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sonjackcarl · 2 years
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marypickfords · 1 year
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V/H/S/99 (2022)
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brokehorrorfan · 3 months
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It's a Wonderful Knife will be released on Blu-ray and DVD on April 9 via RLJE Films. The 2023 Christmas slasher is streaming exclusively on Shudder.
Tyler MacIntyre (Tragedy Girls, V/H/S/99) directs from a script by Michael Kennedy (Freaky). Jane Widdop, Jess McLeod, Joel McHale, Katharine Isabelle, William B. Davis, and Justin Long star.
Special features are listed below.
Special features:
Audio commentary by director Tyler MacIntyre and writer Michael Kennedy
Audio commentary by director Tyler MacIntyre and cinematographer Nicholas Piatnik
Better Off: The Making of It's a Wonderful Knife
Storyboards featurette
Trailers
Social media spots
Stills gallery
youtube
After saving her town from a psychotic killer, Winnie Carruthers' life is less than wonderful. When she wishes she'd never been born, she finds herself in a nightmare parallel universe where without her, things could be much, much worse.
Pre-order It's a Wonderful Knife.
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moviemosaics · 4 months
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It's a Wonderful Knife
directed by Tyler MacIntyre, 2023
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jolteonmchale · 7 months
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Premiering at Beyond Fest 2023
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adamwatchesmovies · 3 days
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Five Nights at Freddy's (2023)
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While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...
It took so long for the Five Nights at Freddy’s movie to materialize that two knockoffs beat it to the finish line: The Banana Splits Movie and Willy’s Wonderland. The thing is, neither of those films was particularly good, so the wait could’ve been worth it. Unfortunately, the long-awaited feature-length adaptation of the video game by Scott Cawthon is yet another heartbreak. In fact, it’s even more of a letdown than the others because this is the film you’ve actually been waiting for, rather than the store-brand substitute.
Freddy Fazbear’s Pizzeria, a once-successful Chuck-E-Cheese-like entertainment center with animatronic mascots who sang, played music and entertained guests, was shut down in the 1980s after several child disappearances. In the present day, Mike Schmidt (Josh Hutcherson) struggles to make ends meet while taking care of his younger sister, Abby (Piper Rubio), and agrees to work as a security guard at Freddy Fazbear’s. Mike is still traumatized from the disappearance of his younger brother many years ago. Every night, he revisits his memories of that fateful day through his dreams, hoping some new detail will emerge and allow him to figure out who took Garrett. On his first night at Freddy Fazbear’s, he has a different dream, making him wonder if the mystery surrounding the abandonned building might help him get some answers.
I should begin this review by telling you that I only have second-hand knowledge of the game. I know what it’s about, I know the characters but I’ve never played. One thing I know is that it’s a horror game whose frights are primarily jump scares. This makes the film’s lack of scares - particularly of jump scares - stunning. If there was one movie that could’ve used long, tense stretches of someone in near darkness wandering through corridors while the audience waits for something to pop up out of nowhere, it was Five Nights at Freddy’s. Instead, we get a plot that frankly, was ill-conceived from the start.
One of the major issues with this film is the storyline with Garrett. When we meet Mike, he’s so mentally unhinged he violently beats a man he thinks is kidnapping a child. You’re supposed to think “Oh no! Poor guy! He's so messed up!". Instead, you begin suspecting the mechanical bear with gears for brains is smarter than him - you’re right. Of all the jobs Mike could’ve gotten, security guard is probably the worst one. See, he insists on going to sleep at the same time, every night. Before he goes to sleep, he stares at a photo of the trees from the park where his brother went missing and listens to the sound of birds. Mike believes that we actually remember everything we see and that if you can’t remember just yet, you can unlock your memories by visiting them through your dreams. You want to feel bad for him because his parents are dead now, leaving him alone to take care of his sister but he’s an irresponsible menace. You don’t sympathize with him at all.
Mike won't win you over even after the film introduces the picture’s villain: his estranged aunt Jane (Mary Stuart Masterson). She wants custody of Abby so she can collect those monthly government child tax checks. You're wondering why she's necessary. Aren't those killer robots the villains? Well, she's included so she can hire a bunch of dumb-dumbs to break into Freddy Fazbear's. It's no surprise that they all get turned into hamburger meat and no, you won’t see anything shocking even then, as the killer mascots go through the trouble to clean up after themselves once the carnage is over. PG-13 horror can work. It doesn't here.
I cannot overstate how baffling the "missing brother" backstory thing is. It's more nonsense than sense, particularly once Mike realizes what happens in his dreams can carry over to real life. It's all building up to a mystery so easy to deduce you'll feel like a galaxy-brained genius. Not only is it obvious; it's clumsy. Loads of exposition is delivered point-blank by police officer Vanessa (Elizabeth Lail) and the ending is as convincing as this film is gory, which is to say not at all. At least Matthew Lillard as Mike's career counsellor seems to be having fun.
What's the worst thing about Five Nights at Freddy's? It might be this running gag that comes up a few times and then again during the end credits. I say that because it shows director Emma Tammi - who probably did her best while the executives pushed and bullied the junior director into making this watered-down would-be spook-fest - knows the premise would've been perfect for a horror-comedy. Instead, it's unintentionally funny at best - there's a scene in which one of the killer animatronics takes a cab ride(!!!) - and boring at worst. I'm sure die-hard fans will think it's great but that's only because of the name that's been slapped onto the poster. Five Nights at Freddy's is a colossal, disappointing mess.  (April 6, 2023)
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trendfilmsetter · 6 months
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IT’S A WONDERFUL KNIFE directed by Tyler MacIntyre. Starring: Jane Widdop, Joel McHale, Katharine Isabelle and Justin Long.
In theaters now.
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V/H/S/99 (2022)
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rhettakins · 5 months
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It’s a Wonderful Knife (2023)
Dir. Tyler MacIntyre
A year after saving her town from a psychotic killer on Christmas Eve, Winnie Carruthers' life is less than wonderful -- but when she wishes she'd never been born, she finds herself in a nightmare parallel universe and discovers that without her, things could be much, much worse. Now the killer is back, and she must team up with the town misfit to identify the killer and get back to her own reality.
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“I guess we were together” by Trey McIntyre featuring Hunter Urhahn and Brant Harris
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esqueletosgays · 2 years
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V/H/S/99 (2022)
Director: Maggie Levin, Johannes Roberts, Flying Lotus, Tyler MacIntyre, Vanessa & Joseph Winter Cinematography: Alexander Chinnici, Alex Choonoo, Jared Cook & Nicholas Piatnik
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may8chan · 2 years
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V/H/S/99
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filmjoyreviews · 6 months
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Check out my review of It's a Wonderful Knife on Film Inquiry!
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brokehorrorfan · 10 months
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Broke Horror Fan is proud to present the big box artwork for V/H/S/99. The limited edition, fully functional VHS is sale now at Witter Entertainment.
The fifth installment in the found footage franchise arrives on VHS with a big box featuring artwork by Broke Horror Fan’s Alex DiVincenzo and a blue VHS (limited to 50). The standard slipcase edition with art by Creepy Duck Design is also in stock.
All editions include exclusive introductions by directors Maggie Levin (Into the Dark: My Valentine) and Tyler MacIntyre (Tragedy Girls).
For optimal VHS viewing, the film has been cropped from its original aspect ratio to 4:3 full frame. It is officially licensed from RLJE Films/Shudder.
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Witness a hellish vision of 1999, as social isolation, analog technology and disturbing home videos fuse into a nightmare of found footage savagery.
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fearsmagazine · 6 months
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IT'S A WONDERFUL KNIFE - Review
DISTRIBUTOR: RLJE Films & Shudder
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SYNOPSIS: “A year after saving her town from a psychotic killer on Christmas Eve, Winnie Carruthers’ life is less than wonderful — but when she wishes she’d never been born, she finds herself in a nightmare parallel universe and discovers that without her, things could be much, much worse. Now the killer is back, and she must team up with the town misfit to identify the killer and get back to her own reality.” -Press Notes
REVIEW: Michael Kennedy’s screenplay for IT’S A WONDERFUL KNIFE does for “It’s A Wonderful Life” what his script for “Freaky” did for “Freaky Friday.” Director Tyler MacIntyre does a solid job of balancing the satire and horror to create another yuletide terror ride.
The narrative does a nice job of setting up the tale with many elements that deconstructs Winnie’s world once she is transported to the alternate universe. I appreciate that it is a linear mystery that Winnie has to solve unlike a film like “Happy Death Day” where the main character has to keep going back until they get it right. The story capitalizes on a bunch of the concepts George Bailey experiences once he enters Clarence’s alternate world, but by way of a “Scream” film. Clearly Henry Waters is the contemporary Mr. Potter. I thought it was amusing how Winnie’s relationship issues are also resolved by her encounters in this alternate universe. The satire is delightful and much of the tone present in Kennedy’s “Freaky” is here. I appreciate his sense of humor, as he includes such Easter eggs as a character named Gale Prescott.
I enjoyed the production designs and locations. The killer's costume design, the Angel, is a nice homage to Ghostface from “Scream” and the angel reference from “It’s a Wonderful Life.” They found the perfect town in Canada for their location and there was an element to it that was reminiscent of George Bailey’s and Marty McFly’s hometown. MacIntyre does a solid job of balancing character development with action sequences to sustain the film’s energy level. The visual effects are effective, but nothing groundbreaking. The special effects and blood are solid, but not as bloody as in “Scream.” Russ Howard III’s score strikes a nice balance between satire and terror with often a playfulness of a Danny Elfman score. The rest of the costumes are okay and could have used something, maybe a few more ugly sweaters or something.
The film features some veteran genre actors such as Katharine Isabelle from “Ginger Snaps” who plays Aunt Gale and William B. Davis, the ‘Smoking Man’ from “The X-Files” as Roger Evans. Jane Widdop, who plays Winnie, and is Laura Lee on Showtime’s “Yellowjackets,” brings a lot of charm and charisma to the role. She brings a lot of energy to her performance. Justin Long often creates likable characters you want to hate. Here he gives his character this peculiar, annoying accent that just makes him so memorable and unlikable, truly. There are some other nice casting choices that will appeal to a variety of fans. It’s a solid cast that gels together and makes for an entertaining view.
It seems every holiday season another film comes along that adds to the holiday horror cannon. In 2022 it was Adult Swim’s Yule Log. For 2023 writer Michael Kennedy and director Tyler MacIntyre turn their sick and twisted sights on “It’s A Wonderful Life,” as they turn it into demented roller coaster ride for genre fans with IT’S A WONDERFUL KNIFE. Presenting another darkside of the holiday season, once again proving capitalism is a dangerous thing. A solid serial killer satire that is worthy of a place in your Christmas horror film rotation with “Black Christmas,” (good god the original!), “Silent Night,” and anything else that helps you put the red in your holiday season.
CAST: Jane Widdop, Jess McLeod, Joel McHale, Katharine Isabelle, William B. Davis & Justin Long. CREW: Director - Tyler MacIntyre; Screenplay/Producer - Michael Kennedy; Producers - Seth Caplan & Daniel Bekerman; Cinematographer - Nicholas Piatnik; Score - Russ Howard III; Editor - Arndt-Wulf Peemöller; Production Designer - Tiana P. Gordon; Costume Designer - Matea Pasarić; Angel Concept Artist - Francis Lafleche; SPFX Makeup - Nikki Delong; Visual Effects - SUPERCHILL. OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/n1fvBRAPhEM RELEASE DATE: In Theaters November 10th, 2023
Listen to Our Interview with Director Tyler MacIntyre - HERE
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Reviewed by Joseph B Mauceri
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spookytuesdaypod · 2 years
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happy thinkin’ ‘bout it thursday this thursday i am thinkin’ ‘bout all the missing pet posters that are thanks to these two 🥲🥲🥲
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