#when we’ve seen he will kill ppl without a second of hesitation

[silver-wield]

Omg. Your body language analysis is so on point it makes me go uwu. If you're still doing it, will you make one for the scene where Cloud catches Tifa while Barret shoots his damnest at the heli? I have my own analysis but very curious what's your take on it.

Heya, I'm guessing you don't mean the scene with the hand catch, but the one after it where they reach Barret's position on the stairs. Although I have many thoughts about Rude too and why he first of all directed Reno's attention to Tifa, but then noped them away when Reno was about to shoot her. He had an interesting microexpression – teeny facial tic – that hinted something different to the OG “he's crushing on her” angle.

A lot of these “action touches” get discounted by you-know-who because in those situations it's impossible not to touch? I don't get the reasoning and I'm not gonna try and figure out just what counts and what doesn't. It's non-optional. Isn't that the only argument that matters?

Ok, spoiler warning for ppl who haven't played (I tag FF7R spoilers as final fantasy 7 remake spoilers) and it's gonna be a long one so prepare to scroll.

Also, this is one person's interpretation of the scene, so if you disagree that's cool and we'll agree to disagree.

You're also gonna have to excuse the janky quality on some of the screens, I'm grabbing them from Youtube and it's frustrating af trying to get the exact moment I want.

Other analyses if anyone's interested.

Shinra HQ vision scene (Cloti/plot analysis) 

Chapter 3 (Cloti reblog) 

Tifa character analysis 

Aerith Resolution (plot analysis/theory) 

Train graveyard (not really an analysis, but I got some sweet screenshots of Cloti) 

Clotiscrew tunnel analysis 

Cloti reunion analysis 

The Promise Analysis 

Andrea's approval (Cloti ask response) 

Now, strap in and enjoy the ride.

Quick recap. Cloud and Tifa are reunited after that hand catch scene (smug? Me? Nau) and they're heading up to find Barret after seeing Jessie “die”. The mood is not good. This is not romantic, okay? This is war.

Ok, so already we have touchy touching here. You can argue it's high tension/stress moment and Cloud is making sure Tifa's safe, but he doesn't do that with Barret, is all I'm saying.

Cloud's got hold of her entire arm, not just her wrist or hand, he's got hold of her as securely as possible giving they're in motion. He doesn't want to lose her. She's got her arm on him, braced and using his body as a shield, which he is clearly fine with because he positions her partly behind him while he turns to check the threat from the stairs – possible further collapse of the platform they're now on. He's protecting her. Obvs. I shouldn't have to spell this out. It's not romantic, but it's telling of their trust and reliance on each other as partners. This is a clear pair.

Ok, so moving on from Cloti – cause action scene and this isn't a romance game – we get Tifa hearing Barret behind her. She turns and there's her concern for her friend. Obviously, she cares. It's her entire motivation for leaving the safety at the bottom and hauling her ass up those stairs.

Her face here hits me hard in the feels. She's so grim and worried and doesn't want to lose anyone else. She's caught up to Cloud, but then she lost Jessie – right in front of her and she couldn't do a thing about it. Now, she sees Barret facing down a helicopter.

Take that in. It's a dude – ok he's got a machine gun on his arm – fighting military spec weaponry on a fucking helicopter. Of course she's frightened and worried that she's about to see him get shot. Someone else she couldn't save.

Remember, FF7 has themes of loss and failure. The heroes don't always win or if they do there's a cost. How much of that threads into Remake is still to be seen, but since this scene is following canon we can assume it stands for now.

Tifa's character is often motivated by the desire to not lose people. She even says as much to the Shinra middle manager that she doesn't want anyone else to die. She stops Cloud killing the security agents and Johnny. This is a girl who fights because she wants people to live, not die.

Ok, so now we've got her running to reach Barret, leaving the safety of her bolt hole beside Cloud, who immediately turns and is all wtf when he sees her playing chicken with a chopper. Tbf, Barret doesn't sound that pleased about it, either. It's a crazy impulsive move likely driven by the desire to not lose her friend. If they're together they can stop whatever's coming. Tifa is very teamwork oriented if you recall all her actions from chapter 3 and how demoralised she was when she had to agree to disagree with Avalanche.

Cloud for his part doesn't take too long to dive to the rescue again. I think by now he's pretty much fulfilled that childhood promise and this is way more than just helping out a colleague or friend. He's not hesitating for a second to put himself in front of her with nothing but a sword for a shield.

Sorry, I just stopped the vid on this moment and it looks so damn cool I couldn't resist adding it. All it does is reinforce the above statement that Cloud has zero reservations of putting himself between Tifa and certain death. He's her hero without even stopping to think about it. The framing is stunning. Barret in the background, Cloud in the middle distance and Tifa in the foreground. Cloud has lined himself up with Tifa so that she's as protected by his position as he could possibly get. That takes skill. Tifa's half crouched to make herself a smaller target, but Cloud's body language is open, defiant. He's basically saying “come at me”.

Ah and now I'm sure some people will be all “but Cloud left her in the middle of the platform”. Well, yes, it's called diversion. He's the bigger target, the better target. And by making the chopper follow his progress, he's taken its sights away from Tifa's position. It now has less chance of hitting her when it next fires. Remember, Cloud knows tactics. He's not a dumdum. You can see that on his face as he's deciding his next move. The chopper won't wait for him to stop and explain what he needs to do, it's gonna fire. He's gotta move quickly. He also needs to trust that Tifa can get herself out of trouble. So many people's complaints about how she's not a damsel and should take care of herself. Well, this is Cloud trusting her not to be a damsel. He helped her out, and now he's gotta rely on her helping herself too. If he took her by the hand at this moment and dragged her along with him, she probably would've died. Tifa got herself to his position alone, she's clearly capable. He knows how much ass she can kick.

After that we've got the typical checking for danger and guy banter. I'm loving the development of Cloud and Barret's relationship. They went from outright hating each other to friends over the course of this game. It's beautiful and develops even further in their resolution – I love their one, it's so sweet and sad and such a guy bonding moment. Male friendship is important too, especially to Cloud who doesn't have many friends.

Now, despite the banter, Cloud's head turns at this point, back to Tifa. He's made sure the immediate area is safe, checked in with Barret and now it's back to his primary focus.

I love that Barret calls himself the leading man. It reminds me of Balthier in FF12.

And you'll see that Barret is still in the middle of that line while Cloud is stretching his hand out for Tifa. Could be a “I gotta grab my teammate” move, but I mean, really? Are we that delusional? He didn't have to do any of this. He could've relied on Tifa to get herself over there and not put out a hand for her. Barret didn't grab him. You could say that Barret doesn't like Cloud enough for that, but it's a high action moment. They're comrades and being shot at. Any helping hand is appreciated. Maybe Barret thought Cloud was capable enough not to need help. But then wouldn't the same apply to Tifa? Why does she need helping just cause she's a woman? She can kick ass.

And what about Barret? His attention isn't on Tifa at all. His focus is the helicopter, so he's either relying on Tifa to be ok without that level of help or he's expecting Cloud to support her.

Yes, she is literally throwing herself into his arms. That's how much she trusts him to catch her. Again, Cloud is going for a full arm grab – a hand or wrist isn't secure enough in this situation and he wants to keep her safe.

Tifa. Well, she looks scared. Shocker. She just got shot at by a helicopter. Ofc she's scared and leaning on Cloud. She's taking strength and reassurance from him. I mean, she could've just grabbed his arm and pulled herself to safety. There's no need for this depth of touch.

You'll notice this all happens within miliseconds while Barret says that leading man line. This is very quick action, very decisive. No hesitation on anybody's part.

I mean, this is full upper body contact between them. I don't know what else to say about it. There's no need to get this close. He could've pulled her over and then let go. He didn't. They both prolonged contact. This is relief they're ok for the moment. They’re united in how they feel.

Oh look, eye contact. I've pointed out before that Cloud doesn't do eye contact with people very well, but he does with Tifa, no matter the situation. Looking at this I'm like damn get a room. It's an intense look between them and even though there's shit hitting the fan around them you can see they have attention for each other, too. He's pulled her to safety and now he's meeting her gaze to gauge if she's ok. She nods. He nods. Back to the action. They don't have time for a drawn out romantic bit. They've got more serious things to think about, but even during the most high tension action scenes they have this energy about them that speaks to their close bond and affection. He's comfortable with her touch in every situation – if I'm wrong about this then someone point it out to me so I can see plz. He's still got his hand on her after they separate from their action hug and then when he drops his hand he braces it against the pipe beside her. Still close to her, though not actually touching.

After Barret asks if they're ready, Cloud looks around then looks at Tifa again. Did he need to do that? Idk, but he didn't look at Barret before they hauled ass.

Conclusion:

Kinda obvious. Even in high tension situations Cloud has part of his attention on Tifa. He's hyper aware of where she is and whether she needs him at any given time. It's sweet af how much he focuses on being her hero without even really knowing why. This instinctive need to protect her comes from the real!Cloud part of him. The one that made the promise to her. The one that has a crush on her.

Some people can say these kind of moments don't count because Cloud has no choice(?) but to touch her, but actually, he has no reason to touch her the amount he does. There's ways to execute these moments without this much unnecessary touching. He does it this way because of an instinctive need and desire to touch her this much. It's what he wants to do.

#final fantasy 7 remake spoilers #final fantasy 7 remake analysis #cloti #action romance scenes #battle couple #there's really no need for them to be this touchy #unless they wanna be #they act like a couple already

[bi-dazai]

ok my bsd predictions for major plot points in the future

1.

If dazai were to be killed off in bsd, chuuya would probably be killed with him in a final act of coded symbiosis.

Tbh tho that's such a major thing that it probably wouldn't happen until when the manga is finishing up so

2.

Chuuya will either become the PM Boss or he'll join the ADA.

So chuuya is strongly suggested in two ways for his future which is HM INTERESTING. So the way that Mori clearly recruits him not just for his ability but for his leadership skills, plus the how chuuya has been developing those skills, is something I was thinking about a lot in S3. Mori is very clearly not happy with Dazai being the heir, even though he was the best choice. Dazai would have probably killed Mori and taken his place by the time he was 20 if odasaku hadn't died. Chuuya has loyalty to the mafia plus the fighting and leadership abilities. He's also got a certain obedience and controllability that if Mori was to step aside and not die he would like. Also something ppl forget is that chuuya is actually good at negotiation and staying calm under pressure, it's suggested that dazai particularly triggers his anger because dazai is an annoying shit who seems to be in canon attached to him whenever they're in the same room.

HOWEVER. Now I don't think I've ever said this on this blog despite me constantly thinking about it but Fukuzawa's ability is the perfect thing for Chuuya, as it has the possibility of actually reigning in corruption. If chuuya joined the ADA he would actually be able to use corruption's ability of throwing black holes without losing control of himself. Arguably that would also get rid of the need for dazai's intervention although it's been established that skk were thought of as a perfect fighting duo for a year before corruption even first manifested in a fight, so I don't think this would kill skk. And chuuya joining the ADA would mean that he and dazai have to interact on the daily. It also means that the mafia is left without any clear heir. People have vouched for kouyou in this situation but I think it's clear that kouyou is being forced to be in the mafia, she's given up on leaving and doesn't want to be there actively.

I don't think the second outcome is very possible plotwise for a few reasons. These are all totally writer's arguments so appeals to logic and plot aren't exactly going to work here, but as a writer myself these are the planning issues that stick out extremely badly if we get chuuya to defect:

- it would have to take something extremely major to get chuuya to leave the loyalty of the mafia

- chuuya becomes even more OP. asagiri kafka has said that though he really likes chuuya (as evidenced by the amount of goddamn times chuuya comes up in the novels), he avoids putting him in the manga because chuuya is extremely overpowered. If he and dazai were logically paired together for each issue every arc would be solved far too quickly for things like character development, or like...story...to take place. This is why chuuya is constantly sidelined. You have to actively make it so that chuuya isn't on people's minds constantly, or get him out of the picture immediately, so that your narrative can actually develop. Chuuya is honestly a mistake in a writing sense. But he's a strong character and he and dazai were written in tandem to each other so he's absolutely unremovable. A character like chuuya NEEDS to exist. So the way chuuya has been toned down is Corruption. Chuuya's ability by itself is just...incredibly powerful. He's virtually indestructible. However Corruption, the ultimate form, is shown to actively kill chuuya. The only times we've seen corruption used is cthulu, shibusawa, and shibusawa big dragon, all extreme threats. So chuuya's life when he's pulled out as the deus ex machina is tied to dazai. This makes chuuya's unchecked OP a little less unchecked and a little less OP. Chuuya is actually a fantastic example of why you CAN have OP characters, you just have to write them a certain way.

However in writing them a certain way, the most stupid thing you could do for your narratives would be to bring corruption under control, and to bring chuuya into the group of protagonists. you have to find excuses in every problem to why chuuya can't just come out and handle this himself, like you were before but now dazai's absence isn't an issue PLUS your readers are paying more attention to chuuya because he's around all the time.

So yeah, chuuya being in the ADA would be a bad choice narrative wise unless it was for like...one arc or smth. Chuuya becoming the next boss of the port mafia is wayyyyy more likely to me. I don't think chuuya would like it but he's really the most obvious choice

3.

Dostoyevsky/rat arc is going to be mega arc/s.

one of the exciting things abt this series is that I have no idea how long this conflict with the rats will go on for. At first I thought it would be an occasional and ongoing plotline that is explored not as one big set arc but interspersed with other non-rat arcs. However by the way it's going it looks like we have two options, either 1) the rat issue is being dealt with across one mega-arc or 2) rat issues will still be dealt with like I thought, interspersed, but each time they pop up it will be a mega-arc like it has been so far. I genuinely don't know how this will be resolved, and I'm actually kind of wondering if the characters will finally leave kanagawa prefecture and maybe head to Russia to defeat the rats. I think this could be a good start to travelling the characters to settings outside yokohama.

4.

Agatha Christie is going to be matched up to Ranpo.

Like Dostoyevsky is dazai's foil because their works IRL were similar in tone, Agatha Christie and Ranpo match up in that way perfectly. We've already met the trick foil (we thought he would be, but he wasn't) for Ranpo in Poe (IRL Poe actually did write mystery at times, and his works do contain elements of suspense and unknown). Ranpo is clearly going through hell in this arc which makes me feel like he's going to start being a much more major character in the future.

Agatha Christie and Edogawa Ranpo's works both fit in the mystery genre and were both alive irl around the same time. They both played historic roles in developing the mystery genre of their language's literature and are pretty well-known in non-literature circles because mystery often has a pulp, mass-consumable aspect to it. It was actually surprising to me that they were made into characters considering the other characters are named after authors of much "higher grade" Literature, as in Literature capital L. Mystery authors especially like Agatha Christie don't fit that bill, but they've played a central role in developing the fiction industry so I don't find it odd. Plus there's a bit of a debate what counts as Literature and every person has different opinions. Mine differs to asagiri kafka's which evidently seems to be that if the author has had a significant impact on the literary field then their works become Literature, thus they become 文豪 (Literary masters), thus they become a bsd character. I think that's fair, even if it isn't what I would personally say Literature is. This is par for the course tho lol, p sure any person who is into Literature will have a different thing to say about what gets that capital L.

But yeah, I think Ranpo and Christie are clearly going to be each others foils.

5.

Christie is going to be cold. Like. COLD.

Dostoyevsky is more obvious evil, it shows on the surface. But Christie will have a polite veneer, a charm to her. We've seen her in a shot, and she sits tall, she enjoys tea, she dresses expensively and lives in colourful rooms. But she had no hesitation to destroy Yokohama if a situation wasn't dealt with within half an hour in the cruelest way possible. Christie was actively ready to incinerate Yokohama alive, that was her first instinct when contacted for help. Christie very clearly has a lack of care for the lives of others, OR she wants to destroy Yokohama in particular. However considering this is the goal of Dostoyevsky and Christie will probably be the next major villain after Dostoyevsky, repeating that goal and motivation is pretty boring and not very bungou stray dogs.

6.

The order of the clock tower will not come to yokohama first.

The Guild were the ones to come to yokohama and threaten it up close. The order of the clock tower was a major threat to yokohama from across the continent. That's terrifying. The ADA/Mafia will have to work proactively

7.

The end of the clock tower will have major repercussions.

The order of the clock tower seems to have its claws in everything and has a tight maintenance of leadership and control over almost every gifted organisation we've met. The Order seems to literally keep order. But they've clearly got a goal with sending the guild and the rats after the book. If the order is destroyed then certain aspects of gifted society slip loose and create new problems. This will probably be the creator of an arc or two after the order arc is over.

8.

Chuuya's backstory is linked to Dazai's.

Chuuya was used by the military and experimented on until he could contain a god of destruction, after which he went haywire, blasted a huge crater in yokohama, and became a feral child.

Dazai was...we don't know. The furthest back we can tell is that some time in his early teens he was taken in by Mori. Before that he was apparently wandering around trying to find some kind of emotion, something to make him feel. He eventually found that with the violence and adrenaline rush of the mafia.

Now I don't think that dazai is a psychopath. It's easy to say he is with the way he seems to talk about the hole in his heart and the absence and emptiness. However dazai very very clearly cares. He cares about odasaku, he cares about atsushi, he cares about the ADA, and he even cares about chuuya (this is not my shipper brain talking, I am literally talking about canon). Dazai very clearly CARES. He isn't a psychopath.

My belief is that dazai is the most clear argument for my case that the series is about mental illness and self worth. Dazai very clearly has a major depressive disorder.

I also think that dazai is extremely traumatised. Obviously he's traumatised by being in the mafia at 15 and by odasaku's death, but I also think dazai may have been traumatised even before then.

Atsushi is dazai's mentee, the half of shin soukoku. He's shown to have childhood trauma. Akutagawa also has childhood trauma. Chuuya has childhood trauma. This may be a coincidence but almost every main character in this series has some form of early trauma.

Dazai IRL was not called Dazai Osamu. Dazai Osamu is actually a very sad name but Dazai's birth name is Tsushima Shuuji. IRL dazai/Tsushima was the son of a rich family that lived in Aomori prefecture (which is very rural lol). Dazai had an absent father and a sick mother and wasnt raised by his parents but rather by servants and his aunt. His father died when he was young (not that he got very old) and his life was plagued by constantly running off with girls, getting his allowance cut for being a marxist, and, yes, suicide attempts.

So my ideas for how this may translate into bsd dazai is this:

- dazai ran away from home when he was young

- dazai never had a good parental figure

- dazai is from a rich family in a rural area very far away. Like for those who don't know Aomori is at the northern tip of Honshū, just below Hokkaido. Yokohama is just south of Tokyo. The region in between is mostly forest and smaller cities. Most of Japan's (major) cities are cloistered around Tokyo and Kyoto and Fukuoka which are towards the south. So dazai is a country boy who has wandered japan after running away from home.

- dazai's real name is Tsushima Shuuji and there's a personal reason he's distanced himself from that. This one im not sure about but yeah

- thus follows that why would dazai be so fucked up if he isn't a psychopath and he did come from a rich family? Dazai to me reads that something major happened. In shin skk it's clear that atsushi and alutagawa share a past of abuse at the hands of parental figures and loneliness. With all the similarities and parallels drawn between the characters in skk and shin skk it seems logical to me that chuuya's past of torture may be similar to Dazai's in a way. It would be disappointing to me if dazai's past was covered and it didn't in some way affect him. The clearest parallel between skk is that they both lacked parental figures most if not their entire lives.

There's also this comment that dazai makes when the head of atsushi's orphanage dies. It's that relationships with fathers are messy and even if they were terrible it's natural to cry. This seems like bsd dazai may share irl dazai's father's death early in his life. It's hinted therefore that dazai's father was either abusive or neglectful and died when dazai was younger.

Anyway this went longer than I thought it would but I invest far too much brain time into bsd so it's gotta seep out at some point lol

#long post #bsd

[xuune]

some thoughts on s7

this ended up me kind of rambling about my thoughts and feelings on s7 that are all over the place, so please bear with me if these thoughts don’t seem too well organized or anything: 

now, before i even actually saw the season, i was just snooping around here on tumblr to see what ppl’s reactions were, and i kind of let it get to the better of me. some people were just over dramatizing what was happening in s7, and their negativity on the season made me believe that i would wholeheartedly dislike the season. i saw all the posts with people going on about how if youre still watching the show, you should immediately drop it (and it was mainly centered around few central complaints going around right now, pretty sure you can figure that out on your own on what that was). it was understandable on where the frustration was stemming from. i only got 3 hours of sleep because of what people were saying despite not even seeing the season for myself and seeing how events would ultimately play out. but like they would always say, you shouldn’t let other people’s judgement affect you, and it really shouldn’t be the determining factor on how you view things or how your opinions are formed. 

when i watched the season, my general reaction to it was that its “ok”, i didn’t think it was entirely and absolutely terrible. i already know how a lot of us didn’t like the way a few characters got treated. i mainly thought that the animation looked nicer and improved in some of the action scenes. the writing was kind of “meh” for me when it came to whatever certain plot points that got introduced or continued. watching it on my own actually removed any thoughts of me disliking/hating the season entirely. 

even though i say this, the things i mention here are mainly about some issues that kept being brought up by people and circled around ever since s7 got released. 

in terms of character development? besides what we’ve been given for hunk, which has been awesome so far (i dont really feel like i have much to go in depth with for this, its already self explanatory in the season itself), i guess its going somewhere. i’ve got some hope, but it’s not on the level where its overwhelmingly high and optimistic. everyone’s been talking about the lack of actual lance development, how he’s constantly being reduced to being the “dumb” one, but we actually see him take initiative when needed. lance has been shown to stepping up and taking his role into account when handed the opportunity to do so, and it was multiple times when lance was given the re-established position of keith’s right-hand man. despite whatever remarks keith made on lance, whether or not they were supposed to come off as teasing/joking for the audience, keith does still seem to believe in lance’s capabilities. if he didn’t, keith wouldn’t have trusted lance the task on leading their team on their mission(s). lance actually got scenes where he could shine off as being portrayed more than what he’s constantly being insulted as. there are still some scenes of them showing mutual trust and respect for each other, especially with lance voting for keith during “the feud” and the reasoning he gave. but yeah, some parts it did seem like keith was kind of ooc in certain episodes when comparing his personality back to s3. who knows why keith gave the reasoning he did when he voted for lance. EDIT: acoolemocucumber’s post makes a good note on pointing out how during the voting section, keith is actually the first one to start writing. it’s later revealed that he chose lance on first pick. lance was the second to finish. even though he was peeking over at hunk and pidge to see who they chose, he instead decides to choose keith. keith choosing lance as a first choice without pure hesitance is amazing to see, and it really shows he trusts and respects lance a lot despite the reasoning he gave. then again, actions speak louder than words and countless times keith has shown to be that kind of guy by relaying a lot of important tasks to lance throughout this season. 

i’ll do say that i enjoyed most of the scenes they shared when they had to take a leading initiative with each other though. that was pretty nice to see again, and it felt like a decade since i ever saw that kind of dynamic from those two. 

there were a lot of action packed scenes, and i watched through those entirely to see if there’s any important plot detail to know, or make note of, while watching the ep to make sure i wouldnt be lost with whats happening so far. some people found it boring, some people found the fight scenes amazing and stunning. certain scenes had me really amazed on how well it was animated, some other scenes not so much in terms of repetition, and thats kind of bound to happen if we’re provided an arc where its continuing to keep the tense vibes on the recurring events with the current situation of the season. 

this is just merely my take on it, (my memory’s not the best with how much information im recalling from those 13 episodes) but it kind of felt lackluster with how the paladins barely got any kind of break where they could seriously spend one episode on unwinding, having in-depth conversations one on one, and not be so worried about the galra all the time. sure, there’s a few scenes like that in a few episodes, but it didn’t seem enough to make it feel like it balanced out whatever conflicts or character issues were newly or constantly introduced. 

ive read posts already about how some people had liked the season a lot, loved the actions scenes and all. but to me, some conflicts that took place seemed out of place or just didn’t really align well (idk how else to phrase it) especially with adam’s death, and i had minor mixed feelings about ep “the journey within”. 

about adam, it just seemed out of place and rushed for them to introduce shiro’s s/o only for them to take him away. we don’t get to see how fleshed out adam could’ve been, and i’ve already seen the frustration/rage people had with adam being killed off when considering how the creators told the viewers that they were gonna get to see adam, but weren’t told how long we’ll see him (plus the entire thing abt lgbt rep that was promised?). the thing with adam left me on a weird note, mainly because if you were just given no other info besides the info from the season, you wouldn’t even be given too explicit information about the relationship shiro had with adam. from there, it felt like there was no point in adding adam into the story if the viewers aren’t given clear information on what kind of bond shiro and adam had besides adam saying that they’ve been through a lot together (or whatever he said, idr it too much) and the “how important am i to you” line for lgbt rep points. its just pretty vague “””representation””” thats just leaving the audience to make the most out of what they’re given. we’re only given confirmation that they used to be fiancés from what they said in panels/interviews, but never in the show. im not sure what to really think about that, my mind’s just kind of in the void when i think about it. but this part i structured kind of badly and i apologize for that, but hopefully those of you can get what im saying. 

as for “the journey within”, it was reasonable for the way characters acted; theyre all tired, frustrated, and losing hope and were floating in space waiting for nothing but at least something to happen. keith snaps, gets irritated at everyone, lance is also the one to lash back out at keith saying keith ran away, giving the audience a big sign that lance was hurt by keith’s disappearance/leave from the team. but for keith to quickly later on go take everything back in just a few minutes seemed really awkward for me. its a kids show and all, but i just kind of didn’t like how that one section of that episode was written ¯\_(ツ)_/¯ just a feeling i had with it. however, i did love how hunk took a lot of the initiative during the episode, it’s showing his growth of actually him continuing to fully accept his role as a paladin and determined to not back down regardless of his own cowardice that could prevent him from doing so at any time.  

and there’s the thing about k/acx: ive already seen a bunch of people going somewhere along the lines of disbelief, anger, frustration on how keith is getting het endgame but when i saw the episodes, his interactions with acxa didn’t even seem borderline romantic to me at all? to me, i merely saw 2 characters actually getting on better terms with each other and returning the favor. the two no longer see each other as enemies but allies now. keith only went back to save acxa because it seemed like he believed that he felt in debt to acxa for trying to save his team. ezor and zethrid merely poked fun at acxa, but if you consider previous seasons where acxa and keith interacted, the two just continued to return the favor of owing whatever debt they had for each other. it didn’t seem like there was any romantic tension intended in any of the scenes where they interacted. we already know acxa betrayed ezor and zethrid by switching sides, and if you were betrayed you’re bound to make at least a  remark on whoever betrayed you either way. in this case, ezor and zethrid found it reasonable to make a comment on acxa’s alliance with keith, hence how they teased acxa possibly crushing on keith (whether or not thats actually confirmed, its just left ambiguous and up for interpretation at that point). there’s the parallel with how they animated the shot between keith and acxa talking to each other, but neither did that one seem romantic to me? i hope im not the only one who thought that? the other scene people talked about was when acxa is in the same scene where keith was present when he visits his dad’s grave with krolia. i dont get why some people were upset about that either. even though its at the last ep of s7, there’s nothing to imply that keith invited acxa to go visit his dad’s grave with him or anything if you consider their placement in the scene. if keith did care about acxa’s presence being there when he visited the grave, wouldn’t he at least acknowledge acxa’s presence by showing obvious attention to her, or have her close to where him and krolia were? she remains distant but respectful of keith in the scene. i dont see where these scenes would imply keith automatically finds a romantic interest in acxa. acxa to keith? maybe, we don’t entirely know. keith to acxa? i dont see it being implied anywhere at all. not to mention keith’s “can’t we just fight” statement right after ezor and zethrid teased acxa about having a romantic interest in keith. again, its just my take on what’s being presented and my own thoughts on how people are viewing it. 

and with a/l, it leaves me on a bad note with how its progressing if its really getting the sealed deal endgame. like most people have been saying, it would be good for them to be endgame if they were only written better. am i entirely convinced theyre endgame? not really because there’s that small chance where vld pulls a 180 and the show creators stay true to their words on lance not being a rebound, lance being someone’s first choice, lance getting what he needs, not what he wants. what’s being given/presented so far is just bad writing with how allura suddenly reciprocates feelings for lance out of nowhere despite showing consistent disinterest in lance’s advances in previous seasons. s4 and onward we see her seeing lance more than just an annoying flirt, and the two become better friends who could genuinely talk to each other without having allura annoyed with lance’s flirtatious antics, and without lance being reduced to a constant flirt. during allura’s interest in lotor, we’re yet again presented how allura doesn’t return feelings for lance, especially during the scene when the mice told her about lance’s feelings for her back in s6. she seems rather disappointed, pitiful, or uncomfortable with knowing how lance genuinely liked her when she liked lotor during that time. later on, allura’s been out of her previous love interest with lotor, and hasn’t shown returned much of the same interest in lance. sure, she hugged lance and he returned the hug, but that only seemed necessary in the moment for when allura had felt betrayed by someone she wholeheartedly trusted and fell in love with. she needed comfort from someone and the person she spoke to was lance who was able to lend her some comforting words. but that was about it. i’d like to say that considering that this is a kids show, it does give a bad incentive for children to develop on believing that if they continue to force their feelings onto someone else, the person they’re interested in will eventually like them back out of the blue, which is the worst course of action to take despite being rejected countless times (and its kind of being shown with what a/l has right now). to take this kind of scenario and to fix/put it with good writing would to just properly depict lance accepting rejection and allura staying true to her previous feelings on not reciprocating his feelings. in a general sense, we all know that we can’t always get what we want, and that’s an important moral that always gets taught over and over again even if youre a child or an adult. rejection and acceptance of the rejection is something that can be taught here through the romantic subplot they’ve been having. just deciding that they should become endgame out of nowhere would leave the writing very dull. having allura get out of her previous love interest with lotor only to quickly move onto lance just doesn’t leave off on a good note. it just reduces lance to a rebound and that’s about it. 

the writing for me wasn’t really that breathtaking, overwhelming, or emotional or anything when it came to new plot points being presented (you know, all the fight scenes, galaxy garrison, that stuff). again, a lot of things seemed pretty rushed, i had mixed feelings for some but not all episodes. it was nice to see mostly everyone united back with their families and characters developing new motives for what they believe in doing. yet, the writing kind of just wasn’t on the level of where it actually gets me really interested and invested into the storyline like how it had back in s1 to early s3. i’ll still mention how the writing did it’s part in presenting development for hunk, though. i enjoyed that a lot.  

some parts of the writing were questionable, some parts of the season were enjoyable, but it wasn’t entirely overwhelmingly disappointing for me. the season was on the bare minimum on having the writing go “decent”, but again it felt pretty “meh” and this is just my own feelings on it. people have their own opinions, frustrations, concerns, questions, some people loved it, some people severely hated it or just felt extremely disappointed. 

the season has its peaks and lows, some pros and cons, but whatever you take from it is what you believe. 

i’ll still keep watching the show to see how it ends, that’s for sure. 

#voltron #vld #voltron spoilers #voltron s7 spoilers

[i-want-my-iwtv]

Leading the wolf to slaughter

A little breakdown of this scene, re: why I loved Tom’s Lestat so much in this scene, since we’re talking about it.

^Claudia leads him in, and he’s so trusting. When he sees the boys there, he is not immediately very pleased. He actually looks a little disappointed. The house rule is not to bring victims into the house, and she brought them in, is he going to have to lay down the law again? Bad timing for it, since he’s trying to make peace with her.

She glances up at him to gauge his reaction but looks away before he can meet her gaze. She’s thrilled with what she’s about to do and doesn’t want him derailing her from her mission. 

^I use this gif a lot for “such feels,” but there’s really more going on here, and not necessarily happiness. She’s told him that the boys are the gift to him. He starts w/ a facepalm, bc, hey, Lestat would actually rather not kill children.* He tries to go for adult evildoers. It’s clearer in TVL than in movie!IWTV, but he does tell Louis in an earlier scene, “Evildoers are easier, and they taste better.”**

Lestat is also very guarded in his body language here, all closed off w/ his arms across his chest (we don’t usually see him this closed off in the movie). When he shows his face, he’s not smiling at first, bc, this wasn’t really the kind of truce he would have wanted. But then he rallies, shakes his head a little bit, and tries to smile, probably tells himself inwardly, “She did this for me, she has good intentions…”

^”Well, you certainly have… outdone yourself,” he says. He’s struggling to compliment her, that hesitation could have led to a criticism. Trying to convince himself that this is a peace offering and to reign in his usual edgy sense of humor. The main rule in their home was always “Never [kill] in the house” and she wants him to share this kill. In. The. House. A rule she’s broken countless times. He’s still guarded, still has his arms up protectively.

The smile fails as he looks over the boys like he’s looking at something unappetizing at a buffet. For me, that would be the wilted salad area.

^There’s a full second pause as he looks at her bc he’s still struggling to believe it was all this easy. Then he asks: “We forgive each other, then?” This is Lestat without any of his bravado, no games, not asking as her maker, just as someone who loves her and wants her love, too. This is the Lestat who spent most of his childhood unloved or beaten down for trying to find a place where ppl would love him ;A;

^There’s almost a full second pause as she looks at him - bc she doesn’t really forgive him - and then says: “Yes” She’s lying right to his face, so evil! If you cover her mouth, her eyebrows don’t change at all with that smile. But there is still a chance to abandon her plan if she wants to.

^Having secured the peace, putting his trust in her about this gift being OK to consume, he has this little sigh of relief; his usual confidence comes back in, you can see a hint of a smile as he turns away.

(This victim is one of the moments in the film that really pushed the envelope for its time, when Lestat bites into the child. It’s actually a lot less homoerotic/pedophilic than in the book, where he gets his hands wrapped up in the kid’s shirt. Unlike when he bites adults and we see his face, here, we see him from behind. It makes it less sexual, he didn’t choose this victim, it’s seems like it’s more about the consumption.)

^Anyway... he thinks she spiked their blood with absinthe bc he immediately feels drugged/drunk from it. She tells him it’s laudanum, and he repeats that word, has he heard of it before? Probably not, bc she tells him what it does. 

So right up until the moment she explicitly lays it out for him, he still believes they’ve reconciled, and even that she flavored the blood for him as an extra consideration! It’s a very painful betrayal, specifically bc he wanted to believe her SO BADLY that he ignored all the red flags ;A;

You could say he deserved this betrayal, but I think this scene is part of what makes Tom’s Lestat so very good. Even as he’s led into getting his punishment, you still feel sorry for him, it’s hard to hate a monster when he’s being this trusting and gentle and really wanting to well... not be a monster.

I recognize that this is a social media site so you are welcome to reblog and comment and engage on this, but please do so respectfully, and keep in mind that #your headcanon may vary, and we are all entitled to our own interpretations/opinions about canon, and about movie!IWTV.    

(Asterisked notes under the cut.)

* It’s implied that Lestat and Claudia finished off whole families together in an earlier scene in the film, including children, but we’ve only seen him kill adults on screen up to this point. In the book, it’s Claudia who insists on killing families (her own, IIRC), and she kills a mother and daughter who worked domestically in the flat for Louis and Lestat. Lestat rarely kills children in the books, typically it’s only in moments of extreme emotional weakness.Tom would have known this, bc he read books 1-4.

** “Evildoers are easier, and they taste better.” - This is what Lestat tells Louis to try to get him to acclimate to the idea that killing is okay, and in fact, some ppl need to be killed anyway, to protect the general population (like Lestat killing the wolves to save the villagers back in the Auvergne). But in the books it’s implied that innocent blood tastes better, which makes it harder to resist. “…these victims had been taken in the perfect semblance of love. The very blood seemed warmer with their innocence, richer with their goodness.” (TVL)

I might do more of these if you’re interested, but they do take a long time to put together. We’ll see...

#interview with the vampire #lestat #meta analysis #vc #vampire chronicles #ACTING #PROFESSIONAL ACTING #tom cruise #kirsten dunst #i hate u vampire dad #iwtv #lestat de lioncourt #the vampire lestat #gif #iwantmyiwtv has opinions #iwantmyiwtv headcanon #headcanon #your headcanon may vary #long post #note from the addict #monster #yes #the vampire claudia