364: Various Artists // Israfel
Israfel
Various Artists
1997, Ape
A 1997 vinyl benefit compilation of mostly Middle American grindcore / powerviolence / emo acts, assembled in an edition of about 1000 by Bloomington-based DIY label Ape Records (active 1995 to 2002), in handmade sleeve with a recent release catalogue, a substantial zine, and a few priceless gag inserts (incl. YOUR HARDCORE SELL OUT DECODER RING). I’m not an aficionado of any of the genres Israfel covers by any means, but you’d have to be a real head to know most of these: in terms of notoriety, the Locust (who contribute a 47 second blast of lo-fi outrage) are basically Led Zeppelin compared to the rest of the acts, most of whom topped out with a couple of EPs and compilation appearances.
Of course, hearing music that would otherwise be basically lost to time is the appeal of taking a flyer on a comp like this. One of my favourite tracks is “Untitled” by Roanoke, VA’s the Weak Link Breaks, supposedly the first thing the band ever wrote (and, judging from their discography, nearly the last too). It begins with a very, very quiet spacy-Fugazi-style amble (the vocal harmonies couldn’t be more Ian and Guy) that explodes into a brief screamo-style D-beat section, and then some big heaving riffs that make me want to exaggeratedly lift and stomp my feet like a giant trying to keep his balance. I also dig Murfreesboro, TN’s Serotonin, an emo / post-hardcore act with a steely '80s shred band guitar tone who play like they want people in the pit to twirl around ecstatically instead of slam dancing. A lot of the other nasty yowling cat speedballs on Israfel don’t really catch my ear, but that’s okay—I’m weirdly proud of them 27 years after the fact for being themselves and getting out whatever they needed to get out through this violence.
The package’s tone is all over the place. The zine opens with a haunting description of the compilation’s beneficiaries, the family of a pair of little girls with spinal muscular atrophy (a common birth defect) whose condition worsened until they perished, leaving their parents distraught and financially ruined—and the 21-year-old compiler racked with guilt that he didn’t somehow do more to help. From there, it whips through his heterodox thoughts about the hardcore scene (despicably self-absorbed; unresponsive to requests from label operators); the state of emo (too abstract); the best way to bring about change (working within the capitalist system); rape (it’s bad; consent is black and white; can we stop litigating this in the scene?); calling the cops (fine to do); disrespecting the American flag (played out; tacky); and drinking/drug use (“when did self-destruction become rebellion?”). After he finishes up, each band (that got their artwork in on time anyway) gets a page to talk about themselves. This section is full of old school punk zine/leaflet treasures, with designs that mimic motel newspaper ads, postcards, messy handwritten perzines, and Xeroxed 7” grindcore sleeves.
It's funny reading his scornful words about pseudo-rebellious drunkards stumbling toward “the day when punk rock is shelved for an 8 hour workday, Budweiser, and television” and then finding his LinkedIn, where he describes himself as “driving omnichannel excellence” and as “whimsical (after coffee).” You wouldn’t believe it from the splenetic angst of the Israfel zine, but the guy seems like he turned out happy and normal, with a few kids and a successful career. I wonder how the 21-year-old would see the 48-year-old, if he’d call him a sell-out or feel relieved that things worked out; if the 48-year-old would pity his former self, or feel ashamed about losing his edge. More one-time zinesters and hardcore kids end up looking square from a distance than you’d think (I certainly do if you catch me during the workday), because you usually stop hearing about them when they drop out of the scene. For most, the quiet part of life is the larger portion by far. It’s your choice whether to embrace that, mourn it, or seek your own alternative. But if Israfel reminds us of nothing else, it’s the importance of having a good scream at least once in your life.
364/365
5 notes
·
View notes
whump drabble!! in which caretaker is trying to take care of a sick whumpee who is an absolute stranger to them
cws: fever, brief mention of vomit (it does not actually happen), whumpee is pretty disoriented, vague wound care, lmk if I missed anything
~~
"Hey, buddy. How are you feeling?"
He doesn't answer, staring at the ceiling without really seeing it.
"Yeah, that's kind of what I figured. I've got a little bit of medicine to help that fever and then some broth. You've got to be just about starving by now. And I've got to keep fresh bandages on that wound."
By now, I've propped his head up, lifting the cup of medicine to his lips. "Alright, honey, we're gonna try to drink this now, okay?" I know he isn't really hearing me, but somehow, it still surprises me when he coughs and sputters on the drink.
"Breathe, it's okay," I murmur, lifting him up more to pat his back. "Everything is going to be fine, just breathe."
He's gasping for air as soon as he's done coughing, and I think he's more awake, but no more aware of his surroundings than before. "That's it, you're doing great," I tell him, and it doesn't matter that he doesn't really listen. I think he's reacting more to the tone of my voice than what I'm saying, which is okay as long as my tone stays calm and gentle.
I dab the spilled liquid off of his face, and I think he would slap my hands away from him if he were stronger. As it is, he's crying silently, though I can't quite tell if it's from pain, confusion, humiliation, or a combination of the three.
I wipe his tears away gently and shush him. "I know, honey. I know. I'm sorry. But we've got to get this down. Do you think you can try again for me?" At least he's sitting up. He's miserable, but he's sitting up, and this is my best chance of getting liquids in him without any choking since he got here. So I keep a careful hand on the back of his throat when I tip the cup into his throat.
He makes a small noise. It’s close to a whimper, and the tears never stopped in the first place. But he's not choking. I move a careful thumb to rest on his throat, and I can feel his muscles working to swallow. I imagine it's probably hurting him to do so, especially with how thick the medicine is, but he's getting it down. "You're doing so good for me, bud," I say quietly, moving a hand to his forehead. His fever is still bad, but maybe not as bad as yesterday.
I pull the empty cup away, and he leans into my hand on his forehead. He looks like he’s struggling to stay sitting up, eyes half-lidded and unfocused. I remember when he showed up, thinking that a loud noise or sudden movement might scare him away. Honestly, it probably still would. It took him falling unconscious for me to get close enough to help in the first place.
He looks upset when I pull my hand away. I look away to grab the broth, because I'm not sure I can stand seeing that expression much longer. "The broth should help soothe your throat," I say. I don't say that I'm not sure how much good it can do at this point, especially if he refuses it again. I don't say that, because I don't know what else I can do besides offer it.
He doesn't refuse it. He coughs once, but he finishes the entire bowl.
He doesn't have the strength to get to the bathroom, or remember where it is. The broth might come back up later, or he might piss himself, and I'll likely have to clean it up either way. But when he catches my hand, clinging as tightly as he can manage and not letting it go, I can't bring myself to care.
"I'm gonna help you lay back down, honey, alright?" I shake his hand off mine, putting my hands on his shoulders and back instead. "Just lay back for me. I've got you." I'm not sure he's listening, but he lets me push him into the bedroll. "There you go, that's it. I'm just gonna put new bandages on you now."
He won't like me touching his torso while he's awake, I don't think, considering how he acted last time he was awake. But this is the only way I know how to help him, so I peel his shirt up despite the small noise of protest.
He hisses as I unwrap the bandages. The cold air can't feel good on the wound, which is hot to the touch, but he doesn't move, so I continue. The infection looked better. The skin around the wound still looks red and angry, but less so. There's no colors that shouldn't be there, and it's not bleeding. I suppose that's why he was able to wake up tonight, even if he's not all here while awake.
I am not an apothecary, and I can't afford to be sloppy, so I run a wet washcloth across the red line on his torso, even though I'm not entirely sure if I need to keep cleaning it or not. I murmur an apology as he tries to twist away, but I don't even have to hold him down, he has so little strength. The water that the washcloth was dipped in was boiled, so I know it's clean, but it was an hour ago, so I know it's cold and uncomfortable.
I wrap his torso in a new set of bandages. If we're lucky, whatever hit him missed his internal organs. If we're lucky, there's no internal bleeding. If we're lucky, it will be able to heal without stitches, because I don't know how to stitch things. If we're lucky, the apothecary might return soon and tell me what to do.
If we're lucky, he might survive.
I'm not sure if anyone has quite that much luck, but all I can do is hope.
I squeeze his hand softly and move to stand up, but he surprises me by clinging to my hand again.
"Stay," he croaks, and if the rest of the house wasn't deadly quiet, I might have missed the tiny sound.
He's speaking, giving requests. That has to be a good sign.
I'm pretty sure it's not a request he'd give if he were lucid, which might not be a good sign.
But he's scared. And it's such an easy request to fill. So I sit right back down on the floor next to him and brush a lock of hair out of his face. "Okay," I whisper back. "I'll stay, but you have to get some rest. Deal?"
His eyes slide shut. Maybe it's my imagination, but he looks a fraction less miserable than before. I think I'd waste all my time sitting next to him if it meant that he might be slightly more comfortable than before.
17 notes
·
View notes