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#when ​that lady was like ‘where’s your historically accurate costumes
redsamuraiii · 2 months
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Shogun (2024) : First Two Episodes Review *spoilers*
Having read the 1975 book and 1980 mini-series, I had high expectations for this and I wasn't disappointed. I love the costume designs, the visual effects, cinematography and attention to detail.
The one aspect which I feel could be improved is the dialogue and writing. Although most are accurate to the book, but some of it feels a bit rushed and could be lengthen to explain more in detail.
For example, the scene where Blackthorne, Father Alvito and Lord Toranaga are talking about Europe, I feel that the 1980 did it better as it's more detailed in explaining the political situation.
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However, the 2024 Shogun did better than 1980 Shogun, where Blackthorne explains to Lord Toranaga and Lady Mariko about the Spanish and Portuguese Catholic Expansion into Asia, and wanting to replace the non-Catholic rulers with Catholics.
It provide a context as to why the Samurai hates "Christian" at the time, not simply because of bigotry alone but because of political reason as they see the Christian Lords as being loyal to the Spanish King who is expanding his reach in Asia, instead of the Shogun.
It's the same with the scenes with Rodriguez as the conversations between him and Blackthorne in the 1980 mini series were more longer and detailed, which are closer to the books. Their constant bickering with each other alone is interesting and funny to watch.
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Another aspect which I think could be improve is the language. Although I understand the need to use vulgarities to show a sense of realism, I do not see the need to use modern day vulgarities like the word "f*ck" when they could have followed the book way of saying it.
Example of modern day vulgarity : "Shut the f*uk up!" Example of book vulgarity : "Hold your tongue or I'll cut it out!"
I understand that they want to show a woman who is vocal but again, this could be done without the use of modern day vulgarity like in the book, "Your God's Kingdom and your imagination are the same, they're both in your heads."
She managed to insult using nice words, something the ladies of the court are known to use as they are educated in literature. Because it was considered unbecoming of a high born lady to speak rudely so they use fancy words instead to indirectly attack a person.
But nonetheless, it is indeed a great show that I can't wait to watch the next episode. Of course, this is just my opinion as everyone have their own preferences. I guess I watched too many Japanese historical dramas to have such a high expectations.
If I were to rate it, I would give it a 9/10.
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punchdrunkdoc · 2 years
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Updated K-drama list (9)
Wow, its been a WHILE since I’ve done one of these! I haven’t watched as many new shows as I’d have liked in the past couple of years (my watchlist is out of control!) but I thought it was time to add them here. Its mostly for my benefit, so I can keep track of what I’ve seen, but if you’re looking for recommendation or you’re a newby to Kdramas wondering where to start, I hope this helps! 
The GREAT (i.e. my top 21 - I couldn’t narrow it down to an even 20!)
1. Its Ok To Not Be Okay
A children’s author with antisocial personality disorder becomes obsessed with a handsome (but closed-off) carer in a mental health hospital. 
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I could (and already have) written loads about this show - it became my all-encompassing obsession for the 8 weeks it was on telly. I LOVE IT SO MUCH!! I had a feeling only 1 episode in that it might become my all-time favourite K-drama, and I was right. The quality never dropped for a moment, and it absolutely nailed the ending. 
I pretty much love everything about it - the whimsical, fairytale-esque tone, the music, the costumes, the supporting characters, the side-plots exploring different mental health issues, the humour, the set design, even the opening credits!
The two leads are so beautiful with SO MUCH chemistry that you could watch them read a phone book and it would be hot. But it became a real three-hander of a show, with the male lead’s autistic brother forming an integral part of the relationship dynamic. 
Honestly, I can’t do this show justice with such a short review - just WATCH IT!!
Male lead: Soooo handsome, quiet and compassionate but with a steel core; it’s so fun watching him come out of his shell. Actor also seen in (AASI): My Love from a Star (honestly, he didn’t make much of an impression in that show, but he was amazing in this - he conveys so much emotion with the most subtle facial movements)
Female lead: Absolutely fascinating; so wounded and vulnerable, but projecting this awesome, no-fucks-given, blunt-as-hell exterior. Actress also seen in (AASI): Lawless Lawyer, Hwarang (minor character)
2. Crash Landing on You
He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.
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This was my first K-drama, and although it’s been knocked off the top spot, it’s still fantastic. Its the full package - the entire cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon). I’ve since discovered that they had a North Korean defector as a consultant working on the show, so apparently the NK scenes are fairly accurate which is SUPER interesting.
Male lead: Officially the best boyfriend ever - absolutely nails the small, romantic gestures. AASI: Hyde, Jekyll & Me.
Female lead: Smart, sassy, and funny. I love her.
3. Red sleeve - NEW ENTRY
A court romance between the leader of Joseon - who believes his duty is to his country first above love - and a headstrong court lady who wants to protect the life she has chosen
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This is, without doubt, the best historical Kdrama I’ve ever seen. Sorry, Love in the Moonlight, you’ve been kicked out of the top 10!
The whole thing is beautifully made, from the gorgeous music and cinematography, to the fully realised characters, to the slow-burn pace of the heart-wrenchingly beautiful, bittersweet love story. Speaking of the which, I didn’t realise when I started the show that it was based on a true story. I ended up googling the ending, and I’m glad I did, because it helped prepare me for the last episode (top tip: If you want a happy ending I’d advise skipping that episode; but if you enjoy crying for 90mins straight, watch it). The two leads of the show are phenomenal - especially Lee Jun-Ho. He will tear your heart out.
Male lead - Has the weight of the world on his shoulders. You really feel it when he becomes torn between his duty and his heart. A brilliant performance. AASI: Just between lovers. 
Female lead: Funny and clever with a core of steel. You can absolutely see how she steals the King’s heart. 
4. W - Two worlds
A surgeon gets sucked into the world of her father’s webtoon when the main character’s life is threatened.
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This was a WILD ride! The first 4 episodes barrelled through plot at an amazing rate and certain events happen in episode 5 that had me wondering how the show could even continue! But it did…and the plot just got more insane! I loved this show SO much. It kept me guessing, had me on the edge of my seat, and even had room for some of my favourite romance tropes. The central relationship was great, and (because of the insane plot) you basically get 2 love stories for the price of 1. It keeps creeping up my rankings because its a show I come back to again and again. 
Male lead: Just a really, really cool guy. Can’t think of how else to describe him! Always in control, calm, unflappable, analysing the situation….but he can break out the cocky charm when needed. AASI: While you were sleeping, Doctor Stranger
Female lead: I really liked her - she had more agency than a lot of other female heroines and I really related to her freaked-out panic in the beginning when she didn’t feel like she was a capable enough doctor to save a life.
5. Itaewon Class
A young man’s life is forever altered when he runs afoul of a powerful family.
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This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of twee sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.
Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook! AASI: What’s wrong with secretary Kim, Fight for my way, Hwarang (and soon to be part of the MCU!)
Female lead: One of the most original Kdrama female characters I’ve seen. Plus she retains her agency all the way through, which is (unfortunately) not always the case with these shows. 
6. Healer
The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.
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I ADORE this show and its so rewatchable. The plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. The central 3 characters are great, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one. There’s also a great riff on the Superman/Clark Kent dynamic which was fun!
Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need? AASI: The K2, Suspicious Partner, Melting me softly, Backstreet Rookie, Lovestruck in the City
Female lead: She doesn’t let her vulnerabilities stop her from getting the story or being with the man she loves. AASI: What’s wrong with secretary Kim, I’ll go to you when the weather is nice, Her private life
7. While you were sleeping
Not to be confused with the Sandra Bullock rom-com from the 90s. Instead, this is about a young woman who can dream the future, who has her fate changed by a young prosecutor who suddenly develops the same ability
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I was thoroughly and utterly charmed by this show. Everything was so beautifully done - from the cinematography, to the music (OMG the music!), even the title cards were interesting and quirky. The characters were all great - the main leads are so sweet and relatable, the second lead is cute-as-a-button, the villain is properly hissable, and none of the supporting characters/extras annoyed me! The storyline itself was brilliant, with so many great set-ups, pay-offs and twists, and the romance was lovely.
Male lead: A bit of a hot mess of a human being (basically, the polar opposite of his character in W!)…but all the more loveable for it. AASI: W: 2 worlds, Doctor stranger.
Female lead: Smart, sweet, loyal (I really loved her relationship with her mum) and quietly brave.
8. Descendants of the Sun
A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.
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I absolutely LOVE the male lead character, and the romance in this was beautiful (as was the bromance!). Plus its chock-full of CompetencePorn, with lots of scenes of people being really, really good at their jobs (this is one of my favourite things!). However, it didn’t quite nail the angst, and the last minute was a bit twee which dropped it down the rankings a bit.
Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile. AASI: Vincenzo
Female lead: Sweet and a bit out of her depth in the dangerous situations…but put her in charge of a patient and watch her go!
9. What’s Wrong with Secretary Kim
A personal assistant decides to quits her job in order to get a life. Her boss has other ideas.
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This was my first Park Seo Joon drama, and he’s great in it. He somehow turns a self-centred, entitled and vain boss into an endearing character! The central romance is amazing - I can rewatch their scenes again and again - and its a bit more mature than some of the others on this list (be sure to check out the extended scene!!). It has some of the best kisses in Kdrama.
Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus. AASI: Itaewon Class, Fight for my way, Hwarang
Female lead: I’m a sucker for uber-competent people so I loved this character. Park Min Young has become one of my favourites, and she is STUNNING in this. AASI: I’ll go to you when the weather is nice, Healer, Her private life
10. Alchemy of Souls - NEW ENTRY
In a world of magic and soul-shifting, a powerful female assassin agrees to be Master to a young, irreverent mage. 
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Wow. This was fantasy drama done realllllllly well. The world-building was excellent (you easily come to understand the rules and limitations of the sorcery used) and the effects and imagery were great. The love story at the heart is wonderful - it helps casting Lee Jae-wook who is effortlessly cheeky and charming, but when he flexes his power, he looks ultra-cool. There are more episodes coming in December (Thank God! The ending of S1 nearly broke me!) so I’ll have to see if they stick the landing. 
Male lead: His laidback, irreverant facade hides a deep hurt, and a powerful, righteous soul. I love him. AASI: Extraordinary you (seond lead), Do Do Sol Sol La La Sol,  When the Weather is Nice (supporting character)
Female lead: I love her too! She’s stern and uncompromising, but when she finally opens her heart and learns to love, you just want all the good things for her. AASI: Because This is My First Life
11. Flower of Evil - NEW ENTRY
A police detective starts to suspect her loving husband may be a killer.
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This was a fantastic character study, mystery and exploration of a relationship. The suspense almost killed me at times! I’m usually more of a fan about stories that take place at the beginning of a relationship rather than 14 years in, but I became so invested in them as a family. The choral music is a bit overwrought at times, but that’s one of my only complaints. I could never have imagined where they took things in the last episode but it was really good and an interesting way to further explore the character (I thought it would be cheesy, but it was so well done). Plus the most adorable little girl EVER stars in this.
Male lead: His struggles to desperately keep his family together (even though he didn’t fully understand the feelings they inspired in him) was heartbreaking - he is soooo good in this. AASI: Lawless Lawyer, Scarlet Heart
Female lead: Competent and compassionate. You’re heart aches for her when her world starts to fall apart. 
12. Love in the Moonlight / Moonlight Drawn by Clouds
A young woman poses as a eunuch in the Royal Palace and falls in love with the Crown Prince
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This was the first period piece I watched and it’s still one of my favourites - almost entirely because of the male lead and his beautiful face! The start had a really light, comedic tone (and a lot of modern anachronisms - high fives everywhere!) and I loved all the identity-concealing hi-jinks. But then the romance kicked into gear and the DELICIOUS angst started flowing, and I became obsessed with it. It’s like loads of bits of my favourite regency historical romances were mashed up and transported to the Joseon Dynasty. I loved it so much!
Male lead: Manages to look amazingly handsome despite all the period headgear, kicks ass with a sword, and doesn’t allow himself to be manipulated by the corrupt officials surrounding him. Also acts like an adorable goofball when he’s in love.
Female lead: Loved her at the start - she’s scrappy and independent and capable. Unfortunately, becomes too much of a plot device by the end. AASI: Backstreet Rookie
13. I’ll Go to You When the Weather is Nice / I’ll Find You on a Beautiful Day
A cellist disillusioned with life in Seoul returns to her small home town for the winter.
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This was achingly sweet and wonderful. The slow unfolding of the story, the beautiful scenery, and the simple yet moving score all combine to make this feel like the type of small town contemporary romance novel I love to read on a rainy day in front of a fire. Whilst long-held, painful secrets are eventually revealed, there is no massive conflict involved, with no antagonist or over-wrought external drama. Its just the tale of two sad, lonely people who have withdrawn from the world forming a connection with each other and trying to overcome their issues (she has a fear of abandonment; he’s a loner who has a tendency to disappear). As a bonus, there’s a bookclub with a wonderful cast of secondary characters - I wanted to spend more time with all of them.
Male Lead: Precious Cinnamon Roll, to be protected at all costs. AASI: Are you human too
Female lead: Wears her heart on her sleeve. Refreshingly, she’s the instigator of the relationship and isn’t the usual passive, coy female. AASI: What’s wrong with secretary Kim, Healer, Her private life
14. Goblin
A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence
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Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in floods of tears at some points, and it was laugh out loud funny at others. I especially loved the secondary character of the Grim Reaper and his reluctant bromance with the Goblin.
Male lead: Surprising innocent and funny for a 900 year old
Female lead: Also innocent, but in some ways wise beyond her years. Her tears will make you cry (the actress is very good at sobbing her heart out!). AASI: The King, eternal monarch
15. Legend of the Blue Sea
A mermaid comes onto land to find the man she loves
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The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. It also nicely incorporates scenes from the Joseon era, so you get a partial historical romance thrown in for free!
I couldn’t stop watching this one and I’ve since rewatched it too! Definitely one to check out.
Male lead: Cocky, arrogant conman with a soft mushy centre. AASI: The King, Eternal monarch, Heirs.
Female lead: Steals the show - funny, smart and beautiful. AASI: My love from the Star.
16. Into the Ring/The Ballot
An out-of-work young woman decides to run for office and faces all sorts of challenges in her quest to right some wrongs and earn a living.
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This show has one of my favourite ever female characters - she’s headstrong, hard working, and quick to violence but so cute and charming with the most adorable laugh! She tries to act all cynical (that she’s only in it for the money) but she is actually really caring and kind. I sooo wanted her to succeed against the establishment of corrupt assholes that she worked with. Seeing her become disillusioned with politics and her colleagues was heartbreaking, and watching her fight back was great.
Her dynamic with the male lead was also great - he’s quietly in awe of her even when he’s exasperated and borderline scared of her.  And he’s super supportive. It was so much fun watching her drag him out of his monotonous, dull life. They also weren’t stingy with the PDA which was so refreshing.
On a superficial level, the show was also visually interesting, with loads of cool angles and blue lens flare. And the overall light, funny tone made it so watchable. 
Male lead: Adorkable
Female lead: The literal embodiment of sunshine and determination. I have a bit of a crush on her!
17. The King: Eternal Monarch
The reigning King of the Kingdom of Corea discovers a gateway to a parallel world - the Republic of Korea
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This is the first drama I’ve watched in ‘real time’ but I think it would work better as a binge - there are a LOT of characters, and many have dopplegangers (because of the parallel world thing) so it became hard to keep track of who was who. I also think the progression of the romance is better appreciated in a binge (I wrote about it here - ignore the speculation; i got it so wrong LOL!). Unfortunately, the plot also had major holes in it (the ‘rules’ for the gateway/magical flute didn’t make sense) and It was difficult at times to differentiate Corea from Korea - a major failing of the editing.  
Buuuuuut, it still made my ‘Great’ list because all of those issues were outweighed by the sheer epicness of this show. The gorgeous sets, the dramatic scenery, the ANGST-filled, beautiful romance…at one point the King rides a majestic white horse into battle with a sword on a neon-lit highway to save the woman he loves. I mean, come on! Plus, its really funny - the ‘fish out of water’ scenes when the King first arrives in Korea, the chalk and cheese dopplegangers Yeong and Eun-Seob, the King’s constant threats of beheading…I loved those elements so much!
Male lead:  Gives Ri Jeong-Hyeok from CHOY a run for his money in the ‘Best Boyfriend’ competition.  AASI: Legend of the blue sea, Heirs.
Female lead: A bad-ass cop. Takes a while to believe Lee Gon’s story, but once she decides to go all in…she goes all in, and loves unreservedly with her whole heart. AASI: Goblin
18. Tomorrow with you 
A time-traveller struggling to live in the present meets a woman trying to let go of her past.
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This reminded me a bit of ‘I’ll go to you when the weather is nice’ in terms of the melancholic tone, the simple but effective music, and the beautiful lighting etc. There were also some really interesting, innovative shots which I appreciated.
It took a few episodes to get into and it was a bit frustrating in the middle - so much could have been solved if people just TALKED to each other!! Plus the rules for this version of time travel weren’t really clear…But the last few episodes were brilliant; the way the story came together, and all the little bits of set up were paid off was really well done. These episodes alone were enough to bump this up to the ‘Great’ category (especially, given there was a bit of a Lake House vibe at one point - I’m a sucker for that movie). The romance was also beautifully portrayed; I could endlessly watch their domestic scenes - they had such good chemistry and banter.
Male lead: Absolutely, but endearingly, terrible at relationships. He ends up falling in love against his will and largely without realising it.
Female lead: A bit of a mess and a borderline alcoholic, but so cute and innocent. I love the way she talks to herself, she’s so funny! AASI: Oh My Venus
19. Fight for my Way
Two life-long friends decide to go after their dreams
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I fast-forwarded large chunks of this (I wasn’t interested in the secondary couple at all), but it still made my ‘Great’ list because this is one of the best friends-to-lovers stories I’ve seen. You truly buy that these 2 have known each other their entire lives (their  bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings. Speaking of which, this also has some great kissing scenes (Park Seo Joon is the master!)
Male lead: I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him. AASI: What’s wrong with secretary Kim, Itaewon class, Hwarang
Female lead: Takes no shit from anyone and will fight for her man! AASI: Descendants of the sun (secondary character)
20. Vincenzo - NEW ENTRY
A Korean man raised in the Italian mafia to be a mob lawyer returns to Seoul with some ulterior motives.
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This has the strange tone typical of Kdramas - one minute its a goofy comedy, the next some truly dark violence is going down - and it pulls it off really well.  The cast is all great, it was a unique story, and the male lead was charismatic as always. The story is not romance heavy - its got more of a found family vibe - but I still enjoyed it. It dragged a bit in the latter half, but that half contained some genuinely great moments. This is also the only kdrama my aunt and uncle have ever watched and they became obsessed with it. 
Male lead: Slick, dangerous and charming, with a heart of gold that he tries REALLY hard to hide. AASI: Descendents of the sun.
Female lead: Loud and ballsy with some questionable ethics - so not the typical Kdrama female! She was great. 
21. Suspicious Partner
A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.
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This was officially bumped up the list a while ago, and I stand by the decision. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. Mainly, I just loved the central romance - the 2 characters sparked off each other so well and I loved their evolution from sort-of enemies to lovers. This is another show where I can endlessly rewatch their scenes together.
Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks. AASI: Healer, The K2, Melting me softly, Backstreet Rookie, Lovestruck in the City
Female lead: Fate deals her a shitty hand, but she perseveres with grace and determination. She’s great. AASI: Shopaholic Louis, 100 days my prince.
The GOOD (in no particular order)
Lovestruck in the city - NEW ENTRY
A documentary-style tale of different couples in Seoul
I loved the premise of this, and, unsually, I was just as invested in the secondary relationships as the main pair (they even introduced a final couple in the final episode and had me rooting for them - which is a testament to the good casting and chemistry). I have to admit I went off Chi Chang-wook after Backstreet Rookie (I loathed that show so much!) but he won me back here. Jae Won is such a charming mess!
Bring it on Ghost - NEW ENTRY
A man who can see ghosts starts working with one
I officially became an Ok Taecyeon fan after this - he’s adorable. The show is fun and rolicks along at a good pace. The central romance is really sweet with lovely angsty moments. Would definitely recommend. 
I Am Not a Robot
A man who is allergic to human contact finds companionship with a robot…or does he?
I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I persevered, because it developed some real depth and some proper good angst towards the end and I LOVED the central relationship. I’ve rewatched loads of this one.
I Remember You
A famous criminal profiler gatecrashes the investigation of a serial killer, hoping it will restore the missing memories of his childhood trauma
I really liked the set up of this - the lead character is introduced like a young Sherlock Holmes (the music even reminded me of the score for the BBC Sherlock series). The super-observant, socially awkward thing kind of dropped off as the series progressed, but I still enjoyed how the plot developed, especially with Park Bo-Gum’s character; I’ve only ever seen him play innocent cutie-pies, so this role was a bit of a surprise!
The female lead was like an anime character come to life (she was petite and cute with enormous eyes), but I also loved her personality; she was tenacious, and dogged and took no shit from anyone. She had a cute, antagonistic relationship with the profiler at the start (which I loved) which eventually led to some really sweet, touching moments. 
Hotel del Luna 
A hotel for wandering spirits gets a new human manager - and he forms a surprising connection to the enigmatic 1300 year old owner
If I had to describe this show in one word it would be ’lavish’. It’s a feast for the eyes - from the set design, to the costumes, to the CGI views of the hotel towering over the moon-lit Seoul cityscape, its stunning. It also plays with aspect ratios in a cool way (watch for the shots where the action spills over into the black bars top and bottom of the screen).
In terms of the characters, I really liked IU in this; her character may be uncaring, world-weary, and money-hungry, but she’s also immensely charming. I admit I got more platonic vibes with her and the male lead, but I still liked their relationship. I also really liked the stories of the ghosts passing through (some reduced me to tears with very little screen time) and there were a couple of GREAT cameos. Especially the one at the very end - I want more of him, please!!
My Holo Love
A lonely woman falls for a holographic AI and then meets his creator…
I love the concept of this show (I’m a big sci-fi nerd), and I think this stayed in my ‘favourite’ list for so long because it was the first Kdrama of this genre that I saw. I still love it - especially because of how beautifully it’s shot, and how well the story comes together - but I’m not dying to rewatch any of it, unlike all the others shows that are now on the ‘great’ list.
Extraordinary You
A high school student discovers she’s a supporting character in a comic book
The plot of this was so cool, and the way the comic story played out interspersed with the characters ‘real lives’ was really well done. Plus the central couple were so adorable. It dragged in the middle section (several versions of the same conversations were had, and the same exposition was spelled out multiple ways for no apparent reason) which kept it out of my favourite list, but it redeemed itself with some good angst at the end, and it had a really lovely ‘epilogue’.
Just Between Lovers
Three people impacted by a tragic shopping mall collapse start working on a building project together, unaware of their shared past.
I absolutely adore the male lead in this - he is the archetypal tortured hero (I constantly wanted to give him a hug and a warm meal). He’s also wonderfully romantic in his own, straightfoward, no-nonsense way. The female lead was really likeable - l love capable women and she is the definition of that (she even drives a lorry at one point!). There’s a lot of pain and angst in this show, with very little levity, but it strangely never felt heavy. I really liked it. 
Strong Girl Bong-Soon
A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO
The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute…but there’s a whole dark sub plot involving multiple women being held captive by a psychopath, and a really grating cast of ‘bad guy’ extras. I ended up fast forwarding most of that, and just concentrated on the romance - If someone could do a supercut of all their scenes, I would watch it on a loop.
30 but 17/Still 17
A 17 year old girl gets into an accident and wakes from a coma 13 years later.
I was worried going into this that the romance (between a 30 year old man and (essentially) a 17 year old girl) would feel icky and uncomfortable. But the writers made the wise choice of creating a 30 year old man with the emotional maturity of a 17 year old. He is so awkward and unworldly, that they actually work really well together. In fact, I loved their relationship. The secrets in this show took faaaar too long to be revealed, which made me worried that the eding would be too rushed, but there was actually time for a nice ‘epilogue’. Plus, all the supporting characters were great (including the wonderfully weird housekeeper Jennifer) and the cutest dog in the world was in this. So I definitely recommend it.  
Hometown cha cha cha - NEW ENTRY
A big city dentist opens a practice in a seaside town and clashes with the local jack-of-all-trades.
This hooked me and made me look forward to the weekends even more so I could get my fix. The story is slight (slice-of-life type thing) but the characters had me engaged and it was an enemies - friends - lovers story which is my catnip.
The male lead was such an intriguing character and the female lead has charm in spades. The romantic scenes bordered on far too cheesy but you can understood why (this was basically their first relationship) so I let it slide. Lovely cast of supporting characters. 
Nevertheless - NEW ENTRY
Two art students embark on a friends-with-benefits relationship.
I binged  this in one weekend. It reminded me of the slightly trashy YA romances that are my gulity pleasure - where the innocent girl falls for the college Fuckboy. You know she shouldn’t end up with him, but you can’t resist their chemistry.  The male lead’s character remained a mystery even by the end of the show, and he really only started to show any semblance of feelings in the last episode, which was a let down. He was so underdeveloped which was a shame, because this show really captured my attention otherwise - in large part because I’m not used to this storyline in Kdramas. There is lots of sex! Actual removal of clothes occurs (and there’s a lovely montage of the main couple sharing a bed which was a visual highlight). So overall I enjoyed it - not least for the side romances - every one of which worked for me (which is unusual). 
Da-Li and the Cocky Prince - NEW ENTRY
A down-on-her luck art curator teams up with a noveau rich ex-thug to save her father’s art museum.
This is the poor girl meets arrogant rich guy trope - but with a twist. She used to be rich and he used to be poor. This leads to a great dynamic between them. His character on paper (an uncultured money-obssessed ex-thug who has a great head for business) is elevated so much by the charm of the actor - you really root for him and his attempts to fit in to this new world. Would recommend!
Mystic Pop-up Bar
As punishment for past sins, a woman must solve the grudges of 100,000 people by entering their dreams
This was an unexpected delight. I started watching it after spotting a cute gifset on tumblr (which I didn’t realise contained huge spoilers!). The story and tone is (mostly) light and quirky, and I particularly enjoyed the worldbuilding - the banal bureaucracy of the afterlife in this even reminds me a bit of The Good Place. I’m a sucker for a ‘found family’ theme and this one was done really nicely. It also had 2 main ships - one really cute and innocent, the other took me by surprise with how moving it was. Similarly, some of the episode-specific stories and characters (i.e. the individual grudges) made me tear up.  
100 days my prince
A Prince loses his memory during an assassination attempt and ends up living as a peasant for 100 days.
Another period piece; the plots of these seem a little repetitive (Crown prince’s life is threatened by scheming Minister) but the  central cast and the romance usually makes up for it. Same for this show - I really enjoyed watching the spoiled, grumpy puppy of a Prince try to cope with manual labour, and the female lead was capable, and endearing.
True beauty - NEW ENTRY
Starting at a new school, a bullied ‘ugly’ girl reinvents herself with the help of makeup
This was really cute! I love Cha Eun-woo in anything and whilst this was similar in theme to one of his other shows (Gangnam beauty) I still enjoyed it on its own merits. He is so cute and charming and his dynamic with the female lead carried the show. The second lead also grew on me, but I wish they hadn’t dragged out the love triangle quite so much. 
Weightlifting Fairy Kim Bok-Joo
A young talented weightlifter experiences first love
Honestly, I wasn’t sold on this at first; the female lead was a bit much (lot of gurning and over-acting) and there was a weird disconnect between how she was described (big, overweight, manly, unfeminine) and how she actually looked (thin and beautiful!). But the back half of this show saved it; her relationship with Joon-Hyung was sooooo cute. He is adorable, and they were both so supportive of each other’s dreams. I finished this with a big smile on my face.
Are You Human Too
A mother separated from her son builds a robotic replacement. Decades later, he has to take the place of the ‘real’ son.
I loved the evolution of the robot in this - it never went the way of a full Pinnochio story, but it was fun to see him learning about the real world and how humans interact. It also posed some interesting questions - what does it mean to be human? And how would you react if you were ‘replaced’ by an artificial version?  
The actor in this was fantastic. The way he could change from the real Nam Shin to Nam Shin III with the most subtle shifts in posture and facial expression was really impressive. It took me longer to warm to the female lead, and by the end she was given very little to do…but her unflinching support and unconditional love for Nam Shin III won me over.  Some of the supporting characters didn’t work for me, and it was far too long…but worth a watch for the lead actor’s performance. Plus, Nam Shin III is an absolute cutie-pie.
Shopaholic Louis/ Shopping King Louis
The young, shopaholic heir to a large department store empire loses his memory and has to live as a poor man 
The male lead in this is an absolute puppy dog and I ADORE him. He squeals when he sees bugs, he can’t run to save his life, and he’s the type of guy who will punch someone and immediately apologise and ask if they’re ok. He’s spoilt, entitled, demanding and has no concept of the value of money…but thanks to the actor portraying him, he just comes across as innocent, sweet and lonely (he spends all his time shopping and accumulating stuff because they fills up his empty life). The female lead is just a really nice, kind person; at first Louis seems like he’ll be just one more burden she needs to take care of, but he makes it clear from the start that she can count on him to help her too - something she’s never had before. Their relationship develops so naturally and thoroughly that you cant help but feel they are perfect for each other. I watched this with a big smile on my face.
Oh My Venus 
The previously much-lusted after ‘Venus of Daegu’ fulfilled her dream of becoming a lawyer - but she gained weight and lost her self esteem in the process. 
I adored the female lead - she was so relentlessly bright and optimistic that you couldn’t help but love her and root for her. I was a bit worried going in that there was going to be a lot of fat-shaming, but the male lead made it clear that he was more interested in her internal health than her external appearance (and you could tell he started to fall for her when she was chubby, so it wasn’t superficial in that way). I wasn’t expecting for him to become so much of the focus in the second half of the show (I thought he was just going to be a hunky trainer;  I should have known better - in a Kdrama there is always a Tragic Backstory looming!). Their relationship was so natural and cute - the bit with the dimples never got old - and overall, this was a fun, easy watch.
A Piece of your Mind
A classical music recording engineer meets an AI designer.
I struggled to sum-up the concept of this in one sentence, because the ‘plot’ is so arbitrary (and the AI stuff makes no sense whatsoever!). It’s really more of a mood piece - the lighting, the music and the performance combine to make this a strangely ethereal show, dealing with unrequited love, grief and the importance of human connection. It’s slow and contemplative and a little odd in its structure (there’s very little set-up, so you feel like you’ve been dropped into episode 3 of an established show). This may put some people off, but I really liked it. 
I started watching it because of the leads (who I’ve loved in other shows) and they didn’t disappoint. She is so kind and lovely; he’s a little odd - like a robot learning about life. But their relationship is so beautiful (it even included one of my favourite niche tropes: insomniacs who can only sleep around each other). 
Apparently the episode run was cut down from 16 to 12 because of poor ratings, which is a real shame because i think a bit more time was needed to really sell the female lead’s emotional arc. It all felt a little rushed at the end, but I still enjoyed it, and admired that it tried something a little unconventional. 
Rookie Historian
An independent, educated woman choses to become one of the first female court historians, rather than get married.
This show had a really interesting premise and I enjoyed watching the rookie female historians navigate court-life (battling workplace harassment, misogyny and patriarchal values) and developing a real friendship with each other. 
The female lead was fantastic - she was headstrong, pragmatic, unapologetically intelligent, a lover of books and a hater of injustice. She shared that love of books with the male lead, who was sensitive, soft-spoken, and innocent. The ultimate beta hero, who’s romantic fantasies involved him feeding her cookies and fanning her while she sleeps! 
Their romance took a backseat for a lot of the show, but I didn’t mind as the plot was exploring interesting topics such as intruders from the West, catholicism, and censorship, etc.
Tempted/The Great Seducer
In an act of revenge, a wealthy heir makes a bet with his friends to seduce a hardworking female college student 
10 minutes into this I started to get major Cruel Intentions vibes…which made sense when I found out it was also an adaptation of Dangerous Liaisons! It doesn’t have the dark edge or overt sexuality of Cruel Intentions (which is one of my favs) but its still good - mainly due to the male lead. I ADORED him in TKEM and he’s really good here. I’m a sucker for the ‘bad boy falls in love for the first time’ trope and he played it so well. The female lead was also good - she was self-aware, strong, intelligent and took no shit. I was less interested by the love affairs of the adults around them, but overall it was a good show. 
The OK
My shy boss / Introverted boss
An extroverted actress takes a job at a PR company working for a man with crippling shyness
This was another deceptive show; I thought from the title and the synopsis that it would just be a light opposites attract comedy about an introverted man and an extroverted woman. But I was almost in tears by the second episode when the Tragic Backstory came to light, and we saw the full extent of the Boss’ struggles to communicate with other human beings. He has such a rich, funny, and smart inner monologue, and the way he overthinks every interaction is really endearing…which makes the contrast with his silent and withdrawn external persona all the more stark and heartbreaking. You really root for him to find happiness. This was overly long (a common pitfall with these shows) and there was some distracting shaky camera work in some of the close ups. There were also implications early on about workplace sexual harassment and possibly dubious consent in a one night stand which were dropped, leaving a bit of a sour note.  Despite that, it was overall fairly enjoyable and has one of the cutest confession scenes!
The OK
Because this is my First Life
A rational-to-a-fault software designer and an aspiring screenwriter come up with an unconventional way to solve their housing problem
When I started this, I thought it was going to be all light and fluffy (the main character’s job in the beginning was to insert the product placement in Korean dramas - hello, Red Ginseng! - which I found hilarious and meta) but it had a surprisingly melancholic tone throughout and touched on issues of workplace harassment and gender roles. I didn’t warm to the male lead until right at the end (which was probably partly intentional - he’s very remote and closed off) but overall I found the story quite lovely. Plus it had a really great central female friendship and their conversations actually passed the Bechdel test!
My Love from the Star
Alien stranded on earth meets an actress soon before he’s due to be rescued.
It took a couple of goes to get into this one, but I’m glad I finally watched the  whole thing (the female lead was initially very irritating, but she improved a lot). I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.
The K2
An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.
This started off really well; there are some amazing fight sequences (hello, shower room scene!) and JCW has never been hotter - its worth watching for him alone. However, the back half became really bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).
Dol Dol Sol Sol La La Sol - NEW ENTRY
A sheltered, spoilt rich girl falls on hard times and is helped by a young man hiding a big secret.
I loved the bright, colourful, easy tone of this and the underlying story (which reminded me of Shopping King Louis). It has an equally innocent and charming lead who (on paper) should have been annoying and entitled. However, the twist after episode 4 (i think) really threw me and I wasn’t sure I could continue it. But I did.… only to encounter a ridiculous ending which somewhat soured me on the whole show. Watch if you’re a big fan of the central leads but be prepared to throw things at your TV.
Great Shaman Go Doo Shim - NEW ENTRY
A high school girl from a long line of Shamans reluctantly enters the family business to rid her new school of an evil spirit.
I watched this for the male lead - he’s played the younger version of so many of my favourite characters so I’ve been looking forward to his debut as a lead. He had really sweet chemistry with the female lead, who I’m also eager to see in other things. Overall, this show was short and slight, but cute. 
So I Married the Antifan - NEW ENTRY
An idol and a reporter star in a reality series where they pretend to be together.
I liked the bickering between the main couple at the start of this (who doesn’t love a good enemies-to-lovers trope!) and  the show had a good set up…but it ran out of steam a bit. The female lead became far too passive which started to get on my nerve. And the second couple were sooo annoying. Overall - a good central romance, but I probably won’t be rewatching this. 
He is psychometric - NEW ENTRY
A man with the gift of psychometry teams up with a police officer to solve an old crime
I loved the set up of this and the male lead is really likeable. But I wasn’t a fan of the big plot reveal towards the end - not because it wasn’t well executed, but because of how it impacted the characters. It spoiled a bit of my enjoyment. 
Bride of Habaek / Bride of the Water God
A God of the Land of Water visits the human realm to fulfil a task before ascending to his throne. He enlists the help of a ‘divine servant’, a down-on-her-luck psychiatrist.
I started this because I liked the lead actor. His baby-face can’t quite pull off the intensity needed for this role, but he was still cute as the arrogant, imperious God brought low by his circumstances - no money, house, powers or (most importantly to him) driving license. I also liked the female lead - she so desperately wanted to hide her kind, compassionate heart from a world that had battered and bruised her. There were some good individual scenes (especially the ‘confession’ moment, which was just lovely), but the show ran out of steam towards the end, and ultimately felt like a waste of potential.
Her Private Life
A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.
This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.
Touch Your Heart
Star actress rocked by scandal works at a law firm to prepare for her comeback role
This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). It’s a bit too ‘cutesy’ and I had to fast forward a lot of the secondary romances which I wasn’t invested in.
My Secret Terrius
A secret agent on the run gets embroiled in the life of his next door neighbour - a mum of young twins.
The romance in this was underwhelming; the two characters ended in a really cute place, but it felt like set up for a story I probably would have liked more than this one. In saying that, this was still a relatively enjoyable watch; the female lead was great - she was constantly underestimated as ‘just a housewife’ but she was smarter, and more determined and resourceful than the spies around her. The male lead’s interactions with the twins were adorable, and there was a good cast of supporting characters. However, I’ve already pretty much forgotten the main espionage plot!
Where stars land - NEW ENTRY
A man who dreamed of being a pilot ends up working at the airport - and he hides an unusual secret.
I like the two main actors in this, which is the reason I started watching it. But (confession) I didn’t make any notes as I was watching the show and a year later I can’t remember a single thing that happened. I do recall that it was solidly made and I enjoyed watching it at the time…but it was obviously pretty forgettable!
Abyss - NEW ENTRY
Two friends are dragged into a plot surrounding a mysterious device - the Abyss.
This was a fun ride but ultimately a bit forgettable. The central conceit (you come back to life in a body that better reflects your soulI) was different and fun and the two leads getting used to their change in fortunes was amusing. They ultimately made a cute couple, but (as usual) I was less interested in the murder subplot.
Come and Hug Me - NEW ENTRY
A stoic policeman and a budding young actress share a past trauma
I liked the central relationship in this one (although the actor needed to blink more - it was so disconcerting!). But the father was a one-note hissable villain and the story was overly long and slooooow. Not one of my favs.
Strongest delivery man - NEW ENTRY
A delivery man who dreams of a better life.
I like an underdog story, so I had fun watching this. I also appreciated how the second lead could have been a typical villain but they made him so sympathetic and pitifiul (plus he was played by one of my new favs - Kim Seon-ho -  so I was rooting for him to be a better man). 
Business Proposal - NEW ENTRY
A case of mistaken identity leads to hijinks between a cold, aloof CEO and one of his employees
This was fun and passed the time, but was fairly slight. The male lead felt like a lesser-version of Park Seo-Joon from What’s Wrong with Secretary Kim? That show dealt with the story a cold, aloof businessman dealing with childhood trauma much better. But the female lead in this was a delight. 
Lawless Lawyer
A gangster-turned-lawyer moves to Gisung to take on corruption with the help of a suspended female attorney
I liked this more at the beginning; it reminded me a bit of Itaewon Class, with a charismatic lead, an intricately plotted revenge scheme that the audience only becomes aware of as the series progresses, and a take-no-shit female lead who was introduced hitting an authority figure! However, it never really gripped me (it took me weeks to finish) and a couple of the villains were overacting and hamming it up all over the place.  But I loved the two leads, and their relationship was good, despite feeling a bit rushed. 
1% of Something
To gain his inheritance, an arrogant, aloof CEO has to enter into a marriage contract with a sweet primary school teacher.
I liked how streamlined this was: it was just a show about two people who fall in love despite their best intentions. There was no overly complicated plot, and even the conflict that keeps them apart towards the end felt very organic and unforced. 
She is a delightful ball of sunshine. He is a little overbearing but has his own charm. And bear with the bad haircut and appalling fashion sense - he improves at the end!
Melting Me Softly
Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.
Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.
My Sassy Girl
A 'sassy’ princess meets an ambitious scholar in less than ideal circumstances…
I enjoyed the fact that this Joseon period drama focused on a Princess for a change, and not a prince. She came across as more 'obnoxious and immature’ than 'sassy’ in the beginning, but once it was made clear that she was actually a decent, kind person underneath, I soon warmed to her. I also liked the relationship with the male lead, which amounted to a pretty good enemies-to-lovers story. It took a bit of an unexpected turn right at the end, but my independent, feminine self was good with it. Overall, this was a pretty easy watch, but nothing special.
Hwarang
Follows a peasant who joins the newly-created Hwarang (Poet Warrior Youths in ancient Korea) to enact revenge for the death of his best friend
I enjoyed the scenes of the Hwarang hanging out and bonding - so many cute bromances in this! But I couldn’t really connect with the central story and romance, due to a major case of SLS (Second Lead Syndrome) - as much as I’m a fan of Park Seo-joon, I adore Park Hyung-sik, and I found his character, journey and relationship with the female lead much more compelling. The ending still managed to feel somewhat satisfying, but I won’t be rewatching any of it.
The BAD 
Hyde, Jekyll and Me
A woman becomes involved in the lives of 2 men, who share one body
Hyun Bin is sooo watchable in this, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well…but quickly went off the rails into a convoluted, dragged-out revenge plot. It was a bit of a slog to get through, to be honest.
Queen: Love and War
The long lost twin of a recently assassinated Queen assumes her identity to enter the Bridal selection to wed the resurrected King and seek revenge.
This was a bit of a mess (as you can tell from that synopsis!); it felt like the first few episodes were rushed through as a sort of ‘prologue’ before the main thrust of the story…but that prologue contained A LOT of plot with some major character revelations that were rapidly skimmed over (e.g. the female lead was introduced as having complete amnesia; but almost out of nowhere she casually mentions that she got all her memories back and now knows who she is). Because of this, it took me a while to get a sense of who the characters really were. A lot of the usual Joseon plot points played out (scheming ministers and untrustworthy queens) but it had some unique features - I especially enjoyed the bridal selection scenes and seeing the lead female outwitting her rivals in the various challenges. But ultimately, I fast forwarded a lot of this and it was pretty forgettable.
Backstreet Rookie
A struggling young woman takes a part-time job at the convenience store run by her high school crush. 
I was really not a fan of this show, and probably would have stopped watching if it wasn’t for Kim Yoo-jung. Her character was really likeable - kickass, but vulnerable, and so loving and kind. You were really rooting for her throughout.  The show also had some interesting things to say about inequality (there was a lovely scene between the male leads’s parents in episode 10 touching on this theme)…but that’s about it for the positives. 
Overall, it was just too OTT and manic and most of the characters were barely more than cartoonish caricatures. One character was actually repulsive, and the fact that he got his own romantic subplot was just gross. I’m a big fan of Ji Chang-wook, but I didn’t like some of his acting choices in this, and his character spent far too long in a relationship with another woman, which meant the main romance felt underdeveloped. 
And…it ended without a kiss. I was so pissed off! I put up with 16 episodes of crap, expecting a decent pay-off at the end…but no. I wouldn’t recommend this one. 
The UNCLASSIFIABLE
Moon Lovers: Scarlet Heart Ryeo
A modern girl is transported 1000 years into the past where she becomes embroiled in the lives of the Royal Princes.
I honestly don’t know where I stand with this one! Did I love it? Did I hate it? I seriously don’t know!
I was reluctant to start this (I knew it didn’t have a happy ending) but I was told its a rite of passage for KDrama newbies to watch this show. And there were some great things about it - the male lead was amazing! So intense and tragic, with the most arresting face. The music was also GORGEOUS, as was the scenery - the whole production felt very sumptuous. The palace intrigue stuff was also more compelling than most of the other historic dramas I’ve seen. I recognised several of the Princes from other shows, and I became really invested in 3 of them…which made the constant threat of them betraying each other/killing each other AGONISING. This show was heavy on the Emotional Torture Porn, and some of it felt gratuitous, because I just didn’t understand the motivations behind some of the plot points/character’s actions.
I also wasn’t a big fan of the female lead; partly because the actress only seemed to have 2 facial expressions to work with, but partly because and any hints that she was a modern girl with modern sensibilities quickly disappeared. It was this independence and spunk that made all the princes fall for her (to varying degrees) but she lost all of that and it left me wondering why they bothered with the time travel aspect at all.
I finished the show feeling wrung out and with the overwhelming sense of “Why? What was the point of that?”
Buuuuuut…it has lingered with me - as @talenevertold said when we were discussing the show, “Nobody enjoys it in the process… but it leaves this unique bittersweet aftertaste…” and that’s absolutely true; and it probably true that this show IS a rite of passage that everyone should watch. But don’t say I didn’t warn you!
and…The MEH (i.e. DNF):
This list is getting long! I have a bit less patience with shows than I did in the beginning - there are so many to get through, so I’m not willing to waste my time on anything that either doesn’t grip me from a story perspective, is far too slow, has mediocre acting and/or is too soapy
Master’s sun
Tale of Nokdu
The Heirs
Meow, the Secret Boy
Love Alarm
One Spring Night
Suits
Chocolate 
Doctor Stranger 
The Scholar Who Walks the Night
Oh Master!
Something In the rain
Alice
Live Up to Your Name
Record of Youth
Run on
Oh my Ghost
If I’ve made a heinous mistake by dropping any of these - get in touch and plead the case for why i should give them another chance!
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FanWoman watches
Man, I love tropes
Even some of the objectively stupid ones
(those are some of my favorites actually. I NEVER get tired of the Look-Out-My-Lady-Love! I-Shall-Ballroom-Dance-You-Out-Of-Dangerrrr! It makes me cackle every time) is that a trope even? or is that a Device? anyway...
but
BUT
The trope that I would LOVE to see die screaming in a fire is the Mandatory Childbirth trope
You MUST reproduce or you'll be sad and poor in your old age, or your husband will marry a new harlot, or people will make clucking noises behind your back while you walk down the street with your hawthorn berries, or, or, or, blah blah blah
BuT FaNwOmAnnn it's HiStOriCalllll !!!1!!1! Women had toBLAH BLAH BLAH
whatever
Yeah it's historical, and the costumes are fantasized, the hair is dead wrong half the time (pretty as hell but not strictly accurate), EVERYBODY is shaved and plucked into oblivion, nobody is fat, they're speaking more-or-less modern (fill-in-the-language-from-the-country-in-which-the-show/movie-was-produced), and there is neither evidence of indoor plumbing nor a visible chamber-pot ANYWHERE
It's historical FICTION
The only way you could get it any further removed from reality is if you added a dragon.
And, while I happen to be currently talking about a specific East-Asian show, the West does this too. All the DAMN time. It's just got a different flavor over here.
And, the times I've seen it utilized, it either didn't makes sense historically (if he's got concubines why ain't he in with 'em? why does She HAVE to do it?) or it's such a side, side, side plot that the story arc would completely stand without it) or it COMPLETELY goes against EVERYTHING that was written into the character previously (lookin' at YOU Firefly).
So like, idk, why are we still even doing this?
And it weirds-me-out even more when the writer is a woman.
Like, you would think that a woman writing wouldn't want to be seen herself as just fancified breeding stock so, why would you go out of your way to do that to your character when you could Fiction your way out of that or avoid it entirely.
I mean I get it when men do it because so few men have any awareness whatsoever that women have wants and dreams and desires and interests entirely separate from the biological process of reproduction. And so many of them think we're just baby-crazed automatons (lookin' at you AGAIN Firefly. And Torchwood a little bit).
But, man, when a woman writes that sh*t it just skeeves me out.
Anyway, I'm watching an aristocratic lady's maid do her level best to "protect" her Lady (who has had a catastrophic and nearly terminal miscarriage) by making damn sure that she gets pregnant AGAIN....which (as of THIS point in the arc anyway) will most likely kill The Lady.
Protect her
By killing her
wtf????
Man, and I KNOW that sh*t's only gonna get worse.
ok and before anyone @'s me
Yes, I know the maid wasn't in on the convo with the husband and the doctor in which doc said that another pregnancy has a like 99% probability of killing The Lady. But common f*cking sense would say "Oh, Lady collapsed in a litre-and-a-half puddle of blood and nearly DIED. Perhaps we shouldn't do that again soon"
Also, maid, common sense should have suggested that husband and wife would have had a little "I'd rather you not die right now" discussion which was a piece of marital intimacy that would have been NONE OF YOUR F*CKING BUSINESS as a maid even if you DID raise Lady from childhood. Why do you think you have a right to stick your nose into someone else's marriage?
ok, side note audience knows that a rather-you-not-die convo never happened and husband (in a squirly move) rather than just staying celibate for a while is secretly feeding her contraceptives. Ok, THAT'S bad form dude. Really, REALLY bad.
But the maid doesn't know ANY of that, she's just stickin' her nose in where it doesn't belong because Mandatory Childbirth.
idk maybe it's just me because I'm SO childfree, but this sh*t just irritates the hell out of me.
Apologies to anybody who hasn't or isn't gonna watch Monarch Industry/ Rebel Princess because that's where ALL of that rant came from (although Oh! My General was in there too a little bit)
Sorry y'all that was a lot
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As someone who has worked at a Renaissance faire for the better half of my life, may I just say it is so weird that it is generally believed that you have to dressed up to be let in? It’s such a common misconception and it is totally untrue.
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ninjahijabimuse · 5 years
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it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
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(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
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(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
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(1880s)
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(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
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(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
samsalamander · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
thefridgeisonfire · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
undyke · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
rabbureblogs · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
rainbowmoonbean · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
glazed-transacotta · 5 years
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes
Text
it’s hilarious to me when people call historical fashions that men hated oppressive
like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth
thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in
it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with
men, obviously, loathed the whole affair
Tumblr media
(1864)
Tumblr media
(1850s. gods, if only crinolines were huge enough to keep men from getting too close)
Tumblr media
(no date given, but also, this is 100% impossible)
Tumblr media
(also undated, but the ruffles make me think 1850s)
it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there
and when bustles came in, guess what? men hated those, too
Tumblr media
(1880s)
Tumblr media
(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)
Tumblr media
(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)
hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement
138K notes · View notes