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#ultimate guide spoilers
yuridovewing · 6 months
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im going to become the joker
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skekteksfurby · 6 months
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Brightheart is apparently cursed to never appear book-accurate in any canon art. Her scars are described so clearly in the book, this shouldn't be this hard to get right.
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bayofwolves · 6 months
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clear sky died saving his granddaughter from a dog?? WHAT????
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Ok, had an outright delusional conversation with my mum about ted lasso and this is what she said: what's the point of colin coming out in the grander scheme of things? Why is trent's presence at richmond relevant to the plot? Trent ultimately being there to help colin through his coming out is sweet and inspiring but, on its own, it doesn't drive the big plot, only creates a new sideplot. So, what is it's relevance to the main plot/character? How is colin coming out and trent helping him relevant to richmond, relevant to ted? She said it implies ted goes on some sort of self discovery journey that mirrors colin's and with all the gay stuff happening it's not a huge mental leap to assume ted starts to question his sexuality too once he hears about the experience of being closeted from someone going through a coming out. And she specifically said this is seeded in ted's relationship with sassy: even though sassy seems to show genuine interest in him (whether that's romantic or purely sexual) ted always seems to go along with it mindlessly, without questioning if it's what he really wants/needs in that moment. He uses their relationship as a distraction from his depressive episodes but never genuinely seems interested in sassy as a romantic/sexual partner. So what would happen if he started to question his encounters with her? What would happen if he started to question where the selective disinterest is coming from? Would he find it's only because he just can't let go of michelle? Or is it because he can't let go of the expectation surrounding these encounters? He's never had to answer such questions because he's been with michelle from such a young age. What if he started to explore encounters he DOES find genuine interest in and what if he finds the encounters are unexpected and scary, similarly to colin pre coming out? What if trent helps colin, but ultimately, inadvertently, importantly, helps TED in his journey to self-acceptance and colin is just the spark to light the fire? It's so big brained cause it ties most of ted's struggles together so neatly: his struggle with his marriage, with who he is outside of the marriage, with why he's always felt he needed to justify his presence with 'being curious, not judgemental', his relationship with sassy and trent and most importantly his father, ESPECIALLY as we might learn about trent's relationship with his father
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aroaceleovaldez · 1 year
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good morning it is so very important to me that Nico canonically joined CHB before Will and also ran away after only a week, whereas Will couldn’t have feasibly joined any earlier than immediately before the events of BoTL.
#AALV TSATS liveblogging#tsats#the sun and the star spoilers#the sun and the star#tsats spoilers#pjo#riordanverse#nico di angelo#Mark said that they re-read the entire series with annotations right before working on the book so im blaming this error on Rick#im trusting you Mark#if anyone's curious as to *why* Will couldn't have joined any earlier than BoTL at most:#basically he physically was not in TTC. we know that. at that point even if he *was* a camper he wouldn't have been a year-rounder yet#which means he would have had to join in SoM which *doesn't work*. because that's when we know *Michael* joined chb#we know that because in Ultimate Guide Clarisse mentions that Michael is new. and in SoM we're introduced to an unnamed brash new Apollo kid#and knowing the timeline and the fact that CHB's numbers dropped significantly post-SoM due to the Titan War#that means that Michael. having joined at that point. was the second senior Apollo kid to Lee#which means Will couldn't have joined then because then he'd be equally senior to Michael *if not more.* and been counselor instead#''but what if they went with Michael cause he was older'' we know thats irrelevant because of Annabeth and Clarisse!#both of them are counselors in their cabins despite explicitly having or being implied to have older siblings!#but that also raises the other point of - Will is the same age as Nico. Rick has said that. Which means he would have been *NINE* in SoM#and it is INCREDIBLY RARE that campers join chb (or cj!) before age 12 (in CJ presuming they werent born there of course)#we only know of THREE INSTANCES OF THIS *EVER* AT CHB. Annabeth (age 7) - Nico (age 10) - and Harley (age 8)#not counting Luke's first visit (indefinite infant age)#and we *know* that for Annabeth and Nico (and Luke!) that these were EXTREMELY unusual circumstances and very rare cases#every other camper joins CHB around age 12 or older. there is no reason to believe Will is an exception#especially BECAUSE he's introduced only in TLO! when he *would be 12!* so it makes the most sense for that to be his first year#and he became ''hastily appointed counselor'' because he was LITERALLY 1 OF 3 LEFT IN HIS CABIN and both his siblings are about his age!#he is probably only BARELY senior to Kayla and Austin and thats PART OF WHAT MAKES WILL SO COMPELLING! DUDE'S NEW!#this does also mean Will never met Lee unless he joined RIGHT before the events of BoTL which is also interesting#cause that means the only counselor Will ever saw was Michael (brash and fighty) and hes only ever HEARD about Lee (significantly chiller!)
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stuartpitfall · 6 months
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List of cats Clear Sky has killed or wronged in no order
1. Jagged Peak(Kicks him out for getting permanently inquired under his watch during training)
2. Thunder(Rejects him at birth. Gets him back because of him helping during the fire. Proceeds to torment him, put him through harsh training, and then tell him to lick a festering wound for defending a campmate from his bs)
3. Frost(Kicks him out to die due to a permanent inquiry that wasn’t treated. Wanted Thunder to leave him “Where the maggots could get him”)
4. Misty(Murders her for being on his territory and then wants to kill her kits)
5. Bumble(Murdered her for being on his territory and then blames it on a fox)
6. Jackdaw’s Cry(Keeps him prisoner and starves him)
7. Shadowstar(Throws her into a gathering of his cats basically as someone to murder)
8. Rainswept Flower(Murders her in a “fit of rage” during the Great battle)
9. Micah(Due to Clear Sky’s orders he fell from a tree to his death)
10. Moth Flight(Refuses to let her train Acorn Fur and takes her hostage later to “punish Windstar and make her admit her mistakes”)
11. Windstar’s first life(He slashed her throat AND BROKE HER LEG leading to her death from the inquires)
12. Willow Tail(Blinds and then kills her)
And many more that I’m SURE I forgot(I excluded the other casualties of the Great Battle which was caused by him and his camp)
All of this and you’re telling me he went to Starclan for saving ONE CAT FROM A DOG?!?? It the Tom redemption death all over again.
And no I’m not counting the last three books of DOTC where he’s “so sowwy guys : (“ as a redemption. It’s mostly characters making excuses for his actions and then him committing the same if not worse actions AGAIN. He’s not sorry he did it. He’s sorry he got CALLED OUT FOR IT. We see the same behavior in Moth Flight’s vision and Riverstar’s home. Both of which take place after Path of Stars. He’s not sorry. He never was.
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owlgirl18 · 6 months
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I know warriors is known for it’s errors but why the hell is *Bluestar’s* colour palette in the ultimate guide book WHITE AND DARK GREEN?!
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new-old-friend · 1 year
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blizwolfthewolf · 6 months
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Clear Sky apologism AND Starclan propaganda? In the SAME BREATH?!?! AND FROM THE MOUTHS OF FIRE AND GRAY???!!!???!!???
b e g o n e .
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starkcontrasts · 2 years
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the ghost of visenya targaryen yelling explicatives and trying to rip aemond from vhagar's saddle mid-air so he can fall to his tragic death: we have lost sight of the plot!! this is the wrong child, vhagar, i know you've gotten cataracts in your old age but rhaena i said rhaena damnit
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blyhowdy · 2 years
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ayo just finished the mistborn series what the fuck
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yuridovewing · 6 months
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good to know that skystars brave and wonderful death is totally in line with his character: beating the nearest woman when he gets mad
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waayfo · 25 days
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THE ULTIMATE GUIDE TO LOVE AVENTURINE !
✧ ◝ summary the important steps to love aventurine, 100% approved by aventurine. (or the things you do that he love)
✧ ◝ fluff / hurt/comfort / light angst / hsr spoilers (aventurine’s past) / mentions of aventurine’s real name (kakavasha) / reverse comfort / gn!reader / some personal hcs / trauma / lmk if i miss some !
Alright so, i noticed that Aven always hides his left hand, and when he puts his hands together to pray, he also uses his left hand. So i assumed that his left hand was verrryyyyy special to him.
While in the Dreamscape, he also said that he always hid one hand (left hand) under the gambling table, and that hand always gripped the chips as tightly as possible (based on his dialogue during the quest).
So imagine— you, who have a special place somewhere in his heart, always hold his left hand carefully, then caress it. He would go feral fr.
He would joke about it by saying, “if you keep doing that, i’m afraid that my left hand will always bring big luck.”
And every time he wakes up from the same nightmare that always haunts him, he will always look for warmth in you; wants you to hold his hand and then hear your voice that always manages to calm him down to call his name—or even his real name.
Aven is very happy when you let him do small things or simple tasks, such as combing, braiding your hair, or putting on the beautiful jewelry he gave you. And from just one glance, you know how expensive the jewelry is. And he will happily buy you new jewelry again and again.
Aven love the moment when he set foot back home. Because usually, he will see you wearing his shirt— which faintly smells of his fragrance, while you curled up in his king sized bed and asleep while you are waiting for him to come home.
And at that moment, he was ready with his phone to take a photo of you which he thought was adorable.
He love when you’re cooking breakfast for the two of you. Because he can easily surprised you by suddenly hug you from behind, then buried his head on the crook of your neck.
Also, he’s the big spoon! He will always cuddle with you while sleeping and it’s a must. He won't sleep until he makes sure that you are asleep first. Either because he's afraid you'll suddenly leave while he's asleep, or because he just wants to observe every part of you. And to hear your every breath so he knows you are still with him, and to see your face so he can fall in love with you again and again.
Aventurine groaned. He squirmed a little, seeking comfort in the nightmare he saw. As if he couldn't wake up from the nightmare, his eyes refused to open, making himself a little tormented by his past which is again approaching him through his dream.
The past replays itself like a film. A film that he is reluctant to watch again. But the film was played again without his permission.
‘… kakavasha.’ The name that almost everyone forgot was called after long time. Aventurine looked back, seeing a glimmer of light amidst the darkness.
When he squinted his eyes to clearly see the blurry object in the middle of the light, he saw a familiar figure that he had longed to see. She called out his real name once again in despair. ‘Kakavasha..’
But when she called his name one last time, Aventurine could glimpse a small smile on the figure's face. She’s smiling, my sister is smiling at me.
And once the light slowly disappeared, Aventurine woke up. Pulled back to the real world where he belongs. Feeling his head dizzy, Aventurine held his head. At the same time, he was trying to regain consciousness after waking up from a dream.
That's when he realized; tears that seemed to have been coming out of his eyes for a long time, and you were looking at him worriedly. Your one hand is holding his left hand—the hand he considers special. It all felt like a fever dream for Aventurine.
“Kakavasha?” Your voice called his name in worry. This time it's no longer the voice of the familiar figure or his sister, the one calling his name is now you— the person he loves and he treasured the most. Someone who has accompanied him, and always makes sure that he is okay. Someone who always waits for him to come home. It’s you.
Your other hand moved to wipe the tears that had fallen. Your warm hand touched the cold skin of Aventurine. One of the differences between the two of you.
“Don’t cry,” The voice tried to calm him down again. Countless time you’ve been calmed “Everything is okay now.”
Aventurine didn't know how to react. He just kept quiet.
Without thinking, you immediately hugged his body that had felt a lot of suffering. You hugged that fragile body. As he usually did, he returned the hug. His head was buried in your neck. He always manages to find warmth in you. “I’m here, Aven.”
How could he not love you again and again after everything you've done?
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ironunderstands · 1 month
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2.1 was so good holy shit (spoilers, obviously)
GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.
so, let’s start from the beginning in 2.0 I want to walk you through my experience of it
ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that
2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).
The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.
Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.
Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->
a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other
b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them
c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere
Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument
Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument
2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.
3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.
4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).
Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.
Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.
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Noncanonicals Tournament FINAL
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This final is between Han Ying from Word of Honor (shizun/mentor: Zhou Zishu) and Fang Duobing from Mysterious Lotus Casebook (shizun/mentor: Li Xiangyi / Li Lianhua)
Propaganda under the cut! (Warning: Propaganda may include spoilers about the characters and their media)
Han Ying:
He idolized and was mentored by Zhou Zishu to the point of recruiting other young martial artists to revive ZZS’s dying sect and willing to die live happily ever after for it.
#han ying wants to fuck zhou zishu SO BAD#han ying#shizunfucker tournament
#my sweet ying'er wants to fuck zzs so bad he's gagging for it
#HAN YING HANDS DOWN#would have licked his boots if he asked
#han ying wanted nothing more than to officially become zzs's student/part of his sect#it was literally his dying wish that his brothers in arms may get to do that#he says several times in the show to zzs's very face that he's 100% down for dying for him#he swears allegiance EXCLUSIVELY to zzs and not the prince they're all serving#he comes up with bangers like 'if there is anything you need I will lay down my life with no regret'#'if you were gone one day how could I live alone'#'a loyal servant wouldn't have two masters in his life'#he sneaks into zzs's abandoned residence and homoerotically-#-strokes the painting of a flower that symbolizes a) zzs himself b) zzs's grief for being the lone survivor of his sect#and he wanted to join siji so so badly#it was his life's dream and he died IN siji but before getting to have that 😭#listen he makes me insane#anyway they should have fucked sloppy style and zzs would have had an out of body experience if hy called him shizun#my final thesis goodbye
#it's HAN YING#you could power entire nations with the power of that yearning
#han ying saw zhou zishu and IMMEDIATELY dropped to his knees are you joking#wen kexing immediately clocked him
#ying'er my sweet prince#he wants the dick so badly
Fang Duobing:
Fang Duobing has most definitely had several fantasies of being dommed by his shifu Li Xiangyi! He is also equally invested in marrying Li Lianhua - travelling the jianghu, going on rooftop moonlit dates, incorporating looking after him forever and ever into his general future plans. This is even before he knows that Li Lianhua and Li Xiangyi are the same person. Oh there are Layers to the shizunfucking. Where's that post about being so devoted to someone that it breaks the pedestal they're put on and comes full circle to loving them for the person they are? (its here: https://www.tumblr.com/difeisheng/733133489565745152/the-core-of-fanghua-is-built-around-fang-duobings) When they finally do get to know each other 10 years later, after Li Xiangyi's identity is found out, Fang Duobing insists on being equals rather than master-and-disciple! Li lianhua is Fang Duobing’s guide in the Jianghu! He leaves his house, dog and the only records of his unique martial arts to Fang Duobing before running away!! Fang Duobing’s most important agenda is to save Li Lianhua from slow death by poison!!! He doesn't care if Li Lianhua keeps leaving him behind and lying to him and is 'at peace' with dying!! They live together. They'll never be equals. They've been equals all along. They're zhiji. They're master and disciple. they're married. They're everything.
#this man wanted to fuck his shizun under two whole ass different identities#this man was given one million choices between his shizun and his entire cushy rich boi life and did not sweat the decision even once#this man was engaged to a princess - who was COOL - and went “no thanks i’d rather follow shizun around in a fantasy china airstream’
#this cannot not be fang duobing let's be serious#polls#he's been drawing hearts around his shizun's name since age 8
#Fang Duobing going through it for what he thinks is two different people but is just one guy#so he gets my vote easy
#pls he is head employee at shizunfucker.co
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suzena · 10 months
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Complete Dead Apple Explanation
Or: “The Ultimate Guide to Dead Apple”.
Warning: this is a long post! I’m not kidding, I worked on this for three months. There is a TL;DR at the end but it will only briefly cover the most important points.
I see posts about Dead Apple not being understood far too often and so I’m introducing: this explanation! I do want to preface this by saying that I can completely understand that this movie can be confusing. Or, as Fyodor said it:
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But, as someone who has seen it many times, I’m here to shed some light on it! Hopefully after this post it’ll all make a bit more sense, and you’ll at least have different questions.
If you haven’t watched the movie yet and are wondering when to watch it, the story officially takes place between season two and three, though you’ll be able to watch season three with no issues if you haven’t watched the movie. Please do note that this post will contain light spoilers for the plot after season two, so don’t read it if you haven’t at least finished catching up to the anime.
I’ll try not to summarize the movie, but instead explain it. That means that this post does not replace the movie, but instead tries to elaborate upon it and tries to place it in the larger plot. Most of the early movie is therefore ignored, but please do not hesitate to ask if you have extra questions, comments, different interpretations or you want me to go into more detail about something. I may not know everything, but I’m always down to talk about this movie!
Alright, with all of that out of the way…
The Dragon Head Conflict
We’ll start at the beginning, which is to say, we’ll start at the prologue, which can be found as a permanent event in Mayoi (and also as a part of the Dead Apple manga). This is not technically needed to understand most of the movie, but it does give some context that will make it a little easier, since this is where it all starts. 
The Dragon Head Conflict, sometimes also translated as the Ryuuzu Conflict, is (as the movie states) the largest conflict in the history of Yokohama’s underworld. It took place six years ago, and originally was about five hundred billion yen an ability user left behind after they died, which various organizations were very interested in. It lasted for a total of 88 days, and involved conflict between eight different underworld organizations, including among others the Port Mafia, Gelhart Security Service/GSS (from Fifteen) and Takasekai (also from Fifteen).
Now as you can imagine, the government isn’t super stoked that gangs are shooting each other up all night and leaving corpses everywhere, to the point where the sidewalk is torn up from the bullet holes. To try to combat this, they thought that they could best fight fire with fire, and let a strong ability user from outside Yokohama settle this conflict all at once.
This new ability user, known as the “White Qilin”, unfortunately doesn’t really care about ending the conflict and kills other strong ability users left and right just for the fun of it, contrary to what the government had hoped he would do. Whether they are uninvolved parties or Port Mafia executives, it doesn’t matter to this guy. The White Qilin also ends up taking the money the conflict was originally about, but that doesn’t stop his murder spree. In this way, the White Qilin gains control over the entire conflict pretty fast, making him the main target to eliminate in order to put a stop to the killings.
Dazai approaches this problem similarly as to how he did during the conflict of Stormbringer, with a group of ability users to overpower the lone individual, but gets his plan twisted on him and gets kidnapped instead. Naturally, he predicted this outcome, leaving a hint for Chuuya where he left a transmitter for a tracking device so that Chuuya could come rescue him. 
This is then the first scene of the movie, where Dazai and Chuuya confront and defeat the White Qilin using Corruption, and the whole Dragon Head Conflict ends since the White Qilin is finally gone and all the money burned. This battle is so iconic in the underground circles that it gains them the name “Double Black”, or “Soukoku”.
A few small notes on the Dragon Head Conflict before we move on.
As can also be seen in the first scene of the movie, this is where Oda adopts all five of those kids you see during the Dark Age, which was also already stated in the Dark Age itself. 
“I heard all about it, Odasaku. You’re raising five kids, huh? And not only that, they’re orphans from the Dragon’s Head Conflict.” ―Dazai, Dark Age
Also, ever wondered why the Port Mafia is the only major criminal organization in Yokohama? There actually used to be five in total but four of them completely perished during the Dragon Head Conflict. Another reason why Dazai & Chuuya ending the conflict is so impressive, since because of that the Port Mafia is the only one to even survive it at all.
Shibusawho?
As you’ve probably guessed by now, the “White Qilin”, also named “the Collector” in Dead Apple itself, are both different names for our main antagonist: Shibusawa Tatsuhiko. The government had good reason to believe Shibusawa would be able to stand against the entire Yokohama underground and come out on top: his ability.
Shibusawa’s ability, Draconia, creates a fog around him, which separates other ability users from their own ability and makes non-ability users disappear as long as the fog persists. When surrounded by this fog, ability users are confronted with this version of their ability that is split from themselves. If an ability user is to die within this fog, their ability will be added to Draconia’s collection room.
There is decent evidence that it takes a while before the fog activates, so the effect isn’t immediate. This can be seen with Chuuya, who makes very short contact with the fog before he lifts up the building that he shoves in the Dragon’s mouth, but it’s seen even more clearly with Atsushi and Kyouka at the start of the movie. They spend a small while running around Yokohama wondering why everyone is gone before they’re finally confronted with their abilities.
To some extent the separated abilities represent the inner conflict in an ability user. This can of course be clearly found in Atsushi and his shaky connection to the tiger, or in Kyouka who has Demon Snow which is the last remnant of her parents but also murdered them in front of her. But the clearest example of this in the movie is actually Kunikida, since there is a visible change between him and his ability.
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The notebook of Kunikida’s ability does not read its usual “理想” (ideals), but instead now says “妥協” (compromise). For Kunikida, a person so tied to his ideals, this version of his ability is an “abomination” (his words, not mine), and thus a source of inner conflict, since it represents a side of Kunikida that he carries within him.
“A copy of himself that didn’t follow ideals but made compromises was an abomination to Kunikida.”―Dead Apple (light novel)
If ability users manage to defeat their abilities in a physical fight, and then also accept these parts of themselves for what they represent, they will regain their ability. For example, Atsushi does not immediately regain his ability after defeating the tiger because he does not completely accept that the tiger represents that he has killed a person. For Atsushi, a person who connects his entire reason of living to saving other people, this is nearly irreconcilable. The only reason he probably is able to get over it in the end is that the person he killed was actively torturing and trying to kill him, so Atsushi had to kill to survive.
Shibusawa, then, is dead. Chronologically, his murder is the earliest you see of him. Fyodor has told Shibusawa that Atsushi contains something that “guides the envy of all ability users”, so Shibusawa, who feels like he is missing something, seeks to take this by any means. This doesn’t work out too hot for him, and Atsushi kills him.
Now a fun thing happens. Since Shibusawa is the center of the fog at all times, so to speak, and he’s the keeper of the abilities that die in his fog, his ability is separated from himself and lives on, nearly indistinguishable from his original body. Only one downside to this: he completely loses his memories.
I can only assume the government steps in at this point to take this strong ability user in his vulnerable state, and then have him solve the Dragon Head Conflict not long after. He most likely also survived Chuuya’s Corruption by being an ability, and having ability crystals in his collection to fall back on and recover, as he also does in Dead Apple. However, all of that is just pure speculation.
After the Dragon Head Conflict, Shibusawa spends some years abroad, casually killing thousands of ability users for the same reason as during the Dragon Head Conflict: just playing around and trying to fill that hole of something that is missing inside of him. The Japanese government mostly does a spectacular and spectacularly unethical job of cleaning up after him, since they learned nothing from the Dragon Head Conflict and still think that they can control him to protect Japan should it ever be invaded by foreign ability users.
Eventually, when the timing is right, Shibusawa gets invited back to Japan by Dazai. At the same time he is told by Fyodor (can you see the manipulation happening on both sides?) that Dazai’s ability is the ultimate ability that will finally complete him, and so Shibusawa eagerly comes to Yokohama. 
From here on out, as far as Shibusawa is concerned, it’s just a matter of covering the entire city in fog, killing Dazai and then taking his ability. Since Dazai cancels the fog itself with his ability, Shibusawa does need to kill him first, since the fog will work just fine on a corpse. Unfortunately, Shibusawa, however smart he is, is not in control of the plot in this movie. That control is left entirely to the combination of Dazai and Fyodor.
Intermezzo: Singularity Crash Course
Let’s do a lightning quick crash course on singularities before continuing, because you’re going to need that to understand what is happening in the next part. While Stormbringer was released after Dead Apple, I’m still going to be leaning heavily on and paraphrasing the information provided in that novel since it gives a really nice overview.
Abilities are bound to rules, just like everything else. No organisms other than humans, such as plants or monkeys, can possess an ability. Each human can only have a single ability, and when they die the ability disappears with them. Finally, there is a limit to the strength of any such ability.
But what if you wanted to go beyond that limit? What if you wanted to play with the natural laws of this world? What if you wanted to get really silly with it? Well, in that case, you can try your best at creating a singularity.
Singularities are defined as “the interaction of multiple abilities that develops into a higher-level phenomenon different from the original abilities”. This mostly exhibits itself in a massive release of energy, but rarely there are semi-stable versions of them. Singularities aren’t bound to conventional rules, and can be much more powerful for that exact reason.
As for creating singularities, there are two defined ways. The most reliable method is to have two contradicting abilities clash with each other. This leads to fun mental exercises, think “unstoppable force meets immovable object”, or, two ability users who can both see a few seconds into the future fighting to the death (sound familiar?). As a second method, an ability can also contradict itself, essentially causing the same result, but it’s a lot more finicky.
“Dead Apple”
The latter part of the movie revolves around exactly the creation of such a singularity, as all planned out by Fyodor, and accurately anticipated by Dazai. Let’s lay out all the layers of this.
Shibusawa is after Dazai’s ability. Meanwhile, Dazai is trying to stop the fog to save Yokohama. As for Fyodor, we’ll get to him in a second.
Dazai “teams up” with Fyodor and betrays Shibusawa to put a stop to the fog. The idea of this is that Fyodor combines two abilities from Shibusawa’s collection, which Dazai can’t do himself without canceling them: the ability to pull abilities in a surrounding area close, and the ability to merge abilities together. When these two are merged, together they create an ability that will absorb Shibusawa’s entire collection, and then Dazai only has to touch this ability to effectively get rid of Shibusawa’s power source.
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There is a specific reason why it has to happen like this, and Dazai just touching Shibusawa isn’t quite enough. Let’s mentally walk through the process if Dazai were to touch Shibusawa. The fog disappears for a bit (and Shibusawa with it, most likely), but Shibusawa now knows Dazai’s intentions. Fyodor will take Shibusawa’s side and now Dazai is at a large disadvantage. Ultimately, it doesn’t even solve the problem. We know from the Dragon Head Conflict that just destroying Shibusawa’s body is most likely not enough, and he will be able to resummon the fog (and his body) with time and energy. The problem needs to be cut off at the root, the ability crystals.
Unfortunately, Fyodor didn’t really team up with Dazai, instead choosing to team up with Shibusawa in order to get rid of Dazai. This is then where Shibusawa gets to kill Dazai, and discovers that wait, Dazai’s ability may not be what he’s seeking after all. However, the abilities are already merged, and Dazai’s ability joins them. This combines “the ability to merge” with “the ability to nullify”, which don’t exactly mix well. Does Dazai’s ability become part of the other ability? Does his ability nullify the merging ability before that can happen? It’s already part of it, but at the same time the merging can never happen. It’s contradictory, and thus a singularity is born.
Fyodor, meanwhile, hasn’t quite had his fill of betrayal yet, and decides to remind Shibusawa of what he is by killing him, reminding Shibusawa of his earlier death by Atsushi’s paw. All of this, killing Dazai and using his ability to create a singularity, having that power from the singularity then go into Shibusawa to create the Dragon, all of that was part of Fyodor’s plan. Shibusawa is only able to cover an entire city with fog because of the large amount of ability crystals he has collected, and so with enough power (like from a singularity) he can cover the entire world in this fog. Up until this point, neither Fyodor nor Shibusawa have seen a single ability user survive the fog, and thus it is the perfect method for getting rid of all ability users in the world, which does seem to be Fyodor’s end goal.
However, Chuuya swoops in and defeats the Dragon. Dazai was well prepared and had the antidote to the poison he was killed with hidden in his mouth, so he is alive and well again. That means that Dazai has his ability back and it cancels out the singularity space they both are in. It doesn’t completely get rid of the Dragon however, as some energy still lingers around the tower. 
Fyodor is still on the scene, and uses a part of the merging crystal that he saved which was used earlier to create the singularity to merge Shibusawa with the singularity, giving Shibusawa a very anime transformation into his final form.
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At this point, as a result of Shibusawa’s transformation, the fog turns red. If this red fog then covers the entire planet as Fyodor is hoping, and you were to watch it from space, it would look just like a poisonous red apple. The name of the movie therefore refers to this plan of using Shibusawa to rid the world of ability users.
This idea of poisonous apples in this movie comes from two different sources. From Fyodor’s side, it is referring to the apple Eve ate in the Bible, the original sin. For Fyodor, there is poetic irony in this: the world will end with the same sin as it began with. The crime is the punishment. On Dazai’s side, it refers to Snow White, who bit the poison apple and died (temporarily). He already talks about this to Oda when he is sixteen, vaguely implying he knew all of this was coming as soon as he met Shibusawa during the Dragon Head Conflict. Since Fyodor was already around at that time and also had a hand in enabling Shibusawa originally, this may indeed be planned out this far in advance, but it’s always hard to tell with these guys.
Then the kids take over the fight for the rest of the movie, and Atsushi, Akutagawa and Kyouka work together to defeat Shibusawa’s final form in the form of a long, epic final fight. Shibusawa is finally defeated and it all ends happily ever after. 
The End.
Byakko VS The Dragon
…Or is it? You thought we covered the entire basic layer of the movie, so we’re done now, right? Think again! This is only where things start to become really interesting. Please note that this section will take some ideas that were already pointed out by other people, and build on those.
When looking at lore relevance of characters, Atsushi may not immediately spring to mind as one of the most important ones. Sure, he’s the protagonist of the main manga, but in comparison to the mystery surrounding Dazai or Fyodor he fades a little into the background.
Even in this post, an explanation about a movie that’s basically about Atsushi, I’m able to explain the basics of the movie without mentioning him much at all. And yet, the movie’s core conflict is not between Shibusawa, Dazai and Fyodor, but between Shibusawa and Atsushi.
While there isn’t a lot of information given about Shibusawa’s and Atsushi’s connection, what we do get is very interesting. Shibusawa is consistently referred to as a Dragon during Dead Apple, and while subtitles usually translate everything as “tiger”, Atsushi’s tiger is actually referred to as “Byakko” half of the time. 
Now what is the difference between any good ol’ normal tiger and the Byakko, I hear you ask. The Byakko is much more than an ordinary tiger, since it is part of the 四神 (shijin/ shishin), the Four Guardians of the Four Compass Directions, which the Dragon is also a part of. What you essentially need to know from this is that the Byakko belongs to the same group of creatures as the Dragon, and that this solidifies Shibusawa’s status as Atsushi’s foil in this movie.
It also allows us to make a direct comparison between Shibusawa and Atsushi. The thing is, I have been lying to you a little bit. So far, I’ve been calling the Dragon a singularity. The truth is, it may not be. I know, I know, if it’s not a singularity, then what was that whole Dragon thing about?
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Fyodor actually specifically tells us that the Dragon isn’t a singularity, but instead it’s “the true form of the chaos born from abilities”. (Note here that the Dead Apple light novel talks about Fyodor as if he is “reciting some Oracle”. Did Fyodor get this information from someone else?) Is this related to why Fyodor wants abilities gone from this world? Is there another layer to abilities and other creatures that BSD hasn’t even touched upon (think Lovecraft)? It’s hard to say at this point. All we can say is that the Dragon gets referred to as something else, and… that the Dragon is similar to the Byakko.
The tiger ability we see that got separated from Atsushi in the movie actually doesn’t follow the rules the other abilities do. It has a clearly defined face, and the red gem is not on its forehead. The gem found on the ability tiger is also red, which is in line with the other extracted abilities we see, but what gets extracted from Atsushi by Shibusawa is this blue cube. The weirdness continues in the flashback we see of Atsushi being tortured by Shibusawa. 
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We see Atsushi’s ability leave him, but then in a flash of self protection instinct, he partially transforms into the tiger, claws and all, while the blue gem is outside of his body. Earlier in the movie it is shown that if an ability is extracted from an ability user, they no longer have access to the powers of that ability. Then how is Atsushi able to use his tiger abilities here? 
Granted, there is a bit of conflicting information within the movie about this, since during the final fight with Shibusawa this blue cube is once again extracted from Atsushi, but now he does lose his tiger powers. Could he resummon the tiger while not in possession of the cube if the situation is dire enough? Is this just a psychological thing because Atsushi is aware of it this time? Who can say. At any rate, this blue cube is connected deeply with Atsushi, but the clues given imply that it may not be the Byakko itself.
“That’s not an ability! That is me!”―Atsushi, reaching out to the blue cube in Dead Apple
To be honest, the movie does very little in explaining anything around Atsushi, instead raising more questions than answers. For that exact reason, the rest of this section will mostly be speculation about one possible angle on Atsushi’s ability that personally makes sense to me, but of course this is only one potential theory.
I do also want to add here that Atsushi personally goes through an arc in this movie from seeing the tiger as something separate to something that is intrinsically part of him. This can also be a reason for this final exclamation of “that’s me!” when he reaches out to the blue cube, but it doesn’t explain everything, which is why we explore an alternate possibility here.
My take on it is that the Byakko and this blue gem that get extracted from Atsushi are not the same thing. With the side note here being that they are probably deeply connected, but not the same regardless. 
My reasoning for this is that everything Atsushi-related you see in Dead Apple makes a little more sense when you consider the Byakko and the blue cube as two separate entities. The Byakko’s gem is red, the cube is blue. The Byakko is framed as something separate from Atsushi, while he claims the cube is not an ability but he himself. Atsushi had access to the Byakko while the blue cube was outside of him. Shibusawa even makes a point of mentioning that the orphanage director, who correctly thought Atsushi was the tiger, had the wrong idea about Atsushi’s ability. The Byakko is definitely Atsushi’s ability, but this blue cube is… something else. 
And yet, the tiger is also deeply connected to whatever this blue gem is. Currently, one theory that makes sense to me is that the tiger is an ability that can be passed on, just like Demon Snow, that has the specific task of protecting the power of this blue gem. So, a two in one deal. Atsushi also gets referred to as “the one holding the Byakko ability” by Ivan, which would be in line with the Byakko being an ability that can be passed on as needed. Shibusawa makes a similar statement, calling Atsushi “the one clad in the Byakko”. Atsushi also has issues controlling his ability before joining the ADA, just like Kyouka and Tsujimura, who both also inherited their abilities. I would love to further speculate on this, but there is so little information on anything relating to this, so anything further would be completely baseless.
However, there is one more different clue given to us by the movie. Namely, what this comparison to the Dragon means for Atsushi as the one holding the Byakko.
Almost in the same breath as Shibusawa is recounting Fyodor’s words about the Dragon being the chaos of all abilities, the holder of the Byakko also gets its own description about its true form: the one opposing all abilities.
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This relates to what the blue cube may really be. What Atsushi does to Shibusawa in his final moments is what I essentially believe to be this blue cube’s true power: it completely unravels an ability. The blue power eats up everything supernatural about Shibusawa until only his natural skull is left.
If you think this sounds familiar, it kind of does! I cannot ignore the similarity to Dazai here, though I do have to point out that Dazai can only cancel out an ability, and this blue cube power seems to… completely erase the ability itself, leaving no trace of it. The similarity to Dazai is further found the moment Dazai dies and his ability leaves his body. At first, his ability is white and vaguely similar to the blue cube before deciding that nope, this is just barely not it.
I have a hard time connecting this to anything larger simply because the series does not give a lot of clues on this subject. How did abilities come to be? How is the Book related to that, since it is not an ability or borne from an ability? And how does Atsushi factor into this? 
Shibusawa has been led to Atsushi since he believed Atsushi would grant him something special, something he had been looking for all this time. “That which every ability user desires.” 
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This is actually a familiar story! This is not the first time Fyodor has led someone to Atsushi with the premise that he would be able to lead them to what they were seeking. The first two seasons of the anime follow that specific idea, of Fitzgerald wanting Atsushi so he can lead him to the Book.
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The tiger as the guide to the Book is something emphasized again and again. While in English it gets translated as “guide”, the original manga panel said “道標(タイガービートル)”, or, “guidepost (pronounced: tiger beetle, in English)”. While this is partially just a funny pun, it also once again points to the tiger specifically as a guide.
It did leave me to wonder about the absence of a certain scene in the series. Fyodor has been sending other people to Atsushi for the entire length of the series, but has never interacted with Atsushi himself. For someone who claims to be looking for the Book, and knows that Atsushi is somehow the guide to the Book, isn’t that a bit weird? Is there a reason Fyodor won’t interact with Atsushi himself? Fyodor knew about Atsushi way before he joined the ADA, so it’s not like Dazai is particularly standing in the way here.
Regardless, this factor that makes Atsushi so special may very well be this blue cube. How does the power to completely undo abilities lead to the Book? Who knows. We simply do not know enough about the Book or the origin of abilities to say more about this. Maybe the true power of the blue cube is something else entirely.
What does all of this mean? Where will it all lead? Only the future (Asagiri) can tell.
The Unexplained and Weird
Welcome to the section I’d fondly refer to as “a collection of things I have no explanation for”. There is plenty of that in this movie, but I do want to touch upon them since not being explainable as of currently does not necessarily mean that they aren’t important in the future. Also, not having an explanation for these things is driving me insane and I need to share in my suffering. Let’s go! :)
Let’s get the big thing out of the way first.
Mukurotoride, my friend, my enemy. For those unaware, Mukurotoride is the name of the large black tower that Shibusawa, Dazai and Fyodor were chilling in for most of the movie. The name gets translated as “Skull Fortress”, but the kanji used gives the name more of a “Dead Man’s Castle” feeling, since it refers to a person long since dead more than a skull. My problem with this tower is as follows: it doesn’t make any sense. Whatsoever.
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Why is it there? Fifteen establishes it’s there seven years before the current timeline, so a year before Shibusawa dies. I would’ve accepted it if the tower was a weird side effect of Shibusawa dying or something, but the current facts point towards this tower not having anything to do with Shibusawa at all. It’s also very decayed. How long has it been there? Who put it there? Is it relevant that it’s right next to Suribachi? Or in the Yokohama foreign settlement? (Side note: foreign settlements have not been a thing since 1899. What’s up with Yokohama having a foreign settlement?) No one seems to know anything about this tower, not even in the Japanese community. And then in-universe, everyone also seems okay with this wildly out-of-place tower that looks like it’s made out of human bones being there in the middle of the city? It’s giving me Sky Casino vibes.
Okay, now that I’ve gotten that out of my system, we can talk about Fyodor’s ability.
I want to start this part by explaining my personal stance on the current Fyodor theories, since it influences how I talk about what is shown of his ability in Dead Apple. There are a bunch of theories about Fyodor having an insta-kill ability that only works on non-ability users. Personally, I don’t subscribe to this theory, and I have multiple reasons for this.
First, I don’t think we’ve ever seen Fyodor’s ability being used. At the end of Cannibalism a cop dies as soon as he touches Fyodor. In the manga abilities don’t have a special shine effect, but in the anime they do. However, in the anime there was no ability-shine here.
A stronger argument, perhaps, is that this happens right in front of Dazai, and Dazai immediately afterwards says he has no clue what Fyodor’s ability could be. He could be lying, of course, but since this is a common enemy he shares with Fitzgerald, who is the one asking him about Fyodor’s ability, I don’t see any reason for him to do so here. The whole murder reads a little bit like Fyodor just putting on a show for Dazai.
Finally, from a narrative viewpoint, killing with a touch is a little… useless? Don’t get me wrong, I’m sure it’s convenient, I guess, when you’re a terrorist who seeks to exterminate part of the global population. But there are many ways to kill a person, and Fyodor has shown time after time that he doesn’t need to rely on an ability to murder people.
The strongest argument for the insta-kill ability in my opinion is Fyodor himself saying “this is my true ability” before killing that kid who was enslaved by Ace. However, this may also be part of something else that is going on with Fyodor, in a way that is perhaps very similar to Atsushi.
Alright. Whether you agree with that or not is up to you. To get back to the movie, there are a few interesting clues provided about Fyodor’s ability.
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The first is of course Fyodor’s iconic line when his ability shows up on screen: “Crime and Punishment are close friends.” Everything he says after that point is already referring to Shibusawa again, so this is the only clue he himself is willing to offer up. If we consider that the abilities that get split from their users represent inner conflict, all he is saying here is that he apparently has no inner conflict. Does he know something else about the world? Does he just know who he is? Honestly, I don’t think we’ll get anywhere talking about Fyodor’s mental state.
Then there is the “I am Crime”, spoken by Fyodor holding the skull, and “I am Punishment”, spoken by his ability holding the apple. This one is slightly more straightforward. The ability user being the crime, and the ability the punishment. I’m not 100% sure if this is actually referring to Fyodor himself, or if it’s just about Shibusawa again. The skull (Shibusawa, an ability user) being the crime, and then the apple (covering the world with fog through Shibusawa’s ability, thus punishing ability users) being the punishment makes sense when viewed like this, but it could be that Fyodor is somehow also referring to himself during these lines.
Okay, if Fyodor is apparently not willing to open up, we can gather some more info just from what we can see instead of what we’re told. Most of what this part covers is taken from these excellent posts, but I’ll summarize it here for the sake of completion. Fyodor’s ability looks different compared to most other abilities. Most of the abilities shown in the movie have a blank face without any features, and have their gem on their forehead. The exception to that first part, interestingly enough, is Elise, Mori’s ability. This is most likely because she has physical form as an ability to begin with. Which then raises the question: does Fyodor’s ability also have a physical form outside of the fog? His ability looks identical, so that would imply some sort of clone ability. Next to this, Fyodor’s epithet is “The Conjurer”, which would be in line with him being able to create another copy of himself. (Though I should add here that the Japanese seems to just refer to him as “魔神”, which can be any type of evil spirit. However, if I’m not mistaken, the “Conjurer” should be from the official translation, but let me know if I’m mistaken on that.)
Finally, there is the position of the gem on Fyodor’s ability. Nearly all other abilities have their gem on their forehead, but for some reason Fyodor’s ability has his on his hand. The only other ability that has its gem not on its forehead is… the Byakko. I don’t have an explanation for this one, but the weirdness should be pointed out, since it’s another way in which Fyodor’s ability deviates from the others.
Next to the above, there are two other weird details I want to quickly touch upon.
First, the knives in the apples in the dish in Mukuroride, as well as the apples with a knife in them in general, as they are the theme of this movie. I believe this to be of a more metaphorical touch, so we won’t read too much into it, but it does have physical consequences that tie back to the title as well.
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This exact shot is used four times throughout the movie, but with a varying amount of knives stuck in the apples. It starts with one, then two, then three. The room starts with just Dazai, then Shibusawa enters, then Fyodor. With each of them showing up, another knife appears in an apple. This is then a metaphor for these three being the instigators behind the Dead Apple incident. These knives in the apples can also be seen as their calling cards, as they were left both at the bar and at the scene of the crime where that agent was killed who was supposed to meet with Kunikida and Tanizaki. 
In a later scene, it cuts again to this frame, but a knife and the skull has disappeared. These both get taken by Fyodor. The knife is used eventually to kill Shibusawa, but Shibusawa also took one of these knives to kill Dazai with. Either way, these knives that have been in these apples are used to murder, once again corroborating the connection between death and apples.
And finally, the relevance of the moon. 
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There are a few impressive shots of the moon in Dead Apple, where the moon is shown to be enormous, to the point where even the light novel points out how extraordinarily large it is. The novel also points out that the blue cube crystal holds a similarity to the moonlight. Just symbolism to show that it’s connected to Atsushi, or something more? The other side of the page in the main series will also only be written on the night… of the next full moon.
The Point of It All
I hear a lot of “Dead Apple doesn’t matter to the plot, just watch it for the Soukoku scenes and move on”. And while I do agree that it’s not mandatory viewing to understand the storyline that corresponds with season three onwards, I do think there is more to Dead Apple than most people give it credit for.
I always like to ask myself after reading a book or watching a movie: “Okay, so what was the point of that? What was I meant to take away from this?”
For example, in essence Stormbringer is a case study on singularities. Likewise, BEAST is a study into the limits of the Book, and all other side stories similarly have a message, however big or small.
So what does Dead Apple establish? Why bother?
I hope by now you agree that Dead Apple seems to be the introduction to explaining more as to what is so special about Atsushi. This seems to go deeper into chapter 28/29 of the manga, or season 2 episode 8 of the anime, where Atsushi also has some weird things going on with the tiger. What this exactly is, or where this seems to be going is unclear for now, but the Dead Apple definitely emphasizes Atsushi’s importance as well as the concept that there can be something more than just abilities.
In-universe, there are also reasons for this conflict to happen.
Most likely both Dazai and Fyodor knew the end result long before the conflict ever started. It’s their reunion in a way, so I suppose they are both seeing how the other’s condition is at the moment. They may even have gathered some intel somehow? It’s almost like collecting metadata, they won’t have a direct conversation about important things, but they try to collect information just by seeing how the other acts, to see if the other lies within prediction.
Aside from that, on Dazai’s side, except for foiling Fyodor’s plan and keeping Yokohama safe, the Shin Soukoku dynamic also gets strengthened, something Dazai is actively working on. On Fyodor’s side, next to giving the whole “eliminating all ability users” a good honest shot, he also gets to collect a lot of intel on the opposing side. For example, Fyodor in Dead Apple gets to see Corruption up close, which may potentially be relevant.
Finally, from a storytelling perspective, it sets up a lot for the third season, especially in character interactions and relationships, e.g. Atsushi & Akutagawa, Dazai & Chuuya, Kyouka, Fukuzawa & Mori. It should be noted that some characters literally have been intentionally regressed to make the ending make more impact. Whether that was a good decision or not is not why I’m here. You should just know that it’s intentional. You could chalk it up to Atsushi losing his ability impacting him and his behavior a lot, if you wanted to justify it somehow. The Order of the Clock Tower also gets its first anime appearance, showing Agatha Christie on screen, who will most likely play a more important role later on. Likewise, Dead Apple is the introduction to Fyodor as a villain, where you get to see him for more than just a few flashes.
Trivia and Fun Details
I suppose this section is skippable. But who doesn’t love trivia? This is by no means an exhaustive list of everything included in this movie, but rather an overview of what I personally caught, understood and thought relevant to include.
The “Dragon Head” in the Dragon Head Conflict refers to a Qilin, which are said to have similar heads to dragons. Since the conflict centered around the White Qilin, this is where that name comes from.
At some point Akutagawa and Kyouka use a mafia code to refer to a passageway. The code “0505” refers back to Atsushi’s birthday.
The symbol ᛟ found on the outfits of the Mukurotoride squad refers to inheritage, since Shibusawa inherited his own ability. More information about that here.
Dazai at some point meows at Fyodor. This is a very sassy way of telling Fyodor that he will personally eradicate all of Fyodor’s rats in Yokohama, including Fyodor himself. (The light novel calls it a “tedious” meow. Lmao.)
The music from Dead Apple seems to be recycled in season three of the anime. I’m guessing to save on budget?
Atsushi’s door that he eventually opens to unlock his hidden memories has its own music motif that shows up every time he thinks about Shibusawa, the fog or his memories associated with killing him. Try to pay attention to this, it’s really cool.
The motif of the door is also a tune that sounds a lot like the track named Dead Apple, further showing Atsushi’s relevance in his movie.
The lyrics of the soundtrack tell their own story. When the Dead Apple plot first takes off and Dazai is at bar Lupin, a song called My Prince plays telling of Snow White who is sleeping and waiting for her prince. However, it seems to be a spin on the classic, where indeed Snow White chose to knowingly bite the apple knowing it was poisoned, in much the same way as Dazai knew he was going to be poisoned in Dead Apple. Le Cheval Noir tells of how bored the singer is, and how nothing is special to them anymore. This plays during the scene where Dazai talks to Shibusawa, showing Shibusawa’s apathy towards everything. Mein Prinz, the song that plays as Dazai gets backstabbed, is nearly exactly the same song as My Prince, but now more dramatic and in German. This is a clue that Dazai saw this coming from before the Dead Apple conflict even started, and it’s now up to Chuuya again to save him. Overall, Dazai is leaning into the Snow White aesthetic hard in Dead Apple.
And finally, a list of everything the light novel insists refers to the theme of poisonous red apples: the red apples with the knives in them, apple suicide, the merged abilities producing a red sphere, the singularity that results from that in all its forms and the planet covered in red fog. If it’s red and spherical, you can just assume it should represent a deathly apple.
TD;DR
Recapped extremely briefly:
The Dragon Head Conflict introduces Shibusawa as a villain who was kept by the government but went off the rails. Shibusawa’s ability is a fog that splits ability users from their abilities. If ability users die, Shibusawa obtains their ability. Shibusawa died and inherited his own ability, also causing him to lose his memory. Therefore he wants to obtain Dazai's ability in order to gain what he feels he lacks. Dazai betrays Shibusawa together with Fyodor by combining abilities. However, Shibusawa kills Dazai first, adding Dazai's ability to the merged abilities creating a singularity. Fyodor kills Shibusawa, causing him to regain his memory of being previously killed by Atsushi. A dragon is created and defeated, and Fyodor's plan is revealed to be the covering of the entire planet in Shibusawa's fog, killing all ability users. This plan is foiled, but Atsushi is shown to have potentially another power next to his ability (the tiger). This power is possibly the ability to completely unravel abilities, and may be what makes Atsushi the guide to the Book. Mukurotoride is completely left unexplained in the movie, but there are clues given about Fyodor's ability that point away from an insta-kill ability, and more towards a clone type ability.
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