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pink-whiskey-woman · 8 months

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Cruel Summer

You swore to yourself you’d never fall in love with any small, sweltering, middle of nowhere town but here you were settled down in Dynamite, Texas population 1,313 two stoplights dot the entire city. Back roads and flowering fields litter your view as far as your eye can see. You live in a modest little house that your new remote job’s salary is helping pay for. You pull into your driveway and notice the handsome stranger next door looking at the shingles and eaves of your sweet neighbor Joan’s house. Unloading your groceries you can’t help but notice the tan forearms and taut chest underneath a dusty blue tee shirt and strong looking legs and a small but pert looking ass in faded blue jeans. You yank the last of your bags out of your car when you hear a deep southern drawl behind you, “Can I give you a hand with your bags?” You turn around to face deep brown eyes, patchy beard with a heart near the chin and dimple and a sweet toothy smile. “Sure, you manage to get out, “names Joel and you are” as Joel grabs the majority of your bags biceps flexing underneath their weight and you stare unconsciously at them. “Your name is” he trails off and breaks your very obvious eye contact with his arms, the dimple showing and the blush creeping up your neck and face. “It’s Taylor” you say sweetly “nice to meet you Joel”. You grab the few bags not in his hands and your keys and unlock your front door that opens into a small but cozy living room and your very girlie pink kitchen, a poster of Taylor Swift hangs on your wall from her Eras tour and Joel chuckles when he sees it. “What, you ask incredulously, she was amazing in concert”.”I went with work friends and we had a fantastic girls night and drank and danced and relived our college years” “Just didn’t think you’d be into someone like that but hey whatever floats your boat darlin” He lays the bags on your kitchen table and helps you put stuff away seamlessly like you’ve known each other for years. After everything is put you away you offer Joel a drink to thank him and you wind up talking for what seems like forever. You talk about past lives, what brought you to Dynamite, dating history, favorite drinks, food, everything.

After a few good glasses of wine and a good buzz growing between the two of you, you decide to sit outside in the cool Texas night air and continue talking and somewhat flirting. Joel grabs another glass of wine and drags his fingers lazily across your arms as he goes to sit down giving you goosebumps in the process and a familiar tug of heat starting to build in your stomach. As you continue to talk his full lips and chocolate colored eyes draw you in just as sweet as his molasses sweet voice. You move closer to him on the front porch swing the scent of smoke and blackberries of the wine and his musk create an intoxicating combination and it draws you like a moth to a flame. The stars splay out over the midnight sky and your hands comes to rest on Joel’s thigh his large hand intertwining in yours, the heat continuing to simmer within you. “Definitely a beautiful night out tonight, so clear and this is the first time I’ve seen so many stars” you whisper and your face is dangerously close to his. He turns to face you eyes wide and with the haze of wine buzz his hand cups your chin and kisses your lips softly the tang of wine and cigarettes mixes headily in your mouth and your curl your tongue around his pulling it into yours more and his kisses get hungrier and more fast paced, his hands now wandering down your tank top to your chest pushing the strap down to reveal a baby blue lacy bra cup. His mouth leaves yours and licks and sucks down your neck dotting you with tiny little marks as the blush continues to bloom on your chest and cheeks. His mouth settles on the bra cup and his hands yanks down the cup to roll and pinch your nipple until it is a tender bud and it elicits soft moans out of your lips the swing tugging and moving hard on its chain and Joel continues to need your nipple and breast with his hands and mouth your hands steady on his muscular thighs and briefly moving upwards towards the growing bulge in his jeans. “Let’s go back inside onto a more comfortable surface the swing kisn’t made for this you playfully say”. Joel scoops you in his arms and kicks ope your back door ad you lead him down the hall past the kitchen to your bedroom, your heaven on earth. Walls a cool slate blue frame, a 4 post bechd and a big fluffy yet firm mattress. He tosses you onto the mattress and yanks off his shirt revealing a solid chest, golden tan skin and defined yet soft belly a sprinkle of hair leading down below his navel and those delicious arms of his. You take your tank off and shimmy out of your shorts the baby blue set you wore on full display for him. He pushes you up your bed and takes his belt off slowly wrapping it around your wrists and securing you to your headboard propped up against your pillows. Thank god you decided to open a window earlier so a cool breeze floats through what is obvious body heat building between the two of you. Joel continues his climb over you and all you can feel is heat and man and sex. He reaches around you and snaps your bra open and holding a wrist in each hand unloops the restraint so he can fling your bra onto the floor and just as quickly you're restrained again. His mouth is on you like a heatseek missile rolling nipples into tight sensitive buds licking and sucking little lip marks on the curves and peaks of your breasts and all you can do is writhe beneath him and moan as he pushes every button of yours to perfection. “Doin ok darlin? And all you can get out is “Yes, please keep going” the heat burning inside of you and a wetness builds in your lacy panties that you can feel and that your pray Joel explores too. Your thoughts must be telekinetic as immediately Joel moves down your chest softly kissing your stomach feeling the skin flutter beneath his lips before trailing lower and lower his lips whispering over the waistband of your panties. “ Such a good girl getting wet for me already.. I knew I’d like you and like getting you worked up”. His hands moved down the sides of your body slowly, meticulously as if he were taking in every inch and memorizing it.

He hooked his fingers into the waistband and tugged them down revealing a soft thatch of hair above soft pink sex already glistening with wetness. His fingers stroked the top of your mound making you feel heat in your body in places it never felt before and lingered a bit before tracing down your folds and opening you up to trace lines before finding your clit with his thumb and rolling over it with the pads of his finger. The sensation pulsates through your body as he breaks the tension by taking two large fingers and thrusting them inside you, scissoring you open and working you for what's bursting at the seams in his jeans. HIs fingers and thumbs are coaxing you to wiggle and strain against your restraint, the leather making imprints on your wrists but you don’t care. The faster he thrusts his fingers the more you buck your hips against them, willing him to go harder and faster the veins popping under his forearm as he flexes deep within you the pressure continuing to build like a tea kettle hot steamy and ready to boil. Joel continues fucking you with his fingers the noises coming from you are obscene and the louder they get the ore you moan and the moans spur Joel on to add a third finger. All three fingers plus his thumb rolling on your cit have you seeing stars and squirming and pulling at the belt to be released. Joel takes his free hand and anchors it gently at the base of your throat and pushes, hard, but not suffocating and holds you in place as he lowers his mouth and seals his lips over your clit and sucks making the squelching louder and your moans rolling out of your mouth along with exclamations of “Fuck, Joel, don’t stop” and he does not alternating his thumb fingers and tongue in one rhythmic decent on your sex and you feel the heat bubbling to the service and you cannot hold it in anymore. You scream and soak his fingers with your slick and t goes all over his face and fingers and he buries his face in your chest and talks you through your release the slick sticky and sheened on him and your thighs. He takes his fingers out and puts them to you lips and you open and suck greedily tasting yourself and the salt of his skin in your mouth and you want more. “Unhook me so I can make you feel as good as you just did” and Joel releases your wrists from his belt and you shake your wrists out. You undo his jeans button and zipper and slide them down taking his boxer briefs with. His erection springs out and it is just as you imagined thick veiny and with a velvety soft foreskin that has stretched and shown his true size. You push him back on your bed and take the tip swollen and leaking salty drops of precum into your mouth and swirl the head around teasing the slit with your tongue. You lick up and down the veiny shaft and foreskin and see the muscles in your stomach tense with every touch. You take him inch by inch and whatever doesn’t fit in your mouth you work with your hands until it is a stiff peak in your mouth, hard and glorious and massive. “ Darlin, I wanna fuck you I promise I’ll let you finish me later but right now I want your pretty pussy around my cock” he sweetly whispers. You slide your mouth off with a pop and he flips you on all four, knee nudging your legs apart so he can see everything. Your sex is swollen and puffy and wet again and he spits on it for a little extra friction. His cock is hard and he teases you by slapping against your clit and the touch shoots electricity throughout your body. He notches himself at your entrance and eases in inch by inch the stretch feels like a workout and your body contorts to fit around his massive python but the feeling is delicious.

He pulls out again but this time fills you entirely with one thrust the feeling indescribable pleasure mixed with slight pain he wraps one strong arm around you and the other grabs your hip tight enough to make a bruise as he behind a steady pace of thrusts your body backing up to meet his every move sweat beading on both of your bodies the pace quickening as you buck against him his arm wrapped around snakes down to your clit rolling it between his fingers the nerves feeling like bolts of lightning between your thighs,his cock filling you devilishly balls slapping against your ass cheek each thrust harder than before the tip of his cock hitting your cervix and the secret spots you thought no one would ever reach each move bringing your both closer to climax. “I’m getting close Joel” you grit out and all you hear in return are grunts and the occasional Fuck which means to you hes in agreement. His thrusts are harder and you feel white hot heat building in your core and as he's thrusting before you know it you are squirting soaking his cock stars and galaxies shining behind your eyes. Joel’s release comes not much after and he paints your insides with thick ropes of hot, milky cum that spills onto his cock and out of you after he pulls out. The ache between your legs is exquisite and you shake as he pushes his cum back into you and makes you hold it. By now a slow sleepy haze fills your room and you both get lazily dressed. “ You gonna be a good girl and keep that cum in you until I come back later tonight”? You coo out a sweet “Yes baby” and walk him to the door.He kisses you softly and slowly and gets back in his truck and takes off back home. You close the door and put the tightest but comfy panties you own back on making sure not to spill a drop out of you. You turn your Alexa on and cruel summer is on the chorus just about to hit “It’s new the shape of your body” and you laugh to yourself.If this is what Taylor means by a cruel summer you are all in and cannot wait for night to come so you can see Joel again.

As always a shout to my magical slutty coven love you bitches!!!

@sparklefarts38 @imalrightllama @arcanefox207 @basicoccult @magpiepills @exquisiteserotonin @legendary-pink-dot @youandmeand5bucks @redhotkitchen

#joel tlou #pedro pascal x you #juice collective

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2-many-ideas-help · 2 months

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happy (late) valentines day @rotinthehead! I was using @throwaway2277 as a way to stay anon but still contact you. sorry it took so long lol cosmic horror is harder to write than i thought

@mcyt-valentines

ft: enderman biology headcanons, joan jett, Spidey Senses, grackles being little shits, me nerding about stars, and more!

“I’M SORRY?”

“Tubbo keep it down!”

Ranboo quickly shushed their companion. They could already feel the Eyes on their back as the other tourists turned to glare at the two hybrids, causing the fur on their neck to stand up. Wonderful. The tour guide continued prattling on about the history of the quarry the group was touring. Something about a major project they were commissioned to provide the marble for? It was honestly rather boring.

“Come on Ran,” hissed Tubbo, “You’ve never seen the Milky Way?”

“I mean, I’ve seen the things they show us in school?”

“THAT DOESN’T COUNT!”

Of course, there was a reason Ranboo had never seen the Milky Way, or really any stars, in person. They grew up in the city. The constant light pollution meant that they couldn’t really see anything in the sky. The most they had ever seen was Orion, and they only ever saw him when they visited their cousins in the suburbs. Tubbo, on the other hand, grew up in the middle of nowhere. He got the pretty skies every night, and apparently considered it a federal crime for someone to have never experienced said pretty skies.

“Okay. Change of plans. We need to find a dark sky area.”

“I- wait what? Tubbo? We didn’t bring any camping supplies?”

“Irrelevant.”

“TUBBO?”

—

As soon as the tour ended, Tubbo hauled Ranboo out of the gift shop and back towards the car. He half-shoved, half-threw the incredibly discombobulated ender hybrid into the passenger’s seat, before racing around the car to get behind the wheel, staring intently at his phone all the while.

“Alright, the nearest full-dark sky area is about 2 day’s drive southwest on Route 66.”

Ranboo blinked. Tubbo, do you really think this is a good idea? We’re kinda… messing up our travel plans completely.”

“It’ll be fiiiine,” laughed the goat hybrid, “We didn’t have any reservations anyways. Hang on, lemme call Tom and let him know about the change of plans.” He tapped at his phone screen, causing a ringtone to, well, ring out through the van. After a couple seconds, the boisterous avian picked up, and soon the van was full of laughter.

Ranboo watched Tubbo cackle at something Tommy had said. The ender hybrid grinned slightly, before stiffening up like they’d been shocked. Someone, or something, was Watching them. They whipped their head towards the window, glancing around the parking lot. Tubbo cut himself off in the middle of a sentence. “Ran? You okay?”

The feeling disappeared almost as quickly as it appeared. “…Yeah.”

Their friend looked utterly unconvinced. “If you say so…”

—

The old van raced along the road that cut through vast cornfields. Music blared through the radio, Ranboo and Tubbo singing along, albeit horribly off key.

“I DON’T GIVE A DAMN ABOUT MY REPUTATION baw na naw na na naw na naw na na LIVIN IN THE PAST IT’S A NEW GENERATION baw na naw na na naw na naw na na I’M GONNA DO WHAT YOU WANNA DO AND THAT’S WHAT I’M GONNA DO AND I DON’T GIVE A-“

“No no no those aren’t the lyrics Ran! It’s ‘A girl can do what she wants to do’, not ‘I’m gonna do what you wanna do’!”

“I don’t care bathtub boy, let me sing Joan Jett damn it!”

“BATHTUB BOY??”

“Yes. Bathtub b-“ There it was again, that same feeling from earlier. It felt like someone was Watching them. Someone they didn’t know.

“…You okay?”

“Tubbo? Stop the car.”

He stared at them blankly, but tires screeched as he pulled the van over anyways. “What’s going on Ran?”

“Someone was Watching us.”

“ExCUSE ME?”

Ranboo didn’t answer. They ducked out of the van and stalked towards the fence separating the roadside from the corn, the grass bending under their claws. Tubbo’s hooves clattered against the asphalt as he hopped onto the road and jogged over to the taller hybrid. “Ranboo, what the FUCK do you mean someone was Watching us?”

“Exactly what I said. Something was setting off the Enderman Spidey Sense, and it wasn’t you.

Tubbo paled. He immediately darted over to the fence, hopping it easily.

“I- TUBBO? That’s PRIVATE PROPERTY??”

The goat hybrid turned to look at his friend. “Yeah. And?”

“And- TUBBO WE’RE GONNA GET IN TROUBLE!”

“Not if we don’t get caught.”

Now, it was Ranboo’s turn to stare blankly.

Tubbo sighed. “Look, you wanna figure out what’s setting off the spidey senses or not?”

Silently, Ranboo joined their companion on the other side of the fence.

—

In the end, the duo found a grand total of 27 mourning doves, around 20 cowbirds, and no less than 300 grackles (all of which attacked them on sight), but absolutely nobody that could have been Watching them. It was eerily peaceful.

—

This pattern continued through the next few days. Ranboo’s “Spidey Senses” would go off in the middle of nowhere, they’d pull over, do a sweep of the area, and find absolutely nothing. The worst parts, though, were the nights. If even a little bit if the sky was visible, Ranboo would be entirely unable to sleep due to the constant feeling of being Watched. About 2 and a half days passed before Tubbo pulled them offroad into a little clearing. They had arrived.

—

As night fell, Tubbo hoisted a very disgruntled and blindfolded Ranboo onto the roof of the van.

“Really Tubbo, I don’t see why this is necessary.” “It’ll give the best impact Ran. You can take it off now by the way.”

The grumble building in their chest died as they lifted the blindfold off and looked up at the sky. It was beautiful. Stars were scattered across the massive expanse like paint splatters on a canvas. Purple nebulae accented the multi-colored dots. The crown jewel, however, was the full moon, glimmering high in the sky.

Tubbo started pointing at specific constellations, telling their stories. “That one’s Cassiopeia, classic victim of hubris. Earned Poseidon’s ire by saying her daughter was more beautiful than the Sea Nymphs. Got cast into the stars for that.”

Ranboo already knew most of the stories Tubbo was telling, having been the recipient of multiple Technoblade Infodumps, but they just let their companion ramble.

They sat there for what felt like hours, so engrossed by the stars and their stories that they didn’t immediately notice that the forest had gone dead silent. Once they did notice, however, they did their best to fill that silence with forced jokes and barely hidden dread. Ranboo was in the middle of a story both had heard a million times when it happened.

The sky.

Went.

Dark.

Just blinked out of existence, throwing everything into chaos. Tubbo immediately fumbled for his phone, but Ranboo sat ram-rod still, filling with dread. The feeling was back in full force. They were puffed up like an angry cat, in a way that would have been rather funny if it weren’t for the circumstances.

“Tubbo,” they whispered, “get in the car and get moving. Now.”

“Don’t need to tell me twice! Come on!” Tubbo’s shout seemed to be smothered by the void. The darkness was oppressive. Even Tubbo’s phone flashlight seemed to be swallowed into blackness.

Ranboo nearly face planted trying to get off the van’s roof. They leapt into the car as soon as they righted themself, and no sooner had they closed the door, they were off, racing down the road with high beams on and both hybrids holding on for dear life. Their flight was cut short when Ranboo noticed a speck of light growing much larger as it fell towards Earth.

It hit the ground hard, but left no crater. As the… thing unfolded itself from its landing spot, the only things in the duo’s minds were 1. Oh that’s really big, and 2. RUNRUNRUNRUN. Their minds were screaming at them to RUNMOVE do ANYTHING to get away, but they were frozen in place. Their panic spiked horribly when it lowered its head(?) to peer at them through the van window. The feeling of being Watched peaked, Ranboo’s panic was at a fever pitch and THEN…

The Thing… Spoke to them. No, not Spoke, not exactly. Its Voice rang out in their heads, loud, incomprehensible through layers of static and whispers, but still perfectly clear.

NO. YOU ARE NOT THE ONES I WAS SEARCHING FOR.

With that ominous message, the Thing vanished. Just blinked out of existence, much like the sky had earlier. Speaking of the sky, one peek out the window revealed everything was back to normal. It was like nothing ever happened, like the sky hadn’t just vanished, like their perceptions of reality hadn’t just been flipped on their heads. Ranboo’s voice broke the shocked silence with a perfect encapsulation of the duo’s thoughts.

“What the FUCK just happened?”

#dsmp au #mcyt fanfic #mcyt valentines #dsmp tubbo #dsmp ranboo #kinda. its an au #the gift exchange equivalent of sprinting through the door right before the bell rings

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macybeckham7 · 1 year

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Confetti

part two

‘Why are you so nervous?’ Trent laughs as he could sense how nervous YN was in the passenger seat. ‘They’ll be so excited to see you’ he says.

As he pulls up infront of the Alexander Arnold’s household, the curtain moves and by the time they climb out and YN has a bouquet of flowers they were all running through the door.

‘Hello beautiful girl!’ Dianne beams, and pulling you into a tight hug. Her hands holding your face as she beams at you. Michael telling his wife to stop hogging you and hugging you.

You fell in love with the whole family, you absolutely adored them. So when you broke up with Trent, you weren’t just missing a boy you adored but also a safety blanket that the family provided.

‘How are you feeling about the tour?’ Michael asks.

‘Nervous’ you giggle. ‘We haven’t toured since 2020’ you explain.

Trent reaches for your hand. ‘It’ll be like riding a bike, you don’t forget how to do it’

‘And if you forget a move, just look to the first row for Marcel, he knows all the dances’ Tyler mocks, pulling a goofy face at the youngest brother.

The table erupt in laughter as Marcel looks down at his plate of food.

‘Does this mean you two have found each other again?’ Dianne asks as she packs you both off with leftovers.

You look over at Trent. You haven’t really spoke about it. You have been living with each other the past month, you have been going to Liverpool matches. Despite trying to keep in low-key you always kept getting spotted. Trent even came to a few Little Mix meetings. He came to the whole Madame Tussaud’s fitting and was so gassed about it all. Neither of you have brought up the topic of ‘what are we’ just enjoying being around each other.

‘Thank you for dinner’ you smile. You wave everyone goodbye as Trent backs out. ‘Told you they’ll be happy to see you, nothing could go as bad as the actual first meeting’ he says sticking his tongue out.

You let out a groan and hide your face in your hands at that awkward situation.

….

‘I’ll stand in for her’ Jordan runs over to the three girls who was just about to go from the top. He holds his water bottle as a microphone, and as soon as the music starts he puts on his best YN.

‘This is a shout out to my ex’ he sings. Heard he in love with some other chick’ he gives off a little scoff, entertaining everyone. ‘Yeah, yeah, that hurt me, I'll admit. Forget that boy, I'm over it’

You walk into the studio and watches as he dances around with Jade.

‘More sass’ Perrie laughs, and shows him how you do the move with him coping.

‘I hate you all’ you mock which makes everyone laugh. ‘Jords you can take my spot if you really wanna, I’ll be in Rizzle Kicks and give the fans what they want with a comeback’ you smile.

Later on you were all in the studio with the band to do the rock version of Women Like Me. You all losing your minds at how good it sounds, you all showing off your vocals and rocking out to the guitar. You all jump around in a huddle with excitement.

‘We good to put that in the set list then?’ Leigh asks with us nodding. The pressure of putting all the bangers into list and also adding fan favourites too. Leigh and Jade have been trying to fight to get Joan Of Arc in there but it hasn’t been successful yet.

‘I can’t have them three songs together because I won’t be able to get through them’ Jade says as we try to find the best arrangement.

After a while, everyone was happy with the set list. YN reached out for the phone, you let out a giggle reading a text from Trent which got the attention from Leigh.

‘What is going on with you and lover boy?’ she asks with a smirk.

They have all been a fan of Trent. They always saying he was your nicest ex.

‘Nothing’

Perrie scoffs. ‘That’s not what Alex has been saying’. Thought Trent would play in coy. ‘Trent has been going into training with loads of hickeys’

Jade and Leigh both squeal. ‘You little minx’ They pounce making them lay over you.

‘I don’t want to be next to your room, I remember how loud the two of you can be’ Perrie mocks with Jade mimicking your moans, with the three of them bursting in tears of laughter.

…..

Last night you and Perrie went to Anfield to support the boys, you being complete hooligans celebrating the goals and shouting at the ref, chanting with the fans, and just going through the rollercoaster with them. After the game you all went to the pitch and was having a little kickabout. The video of you and Perrie rugby tackling each other and scoring and doing different celebrations. You and Trent playing with Axel and just being the maniacs everyone knew you were.

‘I have missed you in my jersey’ Trent smirks as you give him a little spin. He gave it to you after the game after he scored and did a dance which was the last thing you told him to do the next time he scored (before you broke up). You laughing when you saw him and telling him that you couldn’t believe it that he remembered.

…..

You were just staring at your phone as you watched the 12 digit number light up the screen. You had deleted the number but you had memorised the number by heart, but you didn’t have the courage to accepting it and listening to what they had to say. You had just come out of a meeting about your future after Little Mix. You were on the way home to start packing for tour life, which was definitely going to be different from the last. You would come off the stage, get on the tour bus back to the hotel and then hit the tour. Dance on the dance floors, your aching feet was no longer achey. We have already decided a movie and desserts was the best way to do it now.

You climb onto the tour bus, hugging all the Since September boys, happy to see them all again. You adored them on Little Mix: The Search and you couldn’t wait for them to support you and the girls. You sat beside Jade who was in a Fifa game with one of the boys. You start jamming out on the guitar as you travel up the Motorway on the way to Belfast.

‘Can you remember your first tour?’ Jacob asks.

The girls look at each other all nodding and giggling.

‘When we wore our names on our shirts’ Leigh laughs.

‘And we had done this campaign with a hair dye company and we all had really bad hair styles’ Perrie laughs with Jade sassing back ‘Talk for yourself’.

#confetti #trent alexander arnold imagines #trent alexander arnold blurbs #trent alexander arnold

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justinmitchellfan · 6 months

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Part 12 of my wwe love story with tons of smut warning ⚠️ of mercedes varnado grande X Ariana grande of my wwe love story

Still on the same day on November 22 of 2030 at 9am as both mercedes and her wife Ariana were talking with their mothers and then both mercedes and Ariana go into the kitchen to fix breakfast together and 25 minutes later as they finish cooking breakfast for themselves and their mothers and they exit the kitchen and go into the dining room "breakfast is ready says mercedes as they set the plates on the table and all 4 sit at the table and eat breakfast and mercedes puts her hand on her wife's Arianas leg and Ariana smiles "no funny business while we eat lovebirds says Joan "we're not doing any funny business mom says Ariana "do you guys have sex every day says Judith "me and my wife have sex every day mom says mercedes

"Will you two do another livestream on Instagram real soon honey says Joan "me and my wife will probably do another Instagram livestream at some point during my tour mom says Ariana "when you go on tour, how long will your tour be baby says mercedes "the tour will be 6 months baby says Ariana and they talk while eating breakfast and 15 minutes as they finish eating breakfast as mercedes and her wife Ariana take the plates and go into the kitchen and they put the plates in the sink "can I ask you a question babe says Ariana "go ahead baby says mercedes "do you want to have kids now or wait a bit longer baby says Ariana "we just got married babe, let's wait a bit longer before we have kids now says mercedes "we'll wait until we're ready to have kids baby says Ariana

"We need to go to the store and buy food for Thanksgiving tomorrow babe says mercedes "I'll go get my car keys and the wallet and wait for me by the front door baby says Ariana as she gives her wife mercedes a kiss on the lips as mercedes washes the last plate and goes to the front door and waits for her wife "where are you two going honey says Judith "me and my wife are going to the store to get food for Thanksgiving tomorrow and we will be hosting Thanksgiving tomorrow mom says mercedes "while you two are going to the store, me and your mom will take the wedding dress and the tux back says Joan "I appreciate that Joan says mercedes

as Ariana comes back into the living room "did you grab the car keys baby says mercedes "I got the car keys and let's head to the store to get food for Thanksgiving tomorrow baby says Ariana as they leave the house and get in the suv as it Is now 2:30pm And Ariana starts the car and they leave the driveway "oh our moms will take the wedding dress and the tux back to where they were babe says mercedes "I appreciate their help baby says Ariana as she focuses on the road while driving to the store and mercedes turns the radio on and the music plays and Ariana sings along to the song on the car radio as they have a conversation as they head to the store "also let's get a few Thanksgiving decorations from the store baby says mercedes "that's a good idea babe says Ariana

"I love you baby says mercedes "I love you too babe says Ariana as mercedes gives her wife a kiss on the cheek and Ariana smiles at that and she grabs her wife's hand while she drives and 20 minutes later as they enter the store parking lot and Ariana parks in the parking spot and they get out and Ariana locks the car and they hold hands as they enter the store and is greeted by the store employee "welcome to the store and have fun shopping says the store employee as Ariana grabs a shopping buggy and they walk down the aisles and get food and some Thanksgiving decorations "we'll need to get two different turkeys while we're out shopping baby says Ariana "I think I might know where we can get two different turkeys at the other store once we leave this store baby says mercedes

Then they get the remaining food for Thanksgiving and they go to the number 5 cashier and the food and Thanksgiving decorations get scanned and 6 minutes later as Ariana pays 300$ and they leave the store and head to their car then they arrive at their car and put the groceries in the car then they put the buggy to the side and closes the car trunk and they get back in the car and head to another store to get the turkey, tofu turkey and some tofu meat from another store and 36 minutes later as they arrive at the other store and Ariana parks in the parking spot and they exit the car and Ariana locks the car and get a shopping buggy from outside the store and they enter the store and they find an employee "excuse can you please tell us where me and my wife can find the turkeys and tofu meat sir says mercedes

And the employee faces the married couple "follow me and I'll show you where it's at says the employee and they follow the employee and 45 minutes as they got both the turkey, tofu turkey and some tofu meat and paid 500$ and heads towards their car and put the food in the backseat of the car and they get In the car and Ariana starts the car and leaves the store and they drive back home as it is 7pm "we got a lot of groceries today and when we get back home we'll put the groceries away baby says Ariana "and after that it'll be late and we go to bed after the groceries have been put away says mercedes "once you start cooking real early, ill set out Thanksgiving decorations and help you cook baby says Ariana "I appreciate that baby says mercedes

"After we cooked all the Thanksgiving food, you'll be pretty tired from cooking the food baby says Ariana "I appreciate you looking out for me baby says mercedes "you are my wife and I will always look out for you baby says Ariana as she gives her wife mercedes a quick kiss on the lips as they almost to their house "are we almost home babe says mercedes "we're 5 minutes from the house baby says Ariana and 5 minutes later as they arrive home and they take 5 trips in the house with groceries and they get the remaining groceries then Ariana locks the car and it took 30 minutes for them to put the groceries away and put the Thanksgiving Decorations up and it is 10pm and they head to their bedroom and they enter their bedroom

And they take their clothes off and enter the bathroom and Ariana turns on the water "when you get up very early ,let me know so I can help you with the food because I'm used to getting up early when I went on tour babe says Ariana "I'll let you know baby says mercedes as Ariana turns on the shower and the water gets warm and they get In and they wet their hairs and they wash their hairs and their bodies then after their shower, they get out and dries their hair with a blow dryer and dry themselves off and do their Hygiene and skin care routine and they exit the bathroom and mercedes puts on a bra and panties and Arianas puts a pair of boxers and they get In the bed as it is now 11:30pm "I love you babe says mercedes "I love you too baby says Ariana and they kiss

"Night baby says mercedes as she lays her head on her wife's Arianas chest "night babe says Ariana as she kisses the top of mercedes head and mercedes smiles and they both fall asleep 3 hours later at 3am as mercedes gets up and gently shakes her wife Ariana "babe, we need to cook the food before our family and friends get here says mercedes and Ariana wakes up and sits up "let's get started on cooking the food then baby says Ariana as she puts on a long sleeve shirt and ripped jeans and mercedes puts on a tank top and pants and they exit their bedroom and head downstairs and enter the kitchen and they grab the food and the tofu meat and both meat and tofu turkeys and start cooking the sides as mercedes gets the turkey and gets started on both turkeys

As mercedes wife Ariana cooks all the sides and a couple of tofu meat then minutes later as mercedes finished preparing both turkeys, she puts them in the oven and waits for the big non tofu turkey and the small tofu turkey to cook and goes to grab the Thanksgiving Decorations and sets up the Thanksgiving Decorations as Ariana has finished cooking all the sides and the tofu meat and sets them on the kitchen island for them to cool and goes to help her wife mercedes with the Thanksgiving Decorations "do you need any help babe says Ariana "help me put up the last of the Thanksgiving Decorations baby says mercedes and Ariana helps her wife set up the last few Thanksgiving decorations and

then ariana goes back into the kitchen and grabs the oven mitts and takes both turkeys out and puts them on the counter and puts aluminum foil on both turkeys so they don't dry out and checks the time on her phone as it says 11:30am as their friends and family arrive in an hour "we have 30 minutes left once our friends and family get here baby says Ariana "let's put out the name placements on where they will be seated at baby says mercedes as they go to the large dining table and they put the name placements of where their friends and family will be seated and with 5 minutes left ,they finished putting the name placements of where their friends and family will be seated "looks like everything is set up and the food has already been cooked baby says mercedes as she is tired and Ariana notices

"Why don't you go take a nap and I'll welcome our friends and family when they get hear baby says Ariana "let me know when everyone gets here babe says mercedes " I'll let you know once everyone gets here baby says Ariana as she gives her wife mercedes a kiss on the lips and mercedes goes towards the couch as Ariana watches her wife walk to the couch and mercedes lays down on the couch and takes a nap then there's a knock on the front door and Ariana goes to the front door and opens the front door and sees her parents, brother and his husband, her brother in law, mother in law and some of her friends "come on in guys says Ariana as she lets them in "where's my daughter says Judith "my wife is taking a nap on the couch and we both got up early to cook the food and set up the decorations says Ariana

"She's not used to getting up this early to cook food and you're used to getting up early honey says Joan "right and I look out for my wife and I will never let any harm come to my wife mom says Ariana "that's good of you to be protective of your wife ari says y/n "what time did she get up at says Sarah "my wife got up at 3am and we both cooked and the food needs time to cool before it can be eaten says Ariana "did you and your wife cook a Thanksgiving turkey says mama y/m/n "me and my wife cooked tofu turkey and the normal turkey and tofu meat ma'am says Ariana "how long will you and your wife mercedes be on your honeymoon when both of you leave tomorrow says Madison beer "we will be on our honeymoon in the Bahamas for a few days says Ariana

"I'm impressed at how slim my sister has gotten when eating vegetarian food with you ari says shawn Mendes as Ariana talks to them as the rest of her friends and a few of mercedes daughters and their wives and grandkids arrived and Ariana closes the front door "now that everyone is here, ill go wake up my wife and let her know that everyone is here says Ariana "should we get the food from the kitchen and bring it to the dining table says Courtney "yes, you, Madison beer, Nikki Minaj and cardi b can bring the food to the dining table says Ariana as she goes to the couch and gets on her knees in front of her wife who is still sleeping as it is now 2pm and Ariana gently shakes her wife "everyone is here baby says Ariana as mercedes wakes up and rubs her eyes and looks at her wife Ariana

"How long was I sleeping baby says mercedes "you were asleep for almost 3 hours babe says Ariana "who else showed up baby says mercedes "both my parents, brother and his husband, your mom, your brother and his girlfriend, mama y/m/n, Samia, y/n and her girlfriend Sarah, Madison beer, all of your daughters ,their wives, your grandkids, Nikki Minaj, cardi b, Megan thee stallion and her girlfriend doja cat, Victoria monet, her husband John, Courtney and Anthony are here baby says Ariana as she gives her wife mercedes a kiss on the lips and mercedes returns the kiss "I love you babe says mercedes "I love you too baby says Ariana as they kiss once more and mercedes deepens the kiss and a couple seconds later as they pull away from the kiss and mercedes gets up as Ariana stands up

And they head to the dining table as the food has been brought to the table and everyone takes their seat as mercedes sits next to her wife Ariana "before we eat, dad will you do the honors and say grace says Ariana "how about I do the honor and say grace says y/n "let's all hold hands as my girlfriend says grace says Sarah and everyone hold hands as y/n gives thanks for their friends, the food and keeping everyone safe "amen says y/n and everyone says amen and everyone grabs the food as mercedes and her wife grabs the tofu meat and a piece of the tofu turkey and everyone starts eating while talking "so how long have you and y/n been dating Sarah says mercedes "me and y/n have been dating for 2 years mercedes says Sarah "do you plan on taking your relationship to the next level with your girlfriend Sarah says Ariana

"We plan on doing that eventually ari says y/n "have you and your mom caught up on everything y/n says mercedes "she's been caught up on everything that I've done in my life says y/n "if you two have kids at some point, what would their names be mom says Heather "if it's a boy and a girl, it would be, rose and Brad but if it's both girls then Susan and Hannah ,darling says mercedes "those are really good names baby says Ariana " thanks babe says mercedes as she gives her wife Ariana a kiss on the lips and they continue eating while continuing their conversation then 3 hours later at 5pm as everyone finished eating "did you guys enjoy the food that me and my wife cooked says mercedes "we all did and next year me and my husband will be hosting Thanksgiving says Courtney "you two did a good job at hosting Thanksgiving says Anthony

And everyone talk as they leave the house and Ariana watch them get in the cars and leave and once Ariana sees the last car leave, she closes the front door and turns to face her wife mercedes and mercedes kisses her wife passionately and Ariana continues the kiss and slightly pulls away "the dishes can wait cause I want to make love to you baby says Ariana "then more kissing, less talking babe says mercedes as they continue the kiss as mercedes pushes her wife Ariana against the door as they continue to make out and mercedes slides her hand down Arianas abs to her bulge and mercedes squeezes her wife's bulge as Ariana moans "I'm only going to let you dominate me for a bit baby says Ariana "that's what I plan on doing daddy says mercedes seductively as Arianas bulge gets very hard

And mercedes takes off her wife's shirt and mercedes sucks on her wife's boobs while using her free hand to gropes Arianas covered hard bulge as Ariana moans in sensation then Ariana grabs her wife's face and kisses her wife on the lips and shoves her tounge down mercedes throat as they tounge kiss as mercedes unbuttons and unzips the jeans and slides her hand down her wife's Arianas jeans and slowly strokes Arianas 12 inch hard dick as Ariana gropes her wife's mercedes boobs as mercedes moans through the tounge kissing then Ariana flips them over as mercedes is against the door as Ariana takes off mercedes tank top and sucks on both of mercedes nipples making mercedes moan and gasp in sensation as she is now very wet

Then Ariana slides her hand down her wife's mercedes abs and in mercedes pants to her very wet pussy "I love it when you get so wet for me slut says Ariana seductively with dirty talk to her wife mercedes "I love g-getting w-wet for y-you daddy says mercedes as she moans as she stutters as Ariana rubs her wife's very wet pussy and mercedes moans in pleasure and Ariana pulls away slightly and takes off her jeans and boxers as her 12 inch huge hard dick springs up and then Ariana continues kissing her wife very roughly as she rubs her dick on her wife's mercedes covered pussy as mercedes moans in Arianas mouth then Ariana takes off mercedes pants revealing mercedes so very wet pussy and Ariana rubs her dick on mercedes wet pussy as mercedes moans and gasps in sensation

Then Ariana slides her dick in mercedes pussy and starts thrusting so hard in mercedes pussy making mercedes moan and scream at the top of her lungs while still against the door as Ariana continues thrusting her dick so hard and rough in mercedes pussy making mercedes scream out her wife's name and a few seconds later as mercedes cums on Arianas dick and Ariana pulls her dick out of mercedes pussy "let's go over to the couch baby girl says Ariana "right behind you daddy says mercedes as they head over to the couch and Ariana sexually smacks mercedes ass twice as mercedes moans as they are in front of the couch "suck my dick slut says Ariana seductively with more dirty talk to her wife "with pleasure daddy says mercedes as she gets on her knees and sucks on Arianas hard 12 inch dick as Ariana moans

As mercedes continues to suck on Arianas dick as Ariana thrusts her entire dick in mercedes mouth as mercedes slightly gags but loves being dominated by her wife Ariana as Ariana continues thrusting her dick in mercedes mouth then Ariana pushes her wife mercedes on the couch and Ariana gets on the couch and goes towards mercedes pussy and eats out her wife mercedes as mercedes bucks as she moans so loud "make me cum so hard daddy says mercedes as she moans "oh I will slut says Ariana as she talked so dirty to her wife as mercedes is so horny as Ariana continues eating out mercedes pussy as mercedes moans so very loud and she cums so hard as Ariana eats out mercedes pussy then Ariana goes towards mercedes lips and kisses mercedes on the lips as mercedes tastes herself on Arianas lips

Then Ariana hovers over mercedes as she slides her dick so fast in mercedes pussy making mercedes moan so Loud as Ariana grabs her wife's throat and squeezes mercedes throat lightly as mercedes moans "do you love being dominated by me slut says Ariana seductively with dirty talk to her wife "I love being dominated by you daddy says mercedes as she moans once more as Ariana squeezes mercedes throat a bit harder and thrusts her dick very roughly in mercedes pussy making mercedes scream at the top of her lungs as Ariana let's go of her wife's throat and kisses her wife while continuing to pound on mercedes pussy so hard as mercedes moans so very loud through every kiss and minutes later as Ariana cums in mercedes pussy

"I want you to bounce on my dick slut says Ariana seductively "as you wish daddy says mercedes as Ariana leans her back against the back of the couch as mercedes hovers her pussy over Arianas hard 12 inch dick and mercedes slides Arianas dick all the way in her pussy as they both moan and mercedes bounces on Arianas dick as Ariana moans as her head hits the rim of the couch as she gropes mercedes boobs making mercedes moan in pleasure as mercedes continues bouncing on Arianas dick as they both moan "put your feet on the either side of me slut says Ariana seductively with dirty talk as mercedes puts both feet on the couch as her legs are spread wide apart as Ariana puts both hands on mercedes lower thighs and starts thrusting her dick so hard in mercedes pussy making mercedes moan even loud

"Faster and harder daddy says mercedes as she moans as Ariana thrusts even harder and faster in mercedes pussy making mercedes scream at the top of her lungs as she moans then Ariana glides her left hand to mercedes pussy and rubs mercedes clit making mercedes moan so Loud then she cums on Arianas dick a 3rd time then Ariana stops thrusting and turns mercedes around front facing as Arianas dick is still in mercedes pussy as Ariana slides both hands to mercedes ass and Ariana squeezes mercedes ass as mercedes moans and they start kissing once more as Ariana shoves her tounge down mercedes throat once again as they tounge kiss as Ariana thrusts even harder in mercedes pussy as mercedes moans through every kiss

As Ariana spanks mercedes ass a bunch of times making mercedes gasp and moan very sexually making Ariana go into beast mode as her eyes are even darker with lust and desire as she thrusts very roughly in mercedes pussy making mercedes scream at the top of her lungs once again as Ariana continues to thrust her dick in mercedes pussy as mercedes moans so very loud then a few minutes later as Ariana cums so hard in mercedes pussy then mercedes gets off of Arianas dick and goes towards Arianas dick and sucks on Arianas dick once more as Ariana moans and mercedes continues to suck on her wife's Arianas huge hard 12 inch dick making Ariana moan and scream at the top of her lungs

Then mercedes pulls away and goes to kiss Ariana as she strokes her wife's Arianas dick real fast as Ariana moans through the kiss then 10 minutes later as Ariana cums as mercedes continues to stroke Arianas dick then 2 hours later of Ariana dominating her wife mercedes on the couch and they head to the bedroom and continue rough and hard sex as they are on the bed as they do the butterfly sex position as Ariana thrusts her dick so hard in mercedes pussy as mercedes moans very loud as she grips the bedsheets and Ariana grabs mercedes hips and she squeezes mercedes hips and mercedes moans so loud while Ariana continues to pound mercedes pussy so hard and rough as mercedes moans so loud as she grips the bedsheets even harder

and Ariana leans down towards mercedes and her lips and starts kissing while shoving her tongue a 3rd time down mercedes throat as they tounge kiss then Ariana bites mercedes bottom lip and pulls down with her teeth and pulls away with a pop and Ariana rubs her dick on mercedes pussy as Ariana teases her wife as mercedes slightly moans "please fuck my pussy daddy says mercedes as she begs her wife and another 4 hours later as mercedes has called Ariana daddy dozens of times and Ariana has called mercedes slut dozens of times in many different sex positions as Ariana has dominated her wife mercedes very hard as they both have cummed 9 times and they are super sweaty with very messy sex hair and now super exhausted as mercedes is very sour as it is now 10:25pm "I love you babe says mercedes

"I love you too baby says Ariana as they passionately kiss then they go take a shower and after their shower, they dry themselves off and do their Hygiene and skin care routine and get back in bed and they give each other a goodnight kiss and fall asleep and the next day on November 24 of 2030 at 10am as they have already packed their clothes for their honeymoon and are getting ready to leave for their honeymoon to the Bahamas and Ariana is wearing a white shirt and camouflage shorts and shoes and mercedes is wearing a short tank top shirt and short jeans and camouflage sneakers and they grab their suitcases and exit their bedroom and head downstairs to their living room where both of their moms are sitting on the couch "can you and mom take care of our dogs while me and my wife go on our honeymoon to the Bahamas says Ariana

"We'll take care of your dogs honey says Judith "go on your honeymoon and you and your wife have fun on your honeymoon says Joan "we'll have fun on our honeymoon Joan says mercedes as she gives Joan a kiss on the cheek and her mom a kiss "you ready to go on our honeymoon babe says Ariana "I'm ready baby says mercedes as they exit the house "we're going on your private jet right baby says mercedes "that's right babe says Ariana as they put their suitcases in the backseat and they get In the suv and Ariana gives her wife mercedes a quick kiss on the lips and starts the car and Ariana leaves the driveway and drives to the airport as they have a conversation while heading towards the airport and 35 minutes later as Ariana pulls into the airport and drives towards the airport hanger

and mercedes gets on her phone and goes to her gallery and changes her current wallpaper to a wallpaper of her wife Ariana on her phone "what are you doing baby says Ariana "I was changing my current wallpaper to a picture of you babe says mercedes and Ariana takes a quick look at the wallpaper of herself on her wife's phone "I love that picture of me on your phone baby says Ariana "can you show me the wallpaper on your phone babe says mercedes as Ariana parks in the hanger and grabs her phone and shows her wife mercedes the picture of her wallpaper on her own phone and mercedes loves the wallpaper on Arianas phone then they get out and grab their suitcases and Ariana locks the car and they enter their private jet and they take a seat as mercedes sits in her wife's lap

(I have absolutely no idea what activities that they would do in the bahamas but let's just say they had lots of fun for 4 days and they posted lots of normal and inappropriate pictures on their Instagram accounts and Ariana dominating her wife mercedes in 3 rounds of sex in the bahamas)

5 days later on November 30 of 2030 as it is 10am as they got back from their honeymoon as they land back in Miami Florida in the airport hanger and Ariana wakes up her wife mercedes and mercedes wakes up "we're back home babe says Ariana as she is wearing a yellow hoodie and black shorts and shoes and mercedes is wearing a sexy tank top and shorts and shoes and mercedes rubs her eyes and sees that they've landed in the airport "I'm happy that we're back home and I missed our dogs so much baby says mercedes "same babe says Ariana as she gives her wife mercedes a kiss on the lips "I love you babe says mercedes "I love you too baby says Ariana as they continue the kiss as Ariana shoves her tounge down mercedes throat as they tounge kiss

Then they both pull away as mercedes slides her hand in Arianas shorts and slowly strokes Arianas soft dick as Ariana slightly moans "take a video of us having sex for a bit baby says mercedes "with pleasure baby girl says Ariana as she moans as her dick is now very hard and she goes on her video camera on her phone and records the video and sets the phone at a very good angle with a good view of them having sex for a tiny bit as mercedes pulls down Arianas black shorts as Arianas 12 inch hard huge dick springs up and mercedes sucks on Arianas dick as Ariana moans loud and 22 minutes later as Ariana grabs mercedes back up and pulls down mercedes shorts and rubs mercedes pussy as mercedes moans in pleasure and 35 minutes later as mercedes cums and finish their little bit of sex

and Ariana grabs her phone and stops recording and goes on Instagram and posts the dirty video of them having sex for a bit on her Instagram story with the caption "me and my wife got back from our honeymoon and decided to have sex for a bit on our private jet" and Ariana posts the story and all of their friends and family and lots of fans liking the inappropriate video post and story and Ariana logs out of Instagram and puts her phone in her pocket and she and her wife mercedes grab their suitcases and exit the private jet and Ariana unlocks the car and mercedes opens the trunk and puts her suitcase and Arianas suitcase in the trunk and mercedes closes the trunk and they get In the car and mercedes turns Ariana head towards her and mercedes gives her wife Ariana a sweet and loving kiss "I love you so much baby says mercedes

"I love you very much too babe says Ariana as they kiss once more and Ariana drives back to their house "I'll let my mom know that we are on our way back home babe says mercedes "before we get back home, I'll need to stop at a gas station to put more gas in this car cause there's a quarter of a tank of gas left babe says Ariana "we don't want to run out of gas in this car babe says mercedes as she texts her mom

Mercedes: me and my wife are on our way back home mom

Judith: did you have fun with your wife on your honeymoon sweetheart

Mercedes: we did mom and we'll get back home after my wife puts gas in the car

Mercedes and her mom text a bit as Ariana pulls into a gas station and stops at a fuel pump and Ariana puts the car in park and opens the gas tank and Ariana gets out and grabs the fuel nozzle and puts the nozzle in the gas tank and Ariana grips the handle to fill up the gas tank and watches the gallon as the gas tank gets filled and 6 minutes later as the nozzle stops as the gas tank is filled and Ariana puts the nozzle back and pays for the gas and Ariana gets back in the car and starts the car "the gas tank has been filled baby says Ariana "how much did it cost to pay for the gas babe says mercedes "based on how high the gas prices have been lately, I would say 70$ for gas babe says Ariana "everything is expensive nowadays baby says mercedes "good point honey says Ariana as she leaves the gas station and drives back home

And they talk while heading home and 35 minutes later as they arrive at their house and Ariana parks in the driveway and Ariana turns the car off and they get out and grab their suitcases and Ariana closes the trunk and locks the car "I know I already asked this question but when is the release date for your album baby says mercedes "the release party is on December 10 and our friend normani will make her girlfriends dinahs birthday party on December 26 very special when she proposes to her girlfriend babe says Ariana "and before I forget, I need to go to rehearsal tomorrow and see how y/ns sister Samia dances in the rehearsal and if Samia is that good at dancing, she'll be my dancer for tour and I'll probably get requested to do the interview for good morning America baby says Ariana

"Can you sing the song called dangerous woman, that you wrote about me, when you get asked to perform on good morning America baby says mercedes "for you, I'll sing that song babe says Ariana as they enter the house and set their suitcases to the side as it is now 2:30pm and their dogs run and greet them and mercedes and her wife Ariana give their dogs some loving and attention "did you guys miss us says Ariana in her baby voice and the dogs bark and wag their tails "we missed you guys as well says mercedes in her baby voice and after they give their dogs loving and attention, they talk to their moms "hey mom says Ariana "did you and your wife mercedes have fun on your honeymoon sweetie says Joan

"yes and we posted so many pictures on our Instagram accounts Joan says mercedes "I know because me and your mom saw the normal and inappropriate pictures on your accounts and I don't have a problem with you or mercedes posting inappropriate pictures on your accounts sweetheart says Judith "will you and my mom be at the release party on December 10 when my new album releases says Ariana "we'll be there honey says Judith "and before I forget, I need to text Samia and tell her that the dance rehearsal is tomorrow says Ariana "I want to see how Samia is really good at dancing baby says mercedes "we'll be at the dance rehearsals tomorrow babe says Ariana as she gets on her phone and texts Samia

Ariana: don't forget that the dance rehearsal is tomorrow and if you dance really good, I'll add you as one of my dancers

Samia: I'll be there at the dance rehearsal and I'll impress you real good with my dancing on the stage

Ariana: the dance rehearsal is at 2pm tomorrow at the dance studio

Samia: I'll get there on time

Ariana ends the text with Samia "I texted Samia and told her that the dance rehearsals are tomorrow babe says Ariana "you still going to keep the dancers that you have baby says mercedes "I'll still have my dancers and I'll add 2 more dancers that'll dance with my other dancers on tour at some point babe says Ariana "we'll be going and we'll see you two later says Judith "bye mom and get home safe says mercedes "I will honey says Judith as she gives her daughter mercedes a kiss on the cheek and both Judith and Joan leave the house "I'm gonna go take a shower and I want you to join me in the shower says Ariana seductively making mercedes become so wet and horny "I'm already wet for you baby says mercedes

"I'm sure I can make you get even more wet slut says Ariana seductively with dirty talk and mercedes gets even more wet and they head upstairs to their bedroom and before they enter their bedroom, Ariana pushes her wife mercedes against the wall and pins mercedes against the wall and mercedes is loving it and Ariana smashes her lips onto her wife's mercedes lips and they roughly kiss and Ariana shoves her tounge down mercedes throat as they tounge kiss as Ariana slides her hand down to mercedes wet spot on her shorts and Ariana rubs mercedes covered wet pussy as mercedes moans in sensation and then Ariana rubs her very hard bulge on mercedes covered pussy as mercedes moans

and Ariana gets on her knees and pulls down mercedes shorts revealing mercedes very wet pussy and mercedes spreads her legs a little apart while leaning against the wall outside of their bedroom "please suck my pussy daddy says mercedes as she begs her wife Ariana "oh I'll suck your pussy slut says Ariana seductively with dirty talk making mercedes get even more wet and Ariana sucks on mercedes pussy hard as mercedes moans very loud "don't stop daddy says mercedes as she moans as Ariana continues to suck so hard on mercedes pussy making mercedes moan and scream at the top of her lungs and a few seconds later as mercedes cums so hard as she screams as well then Ariana licks mercedes sensitive pussy and gets back up and Arianas bulge is now even more hard

And mercedes grabs Arianas very hard bulge making Ariana gasp and moan and mercedes turns around and grinds her ass on Arianas very hard bulge making Ariana moan and she sexually slaps mercedes ass a couple times and mercedes moans in pleasure as they take off their clothes as Arianas 12 inch hard dick springs up and they get In the shower and Ariana turns the water on "I want you to suck my dick baby girl says Ariana seductively and mercedes gets on her knees and she grabs Arianas 12 inch huge hard dick and mercedes sucks on Arianas dick as Ariana moans very sexually and mercedes sucks a bit faster on her wife's dick as Ariana moans very loud and Ariana thrusts her entire dick in mercedes mouth and mercedes gags a little but loves being dominated all the time

Then Ariana pulls mercedes up and pushes mercedes back first against the shower wall and Ariana lifts up mercedes leg and Ariana grabs her dick and sticks the tip of her dick in mercedes pussy and Ariana slowly thrusts her dick in mercedes pussy as mercedes moans low and Ariana has her entire dick in mercedes pussy and hits the sensitive spot in mercedes pussy making mercedes moan very loud and Ariana thrusts her dick so hard in mercedes pussy making mercedes scream at the top of her lungs and Ariana slides her hands around to mercedes ass and squeezes hard as mercedes moans making mercedes instantly cum on Arianas dick and 3 hours later of Ariana dominating her wife mercedes so hard and cummed 6 times

and they get out of the shower and dry themselves off qnd they exit the bathroom and get in the bed and continue to kiss while continuing to have hard and rough sex as it is now 5pm as they do the cowgirl sex position as mercedes bounces on Arianas very hard dick as Ariana moans and mercedes continues to bounce on Arianas dick for 10 minutes then Ariana flips them over as she is on top and she thrusts her dick so hard in mercedes pussy making mercedes scream at the top of her lungs and Ariana grabs mercedes by the throat and Ariana squeezes mercedes throat as mercedes moans as Ariana continues to thrust her dick even harder in mercedes pussy making mercedes moan so very loud and a couple minutes later as Ariana cums in mercedes pussy

Then they do the pushing tush sex position as Ariana is on top of mercedes and they kiss as Ariana thrusts her dick very fast and hard in mercedes pussy making mercedes moan even louder through every kiss and 6 hours of Ariana dominating her wife mercedes so hard and making the bed shake and the headboard bangs against the wall as they both cummed 25 times as mercedes has called Ariana daddy dozens of times and Ariana has called mercedes slut dozens of times and they are super sweaty and super exhausted with very messy sex hair " I love it when you fuck me so hard while dominating me baby says mercedes "I love dominating you every time babe says Ariana as they kiss and it is 11:30pm "we have to get up early and go to the dance rehearsals at 12pm and rehearse my songs for when I go on tour babe says Ariana

"What do you stay in when you go on tour baby says mercedes "when I'm on tour, I'm on my tour bus when I travel to different cities when I sing in front of all of my fans baby says Ariana "I want to be with you when you go on tour babe says mercedes "you'll be with me on tour baby says Ariana as mercedes lays her head on Arianas chest and they intertwine their hands and they give each other a kiss and fall asleep and the next day on December 1 of 2030 at 12:30pm as they are at the dance rehearsals where Samia does her dance rehearsal and Ariana rehearses her songs when she goes on tour and mercedes is wearing a red sports bra and an unbuttoned flannel shirt and jeans and blue sneakers and Ariana is wearing a white shirt and black shorts and shoes

And Samia is waiting for Ariana and mercedes as she sits on the edge of the stage with Arianas dancers and Ariana has the weekend, Bieber and Nikki Minaj with her on the three collaboration songs on her new album "miss grande" "did you get here early Samia says Ariana "my sister drove me here ari says Samia as both the twins show up "are you ready to become my wife's dancer Samia says mercedes "I'm ready mercedes says Samia "when you get down dancing, I'll take you back home to your boyfriend sis says y/n "why do you have Nikki Minaj, the weekend and Bieber with you again says Scott " my three songs "stuck with you, side to side and love me harder" are the songs that I collabed with them and my wife will be with me when I go on tour says Ariana

"Are you two ready to rehearse says Brian "you ready Samia says Ariana "I'm ready ari says Samia as they both get on the stage as Arianas dancers get to their positions and Samia is ready to start dancing "which song will you do first as you rehearse when you go on tour babe says mercedes "I'll do, honeymoon Avenue, dangerous woman, baby I, tattooed heart and go from there baby says Ariana as she gives her wife mercedes a quick kiss on the lips and Ariana grabs a microphone and stands in the center of the stage as she rehearses her songs for her tour "a question for you Bieber says mercedes "what's up says Bieber "are you still doing songs or no longer singing your songs now says mercedes "I'll probably do my last 3 albums and come back to doing more songs in the future says Bieber

"Alright, let's get started says Scott and the music plays and Samia and the dancers start dancing and Ariana rehearses her songs for when she goes on tour and sings the first song in rehearsal which is honeymoon avenue " 🎶 Uh-huh, ooh, yeah, mmm, ah, (It's the Rascals), i looked in my rearview mirror and, it seemed to make a lot more sense, than what I see ahead of us, ahead of us, yeah, uh, I'm ready to make that turn, before we both crash and burn, cause that could be the death of us, the death of us, baby, you know how to drive in rain, and you decided not to make a change, stuck in the same old lane, going the wrong way home, i feel like my heart is stuck in bumper to bumper traffic, i'm under pressure 'cause I can't have you the way that I want

Let's just go back to the way it was, when we were on Honeymoon Avenue, honeymoon Avenue, baby, coastin' like crazy, can we get back to the way it was, hey, What happened to the butterflies, guess they encountered that stop sign, and my heart is at a yellow light, a yellow light, hey, right when I think that we've found it (found it), well, that's when we start turnin' around (tunrin' around), you're saying, "Baby, don't worry", but we're still going the wrong way, baby, you know how to drive in rain, and you decided not to make a change"

While Ariana continues to sing, she looks at Samia and is impressed by how really good Samia is dancing

"Stuck in the same old lane, going the wrong way home, i feel like my heart is stuck in bumper to bumper traffic, i'm under pressure 'cause I can't have you the way that I want, let's just go back to the way it was, when we were on Honeymoon Avenue, honeymoon Avenue, baby, coastin' like crazy, can we get back to the way it was, they say only fools fall in love, well, they must've been talking about us, and sometimes I feel like we've been here before, i could be wrong, but I know I'm right, we're gon' be lost if we continue to fight, honey, I know, yeah, we can find our way home, i feel like my heart is stuck in bumper to bumper traffic, i'm under pressure 'cause I can't have you the way that I want, let's just go back to the way it was, when we were on Honeymoon Avenue, honeymoon Avenue, my baby

Coastin' like crazy, can we get back to the way it was, when we were on Honeymoon Avenue, honeymoon Avenue, baby, coastin' like crazy, can we get back to the way it was, baby, you know how to drive in rain, and you decided not to make a change, stuck in the same old lane, going the wrong way home, i feel like my heart is stuck in, traffic, I'm under, pressure, pressure, let's just go back to the way it was, when we were on, honeymoon Avenue, Honeymoon Avenue, honeymoon Avenue, Honeymoon Avenue, avenue, let's just go back, b-b-b-back, back, back" and Ariana finishes singing the first song in rehearsal and Ariana looks at her wife and winks at mercedes and mercedes blushes "you are so good at dancing Samia says Ariana

"were you impressed says Samia "yes and you are now one of my dancers and I'm going to sing the next song and get ready to dance when I sing says Ariana "sing the song that's about me baby says mercedes "way ahead of you babe says Ariana as the music plays and Samia and Arianas dancers start dancing as Ariana sings her next song and motions for her wifeto get on stage and mercedes gets on stage and stands in frontof her wife Ariana" 🎵 Oh, yeah, don't need permission, made my decision to test my limits, cause it's my business, god as my witness, start what I finished, don't need no hold up, taking control of this kind of moment, i'm locked and loaded, completely focused, my mind is open, all that you got, skin to skin, oh my God, don't you stop, girl"

And Ariana takes off mercedes unbuttoned flannel shirt and tosses it offstage and glides her hand all over mercedes body as Ariana continues to sing the song " somethin' 'bout you, makes me feel like a dangerous woman, somethin' 'bout, somethin' 'bout, somethin' 'bout you, makes me wanna do things that I shouldn't" and Ariana touches mercedes pussy while continuing to sing as mercedes bites her bottom lip " somethin' 'bout, somethin' 'bout, somethin' 'bout, nothin' to prove and I'm bulletproof and, know what I'm doing, the way we're movin' like introducing, us to a new thing, i wanna savor, save it for later, the taste of flavor, 'cause I'm a taker, cause I'm a giver, it's only nature, i live for danger, all that you got, skin to skin, oh my God, don't you stop, girl"

Then Ariana turns mercedes around and pulls mercedes ass onto her bulge as mercedes slightly moans as Ariana continues singing " oh, yeah, somethin' 'bout you, makes me feel like a dangerous woman, somethin' 'bout, somethin' 'bout, somethin' 'bout you, makes me wanna do things that I shouldn't, somethin' 'bout, somethin' 'bout, somethin' 'bout you, all girls wanna be like that, bad girls underneath, like that, you know how I'm feeling inside (somethin' 'bout, somethin' 'bout), all girls wanna be like that, bad girls underneath, like that, you know how I'm feeling inside (somethin' 'bout, somethin' 'bout)"

Then Ariana gets in front of mercedes and Ariana leans her back against mercedes front body and Ariana grabs mercedes hand and places mercedes hand on her slightly hard bulge for a couple seconds then moves mercedes hand away to her abs for a few minutes while Ariana sings "somethin' 'bout you, makes me feel like a dangerous woman, somethin' 'bout, somethin' 'bout, somethin' 'bout you, makes me wanna do things that I shouldn't, somethin' 'bout, somethin' 'bout, somethin' 'bout you, all girls wanna be like that" then Ariana gets on mercedes side and rubs her almost hard bulge on mercedes leg while singing the last bit of the song "bad girls underneath like that, you know how I'm feeling inside (you know how I'm feeling inside, baby), somethin' 'bout, somethin' 'bout you

All girls wanna be like that, bad girls underneath like that, you know how I'm feeling inside (somethin' 'bout, somethin' 'bout), somethin' 'bout, somethin' 'bout, somethin' 'bout you, (Yeah, there's somethin' 'bout you, girl), (Yeah, there's somethin' 'bout you, girl), (Yeah, there's somethin' 'bout you, girl) somethin' 'bout, somethin' 'bout, somethin' 'bout you" and Ariana finishes singing the song while both were inappropriately touching each other on the stage and Ariana immediately stops being sexual with her wife mercedes and mercedes is now slightly horny "inappropriately while touching each other during the dangerous woman song is perfect for when you sing in front of fans Ariana says Brian

"are you okay with us touching each other on stage while inappropriately touching each other in front of my fans when you go with me on my tour babe says Ariana "I'm fine with that baby says mercedes as they passionately kiss "wow, both of you getting very sexual as your wife sung the dangerous woman song, but I gotta say ,props to you says Nikki Minaj "my next song is baby I and tattooed and my song with you is after I sing the two songs says Ariana and 2 songs later as Ariana sings the next song "side to side" with Nikki Minaj as Nikki Minaj gets on stage and hours later of dancing and singing and Ariana, Samia and dancers are now super sweaty as Ariana sings the last song with the weekend called love me harder as the weekend gets on stage and the music plays and they both sing their verse of the song

As it is now 5pm as the last song is called love me harder " 🎵 Tell me something I need to know, then take my breath and never let it go, if you just let me invade your space, i'll take the pleasure, take it with the pain, and if in the moment, I bite my lip, baby, in that moment, you'll know this is, something bigger than us and beyond bliss, give me a reason to believe it, cause if you want to keep me, you gotta, gotta, gotta, gotta, got to love me harder, and if you really need me, you gotta, gotta, gotta, gotta, got to love me harder, (Lo-love me harder), ooh-ooh-ooh-ooh, love me, love me, love me, ooh-ooh-ooh-ooh, harder, harder, harder, i know your motives and you know mine, the ones that love me, I tend to leave behind, if you know about me and choose to stay

Then take this pleasure and take it with the pain, and if in the moment you bite your lip, when I get you moaning, you know it's real, can you feel the pressure between your hips, i'll make it feel like the first time, cause if you want to keep me, you gotta, gotta, gotta, gotta, got to love me harder, (I'ma love you harder), and if you really need me, you gotta, gotta, gotta, gotta, got to love me harder (love me, baby, love me), (Lo-love me harder), ooh-ooh-ooh-ooh, love me, love me, love me, ooh-ooh-ooh-ooh, harder, harder, harder (oh), ooh-ooh-ooh-ooh, love me, love me, love me, ooh-ooh-ooh-ooh, harder, harder, harder (you gotta love me harder), so what do I do if I can't figure it out (Figure it out), you got to try, try, try again, yeah (whoa)

So what do I do if I can't figure it out (Figure it out), i'm gonna leave, leave, leave again, cause if you want to keep me, you gotta, gotta, gotta, gotta, got to love me harder, (I'ma love you, love you, love), and if you really need me, you gotta, gotta, gotta, gotta, got to love me harder, (Got to love me, baby), cause if you want to keep me, you gotta, gotta, gotta, gotta, got to love me harder, (Love me harder), and if you really need me, you gotta, gotta, gotta, gotta (I'ma do it, do it, do it), got to love me harder, (i'ma love you harder, hey), ooh-ooh-ooh-ooh, love me, love me, love me (love me), ooh-ooh-ooh-ooh, harder, harder, harder, (Girl, you gotta love me, love me, baby), love me, love me, love me, (just a little bit harder, harder, baby), harder, harder, harder" the song ends and they stop singing

And the dancers stop dancing as Ariana is now very sweaty and Ariana gets off the stage as mercedes hands Ariana a towel and Ariana wipes the sweat from her face and neck and gives mercedes a kiss and mercedes returns the kiss and Samia picks up the unbuttoned flannel shirt as she got off the stage "here's your flannel shirt mercedes says Samia "thanks Samia says mercedes "you're welcome says Samia as mercedes takes her flannel shirt and puts on the unbuttoned flannel shirt and mercedes checks the time on her phone as it says 7:30pm "I love you babe says mercedes "I love you too baby says Ariana as they passionately kiss "one other thing, before your wife got on the stage, she handed me her phone and told me to record once you started to sing the dangerous woman song ari says Nikki Minaj

"I may post that recorded video of us touching each other inappropriately while you were singing that song babe says mercedes "post that video on both of your accounts baby and use very naughty caption baby says Ariana seductively and mercedes bites her bottom lip and she gets on her phone and gets on Twitter (now called X) and mercedes posts the recorded video of them being hands on during the dangerous woman song and mercedes does the caption "here's a video of me and my wife getting hands on while singing the dangerous woman song" and once mercedes posted the video, it gets thousands of likes and reposts and then mercedes gets on Instagram and posts it on her Instagram story with the same caption and mercedes posts the video and it gets tons of likes and mercedes logs out of both of her accounts

"When you sing the Dangerous woman song on tour, instead of getting hands on like we did during the rehearsal, how about getting very sexual with me as I am with you during the song baby says mercedes "I can do that babe and people will absolutely go crazy when we get very sexual when I sing that song to you babe says Ariana "also we have to be with you on tour when you sing the three songs that require me, Bieber and weekend to sing those three songs with you honey says Nikki Minaj "would the good morning America talk show host touch me very sexually when you perform the dangerous woman song on good morning America baby says mercedes "I'll ask him on the good morning America interview babe says Ariana and Scott and Brian comes over

"Getting sexual with each other during the dangerous woman song is perfect and would you two get very sexual during that song on tour in different cites says Scott "I don't have a problem with that says mercedes "I agree with my wife on that says Ariana "also in case you haven't noticed, your bulge is still very hard ari says Brian "does it bother you that my dick is still very hard Brian says Ariana and Brian backs down "that's what I thought Brian says Ariana "also you know how my wife gets when I dominate her during sex says Ariana "I want you right now baby because I'm already horny for you says mercedes "excuse us while I do my thing with my wife guys says Ariana as she grabs mercedes hand and they run towards the closet bathroom

Then they enter the women's bathroom and Ariana locks the bathroom door and pushes her wife mercedes against the bathroom wall and Ariana rubs her very hard bulge against mercedes covered pussy making mercedes moan sexually "did you lock the door so no one will interuppt us daddy says mercedes "I did baby girl says Ariana seductively making mercedes become so wet and horny and Ariana aggressively grabs mercedes by the throat and squeezes mercedes throat and mercedes moans and they start kissing as Ariana shoves her tounge down mercedes throat as they tounge kiss and Ariana squeezes mercedes throat once more as mercedes moans very sexually as Ariana takes off mercedes unbuttoned flannel shirt and sports bra and tosses them on the very clean bathroom floor

And Ariana gropes mercedes boobs as mercedes moans and mercedes grabs Arianas very hard bulge making Ariana gasp and moan then Ariana takes off her white shirt and mercedes bites her bottom lip once more and puts her head in the middle of Arianas breasts and moves her head side to side then mercedes sucks on Arianas boobs as Ariana moans as Ariana has already let go of her wife mercedes throat then mercedes goes back towards Arianas lips and they kiss once more then Ariana slides her hand to mercedes jeans and unbuttons and unzips mercedes jeans and takes them off leaving mercedes only in her panties and Ariana rubs mercedes covered pussy with her very hard bulge making mercedes moan loud and Ariana takes off her shorts and boxers and her 12 inch huge hard dick springs up

"Take your panties off slut says Ariana seductively with dirty talk to her wife mercedes "as you wish daddy says mercedes as she takes off her panties revealing her very wet pussy and Ariana lifts up both of mercedes legs with her arms as mercedes grabs Arianas dick and puts the tip of Arianas dick in her pussy as Ariana slides her dick all the way in mercedes pussy as mercedes moans in pleasure and Ariana starts thrusting very hard in mercedes pussy making mercedes moan very loud as Ariana continues thrusting her dick so hard and fast in mercedes pussy making mercedes scream at the top of her lungs and a couple seconds later as mercedes instantly cums on Arianas dick "harder daddy says mercedes as she moans

"With pleasure slut says Ariana seductively with dirty talk as she thrusts even harder and faster in mercedes pussy making mercedes scream so loud at the top of her lungs as she moans very loud then Ariana slowly puts down mercedes legs and takes her dick out of mercedes pussy "suck my dick slut says Ariana seductively "yes daddy says mercedes as she get on her knees and she grabs Arianas 12 inch dick and mercedes sucks on Arianas dick as Ariana moans loud "I want you to suck my entire dick very fast as I want you to make me scream your name very loud slut says Ariana seductively and mercedes sucks very fast on Arianas entire dick as she makes Ariana scream her wife's name out very loud

And 10 minutes later as Ariana cums in mercedes mouth and mercedes swallows every bit of her wife's cum and 4 hours later of Ariana dominating her wife so hard and they stop as mercedes is satisfied enough and it is 10pm and they put their clothes back on

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scotianostra · 2 years

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Happy 77th Birthday Al Stewart, born September 5th 1945 in Glasgow.

Al Stewart grew up in the town of Wimborne, Dorset, England, after moving from Scotland with his mother, Joan Underwood. His father, Alastair MacKichan Stewart, who served as a flight lieutenant in the Royal Air Force volunteer reserve, died in a plane crash during a 1945 training exercise before Stewart was born. He attended Wycliffe College, Gloucestershire as a boarder. After that, according to the song “Post World War II Blues” (from Past, Present and Future): “I came up to London when I was 19 with a corduroy jacket and a head full of dreams.”

And so it was that Al Stewart came to stardom as part of the legendary folk revival in the sixties and seventies and developed the combination of folk-rock songs with delicately woven tales of the great characters and events from history. Stewart has 19 studio albums between “Bedsitter Images” in 1967 and “Sparks of Ancient Light” in 2008, plus the live album “Uncorked” with Dave Nachmanoff in 2009.

Al continues to tour extensively around the U.S. and Europe. He is perhaps best known for his hits ‘Year of the Cat” from the Platinum album of the same name and the Platinum follow up album “Time Passages.” But his career spans four decades as a key figure in British music. He played at the first ever Glastonbury Festival in 1970, worked with Yoko Ono pre-Lennon and shared a London apartment with a young Paul Simon.

The Year of the Cat is the quintessential from Al and is one of my favourite songs from the 70’s, it’s the title song of his Platinum selling album. You can listen to the short version of the song on Youtube, or why not enjoy this live version recorded in April this year in New York. I love the keyboards in the intro, flute solo then a fine guitar solo, before flautist steps forward for a lovely bit of saxophone, it’s a fine display from Al and the band, and in my opinion one of the most complete songs ever recorded.

#Scotland #scottish #anglo-scottish #musician #singersongwriter #happy birhtday

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sarah-dipitous · 1 year

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Hellsite Nostalgia Tour 2023 Day 75

Criss Angel is a Douche Bag/Human Nature

“Criss Angel is a Douche Bag”

Plot Description: Sam and Dean investigate the activities of a trio of magicians who are using a grimoire to execute real feats of magic

Would I Survive the First Five Minutes??: is anyone gonna die? Or are these old magicians just gonna be huge bummers?? Oh!!! Ok, given that I know how very few magic tricks work, I could never throw shade at an older magician that would make me a target of revenge

Girl, you’re just gonna put the rabbit back in the bag with the hoops and handkerchiefs all strung together??

The camaraderie between these old magicians is usually only seen on the battlefield. Jesus.

The world of magicians is ruthless is what I’m learning tonight

It does feel weird to have breather episodes with the literal apocalypse breathing down our necks. Ruby’s not wrong here

Ah nice, the magicians sniffed out that the boys aren’t actually fbi agents

Look. The Criss Angel wannabe might be a douche bag, but I don’t think he needed to DIE. Are they gonna find a Hanged Man tarot card at his place?

I don’t that Dean’s correct here. The stupid foreshadowing to the even stupider finale. He hopes he dies before he gets old ✅ it either ends bloody ✅ or it ends sad ✅

Which one of this guy’s buddies has the grimoire? Is it the … I’m suspicious of both of them. One for being super involved and invested and the other for hardly being around at all

Seems like it’s the one who’s heavily invested………..except he just died

Mmmmmm, is Dean talking about Vernon or Sam? (They’re always doing this, saying what they should say to each other to strangers)

Who the fuck is this guy??? So this guy is a little like the Doctor? He dies and gets reincarnated but just as younger versions of himself? (Also, i went on a tear trying to find out why I recognized this younger version…and somehow of course it was a like two episode gig he had on scrubs in 2007)

That many cards in a tarot deck and you only learned two tricks based on them? With immortality on your side??? Ridiculous

Oh…Jay killed one of his best friends and lost the other because of it

Oh, Sammy, this doesn’t feel like the right move. I understand why you’re making it. Doesn’t make it feel right

“Been On My Mind…”: No. 8

“Human Nature”

Plot Description: in 1913 England, an ordinary school teacher named John Smith has strange recurring dreams of adventures in time and space

Why does practically every episode this season start in absolute crisis? The TARDIS is ALWAYS seemingly nearly crashing

Man I wish I could watch this again for the first time. I’d definitely be like “whaaaaaaaa???” Bet I’d still be surprised at the end of Utopia too

Ugh, these British school boys at their all boys school are just AWFUL

John and Joan are very cute, but it is frustrating to watch them from Martha’s point of view. Oh…oh, she doesn’t even get mentioned from the dreams, but Rose does. And this isn’t to be mean about Rose, just…Martha’s felt so much like a placeholder already, even after getting the key and phone upgrade last episode, and she gets erased from this, too.

Oh Jenny…I forgot about you. Your story doesn’t end well, does it?

The kid playing Baines is so perfectly creepy (where else to I know him from?? I’m scared of losing parts of my comments before midnight arrives or I’d check)

I love this shed where the TARDIS is being kept. And being in the TARDIS is the one thing keeping Martha sane and not completely snap having to be a maid at an all boys school in 1913 England

“Don’t let me abandon you” like he knows he could definitely do that. I forgot the pears part was in the but she fast forwards through

What’s up with the Love, Actually kid though? Bran Stark’s buddy…

AND THE SCARECROWS!! I remembered them being there but for what purpose?

Oooooof this scene where the boys are learning to fire machine guns…like, I know they’re just going for accuracy but MAN.

It’s so bizarre to see this period romance play out alongside the terror that is the family of aliens chasing after the Doctor ALONGSIDE the tragedy Martha’s living through

Yeah. I thought so. Jenny becomes the mom of this family…

Poor Martha’s lost the only person she felt she could lean on this whole time, her one friend, and now the Doctor John HAS in fact abandoned her, too, completely

The camera angles and zooms in this episode would be alarming if they weren’t hilarious

Are the scarecrows other members of the family that haven’t been given truly human form yet?

What an ending!!

Episodes Since the Doctor’s Last Attempted Genocide: 5…but I’m not holding out hope for another one soon.

#hellsite nostalgia tour 2023

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parkerbombshell · 1 year

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tabletmains · 2 years

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Tom petty album covers

"Everything's open-ended enough to make you want more," wrote Tom Carson on September 7, 1978. As Rolling Stone put it at the time, "On You're Gonna Get It!, Petty has shed some-but not all-of his cloaks." But the magazine also admitted the album maintained the close-to-the-vest romanticism of his debut. YOU'RE GONNA GET IT! (1978)Īfter the "Mystery Man" air Petty cultivated on the Heartbreakers' debut album, his sophomore effort You're Gonna Get It! was a bit more straightforward. After Damn the Torpedoes brought Petty into the mainstream for good, fans learned incredible tracks, including "American Girl" and "Breakdown," were on the band's first album waiting to be discovered. With a backing band and ensemble that included not only Joan Baez and. Joan Baez, Brandi Carlisle and guests ‘Refugee’. Released in the same year as The Killers frontman Brandon Flowers’ birth, Hard Promises is. Selling fast Only 1 left, and 2 people have it in their carts. Best covers of Tom Petty songs: The Killers ‘The Waiting’. A whirlwind tour followed, which provided the damage control Petty and his group needed, but widespread success was still three years away. Autographed Tom Petty Album Cover Replica,FRAME INCLUDED (does not apply to drumheads). But unfortunately what that meant for a Byrds-inspired bit of all- American rock was a lukewarm reception. Rod Stewart's "Tonight's the Night (Gonna Be Alright)" topped the singles chart and Songs in the Key of Life by Stevie Wonder was the top album. In retrospect, the week Tom Petty and the Heartbreakers' eponymous album hit shelves was a rather prestigious one. Shelter TOM PETTY AND THE HEARTBREAKERS (1976)

#Tom petty album covers

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childrenweb · 2 years

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How Puccini's Madam Butterfly catapulted Pavarotti to stardom

On the evening of Tuesday 7 May, 1963, an enthusiastic crowd of opera lovers filed into the Grand Opera House in Belfast, Northern Ireland, for a production of Puccini’s Madam Butterfly. In the wings, nervously waiting to make his UK debut as a professional singer, was an unknown young Italian tenor. His name? Luciano Pavarotti.

When did Luciano Pavarotti start performing?

Pavarotti had sung in the UK before, though not as an operatic soloist. Eight years previously, aged just 19, he had travelled to Wales with the Corale Rossini, a male voice choir from his hometown of Modena, to compete at the Eisteddfod in Llangollen. The choir won first prize in its category, and their success fired Luciano with a desire to launch his own career in music.

Eight years of patient training in his native Italy followed, with Pavarotti working as a teacher and insurance salesman to pay the bills. Then bookings started coming – Puccini’s La bohème in Reggio Emilia, Verdi’s La traviata in Belgrade, a Vienna State Opera debut – and the stage was set for Pavarotti to begin looking beyond continental Europe for further opportunities and experiences. The Belfast Butterfly was the first of these, and it proved crucially important.

How did Pavarotti end up performing in Belfast?

Alerted by the buzz about his voice coming from Italy, the Grand Opera Society of Northern Ireland had booked Pavarotti to sing the part of the caddish American lieutenant BF Pinkerton. The Society was by no means a fully-fledged operatic company. Formed six years previously, its ‘Grand Opera Weeks’ mixed local singers with more experienced soloists from abroad, adding heft in key roles and a whiff of international sophistication. To pay the soloists, fund-raising events were organised, and in 1963 the Society took a punt on Pavarotti’s as yet unproved Pinkerton, hoping that the gamble would prove a good one.

How was Pavarotti received?

It was, as from the outset the strapping young Italian made a positive impression. ‘He was like a big rugby player,’ recalled local soprano Margaret Smyth, who played Pinkerton’s American wife Kate. ‘A very pleasant person and easy to work with.’ Another cast member, Nan Murray, was equally impressed: ‘The voice just blew you away, it really did. It just soared.’

Pavarotti ‘wasn’t a wonderful actor’, Smyth added – a complaint that dogged him throughout his career – but for the Belfast audience it didn’t matter. ‘On the first night people heard this magnificent voice, and the place just erupted,’ Murray remembered. ‘The audience became very animated and were clapping and whistling when he came on for his curtain call.’

The rest is, as they say, history. Within months Pavarotti was making his Covent Garden debut in La bohème, replacing an indisposed Giuseppe Di Stefano. Engagements at Glyndebourne and La Scala followed, and in 1965 he toured Australia with soprano Joan Sutherland, a partnership immortalised in the many classic recordings they went on to make together. The path to operatic superstardom was well and truly established.

It was 36 years before Pavarotti sang in Belfast again, in an open-air concert at Parliament Buildings, Stormont. The city had not forgotten him. A sold-out crowd of 11,000 attended, and a few years later the Grand Opera House named its café Luciano’s in his honour.

Pavarotti himself remembered the Belfast Butterfly fondly, and knew that it was pivotal in his professional development. ‘I was appearing with a Japanese soprano who said I was singing too loud,’ he commented. ‘I ignored her. I knew I was making a big impression in Belfast and it was at the Opera House that my career really took off.’

We named Pavarotti one of the greatest tenors of all time

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chelseatara · 2 years

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Decolonising the Curriculum

Art history lags behind other disciplines in incorporating art by black and ethnic minorities argues Richard Hylton

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Image: Frank Bowling, South America Squared, 1967

Frank Bowling’s forthcoming major retrospective at Tate Britain has been a long time coming. So long, in fact, that visitors to it will be able to ‘experience’ what Tate describes as ‘the entirety of Bowling’s 60-year career’. As ‘one of Britain’s most visionary painters’ who ‘went on to study at the Royal College of Art alongside David Hockney and RB Kitaj’, and who ‘became the first Black artist nominated as a Royal Academician’, Bowling has finally been recognised by the upper echelons of the UK art establishment. Like Rasheed Araeen’s retrospective in 2017-18, organised by the Van Abbemuseum in Eindoven before touring to the Baltic Centre for Contemporary Art in Gateshead (as well as Geneva’s MAMCO and Moscow’s Garage Museum of Contemporary Art) that charted Araeen’s 60-year career (Interview AM413), Bowling’s retrospective characterises recent institutional attempts at slowly inserting black artists into British art history. It is difficult to overstate the significance of these exhibitions. Both Bowling and Araeen are in their 80s. Furthermore, these shows mark a break from posthumous recognition bestowed on artists such as Ronald Moody, Aubrey Williams, Anwar Jalal Shemza and Donald Rodney.

Accompanying the display of substantial bodies of work spanning several decades are equally substantial monographs on Bowling and Araeen respectively, which include essays by a coterie of curators, critics and art historians. These exhibitions and monographs reflect the museum sector’s continuing attempts to diversify the canon. But is academia’s instrumental contribution to these exhibitions evidence of a move towards expansive and pluralised notions of art history? In any number of retrospective exhibitions staged in the UK over the past few years, including those on Hannah Höch, Eva Hesse, Thomas Ruff, Käthe Kollwitz and more recently Joan Jonas, Anni Albers and Franz West, academics often play key roles, be it as curators, writers or advisers. Often testament to their sustained and prolonged academic inquiry, it follows that these artists figure prominently in course offerings on modern and contemporary art. Given that postwar black artists have been largely excised from dominant art history narratives, is the academy suitably equipped to follow the museum sector in diversifying its curriculum or does its role in historical revisionism mask prevailing racial and cultural hierarchies within art history? This article considers the racial and cultural politics of academe in the UK today. It argues that while feminist-based theories, for example, have played an instrumental role in challenging notions of the canon, conversely post-colonial discourse in its many forms, though equally important, remains largely marginalised if non-existent across the course offerings of many art history departments in the UK. Concepts of difference and pluralism are presently more widely reflected in the UK, not least by universities eager to project themselves as tolerant and inclusive environments. However, from their curricula to employment practices, academe remains largely impervious and resistant to change. Is this a consequence of an unspoken white privilege which continues to pervade and dominate the field of art history?

In 2000, as part of a presentation for my MA in History of Art, I explored the politics of black artists in British art. Ruminating on why Bowling had been and continued to be frozen out of mainstream narratives of British art, I showed Who’s Afraid of Barney Newman, 1968, from Bowling’s now widely acclaimed map paintings series. The paintings represented an amalgamation of ideas pertaining to abstraction and representation, culture and identity, as well as being a witty homage to the revered US painter Barnett Newman. Comprising shimmering green and red sections, intersected by a luminous yellow crevice, reminiscent of Newman’s signature ‘zip’ motif, a faint but discernible white outline of the map of Guyana, Bowling’s country of birth, reinforced the interplay between representation and abstraction. This confluence of narratives and entry points to Bowling’s work were, so I thought, sufficient to spark and sustain a productive discussion in an art history context. However, at the end of my presentation, and possibly as a means of igniting discussion within the student group, an art history lecturer ventured the opinion that the UK was awash with painters working in studios waiting to be discovered. Although a fleeting, if not flippant comment which would not find its way into print, the lecturer’s observation did represent for me a certain hostility within art history teaching towards asserting that the art world is a racially structured space. This personal experience took place within what could be considered a relatively liberal and progressive art history department. Nevertheless, it embodied, in microcosm, the formidable challenges and obstacles within art history. For the record, in 2000, at the age of 65, Bowling was not ‘waiting to be discovered’. His exemplary practice and the high regard in which he was held was reflected in many important exhibitions of his work in the UK and the US, which belied his systematic exclusion from the mainstream art world. In the intervening years, Bowling’s stock has risen significantly within the museum arena, yet art history teaches us nothing; despite a plethora of awards, exhibitions and critical attention, we are offered only a selective view of history. Tate’s foregrounding of Bowling’s time working alongside Hockney and Kitaj is a case in point. Scouring Tate: A History from 1998 by Frances Spalding reveals not a single mention of Bowling. Following Lubaina Himid being heralded as the oldest practitioner to win the coveted Turner Prize, the BBC glibly commented that ‘Himid made her name in the 1980s as one of the leaders of the British black arts movement – both painting and curating exhibitions of similarly overlooked artists’. Where Bowling is now seamlessly positioned as part of postwar British art, Himid’s recognition was framed by a casual acknowledgement of ‘similarly overlooked artists’. These seemingly different forms of historical recovery nullify rather than address the incalculable damage systematic art-world exclusions have had and continue to have both on individual practitioners and on wider narratives of art history.

Art historians and cultural theorists have offered insightful texts which could in many ways be considered as templates for reading and complicating conceptions of British art history. For example, Kobena Mercer’s essay ‘Ethnicity and Internationality: New British Art and Diaspora-Based Blackness’ from 2000, published in Third Text (whose founding editor was Araeen), considered ‘the curious position(s) of diaspora artists amidst the contradictory forces of art world globalisation and regressive localism’, thereby intervening to address the stranglehold yBas had on art history. Such important essays, however, remain at academia’s periphery.

The weighty monograph which accompanies Araeen’s retrospective synergises the museum and academia. The publication includes ten texts charting Araeen’s enduring and expansive career as an artist, curator, writer, publisher and editor. This formidable collection of essays by academics such as Michael Newman, Marcus du Sautoy, Zöe Sutherland, John Roberts and Courtney J Martin (who, interestingly, is also a contributor to Bowling’s monograph) leaves us with plenty to ponder, with titles such as ‘Third Text: Modernism and Negritude, and the Critique of Ethnicity’, ‘Dialectics of Modernity and Counter Modernity’ , ‘Politics of Symmetry’ and ‘Equality, Resistance, Hospitality: Abstraction and Universality in the Work of Rasheed Araeen’ and so on. Nick Aikens’s decision, as the publication’s editor, to primarily call on academics is in many respects in keeping with the conventions of such retrospective tomes. When considered in relation to academia, however, it does raise a question about what function this writing has as part of a wider commitment to challenging what Charles Esche describes in his preface to the monograph as ‘the partiality and blindness of Eurocentric modernism’. Is this writing on Araeen akin to an otherwise absent parent who lavishes copious birthday gifts on their child? The relative paucity of teaching within academia on postwar black artists does temper the critical triumphalism of Araeen’s monograph. The contributors’ biographies alone suggest that their essays here are, almost without exception, a break from their usual artists or areas of interest. Is there a correlation between the type of voices of authority who now champion excluded practitioners and the voices which previously ignored their exclusion?

Cultural theorists and art historians have contributed an immense range of scholarship, much of it academic, which has done much to expand and challenge received notions of art history. Three anthologies produced between 1999 and 2008 explored key themes spanning contemporary African art as an emerging force during the 1990s, the re-examination of art from the colonial period, and new discourses on modern and contemporary art. Reading the Contemporary: African Art from Theory to the Market Place, 1999, edited by Olu Oguibe and Okwui Enwezor, pooled a wide range of articles from journals and exhibition catalogues published between 1991 and 1997, written by art historians, anthropologists and cultural theorists such as Kwame Anthony Appiah, Mercer, VY Mudimbe, Laura Mulvey, Everlyn Nicodemus, Chika Okeke and John Picton. Similarly, Race-ing Art History: Critical Readings in Race and Art History, 2002, edited by Kymberly N Pinder, includes a broad collection of writing but this time using a narrower ‘historical lens’, primarily focusing on art from the 19th and 20th centuries but also including art from ‘antiquity to the middle ages, and Modernism and its “Primitive” Legacy’ in order to reconsider historical painting, through to the work of artists such as Sargent Johnson, Horace Pippin and Jean-Michel Basquiat. Then there is Annotating Art’s Histories: Cross-Cultural Perspectives in the Visual Arts 2005-08, co-published by MIT Press and edited by Mercer, which further exemplifies critical thinking emanating from academia. The first volume, Cosmopolitan Modernisms, 2005, offered what Mercer described as ‘a partial and provisional review of how we have arrived at the current state of play with regard to understanding cultural difference, not as an arbitrary irrelevance that detracts from the “essence” of art, nor as a social problem to be managed by compensatory policies, but as a distinctive feature of modern art and modernity that was always there and which is not going to go away’. Unlike the previous two anthologies, Mercer’s series was primarily based on new writing, but in keeping with their aspiration it too ‘sets out to question the depth of our historical understanding of cultural difference’. We could also cite art journals such as Third Text, Nka Journal of Contemporary African Art and Small Axe, launched in 1987, 1993 and 1997 respectively, which have also, to varying degrees, been supported by those based in the academic world. But why has this wealth of publishing been unable to have any impact on the presumed white authority which continues to underpin the teaching of art history? The histories of black artists were often considered as separate if not largely irrelevant to art history. Today, museums are historicising and incorporating black artists into British art history’s grand narrative; but does this now present a conundrum for art history departments? It is an understatement to suggest that those responsible for managing art history departments think more carefully about what constitute core subjects and specialisms in the 21st century. Artist Mary Evans’s eloquent observation that ‘the political, social, and cultural dynamics of modern Britain are in many respects the legacy of Britain’s imperial past’ provides an enticing starting point for narrating postwar British art. Rather than being seen as limited or specialist, though, such an approach to art history should be seen as a challenge to existing conventions. This is not a new proposition.

Art historians and cultural critics have for decades challenged the formidable orthodoxies on which art history has prevailed and been taught. Art historian Linda Nochlin’s groundbreaking essay ‘Why Are There No Great Women Artists’, 1971, and John Berger’s seminal television series and book Ways of Seeing, 1972, both exploded myths about the production, dissemination and interpretation of art. Exposing the gendered and socially stratified but unspoken narratives which governed art history, Nochlin and Berger brought not only new readings to the canon, but they also by necessity explicitly critiqued the epistemologies of art history. Influenced by this work, art historian Griselda Pollock recently noted in an updated preface to Old Mistresses: Women, Art and Ideology, 1981, which she co-authored with Rozsika Parker, that a book ‘merely trying to add back the missing names of women was doomed to failure’. Instead, it proposed a critique of the structural sexism in the discipline of art history itself. Such critical approaches are integral to art history teaching. Peggy Phelan’s Unmarked: The Politics of Performance, 1993, and Amelia Jones’s Body Art: Performing the Subject, 1998, were staple texts within my History of Art MA. In different ways, both went beyond merely arguing for representation within the canon to disrupting its convention (for Jones, it was ‘the particular potential of body art to destabilise the structures of conventional art history and art criticism’). In this context, is it possible to understand the limitations of historical revisionism as a means of upholding convention?

In ‘The Difficulties of Naming White Things’, 2012, Eddie Chambers offers a series of cogent observations about the often-unspoken conventions which are hidden in plain sight but permeate art history and academia. He expresses the ‘frustration of not being able to call what generally passes as art history white art history, even though, with its consistent omissions and partial accounts, that is what the universities of the country are by and large serving up within their art history departments’. Beyond what Griselda Pollock termed as challenging art history’s ‘structural sexism’, Chambers identifies what he considers to be ‘an uncomfortable and frequently unacknowledged racialised schism within art history and academia’. In the US some discipline areas are now habitually demarcated along racial lines, such as ‘African Americanist’, ‘Africanist art’, ‘African diasporaists’. In the UK, academe’s gravitation towards courses such as ‘global perspectives’ or ‘non-Western art’ may represent concessions to notions of inclusivity and diversity but, equally, these euphemistic and all-encompassing terms also serve to reinforce racial hierarchies within art history.

Keeping difference at arm’s length and maintaining the unspoken but explicit racial stratification within academia supports the status quo. This is an unsatisfactory situation not aided by the disparity between the number of white and black academics across the range of the UK’s universities, which is striking. Employment statistics paint a bleak picture. In 2011, it was reported in the Guardian that 50 out of 14,000 British professors were black, while in 2016/17, 25 black women and 90 black men could be counted among 19,000 professors. In Inside the Ivory Tower: Narratives of women of colour surviving and thriving in British academia, Deborah Gabriel describes this situation as reflecting the unspoken ‘white privilege’ which pervades academia and plays a critical role in perpetuating inequality. The situation is all the more perverse when considered against the significant numbers of black artists who have received honorary degrees from universities wanting to be seen to be progressive.

Today, marketing strategies and campaigns used by universities are key for the recruitment of fee-paying students. These promotional and often formulaic campaigns, across the sector, project university life as enjoyable, aspirational and inclusive. Perusing the plethora of university websites it is noticeable how prominent black people have become in this marketing. Conversely, delve a little deeper into these university websites and their academic departments, and black people are often conspicuous by their absence. While statistics testify to enduring inequality, in today’s market-driven educational economy the absence of black faculty carries even greater significance. Pursuing a career in academia is by no means the only purpose of a university education, yet, on current evidence, and despite the increase in numbers of black and Asian people receiving degrees, it seems that a sector eager to educate these students remains less inclined to employ them. Such realities temper the current university fad for advertising employment success rates of graduates.

The racialised employment practices of universities raise questions about the veracity and the purpose of equality statements and equal opportunity monitoring forms. Beyond liberal posturing, what purpose do such bureaucratic mechanisms serve? Racial inequality is an issue across academia but is there an area where it remains more pronounced than in the privileged world of art history? Women have undoubtedly fought hard to prosper here but, with few exceptions, art history departments remain as white today as they were 30 or 40 years ago. Is this responsible for black British scholars seeking opportunities in the US? Despite the critical triumphalism which underpins Bowling and Araeen’s retrospectives, day-to-day teaching of art history appears impervious to the changes proposed by the very scholarship it is producing. Clearly, what is needed is a more sustained engagement with a wider body of black artists’ histories. Equally, diversifying the curriculum needs to be supported by more sustained efforts to decolonise academia.

Richard Hylton is a writer and researcher based in London.

First published in Art Monthly 426: May 2019.

#art #decolonisation #curriculum

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