Carl Andre dead at 88, comfortable, rich, celebrated in the art world. Whereas Ana Mendieta never got to have her full life and express all that she wanted to explore through her art. Truly the petty injustice of life is cruel in such disappointing ways.
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merge
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I could go on and talk about how Laerryn is not, in the end, motivated by hubris. Though The Age of Arcane is the age of Wizards who believe themselves bigger than gods. Or, or, I could talk about how Laerryn Coramar-Seelie was pushed by grief so deep it doesn’t just come in waves, it never fucking leaves.
How “It’s stupid to try and become a god” because she asked for the gods to save her friend. Pleaded with them to bring them back. That it was hubris that got her friend killed, and Laerryn is not the smartest person in Avalir for nothing. That she crushed it under her heel, but if her best friend, the greatest person she’s ever known had to die for her ambitions than it better well be fucking worth it.
That it is love, and love lost, that motivates her to do the things she does. And the fear of losing love again and again that motivates her to cast blight, despite her having paused for a second to listen.
Pride was her fatal flaw when Evandrian died. But it was not when she helped cause the calamity. It was love and love alone. Because pride is for people who don’t get shit done, pride is for the undeserving. She built a cathedral with her own two hands between working and researching. Between grief and mourning. Of course Laerryn is proud of herself, of course she believes in herself. She’s the goddamn Architect Arcane, she keeps this city afloat, makes discoveries for people to eventually use. She is the heart of the city. But she does not still her hand in pride, but fear, but love.
Love is what causes the Calamity. Love for Loquatious, love for Patia, love for her people. And also deep unsettling grief. Grief for what was lost to her, grief that the gods did not grant Evandrian reprieve. Grief for all the things that she could not save. Why would she waste her time trying to become a god, when she can show the gods that even them, even the mundane, even the mortals that they’ve created can do wonderful things and perform miracles. That they do not need them to grant them wishes, that they can do it themselves instead of waiting for the whims and whimsies of the Primordials to pay them any attention.
Why would the gods give her this power, this intelligence that she’s honed like a fine tuned instrument if not so that she can show them all that Avalir can be? And in the end, how could she learn? Why would she change everything? Change anything. In the end, her point was proven, the things she lost were no longer for naught. How could she ever regret what happened if in the end it was for love?
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they honestly couldve done so much with junpei beheaded/dismembered and im disappointed that it ended up just being mira. so much of his character and his relationship with akane is characterized by his lack of bodily autonomy, and him being openly beheaded during the nonary games would be the ultimate example of this. its perhaps the most brutal death in the game, and it never really gets explained or developed beyond the one puzzle that we get with it. junpei has been shown repeatedly to be subject to akane's plans or follow her blindly and i just think that would have been a really interesting angle to approach his beheading from. junpei has willingly signed up for nonary games in two different timelines just because he knew he would see her. he was infected with a deadly virus trying to find her. he grew desensitized to death as he took underground jobs to try and find her. his safety always comes second when shes in the picture, and his beheading wouldve been a prime opportunity to 1. exploit his willingness to let himself die/be injured for her and 2. make akane confront the fact that her confidence that junpei will always follow after her is not necessarily a positive thing.
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when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.
when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.
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I am so happy that Brennan finally got to spout his own fun animal facts at Hank during gameplay!!!
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the string of events that led me to watch dune 2 in theaters is something... and sent me into the rabbit hole that is only possible when you watch something that is 'good' but not 'great' and which doesn't seem interested to grapple with its own themes.
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This part of the editorial from 2099 (pic sourced from this post) is so interesting to me because i don’t even think the idea of Miguel having these kinds of flaws is uninteresting or impossible, but I just personally would never have come to this conclusion just based on the text.
Like, when I personally look at how Miguel and Dana interact, I don’t see any indication that he emotionally condescends to having a relationship with her, when you’d think this strain of elitism should shine through in some part of their relationship at least initially in his arc.
I don’t look at Xina and Miguel’s interactions and interpret any sense him feeling threatened by her intelligence (even if we're just talking purely pre-spidermanning), when you’d think an element of that would be present, even in a flashback. He was a callous dickhead about the cheating explanation, but that alone without some corresponding behaviour to how he speaks to/treats Dana, even just as a flashback, just doesn’t offer the bridging piece to displaying what the authorial intent apparently was, at least for me.
Also, and by god we always come back to Dana’s writing being so damn lazy, but if Miguel - even if only at first - sought Dana out due to the emotional convenience she provided, what has prompted enough change that he is willing to bear and forgive actions like her seeking out the company of the man who drugged him when she wants to needle Miguel.
ALSO. PETER DAVID I AM SPEAKING DIRECTLY INTO YOUR EAR RN. ITS VERY SILLY TO ME TO POINT OUT THE MISOGYNISTIC STREAK INTENDED IN MIGUEL’S ACTIONS HERE BUT THEN LITERALLY JUST NOT BOTHER TO MAKE THE WOMAN THIS IS ABOUT MAKE LIKE. SENSE WHEN YOU WROTE HER. OFFER NO EXPLORATION INTO WHAT HER ACTIONS SPEAK TO IN HER PERSON AND DELVE INTO WHAT CONTRADICTORY ACTS MIGHT TELL US ABOUT HER.
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The Question #4 (1987)
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Thinking about how Lena was blamed for Mondatta's death and almost indirectly lead to a total all out war between Omnics and humans in Kings Row on this fine Tuesday.
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so my grandma is dying.
my dad flew out to see her on friday bc she's been staying with my uncle on monterrey since late september(??). my sister flew out earlier on january & stayed there for almost a month but by the end of her stay, my gradma's health went into a downward spiral. my sister accompanied her to san miguel, my ucle believes she might've had a stroke on the way back to monterrey bc she came back with such a different attitude & even lower appetite.
we've been getting updates on her since & it's honestly gotten worse. she's at the point where she can't get off bed, doesn't eat & can't recognize people anymore. my dad sounded so sad.
honestly, i'm not doing great but i'm not as sad about it i thought i would feel. she's 92 years old. maybe it hasn't fully sink in, or maybe i've done a good job at preparing myself emotionally bc it already hit me just how vulnerable she was back in 2021 when she had back to back injuries. the fact that she recovered from a broken clavicle & broken ribs in the span of 6 months was miracle on itself, but then i gave her covid on january 2022 & she still managed after that. the lady has beaten nearly anything that has come her way. except old age, i guess.
she's been declining a lot mentally, though, so i was expecting something like this for years now. not so quickly, but i guess at her age, anything becomes catastrophic so easily. i honestly felt like she wasn't going to make it at times when she was sick with covid. there's no making it out of this one, though. i think this is it.
i'm not sure of what to do now. they said she looks really bad and it's just sad to see her but we don't know when she's going to go. i wanna go say goodbye but i'm not sure how hard it's going to be to see her like that or if it will even help. there's been too many instances in my family of someone dying just as the last person came in to see them & idk if i'm prepared to see her actually go in front of me. she's been like a mother to me, she was my favorite person growing up, i think i grew up to be just like her way more than i'd like. my uncles say i should go and see her, but my dad says i shouldn't, that it's really bad. plus taking time off for this & then the funeral wouldn't be ideal. i just hope she's not waiting for me. i hope she's comfortable & not in pain. it's what she deserves now. blissful ignorance is the only thing i want for her in these moments.
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the more i write for mo the more i realize it’s just me putting her mother through things™️
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i had like a whole paragraph about how fanon depictions (bc i havent read those comics..) of batman dealing with jason todds death is similar to gilgamesh dealing with enkidus death adn then i deleted it bc i dont know this professor THAT well yet...
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I’m absolutely obsessed with Danielle’s raccoon dress
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Everything Happens for a Reason: And Other Lies I've Loved, Kate Bowler
Kate: I just don't know what to do.
Beth: Die.
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When you realize you ship two obscure characters and AO3 only has two works for them
And then you find yourself tapping away at your notes app to write a new piece based on the Dreamlight Valley AU between you and your friends, which has already been used on AO3 for one of your other ships
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