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#timéa
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Oh my, so interesting what he explains about him and Téa. 🥹 So happy for them, and for him to have found someone like this. ❤️
[VIDEO BELOW - New interview with Kara]
Kara : How are things with your accomplice?? How is your accomplice?
Tim : She’s a miracle. I never thought that I would experience something like that at my age. And I had sort of come to terms with like maybe being alone or maybe being some kind of casual thing that wasn’t really too demanding and then we met and it all changed! It is the deepest, most fun, most truly intimate relationship I’ve ever had.
Kara : so why do you think that is? What’s different? What makes it like that?
Tim : […] We want someone to see us. And if we get into a place where we allow someone to really see us, everything, and they can look at that and say ‘Ok, ‘I’m okay with this. All this good stuff and all that bad stuff’ then it’s like a profound relief to be able to be your entire self and know that someone is not gonna blame you or try to change you in a way that’s punishing or belittle you for the things that you have that are human flaws; but you know, try to help you and try to encourage you to improve without trying to fix you. So, all that stuff.
Kara : So, there’s something about her that helped you trust that she would do that, be like that with you? Or were you at a time in your life where you were ready to expose yourself in that way?
Tim : All of the above. And, talking about fear, I was terrified because basically she said to me ‘Give it all, give me everything. Tell me the whole story, all the shit, all the stuff you’ve done you’re not proud of, you’re ashamed of, just tell me and I’ll deal with it’. And I was like ‘okay…’ thinking that perhaps I would get annihilated, you know, that I would step on the landmine the was in the mine field or the eggshells that was out there. I took that risk and I laid it all out and she was like ‘okay. Let’s do this’. Wow, you know and… [getting emotional]. It was and has been an amazing thing and feels not punishing at all. And… some of my relationships I’ve felt punished.
Kara : Right, which would make you think that future relationship would as well, because it was your history, it’s what you knew.
[…]
Kara : You and Téa met when you were on ‘Madam Secretary’. I don’t know if you met before that but that’s when you started becoming intimate. That ended like years ago now. How many years has it been?
Tim : Four years, five years, something like that.
Kara : So, it’s interesting that you are great with that situation, and your environment now is totally different; you’re not working together. And has it changed at all? Was it more something then or more something now?
Tim : That’s better. That’s better now. Yeah, you know, it’s funny because I’m pretty sure there were a lot of eyes rolling on set and lots of nervous people going like ‘Oh God, when that blows up it’s gonna be a disaster. Oh, on set romance…’ And we were a little bit before #MeToo so we could have our romance without being so careful about it, and all this stuff, and there was, I’m not sure if it’s actually called this, it’s called a ‘Love contract’ that you were supposed to fill out for CBS saying ‘We are in a relationship, we work together so if things go badly, we’re not gonna bring it to work’ but we never did.
Kara : Oh, you never signed it?
Tim: No, we never signed it and we never brought our shit to work.
Kara : Very good. There’s something going on that you’ve decided, you’ve approached the whole thing in a healthy way it seems like, to me […].
Tim : It’s pretty spectacular.
Kara : I also love the fact that she said ‘Give me all of it?’. Like she literally said that?
Tim : Yeah. It’s funny also, and so surprising for me. I showed up for work one day at Madam Secretary and I opened the door to my dressing room and there were like 25 pairs of high heel shoes and all this lingerie and I was like ‘What’s happening here?’ And Téa is like ‘Why do we have separate dressing rooms? I’ll just be in here.’ And first I was like ‘Wait, my space, etc.’ and I was like ‘No, she wants to be with me so badly that she’s moved her high heels into my room, so I better take this, this is a good thing.’ And her dressing room turned into a place where we would take naps. At lunchtime, we looked like cadavers. We would lie next to each other and just pass out for about 18 to 20 minutes, we got so good at it, and then we could continue on with our day.
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cassandramccord · 1 month
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thinking about them today 😭💕
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loveandprose · 2 years
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It’s missing Tim Daly + Téa Leoni hours. 
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gillians-leoni · 2 years
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okay so @/timeafanx sparked this idea in me from my strip club xf fic and I need to know that I’m not losing my marbles here.
msec fans: bessxhenry strip club college au? yes? no? maybe? please let me know this isn’t like a weird idea 😭
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follia-pura5 · 8 months
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"Sveglia" Official Version JALISSE
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wyvunn · 2 years
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Est-ce que quelqu’un sait si Tim a un nouveau prénom officiel, après sa transition ?
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‘are you still interested in getting a hobby?
- this is not a hobby.
- it is, if you’re doing it right’
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queen-bess-mccord · 5 years
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2014 to 2019: Tim’s birthday wishes to Téa ❤️
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yesmadamepresident · 5 years
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Please, guys. This is how we save Madam Secretary! Takes less than 5 minutes.
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merylisoneofakind · 5 years
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The look of love. 😍
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Opening night of « Still »
Adrienne Campbell-Holt, Playwright Lia Romeo, Jayne Atkinson, Tim Daly and Téa Leoni.
It says opening night but April 22nd. I thought it was April 18th?
1. Téa was here! With the green nail polish. 🟩
2. Blue shoes for Tim! They go well together with all these flashy colors. Colorful couple! 😄
3. Ring is on. 💍
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cassandramccord · 6 years
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Just want to point out that Tim is wearing his T bracelet in this photo from the poetry event at Lincoln Center on Wednesday night so for all of you worried about Timéa, some evidence that everything seems to ne just fine :)
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wikitina · 7 years
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when you ask someone not to do something and the person does it anyway.
elizabeth & henry mccord
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1000sassa1000 · 3 years
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GARçONNE
KALTBLUT presents GARçONNE. Photography by Flavio Leone. Model is David Beer. Styling by Christoph Cong Fässler. All designs by „maison blanche by Yannik Zamboni“. The editorial was made the 100th anniversary of the „Textilerevue“ commissioned by the STF Schweizerische Textilfachschule Zürich (Swiss Technical Textile School Zurich). The assignment was to create a look with the inspiration of the decade 1920-1929. Project and idea by Noémie Schwaller from www.textilrevue.ch // @textilrevue_chmaison blanche believes it is necessary to address the discourse of taboo topics by means of conceptual fashion and to create a stage for interaction. Socio-political issues, the defamation and repression of minorities, especially the lgbtqia+ community, as well as gender issues and feminism, form the content of the collections. maison blanche makes queer anti-fashion. queer within the meaning of different, abnormal or not according to expectations. its subversive content is reflected in the deconstruction and deposition of codes. it forms a side-stream to the mainstream and serves subcultures. maison blanche`s anti-fashion takes the liberty to create its own (ab)normal. it shits on the maxims of action and codes of behaviour of the masses but influences them. it rewrites unwritten rules, completely detached from the oppressive ideas of social ideologies and the fashion industry. maison blanche condemns the common practices of the fashion industry and therefore wants to establish itself far away from this circus. maison blanche conceives fashion, especially skirts & dresses on a man‘s body and thus aims to expand the rules of conduct. As a wearer, it wishes much more than a certain gender, people of all genders with a similar mindset.
Garçonne:
The term „Garçonne“ refers to a twentieth-century fashion trend that manifested itself during the „roaring twenties“ (also called „les années Folles“ or „Golden Twenties“) between 1919 at the end of World War I and 1929, the beginning of the economic and social crisis. Beyond the specific style of the 1920s, the phenomenon of Garçonne that emerged from the emancipation of women and the demand for equality reflects a cultural mutation of the representation of the female gender that prefigures the contemporary woman (Wikipedia definition [French], freely translated by – maison blanche – )
GARçONNE is a cry to give space to gender, and indeed to all forms of gender, and to accept and value them. Not only do we already know the third sex, that of the intersex, but there are many different ways of perceiving and living gender. Gender identities range from agender, androgynous, gender fluid, non-binary, transgender, gender nonconforming, multigender, pangender, polygender, two-spirit and many more. We, as part of society, are responsible for the change. GARçONNE is meant to unite feminist people in the fight for equality of all genders in a society that is still patriarchally constructed and controlled and which teaches, normalizes and celebrates patriarchy. Human history has known more than two sexes since the beginning of time and isn‘t the simplification to two sexes and/or gender a curtailment of the rights of all others?
Inspired by the spirit of Garçonne, the energy and power of 1920s feminism for change, this look was created to break social norms and the binary gender system.
GARçONNE:
Is a breed of human being which is not conforming with the societal gender-norms and qualifications nor let themselves put into a binary system. GARçONNE likes to fuck the gender binary and expresses it by using whichever toilet they want, showing off on streets, dressed with whatever they feel comfortable with. GARçONNE is a species of different genders triggered by modern emancipation for all gender identities. They demand a change of societal behaviour, the binary gender system and expresses themselves according to fashion & style which is often referred to as „the gender fuck“.
Material concept:
Only materials where used which are second hand and/or vintage, stock and archive material and remnants. The idea was to get along with what is available already, not due to financial reasons, but due to the idea of sustainability. Conscious use of materials and the environment. In particular, a lot of wool was used as it was a standard material in the 20s, especially in winter clothing.
aspects of sustainability
in today‘s time of super consumerism and overproduction in a throwaway society, it is a must to design and produce sustainably. it is of great importance to acting sustainably during the entire textile cycle. for the areas of the textile cycle that affect the consumer, i.e. use, maintenance, and disposal/recycling, maison blanche makes a sustainable recommendation. for maison blanche, there are four spheres of sustainability.
ethical/moral
in principle, maison blanche only uses goods produced in Switzerland, if possible. nevertheless, raw materials often come from abroad. suppliers as well as producers must be able to prove that the materials are ethically/morally acceptable. this means it is known exactly where the raw materials come from (traceability) and there was no exploitation of humans, animals or the environment (fair wages, animal-friendly keeping and shearing of sheep/ animals and environmentally friendly dyeing and treatment of substances/materials). due to a design and production process which takes place entirely in Switzerland, these intentions can also be controlled and adhered to when realizing one‘s own collection. as a matter of principle, no furs or leathers are used.
socio-political
maison blanche does not produce clothes in the conventional sense, there are „en masse“, but conceptual fashion which should have a socio-political impact and thus be socially relevant and demand and promote a rethinking. by addressing taboo issues and/or manifested patterns of action, socially oppressive norms, rules and standards are questioned, expanded and/or redefined. maison blanche is committed to the interests of minorities, especially the lgbtqia+ community.
ecological
maison blanche uses only organic or recycled cotton and is committed to an ecological mix of materials. fibers such as hemp, kenaf, jute, flax and ramie are always used in the collections to reduce the importance of cotton. all used materials should be produced in an environmentally friendly way and should leave the textile cycle in exactly the same way. maison blanche is committed to up-and recycling and incorporates these elements into the looks and collections. for packaging & shipping, we always try to use the most environmentally friendly way.
economical
maison blanche produces in small quantities and only as much as can be sold. items which are not sold are recycled, up-cycled and reused. the collections are based on each other and do not compete with each other. the growth of maison blanche is controlled and if necessary slowed down so that ethical/moral, socio-political and ecological goals do not degenerate into commercialism. maison blanche produces and sources from small swiss entrepreneurs if possible and promotes them. it is a major concern to continuously respect and adhere to all four spheres of sustainability.
Project and idea by Noémie Schwaller @_noemies Photography by Flavio Leone / flavioleone.ch / instagram: @flavio.leone Photography assistant Chris Daeppen / www.chrisdaeppen.com / instagram: @chris_daeppen Model is David Beer signed @scout-model Zurich / Instagram: @david.banc Styling by Christoph Cong Fässler / christophcongfaessler.com / instagram: @cong.cf Styling assistant Yannik Zamboni / www.maisonblanche.swiss / instagram: @yannikzamboni
Credits Fashion & Concept: All designs by „maison blanche by Yannik Zamboni“ / www.maisonblanche.swiss / instagram: @yannikzamboni & @maisonblanche.swiss Designers assistant and right hand is Christoph Cong Fässler / christophcongfaessler.com / instagram: @cong.cf Sewing assistant Timéa Luana Panier/ Instagram: @was_bringts_mer Implementation of the screen printing by Martin Schlegel / Instagram: @tdstextildruckerei Conceptual inputs by Anna Rosenwasser / Instagram: @annarosenwasser Commissioned by the STF Schweizerische Textilfachschule (Swiss Technical Textile School Zurich) on the occasion of the 100th anniversary of the „Textilrevue“ / www.stf.ch / Instagram: @stfcommunity
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teaismyqueen · 5 years
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Aaaa of course it’s @baesicfangirl ‘s video!!!
My first day on twitter and I’ve seen this interview (that I have never ever seen before) I am also nearly finished with a one shot that I hope you will all like too!
In this video her and Tim must not be public yet because she mentions going on a double date to the WHCD - not sure why I loved that so much but I did....
Is it just me or do other people wonder
How long before they started working together did Timéa get together
Who made the first move?
What was it like on the set - like some people must of known but did they say anything?
I bet it was hot gossip on the set.
I reckon Téa made the first move
No, Tim. 😋
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anonymouslyaddicted · 6 years
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fav timéa pics??
Probably the ones from Italy, and also the one with the purple sweatshirts. 
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