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#turkish instruments
moki-dokie · 6 months
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why is traditional music of any culture combined with like hard rock or edm not a more popular thing??? it will forever be one of my favorite mashups of styles and it ALWAYS goes so fuckin hard
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Osman İşmen Orkestrası, 1978: “Melvana”
Turkish instrumental disco
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arabela25 · 5 months
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msue0027 · 8 months
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Doctor Who is a Brazilian Telenovela.
Let me elaborate. It's (almost) as long;
all that romance and family drama (ooh, there are so many examples but let's say: "oh no, they can't be together, because they're siblings and they don't know it!" vs Doctor having a snog with all the Ponds);
sometimes unclear cause and effect sequence (timey-wimey?);
characters that died and came back to life, multiple times;
no one really knows what's going on;
(that motif when someone returns, changed, a new man, new face, and is not recognized at first (timelord magic));
digging back old characters and other plot devices (not necessarily bad decision);
it's fucking dramatic;
et cetera.
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weatheredpileoftomes · 9 months
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sing for your supper
For FFXIVWrite Day 16, “jerk”. Linza, shortly pre-A Realm Reborn, ~650 words. Discussion of hunting for food.
Someone has to do the work.
The last few strips of jerked marmot are in the stewpot. Linza checks the sky—a few clouds, probably not enough to be cooling but still something she can tell herself will be cooling—and says, “Anzo, it’s your turn to get dinner.”
“In a minute.” Anzo’s voice is dreamy, which means he’s probably composing again. When Linza turns around he’s staring up through the thin branches of the trees. “Do you think I could rhyme—”
“Can you rhyme while you walk?”
Anzo sighs heavily and gets to his feet. “I suppose I could. Do you happen to remember where I put my bağlama?”
It’s only her brother, not even their parents let alone a stranger, so Linza lets her tail flick from side to side in irritation. “Were you planning to club a marmot with it? Or maybe a dodo? Oh! You could rip the strings off and slice up a cactuar with them!”
“I had it this morning…oh! If I rhyme pretty and pity I think that adds a depth, don’t you?” He hums a few notes, then takes the ney out of its case on his belt and plays them. It doesn’t satisfy him; he does it again, with the last few going up instead of down.
Linza walks into the family tent, picks up Anzo’s bow, walks back out, and drops it in his lap.
He lowers the ney and looks up at her. “You could have damaged it.”
“It would have given you an excuse,” she says through her teeth, “to not use it.”
“You don’t have to be like that.” Anzo sounds wounded as he gets to his feet. “I was just trying to get this verse right, except then I realized I’d have to rewrite the chorus—did you find my bağlama while you were in there?”
They’ve all been talking about someone going to Ul’dah to try to make a change—most likely one of the Tabito or Naeuri children since they might easily be travelers from Othard or Thavnair, able to get a foot in where someone more obviously Ala Mhigan would not. Linza doesn’t know why they even considered Anzo as a possibility, when he’d just wander into the first tavern that had a good minstrel performing for the crowd and stay there until he found out if they have theatre in Ul’dah.
He’s always been like this. She shouldn’t let it bother her.
“I did not look for your bağlama,” she says. “Come on, I’ll go with you and help with your harmonies if you’ll just actually do your work yourself.”
“Really?” Anzo beams. “All right, so the first line goes ‘da da da, da-da da da,’ and then you repeat it a half-octave higher—do you think that’s too much?”
Linza hums it for him, considering. She’s not the composer, or the poet; she has a good voice and she’s not awful with the bağlama, though it’s a little big for her hands, but he’s asked her to help him with music often enough.
He’d have a better chance of making his fortune in the big city than she would, after all, when she isn’t sure she has the temperament to sing for an Ul’dahn crowd. The problem is that he wouldn’t remember what to do with it. He’s older, and people take him more seriously until they’ve spoken to him, but… But then they speak to him.
“Third line is different, right?” she asks.
He gives it to her, and makes her run them all through twice, and then starts in on the melody and the lyrics himself. It works, Linza thinks. She’d had things to do this morning, but this works too.
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felsefiyasam · 1 year
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Jamal Aliyev cello, Ece Dağıstan piyano Zülfü Livaneli: Karlı Kayın Ormanı / The Snowy Beech Forest
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uiruu · 2 years
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mongolian folk metal is pretty much always pretty sick
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5-5-5-0-1-2-3 · 1 year
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kendi başıma çaldığım ilk minik eserim.... ufak hatalarımı hoş görülmesi dileğiyle... 🙂 4.2.23
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victorjazz · 1 year
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«Turkish carnation» RELAX ART THERAPY improvisation el.piano composer Victor Mikhailovich Anokhin
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instrumentaljewels · 2 years
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Mavi Işıklar - Gül Dalı'69
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ragazza-paradiso · 2 years
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idk why other countries even try because turkish rock is so superior
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pinakikinggan · 4 months
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beggars-opera · 1 year
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Görkem Şen is a Turkish musician who wanted to create the sounds of electronic music acoustically. His invention, the yaybahar, is a string instrument connected to drums via metal coils that creates a wide variety of otherworldly music.
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cavedwellermusic · 1 year
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CDM Presents: An Interview With Viva La Luna [English and Türkçe]
An interview from Istanbul's independent music scene
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Our newest guest writer Naz Başaran and Istanbul based electronic/trip hop/vaporwave/downtempo artist Devrim, AKA Viva la Luna met at Karga, a place where they are both regulars, and might have even called a second home at some point in their lives. Among other topics they discuss Retrospective, Viva La Luna's new album, which is a compilation of old tracks and also a farewell to all things old. Naz Başaran ve İstanbullu elektronik/trip hop/vaporwave/downtempo sanatçısı Devrim, ya da Viva La Luna, ikisinin de müdavimi olduğu, hatta belki de hayatlarının bir döneminde ikinci evleri olarak gördükleri Karga'da buluştu. Diğer konuların yanı sıra Viva La Luna'nın eski parçalardan oluşan ve aynı zamanda eski olan her şeye bir veda niteliği taşıyan yeni albümü Retrospective'i tartışıyorlar.
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josscur01 · 2 years
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Turkish Percussion Instruments | Anatolianbazaar.com
Turkish Percussion Instruments. It is one of the indispensable rhythm instruments of Turkish Music. Turkish Handmade Darbooka-Dumbek Hand Drum Percussion Instrument.
Turkish Percussion Instruments
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musicforyou · 2 years
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The BEST of PIANO: The most beautiful CLASSICAL piano music (vol I).
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