact as deliberate bias.
And I really wonder at the people who just dismissed the entire discussion - how hard did you listen? How willing were you to hear what people were saying? Because this is an issue that has to do with real people, their careers, their hopes, dreams, and identities. And you should be willing to listen.
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yamayuandadu · 2 days
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What is your opinion on the article "Mesopotamian or Iranian? A New Investigation on the Origin of the Goddess Anāhitā" by Alireza Qaderi?
He proposes that Anahita is possibly the syncretism of an Iranian Water goddess with Annunitum, and while it largely makes a lot of sense to me, especially with how it points out that we can't treat the Avesta as we know it as identical to the Avesta in Zarathustra's time, it also assumes the Central Asian goddess Ardokhsho comes from Aredvi Sura instead of Arti, and everything else I've seen just says Ardokhsho comes from Arti, although I haven't seen much literature on either deity tbh
Sorry it took me a few days to answer this ask even though it’s basically laser focused on my interests. I had some other stuff to read and unpleasant work duties to perform and couldn’t properly go through the recommended paper.
My feelings about the paper are mixed. I think anyone who remembers Annunitum was a distinct deity as early as in the late third millennium BCE deserves at least some credit. The notion of interchangeability of goddesses still haunts the field, fueled by Bible scholars, Helsinki hyperdiffusionists and the like. Overall the author shines in the sections dedicated only to the evaluation of the broadly Iranian material, but as soon as the focus switches to Mesopotamia things fall apart, sadly. More under the cut. Hope you don’t mind that I’ll also use this as an opportunity to talk about Annunitum in Sippar in general. I've been gathering sources to improve her wiki article further (don’t expect that any time soon though). 
The Iranian material
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Criticizing the vintage attempts at equating Anahita with Sarasvati is sound and sensible. Same with stressing that she is distinct from Nanaya and Oxus. The criticism of theories depending on lack of familiarity with the historical range of the beaver was a nice touch too, it demonstrates well that the author wanted to cover as much previous literature as possible. However, I also have no clue what’s up with “ΑΡΔΟΧΡΟ has an ambiguous relationship with Arədvī Sūrā”, I’ve also only ever seen this name explained as a derivative of Ashi/Arti save for a single paper trying to force a link to Oxus which was met with critical responses. It’s entirely possible this is an argument I simply haven’t seen though, I’m also not really familiar with this matter.
Overall the arguments against seeking Anahita’s origin in the east are perfectly sensible, and line up with the evidence well - no issues at all with this part of the paper. Following a more detailed list of Anahita’s easter attestations from Shenkar’s Intangible spirits and graven images. She appears on some Kushano-Sasanian coins, but this seems to reflect importing her from the west relatively late on since she appears in neither Kushan nor Bactrian sources. The coins are even exclusively inscribed in Middle Persian, with no trace of the local vernacular. 
For unclear reasons Anahita caught on to a degree even further east in Sogdia, but attestations are limited to the period between fourth and sixth centuries. Since they’re largely just generic theophoric names, it is hard to call her anything but a minor deity of indeterminate character in this context, though. I’ve seen the argument that the popularity of Oxus in the east might have been the obstacle to introducing her. Oxus was a bigger deal in Bactria than in Sogdia so it could even explain why Sogdians were slightly more keen on her, arguably, even if they and Bactrians came into contact with her cult under similar circumstances.
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Back to the article, the section dealing with the western attestations starts on a pretty strong note too. The need for reevaluation if it’s fair to talk about Achaemenid rulers as “Zoroastrian” is a mainstay of studies published over the past 10-15 years or so. I can’t weigh on the linguistic arguments because I know next to nothing about that.
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I’m not sure if I follow the argument that it makes no sense Iranian population wouldn’t need a royal order to start worshipping a new deity as long as they were Iranian, tbh - linguistic or cultural affiliation doesn’t come prepackaged with automatically updated list of deities one is obliged to instantly adopt as soon as they pop up into existence. Following this logic, why didn’t Sargon’s Akkadian speaking subjects in Syria just adopt Ilaba before being obliged to do so? You will find literally hundreds of cases like this, it’s a very weird argument to me.
The Mesopotamian material
The biggest problems start once the coverage of Mesopotamia begins. The rigor evident in the strictly Iranian sections of the article just… vanishes and it’s incredibly weird. Herodotus as a source is… quite something. The phrase “ a goddess with a Semitic character” is… well, quite something too (Reallexikon generally advises against defining anything but languages as “Semitic” in Mesopotamian context - Mesopotamian is a perfectly fine label to use, and accounts for the fact that Sumerian, Hurrian and Kassite are not a part of the Semitic language family). It keeps repeating later and admittedly I’m not very fond of this. Especially when it pertains to the west of Iran, where deities originating in Mesopotamia were worshiped since the late third millennium BCE - they were more Elamite than Mesopotamian by the time Persians showed up, really. The matter is covered in detail in Wouter Henkelman’s Other Gods who Are with Adad in the Persepolis Fortification Archive as a case study.
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Cybele was by no means Mesopotamian (with each new study she keeps becoming more strictly Phrygian, with earlier Anatolian, let alone Mesopotamian, influence becoming less and less likely) so I'm not sure what she's doing here, Nanaya’s associations with lions is almost definitely an Iranian innovation and not attested before the late first millennium BCE; despite earlier sound arguments against ascribing strictly Avestan Zoroastrian sensibilities to people in the late first millennium BCE, that’s basically what happens here. Lions were evidently viewed favorably by at least some Persians and especially Bactrians and Sogdians.
The less said about the part trying to link evidence from Palmyra to Inanna and Dumuzi (what does a marginal spouse deity like Dumuzi, entirely absent from Palmyra, have to do with Sabazius, a veritable pantheon head equated with Zeus?), the better. Frazerian bit, if I have to be honest.
I’m not sure about the enthusiasm for Boyce’s argument that it makes little sense for Anahita to simultaneously be a river goddess and to bestow victory in battle. The latter characteristic lines up well with her elevation to the position of a deity tied to investiture of kings, which in turn is something which boils down to personal preference of a given dynasty. The character of deities isn’t necessarily supposed to be one-dimensional and having distinct spheres of activity because of historical factors is hardly unusual.
Stressing that it’s not possible to treat Anahita and Ishtar as interchangeable is commendable. However, I don’t think it’s possible to claim continuity between the religious beliefs reflected in the relief of Anubanini and first millennium BCE Media. The argument is not pursued further, to be fair, but it’s still weird.
The next huge issue is the treatment of the late “Anu theology”. A good recent overview of this matter can be found in Krul’s 2018 monograph (shared by the author herself here).
For starters, it’s completely baffling to declare Anu had no spouse at first; Urash and Ki are both attested in the Early Dynastic period already - and the former appears reasonably commonly in this role in literary texts and god lists. Even Antu might already be present in the Abu Salabikh list.
Attributing Inanna prominence in Uruk and in the Eanna in particular to identification with Antu is utterly nightmarish and one of the worst Inanna takes I’ve ever seen; the fact it’s contradicted by information of the same page makes it pretty funny, admittedly. Inanna’s ties to the city go back literally to the beginning of recorded history (some of the oldest texts in the world are demands aimed at cities under the control of Uruk to provide offerings for Inanna ffs), and probably even further back. Meanwhile, Anu for most of his history was an abstract hardly worshiped deity; Krul stresses this in the beginning of her book linked above. I’m not a fan of ancient matriarchy takes which are often lurking in the background when the cases of earliest city goddesses like Inanna, Nisaba and Nanshe are discussed but I do think the need to downplay Inanna’s prominence and elevate Anu which pops up every few years in scholarship is suspect and probably motivated by sexism, consciously or not, tbh. 
Trying to make the “Anu theology” which developed in the late first millennium BCE an influence on the entirety of Mesopotamia and beyond is puzzling. Sabazius appearing in Palmyra with a spouse is tied to Anu, somehow? The fact that deities had spouses is? Atargatis ties into this somehow? I’m sorry, but I’m not following. Also, Uruk was no longer a theological center of the Mesopotamian world in the first millennium BCE. Babylon was, and before that Nippur. There is no need to speculate, there are thousands of texts to back it up. The late sources from Uruk in particular show that Babylon was somewhat forcefully influencing the city, not the other way around.
The Anu theology was a display of local “nationalism” of Uruk and had a very limited impact. There is evidence for some degree of late theological cooperation between Uruk and Nippur, and possibly Der as well (Der itself despite being located with certainty has yet to be excavated, though, so caution is necessary), but nothing of this sort is to be found in the late sources from other locations.
Annunitum = Anahita?
Finally, let’s look at the core idea behind the article.
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Right off the bat I feel it’s necessary to stress Annunitum generally wasn’t regarded as an astral deity. In the Old Babylonian period, the Venus role was evidently handled by Ninsianna in Sippar; later on they aren’t even attested there but the regular Ishtar is. Seems doubtful it would actually be Annunitum who got to be an astral deity there at any point in time.
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This claim is also highly dubious. There is no evidence that Antu was ever worshiped in Sippar, let alone that she was equated there with Annunitum; she doesn’t show up at all in Jennie Myers’ 2002 thesis The Sippar pantheon: a diachronic study. Paul-Alain Beaulieu stresses her lack of importance all across Mesopotamia save for first millennium BCE Uruk here. There is also no evidence that the late Anu theology impacted Sippar in any capacity. Shamash retained his position in the city until the death of cuneiform. Even in Uruk, Annunitum in the late sources appears only in association with Ishtar and Nanaya, not Anu and Antu. I will repeat how I feel about the need to assert Anu’s importance where there is no trace of it. Overall it feels like unrelated Mesopotamian and adjacent sources from different areas and time periods are used indiscriminately; which is ironically the criticism employed in the article wrt the treatment of Iranian textual sources by other researchers. The Assyriological sources employed leave a bit to be desired, too. In particular Abusch’s Ishtar entry in the Dictionary of Deities and Demons in the Bible is a nightmare (he’s good when he covers incantations but his broader “theological” proposals are… quite something), here are some quotes from it to show how awful it is is a central point of reference:
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Of the other authors cited, Jacobsen is Jacobsen and a lot changed since the 1960s. Roberts was criticized right after his study was published by researchers like Aage Westenholz. Langdon’s study from the early 1900s is an outdated nightmare, I guess we know what’s up with the Dumuzi hot takes now. Beaulieu is great but his papers and monographs aren’t really utilized to any meaningful extent, I feel. 
Other criticisms aside, I’m unsure if Annunitum was important enough in the fifth century BCE to be noticed by Artaxerxes II as postulated here, especially since Shamash was right next door and definitely retained some degree of prominence. Most if not all cases of Mesopotamian deities influencing Persian or broader Iranian tradition reflect widespread cults of popular deities - Nanaya, Nabu (via influence on Tishtrya), Nergal (in the west, around Harran) - as opposed to a b-list strictly local deity. And it’s really hard to refer to Annunitum differently. Let’s take a quick look at her position in the twin cities of Sippar - as far as I am aware, the most recent treatment of this matter is still Myers’ thesis, and that’s what I will rely on here. 
Annunitum is first attested in Sippar in the Old Babylonian period, during the reign of Sabium, though as a deity already locally major enough to appear in an oath formula alongside Shamash. In the Early Dynastic period Sippar-Amnanum was likely associated with an enigmatic figure designated by the logogram ÉREN+X who doesn’t seem to be related to her. When and how exactly the tutelary deity change occurred is not presently possible to determine and admittedly of no real relevance here.
Evidently Annunitum’s cult in Sippar was influenced to some degree by the Sargonic tradition she originated in, her temple was even called Eulmaš just like that in Akkad. It’s not impossible it was even originally founded by one of the members of the Sargonic dynasty, but in absence of pre-OB evidence caution is necessary. There is no shortage of later rulers who wanted to partake in the Sargonic legacy, after all. By the earliest documented times, it was the second most important temple in the Sippar agglomeration, and the only one beside the Ebabbar to have its own administrative structure. Annunitum was even referred to as the “queen of Sippar” (Šarrat Sippar; note that by the Neo-Babylonian period this title came to function as a distinct goddess, though). In Sippar-Amnanum there was a street, a gate and a canal named after her. A bit over 6% of the inhabitants of both cities bore theophoric names invoking her, also. Sippar-Amnanum was abandoned for some 200 years after the reign of Ammi-saduqa, but it seems the clergy simply moved to the other Sippar next door. Next few centuries are very sparsely documented at this site, but supposedly Shagarakti-Shuriash rebuilt Annunitum’s temple (the matter is discussed in detail here).
Inscriptions of Tiglath-pileser I dealing with the conquest of northern Babylonia affirm that Annunitum continued to be viewed as the goddess of Sippar through the Neo-Assyrian period. According to an inscription of Nabonidus her temple, and Sippar-Amnanum as a whole, were razed by Sennacherib (he also blames “Gutians” for it though by then this is a label as generic as “barbarian”). This might be why her cult had to be relocated to the other part of Sippar again. In the Neo-Babylonian period it returned to Sippar-Amnanum under Neriglissar, though her temple was only rebuilt by Nabonidus. It survived at least until the reign of Darius, though it was only a small sanctuary (É.KUR.RA.MEŠ) like those of Adad and Gula.
There is very little evidence for popular worship of her so late on: only two theophoric names have been identified…. For comparison, Shamash appears in 208 (out of 823 theophoric names, out of a total of 1243 total). Nergal, Gula, Adad and even Amurru are all more common.  Aya is also absent, but unlike Annunitum despite her prominence in earlier periods she was actually never common in theophoric names, save for the names of naditu; and naditu ceased to be a thing after the OB period.
Offering lists complicate the matter further. From the reign of Nebuchadnezzar, Annunitum started to lose ground to a duo introduced from Dur-Kurigalzu: a manifestation of Nanaya associated with this city and Ishtar-tashme. Why they suddenly appeared in Sippar and why they overshadowed Annunitum is uncertain, perhaps Dur-Kurigalzu just failed to recover from decline after the end of the Kassite period and eventually the decision was made to start transferring local deities to other nearby major urban centers. The process reversed during the reign of Nabonidus, who ordered an increase in offerings made to her. This might’ve been motivated by his general concern for Sin and any deities considered members of his immediate family - essentially, a display of personal devotion. This elevation is still evident in offering lists from the reign of Cyrus, though.
Overall the paper is quite convincing - outstanding, even - when it comes to the Iranian material alone, and between mediocre and nightmarish once the author shifts to Mesopotamia.
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leandra-winchester · 3 days
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So. There's been a lot of speculation, and a lot of hot and lukewarm and some honest and valid takes about the new trailer and the potential of what might go down next ep.
I've been thinking thoughts, and I have my own personal stance on the matter. And no, I will not be 'taking criticism', because this is the way I view things in general, and it won't change. So this isn't me opening up a debate about this, this is just me sharing my personal views, which you absolutely can agree or disagree with. (So if your views on cheating are vastly different from mine, don't come at me telling me how wrong I am, I'm not doing that at you either)
That being said, here are my thoughts and beliefs.
Kissing isn't (automatically) cheating. For me, it highly, highly depends on the accompanying circumstances. There are kisses for shits and giggles that are not cheating. There are kisses happening under heavy influence of whatever substance - something that can render you legally not responsible for a lot of things, so how does it make you responsible for a moment's poor choice? There are kisses that are done deliberately with intention and feelings/high physical attraction involved, and THAT is cheating. When we look at the Buck/Lucy kiss, I didn't see it as huge a deal as many of the fandom did. The kiss itself somewhat fell into the second category. But what made it at the very least borderline cheating was the fact that Buck made a secret of it afterwards. Had he said "Look, something happened last night. I was drunk, then Lucy kissed me, and I didn't instantly pull back, but I didn't want to kiss her again or anything. I have no feelings for her whatsoever and I will watch myself in future a whole lot more to notice any signs of flirting, which, in hindsight, there were. I'm sorry." - then I think that's still grounds for a partner to be mad, sad, disappointed, but it's not really full-on cheating. Not in my book, by my definition.
Emotional cheating is much worse than physical cheating Being in love with someone and knowing it, imagining yourself to be with that other person, THAT is much more cheating by my definition than a fleeting kiss. And sometimes, depending on the circumstances, maybe even more than a drunken fumble or one night stand, but that is a very complex question. However, emotional cheating means you're not really in it with your current partner, pining for someone else but settling for what you can have out of convenience, fear of being left behind or some other highly egoistical motivation. That really sucks. (I've seen that take expressed on my dashboard as well, though with slightly different nuance to what I feel and believe, but pretty close)
So, taking these two of my underlying beliefs as the basis, what can I see happen in the next episode that would leave me feel okay with it, or happy about it, and what would make me feel iffy about it?
Let's start with the iffy.
Buck:
If, at any point in their drunken Hangover-movie escapades Buck and Eddie kiss, full on kiss (with maybe a little bit of tongue), and that kicks something lose in Buck, I would utterly hate that. Not that I wouldn't find it plausible that a kiss like that would trigger him realizing romantic feelings for Eddie, but that it happens now.
Someone else made a long post about negative stereotypes about bisexuals, and I agree. This is the promiscuity/bisexuals can't be trusted to be faithful stereotype, and I don't want Buck to ever be seen in that light.
Also, Buck JUST (and that post mentioned that too) convinced Tommy to come with him to the wedding, that he's ready for something... only to emotionally cheat (because it's that aspect for me rather than the kiss itself) on him the very next opportunity?
"But Tommy and Buck aren't in a relationship yet," I heard someone say, and well, yes. But this isn't REAL LIFE. It's writing. Things are crafted in a certain way to form a story, and stories have a purpose. The narrative gave us an arc where Buck seemingly wasn't ready for a relationship with a man yet, where he fucked up and had to fix that, had to take a leap and take some courage to make it work.
Just purely from a narrative standpoint, it would be so inconsistent to reverse that healthy step forward just one episode later.
From what we know about the episode, it also doesn't look like he's breaking up with Tommy in that episode. A lovely, potentially dramatic moment where Buck kisses Tommy in front of everyone as a means of 'coming out' is highly implied/likely. So that would mean him being aware of some feelings towards Eddie and still going through with that. And yeah. No. I'd really, really fucking hate that.
Eddie:
If they kiss at some point and it kicks something loose in Eddie, and he then goes back to Marisol... I'd have much less of a problem with that because it could still be explained and justified with him just being in utter panic about coming out. It would match the catholic guilt arc, and all his previous attempts at conforming to heteronormativity... BUT, if the relationship just continued as is and he'd actively use her as beard that would be shitty, even for poor confused, repressed, closeted Eddie.
The Not Iffy
On with Eddie:
If that kiss brings something to the surface in Eddie and he then breaks up with Marisol one episode later I would not consider that cheating or poor morals or anything of the sort. He wasn't aware of it until that moment, and as soon as he is aware of it and has had a little bit of time to process it, he draws the right consequences from it and breaks off a relationship he's not fully in.
So this would actually be fine to me. This could be the kick starter for a potentially long and complex arc for Eddie to a) come to terms with his sexuality and b) pine for Buck from a distance, because Buck is with Tommy and c) eventually, when the time is right, for Buddie to go canon.
Buck:
The kiss itself wasn't a serious or real kiss. I'd be okay with it, if it was some silly, exaggerated "MWAH" smack of the lips kiss, prompted by someone or something around them - I dunno, maybe one of the women there saying "Aww you're such a cute couple" and they going in for it just for shits and giggles; or Buck gushing about Tommy and what a great kisser he is and Eddie drunkenly, outwardly jokingly saying "Hey, I'm a great kisser too!" and them jokingly leaning in for a smooch, again, for shits and giggles.
Buck afterwards doesn't even remember it because it meant nothing in that moment, and so he's neither seriously physically nor emotionally cheating on Tommy in the slightest.
"But Buck has deep feelings for Eddie. How can he kiss him and not realize them?"
Well, see, Buck has been around Eddie for almost 6 years now and not realized them. They are so, so far past that getting to know and falling in love phase that it makes it a bazillion times more complicated to distinguish those deep platonic feelings from deep romantic feelings (because, what it comes down to in both instances is a deep bond; the bond of love you feel after years of dating isn't that different from a deep platonic bond. Again, Eros vs. Pragma and all that).
But Buck is *in love* with Tommy, he's just entered that exciting, chemically turbulent process of falling in love with someone which, with all the newly formed neural connections and all those hormones overrides anything else that has long since been present and is only now presented with the opportunity to take on a new nuance. Of course he doesn't get it, and he likely won't get it until much, much later, when he's falling out of love with Tommy again for whatever reason, or they break up amicably for whatever reason.
And THIS again is something that could easily go into the iffy, because I would really fucking HATE the implication that Buck needs to break up with Tommy to be with his One True Love. I don't want this to be a difficult and painful choice.
IF (when) Buddie goes canon, I want them both to be ready and free for it and not accidentally pushed towards it, or struggle with a guilty conscience for it, or hurt someone else about it. (Marisol wouldn't count in that context as Eddie would have broken up with her months ago and gone on his own long self-discovery trip).
So yes, even if for slightly different reasons, and even if my views on what constitutes 'cheating' may differ from a lot of yours, I agree that any actual MUTUAL feelings realization right now, under these external circumstances, would totally tarnish the beginning of the Buddie relationship.
Which also makes me hopeful it won't happen in such a way. Up until now, the writing has been extremely solid, and Buck's coming out arc has been done with so much care. I doubt they'd do something that ruins it. (But I'm not 100% sure of it either).
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churchydragon · 3 months
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I already knew I had no interest in Palworld when they showed the guns and slavery of the Pals in the first trailer but hearing that not only has the company dabbled in NFTs and AI but there's also HUMAN slavery AND the farms are called plantations has just totally turned me off. why did the devs think that was even slightly appropriate in this fucking day and age?
like I DO think we need an open world survival Pokemon-esq game, we really do. but not Palworld. hopefully Kindred Fates will fill that void properly, in a responsible, not overly and poorly thought out edgy way.
#granted if they make it clear in the game that the slavery is Bad and there are better ways to do the things you need to do#then that's slightly better. Morrowind has slavery in it too but it makes it very clear that it's Bad#and in quests involving them they give you options to help the slaves out and allow you to free them (two Telvanni quests come to mind)#it's not great but it's slightly better. but like. if it's like the guns then I suspect it's in there just to be edgy and “cool”#which isn't okay and shouldn't be defended. that's not okay. that's not ever okay.#and it sucks cuz again we do need a game like Palworld but without all the terrible things! Nintendo has been slacking hard and also#they been playing it way too safe and I feel like anything they make will kinda fall short#I enjoyed Scarlet and Violet but I feel like they could have done a little more if they were braver#and also. you know. payed their workers and didn't push out a new Pokemon every year.#give it time to sit so new ideas can develop properly. come on now.#anyways I have no idea if any of this is really coherent or just a rapid flow of thoughts. whatever#I'm excited for Kindred Fates. it comes out this year supposedly so I'm gonna grab that when I can#also there's nothing wrong with edgy concepts in video games. Palworld just does it badly to me#and as always people are allowed to like the game but. use some critical thinking#I've seen little bits of the game that look really fun. I've just been totally disillusioned to it lmao#I am gonna be sus of anyone accusing people of being moral crusaders for calling the game out for the slavery tho. that's sus as fuck#churchy talks#churchy tag rambles
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fiendishartist2 · 10 months
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ppl on the internet when a piece of media is really good and therefore popular: um actually im starting to think its overrated....
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v-arbellanaris · 1 year
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da4 doesnt matter to me because as far as im concerned everything is au after da2. sorry everyone
#i still can't believe inq is a real game (derogatory). sorry about it#instead of playing inq i'd rather play gow or gow ragnarok. which i HAVE been doing lmao#i'd rather play bg3 and honestlyyyyy the direction theyre taking da in is sort of. ehhhh to me? and has been since inq sooo#im not really invested. like ill eventually play or watch pts i guess but im still mucking around in dao#i dont think da4 is going to do that for me. i might be wrong but my gut feeling after absolution is just that#wherever theyre taking this is not gonna be super interesting or new or fascinating to me. i feel like they kinda missed that boat w dai#with all their ''gotcha'' plotlines abt oppressive systems and systemic abuse basically blaming ppl for their own oppression#inq would have been better. if they like. didnt even massively change the storyline but just actively have the inq be BAD - maybe even#unapologetically bad. it couldve been an insightful breakdown abt power and authority and things like that but it wasnt#it couldve been abt people but it wasnt. so really in my head im already prepared to be let down in da4 because da has ALREADY#been letting me down lol. and so far the glimpses ive seen does not indicate to me tht theyre going to shift away from what they were doing#in dai. in fact they look like theyre planning to lean into it more. so! idc abt da4 im just gonna play in the sandpit with the blocks that#they gave me from the first few games and content#i do hope solas rips the veil down tho. i think the solas girlies who support him (me) deserve vindication#tbd#bioware critical#dai critical#da:d critical
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babylon5 · 1 year
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some people on here are so fucking vile to beginning writers especially younger ones and i hate it. contrary to popular opinion no one exits the womb with a perfect understanding of creative writing (actually the concept of this is highly subjective anyway but!!) or grammatical structures. it takes Time to build these things!!!! i love being a hater but when you're hating on, like, traumatized teenagers writing about icarus or whatever because they don't know how else to put what they're going through into words, that's just being an asshole i think lol
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crickwater · 1 year
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I don't have any strong feelings abt matt mercer dming for d20. I am enjoying seeing the intense reactions of everyone else tho
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mariocki · 2 years
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On the 24th of July 1979 the cast of Bent, including stars Ian McKellen and Tom Bell, joined members of other West End productions in protesting increased VAT on theatre tickets. In August, McKellen wrote a piece for Plays and Players magazine:
"The march through London's West End on 24 July was a high-spirited and invigorating experience. At least 4,000 members of British Actors' Equity were on parade, representing every theatre in the country. I was under the Criterion Theatre's banner with the cast of Bent, who were reinforced by the box-office and stage staff and by our manager, Ian Albery. At a brief rally at the Opera House in Covent Garden, its director John Tooley welcomed us all; Trevor Nunn was there with the Royal Shakespeare Company and Peter Hall cabled his support from the National Theatre. Such unity of workers and employers, of commercial and subsidised theatres, was an example to other troubled industries. But then, we had an urgent case to present to the House of Commons, where the day ended as we lobbied our Members of Parliament."
#100plays#bent#martin sherman#moder drama#modern theatre#queer theatre#ian mckellen#tom bell#plays and players#transcript#quote#i should add that McKellen was actually something of a fencesitter#and whilst he deplored the taxing of theatre attendees under tory rule he was equally as sceptical of the WRP and Corin and Vanessa#Redgrave‚ who were calling for the nationalisation of theatres‚ describing both alternatives as 'barbarous'#the redgraves and the 'far left' they represented seem to have been a habitual irritant to McKellen‚ who wrote several pieces critical of#their influence on Equity (the actor's union for which McKellen remains a spirited champion). he was‚ though‚ in favour of the closed shop#approach Equity took until Thatcher made the process illegal in the early 80s#Bell‚ by comparison‚ was not a regular theatre star‚ having made his name in the British kitchen sink dramas and new wave films of the 60s#and mostly kept to tv and film ever since; Bent was a rare starring role on stage. Bell considered television better suited to his talents#and indeed the previous year had seen him BAFTA nominated in Trevor Preston's crime drama Out and winning glowing reviews as Adolf#Eichmann in controversial US miniseries Holocaust. nor was he as politically engaged as his costar‚ though he will forever have my#respect for drunkenly heckling Prince Philip at an awards ceremony early in his career (a move which almost certainly affected his#ability to win leading roles for some years)
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neonnoir-ao3 · 6 months
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Posting my half-baked concepts in the drafts and never publishing them because I know I’ll be judged if I post them because the TikTok-originated parts of this specific fandom don’t know how fandoms work and think any content they personally don’t like is problematic.
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Never thought I'd be describing any action by one Caleb Widogast as healthy but here we are
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age-of-moonknight · 2 years
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“Doctor,” Moon Knight (Vol. 7/2014), #9.
Writer: Brian Wood; Penciler and Inker: Greg Smallwood; Colorist: Jordie Bellaire; Letterer: Travis Lanham
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trans-li-ling · 2 years
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I'm so fucking tired of seeing the dislyte criticisms bc its not that they're not valid it's that they're fucking wrong.
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amtrak-official · 4 months
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So do people realize that we aren't building new train tracks when we expand the amteak network, I have multiple times seen people say that we shouldn't expand the network because it would destroy protected lands, which would be a fair criticism but Amtrak doesn't build new tracks, we use existing tracks. We are not destroying protected lands, we are using land that has already been clear for a century
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thymewayster · 1 year
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Really good Twitter thread originally about Elon Musk and Twitter, but also applies to Netflix and a lot of other corporations.
Full thread. Text transcription under cut.
John Bull @garius
One of the things I occasionally get paid to do by companies/execs is to tell them why everything seemed to SUDDENLY go wrong, and subs/readers dropped like a stone. So, with everything going on at Twitter rn, time for a thread about the Trust Thermocline /1
So: what's a thermocline?
Well large bodies of water are made of layers of differing temperatures. Like a layer cake. The top bit is where all the the waves happen and has a gradually decreasing temperature. Then SUDDENLY there's a point where it gets super-cold.
That suddenly is important. There's reasons for it (Science!) but it's just a good metaphor. Indeed you may also be interested in the "Thermocline of Truth" which a project management term for how things on a RAG board all suddenly go from amber to red.
But I digress. The Trust Thermocline is something that, over (many) years of digital, I have seen both digital and regular content publishers hit time and time again. Despite warnings (at least when I've worked there). And it has a similar effect. You have lots of users then suddenly... nope. And this does effect print publications as much as trendy digital media companies. They'll be flying along making loads of money, with lots of users/readers, rolling out new products that get bought. Or events. Or Sub-brands.
And then SUDDENLY those people just abandon them. Often it's not even to "new" competitor products, but stuff they thought were already not a threat. Nor is there lots of obvious dissatisfaction reported from sales and marketing (other than general grumbling). Nor is it a general drift away, it's just a sudden big slide. So why does this happen? As I explain to these people and places, it's because they breached the Trust Thermocline.
I ask them if they'd been increasing prices. Changed service offerings. Modified the product.
The answer is normally: "yes, but not much. And everyone still paid" Then I ask if they did that the year before. Did they increase prices last year? Change the offering? Modify the product?
Again: "yes, but not much."
The answer is normally: "yes, but not much. And everyone still paid." "And the year before?"
"Yes but not much. And everyone still paid."
Well, you get the idea. And here is where the Trust Thermocline kicks in. Because too many people see service use as always following an arc. They think that as long as usage is ticking up, they can do what they like to cost and product.
And (critically) that they can just react when the curve flattens But with a lot of CONTENT products (inc social media) that's not actually how it works. Because it doesn't account for sunk-cost lock-in.
Users and readers will stick to what they know, and use, well beyond the point where they START to lose trust in it. And you won't see that. But they'll only MOVE when they hit the Trust Thermocline. The point where their lack of trust in the product to meet their needs, and the emotional investment they'd made in it, have finally been outweighed by the physical and emotional effort required to abandon it. At this point, I normally get asked something like:
"So if we undo the last few changes and drop the price, we get them back?"
And then I have to break the news that nope: that's not how it works.
Because you're past the Thermocline now. You can't make them trust you again.
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transxfiles · 1 year
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lost phineas and ferb episode where perry is called to investigate what dr doofenshmirtz is up to because carl the intern got ahold of some intel that doof has been seen speaking to lawyers and looking up the endangered species act at internet cafes and as major monogram says, "something fishy is going on"
meanwhile phineas and ferb's subplot of "i know what we're gonna do today!" is that isabella needs her environmentalist fireside girls badge so they start researching which species are in urgent need of help in the tri-state area so that they can use new cloning and gene therapy technologies to bring at-risk animals back from extinction
(yes there is a c-plot where buford and baljeet argue the ethics of this idea, i don't have time to explain it all for you rn)
we cut back to🎵doofenshmirtz evil incorporated🎵where we see perry carefully maneuvering around doofenshmirtz's lab scared he might fall into a trap but he hasn't set off a single booby trap and it's clear something is off
he runs into doofenshmirtz and goes to kick him in the gut action movie style but doof steps back one overly confident and says, "nuh uh uh, you see perry the platypus, you are TRAPPED! by the danville section of the endangered species act of 1973!"
doof goes on to explain his tragic backstory: "you see, perry the platypus, when i was a child my parents did not show up for my own birth! but you know that already, yadda yadda yadda they did not love me and then they loved roger more, ANYways i was raised by ocelots! i had a lovely foster mother who took me in and made me one of the pride, and so you see, perry the platypus, i am still legally considered an ocelot. did you know that there are only 50 recorded ocelots still alive in the continental united states? very sad for me as a member of a near-extinct species. it would be immoral for you to hurt someone critically endangered... in fact, you have made many attempts on my life this summer"
[montage of doof's security camera footage of their battles]
"which is why i have decided to bring you... TO COURT!" we cut back to phineas and ferb's back yard where they've decided to start cloning ocelots in their kiddie pool
candace storms outside enraged and says, "phineas and ferb are you cloning ocelots in my duckie momo kiddie pool!?"
ferb's one line of the episode is "well, i guess it's more of a kitty pool, now"
candace storms away saying, "i'm going to tell mom!" and isabella turns to phineas and says, "oh, does your mom have experience in wildlife conservation?"
we cut back to the doof and perry plotline where the two are now in the danville hall of justice and we learn that doof has spent his monthly alimony check on a defense lawyer and perry turns and sees the lawyer and then vanessa helping her organize her briefcase and perry chitters at her and vanessa shrugs and says, "i'm thinking about going into legal defense. sorry perry."
the rest of the doof and perry b-plot is spent in court and perry is about to ask for a public defense lawyer when carl runs into the room and explains that he's owca's official legal defense and perry looks at him like, "uhhh is that even allowed?"
it doesn't matter because apparently the judge is out sick today but because it's danville roger's the judge now because he's the mayor and everyone loves him.
the court case continues.
meanwhile phineas and ferb have successfully cloned multiple ocelots from the original ocelot dna they had on hand and isabella asks phineas if these clones will experience health problems like premature aging, phineas casually explains that ferb figured out the problem while they were experimenting with stem cell harvesting.
back in the courtroom, doof's ocelot foster mother has been brought to the stand along with an ocelot to english translator. doof gets emotional seeing her after so long. she says that he was one of her favorite child and he was as strong a hunter as anyone else in the family. it's incredibly sweet. the jury's in tears.
meanwhile, isabella has established connections with a group in texas who are going to release the ocelots back into their natural habitat and, using the cloned ocelots to prevent inbreeding, help establish an ocelot breeding program. the group explains that they are going to send a helicopter to retrieve the cloned ocelots from danville and bring them to texas soon.
isabella gets her fireside girls badge.
candace manages to get mom to see the backyard only after the ocelots have been helicoptered off to coastal texas, their primary habitat.
mom makes it into the backyard as phineas stares wistfully over the fence and says, "if you love something, you have to let it go." candace goes, "look mom look look look!" and points at the ducky momo kiddie pool, devoid of cloned ocelots, where baljeet and buford are now chilling out, having settled their philosophical debate about the ethics of animal cloning.
back in the courtroom drama, doof looks like he's about to win when an attendant walks into the courtroom and whispers something in roger's ear.
roger looks up, grinning, and says, "good news, everyone! my attendant here has just enlightened me that ocelots are no longer considered critically endangered!"
this settles the case, with perry being decreed not guilty and the entire affair being called off. the courtroom cheers, roger walks over to doof and personally congratulates him on his species' return from the brink of extinction.
doof shouts, "curse you endangered species classification system!" at the ceiling of the danville hall of justice.
perry arrives back home just in time for mom to say, "who wants pie?"
the end.
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