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#tresor records
disease · 5 months
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SILENT SERVANT // M-00 [IN MEMORIAM EP, NOV 2023]
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burlveneer-music · 5 months
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Moritz von Oswald - Silencio - no trio this time, just Moritz and a 16-voice choir
What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a 16-voice choir to explore this concept. Drawing from the ensemble works of long-standing inspirations Edgard Varèse, György Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light & ethereal and dark & dissonant. The compositions were written in von Oswald’s Berlin studio on classic synthesizers, such as the EMS VCS3 & AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihimäki and performed by Vocalconsort Berlin in Ölberg church in the city’s Kreuzberg district, only few metres down the road from where Dubplates & Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them. Artwork by Cyprien Gaillard.
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electromirror · 9 months
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XOR Gate - Ellipse
ELECTRONICA
2023-08-04
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opineonionated · 8 months
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Soundsystem Sunday
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Juan Atkins & Moritz von Oswald - Borderland
Some records really depend on your playback system. To make the most out of Juan Atkins & Moritz von Oswald's Borderland you need something that's going to push low frequency tones. Recommended for high volume, this goes straight to your chest.
Tracks groove and just hang there, slowly snaking their way down a linear path that feels circular. Like when you're in a car or airplane with the engines pulsing but you wake up in a different place.
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Enjoy my new mix
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bazedjunkiii · 10 months
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the state of the box. an ever evolving piece of art.
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stradarecords · 1 year
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WAAJEED / MOTOR CITY MADNESS (REMIXES) : TRESOR(12") これぞデトロイトのテクノとジャズ 融合の系譜!デトロイトのアーティストWaajeedのアルバム"Memoirs of Hi-Tech Jazz"からのシングル・カット!ホーンとサックスがシンセサイザーとエレクトリック・ピアノに解け合い、疾走するドラムが軽快すぎる一曲!さらにデトロイト・テクノの伝説Underground Resistanceによるリミックス、ザンビアの新星テクノ・プロデューサー She Spells Doom によるGQOMリミックスも収録!オススメは、デトロイトの若き才能 Zo!、Tall Black Guy、Michele Manzoを集結させ実験的なJAZZ TUNEに変貌させたA-!大推薦盤!(KEYWON) #Waajeed#TRESOR#deephouse#house#12inch#deephouse#house#vinyl#record#stradarecords#dj#vinyljunkies#kobe#motomachi#strada#recordshop#recordstore#神戸レコード#元町レコード#レコード店#レコード#アナログ https://www.stradarecords.com/shop/item/27922/index.php (Strada Records) https://www.instagram.com/p/ClpfekaBIEz/?igshid=NGJjMDIxMWI=
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stevenvenn · 2 years
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Gwenno - An Stevel Nowydh/”The New Room” (from Tresor) Checking out the Gwenno album Tresor again. Great music with the lyrics in Cornish. You can watch this video on YouTube with the English translated lyrics in the info area. Love the retro vibe of this one (and her voice is so awesome). Definitely a consideration for my top albums this year.
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youchangedmedestiel · 7 months
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Love Cockles Kernels
I did this thing where I took the song "Love Kernels" from the show Crazy ex-girlfriend and changed some lyrics (the green ones) to illustrate how it is to be in the Cockles dumpster. I used the Cockles masterlist to do this, it's a tresor if you don't know it.
See how deep I am in that dumpster. I changed lyrics myself in English, not my first language, for them. I'm as insane as they are anyway. At least, I hope you'll enjoy it:
How do I know they’re in love? It’s the little things Little evidence here and there that                                    I secretly stockpile in my woman-brain I can live for days off a single (You’ll always be my princess) I'm like a sexy fashion-cactus     Livin' from evidence to evidence Hint to hint Storin' them in my body through long periods of drought I may look dry, but if you cut me open you'll find only water inside Incidentally that's also a useful Fact for how to survive in the desert But how do I know they’re in love? I guess the only way to prove it is with abstract symbolism
(“I love you, Misha” “I’d take Jensen home”) (“Just swallow it” “He’s always giving that advice”) They give me love kernels Each little crumb another tasty clue Love kernels 'Cause if you read between the lines they’re sayin' "we’re in love" Love kernels                                                                                      Save those kernels up to make a bowl of popcorn Love kernels A handful is the proper serving anyway
I know when Jen says, "he’s the funniest thing that’s ever happened to me.” It means unicorn laugh is only for him   I know a new jenmish panels means Insane content even better than in our dreams (Always hoping new panels) And I know Jen cares when he says “Hey, you know what I haven't told you today? That I love you.”         It means he’s the most important person in his life Next to his wife (But he and Dee have children together So that’s saying a lot) (Ok rude)
I'd do anything for those love droplets Like a hamster in a cage! Slurp slurp Love droplets Each a letter on a page in the novel of their love Love droplets Fallin' down from the sky And when I mix it in with the tears I cry it makes a Full glass of water God I'm thirsty after all that popcorn
I'll be patient Until the droplets become a river that needs a dam I'll be patient Until the kernels rain down like candy on Shaquille O'Neal In the movie Kazaam
Whatever you got, cockles, I'll take it, cockles ("And you looked AMAZING") I'll take it ("He sounds like that in the mornin’") I'll take it ("You’re my canary") It's a stretch but I'll take that too
I'll take all your love kernels Too bad I’m not sure of my singing to record Love kernels I could have just suggested the idea Love kernels Instead I wrote it down for you to enjoy But like your love kernels I did my best with what I have
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saisons-en-enfer · 2 months
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disease · 5 months
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SILENT SERVANT // M-87 [IN MEMORIAM EP, NOV 2023]
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thestillmoving · 2 months
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Recorded live Feb 9th 2024 @ 1134 Denver, CO Artist - Track Title - Label John Tejada - Unstable Condition(Alighted Mix) - Kompakt Larionov - Space Threat - Central Processing Unit Special Request - Pleasure Principle(SR Offworld Mix) - Not on label(self-released) Crookers - They Comin' - Pretty Weird Hammer - Transit 2.2 (TERR remix) - Clash Lion Derek Russo - Celestial Machine - Broad Channel Bruha Hey Lola (Original Mix) Joyce Muniz - Dressed In Secrets - Pets Recordings DJ Minx - Let It Ride - Women On Wax Recordings LEON VYNEHALL - Duofade (Extended) - Studio Ooze Splash Pattern - Furnace - Céad Man Power - Mail Order Karma feat Elizabeth Elektra - Live At Robert Johnson Alex Falk - OOF - Allergy Season Bloody Mary - Snatch - Dame-Music Chino - Hologram - Pinkman Sampha - Spirit_2.5(LARU'sGot No Soul Edit) - Unreleased Villager - Chlorophyll - Pretty Weird El Beso Verde - Time Machine - Audio Creamsicle Inigo Kennedy - Arcadian Falls - VOLTAGE Louis Marlo & Will Patterson - G.B.V.I - Felt Sense Recordings 96 Back - Laco - Local Action Luke Slater - O-Ton Reassembled 5 - Ostgut Ton Kreggo - 0701 - BAR Records Deejay Deeon - Freak Like Me(LARU's ReKink) - Not on label(self-released) Villager - Blind Eye - Pretty Weird Romy & Anz - Lifetime (Anz’s Togetherness Remix) - Young Rhyw - Spritz - Fever AM Pugilist - Future Retro - Banoffee Pies Records Oscean - ChronoRebel - Tresor Records
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dustedmagazine · 2 months
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Sandwell District — Where Next? (The Point of Departure Recording Co.)
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It should have been a question. The transcontinental collective known as Sandwell District had been defunct and assumed shuttered for years, its fax machine disconnected, its Situationist International Tumblr since overtaken, when the sudden, unexpected announcement in early 2023 of a reissue effort for 2010’s celebrated Feed-Forward revived interest among the techno faithful. Its key members had been operating independently for long enough that the prospect of a return was sufficiently dim, yet here was proof of life — that the mark of anonymous, forward-thinking dance music from these corners hadn’t yet been buried. Half a year on from the reissue, another curious missive in the form of a compilation and the announcement of a Primavera Sound gig. Something was afoot. “Where next?” should’ve been appended directly with “Why now?”
Instead, it’s an elegy.
Juan Mendez (aka Silent Servant) died alongside fellow Los Angeles artist Luis Vasquez (The Soft Moon) and Mendez’s partner Simone Ling January 18th at the age of 46. Every review of Where Next? you read will address this, so it’s not necessary to belabor its circumstances or the outpouring of grief in its wake, but suffice to say that Mendez was beloved in L.A. and beyond for his work both as a producer — which he was still a master of, as his (ill-)fittingly titled In Memoriam EP out in November on Tresor confirms — and, crucially to Sandwell, its visual language. One of the key components of Sandwell District was its resolute anonymity; for years, if you were buying music off these guys, it was white label 12s with no identification save a stamp of the name and a fax number. Mendez was the one who gave the group that Situationist-inspired aesthetic, lent depth and a difficult but still discernible additional dimension that otherwise may not have been there. In retrospect, it feels like no accident that the zine, the music and the “moment” all collided at the same time; four protagonists with years of experience behind them peaking in simpatico is an exceedingly rare thing in the dance world, and to have it happen as it did was both carefully orchestrated and worth all the praise. Dusted was no exception.
Without Mendez, Sandwell District’s revival now feels precarious, uncomfortable, indeterminate. The remaining core members — Karl O’Connor (aka Regis), Dave Sumner (Function) and Peter Sutton (Female) — must return to and reassess the question of this very compilation, whose existence initially struck me as a cynical money grab but, more charitably and with more consideration, could also have been intended as a siren for something new en route, a way of reminding those who were there and a slap in the face to those who weren’t that this group wasn’t just your run-of-the-mill Tuesday night Berghain residents, this was something else.
And what was that? Take a listen: From 2002 to 2012, a dozen tracks assembled for this comp mine Sandwell District (the label) for a retrospective that graphically displays the production talent at work while still leaving something on the table. The credits here all say “Sandwell District &,” but it’s superfluous; regardless of liner notes, however, the music holds up and you know what you’re getting right from the off with Function’s “Reykjavik,” originally from 2007’s “Isolation” 12”. A wobbling, heavy low end and the lightest touch of hi-hat establish the pulse, with a twinkling alien transmission straight from a 1950s sci-fi movie offering counterweight. It’s the crashing handclap and subsequent, seemingly endless decay at 30 seconds that really wakes you up, though — like the uneasy ambiance, a familiar trope of the group’s oeuvre but one forever deployed with the deftest of touches.
“Reykjavik” is one of the two earliest songs from this compilation; the other, CH-Signal Laboratories (8003 Lucerne)’s “Hypnotica Scale (Original Mix),” preceded it in ‘07 and was originally titled simply as “Scale 1 (Original Mix).” It’s a rolling IDM number that feels more primitive, less cognizant than the productions that would follow in its use of space in your headphones. It’s also arguably the thinnest track here from one of the few names in Sandwell’s history that was never fully declassified but to my ears sounds like Sumner’s work.
As the most prominent faces of the collective (Mendez was reticent and Sutton all but invisible at the group’s peak), O’Connor and Sumner often seemed to be the ones with the heaviest hands in final output, too — consider Sumner did the final Fabric mixdown, for instance. The balance gets partly redressed here: O’Connor gets credit for two songs and two edits; Sumner gets five songs (six if you count CH-Signal); Mendez gets four; and Sutton gets a song and a remix under the Kalon alias, which he shared alongside Karl Meier, a fellow member of O’Connor’s Birmingham-based Downwards posse. It works to great effect; if you hadn’t known this was a compilation spanning half a decade and not a cohesive album from a single set of sessions, nothing gives it away. Both sequencing and pace are thoughtfully examined as the album obliterates your speakers at the proper volume and eventually rolls into the station after some 70 minutes with the only song that really lets you up for air, “Inter.”
Still, questions remain. Timing aside, foremost among them is why this comp starts with tracks from 2007 and not 2002; that’s scything half of the label’s existence out of the picture, and it’s not like “Untergang” or “Cally 2” are much the worse for wear at this remove. More pointedly, why are any singles missing at all? A double or triple LP either mixed to its constituents’ satisfaction or arranged chronologically would’ve been equally potent.
Another question: Wherefore art thou, Rrose? Like Meier, Yves de May and Bob Ostertag, Seth Horvitz existed on the outskirts of the District, only entering the frame in Feed-Forward’s wake — but it feels grossly unjust to neglect Rrose’s contributions in particular as the label wound down and its members moved on. What I said at the time of “Merchant of Salt” stands: Sandwell’s methods were perhaps best executed by an outsider who subsequently struck out into more experimental lands, extending the spirit of the collective’s reach beyond the vision of its original members; in a way, Rrose alone best answered the question posed by this compilation, which only makes their absence more conspicuous.
As with everything else swirling about Sandwell District, explanations will trickle out as glyphs or remain scant, incomplete, perhaps even contradictory. Maybe we won’t know for weeks or months; maybe we will never know. This is all part and parcel of the operation, which remains fun for the sake of intrigue but as listeners can only really leave us to trust our ears and hearts. Scrape away the calcified grayscale complexion, then, and you have what lies beyond the questions — you have the real answer, the one that matters most. Did I say elegy? Sorry, I meant panegyric. Long may it be heard.
Patrick Masterson
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radiophd · 4 months
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silent servant -- m-87
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confield · 1 year
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MUSIC PURIST, PEOPLE PURIST
Autechre is an Autechre.
MUSIC PURIST, PEOPLE NEUTRAL
Aphex Twin is an Autechre.
MUSIC PURIST, PEOPLE REBEL
Max/MSP is an Autechre.
MUSIC NEUTRAL, PEOPLE PURIST
Drexciya is an Autechre.
MUSIC NEUTRAL, PEOPLE NEUTRAL
Tresor Records is an Autechre.
MUSIC NEUTRAL, PEOPLE REBEL
A Korg synthesizer is an Autechre.
MUSIC REBEL, PEOPLE PURIST
Darkthrone is an Autechre.
MUSIC REBEL, PEOPLE NEUTRAL
Big Time Rush is an Autechre.
MUSIC REBEL, PEOPLE REBEL
YOU is an Autechre.
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oxane · 5 months
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oXane - Electro vinyl DJ-set @ Open Source Radio - 1.110+ views!
The video of my electro DJ-set reached over 1.110 views recently! A musical milestone for me, as I only restarted my DJ career two years ago after a hiatus of years. So glad to have found my calling in this creative endeavor, I love playing music and electro and acid have become a solid home base for me.
If you haven't checked it out yet, take a look at this video and follow me on Soundcloud for both DJ-sets and own productions: https://soundcloud.com/oxane
Description: Live underground electro vinyl DJ-set at Open Source Radio in Nijmegen, the Netherlands, the 3rd of February 2022.
Featuring tracks by DJ Godfather, I-F, D_Roots, Nomadic, Dexter vs. Cosmic Force, Cybonix, Aphex Twin, 214, Alpha 606, Keith Tucker, Professor X, DJ Glow presents Populist, Syncom Data, Mesak, Cygnus and Claro Intelecto.
Record labels: Klakson, Tresor, Frustrated Funk, Delsin, TRUST, Puzzlebox, Lost Control 2097, Something Happening, Somewhere, Dopamine Records, Interdimensional Transmissions
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