#through during the first arcs. its kinda bittersweet? like of course he has his moments later on in the story but theyre not as grand | Explore Tumblr Posts and Blogs

ohjaimelannister · 5 years

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What are your predictions for 8x04 and the rest of the season? Plus all the major characters, like who do you think will live?

Oh god anon, Im sorry I didnt see this until now! 8x04 is kinda redundant now, and no one could have really predicted that storm of shite.

Okay so this is gonna be long I guess but here we go.

To be honest with you I only have a few prediction as to where the story’s gonna end up, I’m more concerned with the characters but :Kings Landing and the Iron Throne are destroyed by Cersei and/or Daenerys and Drogon. There is no more ‘King or Queen’ of the Seven Kingdoms, they have a council of a few (possibly elected? but probably not because this is Westeros) lords in a democracy or each kingdom goes back to being completely independent (which in the Norths case I wouldn’t actually mind) .

I’m not sure whether the White Walkers are truly gone or not? I’m not sure whether there’s gonna be something to do with them, but probably not. But basically there’s gonna be a lot of destruction and dismantling of the normal before this is all over.

I think this isn’t going to be type of “The End” situation, life will continue and maybe we’ll get some sort of epilogue about how one of the characters we’ve come to know is murdered under /mysterious/ circumstance (just like how the series began with Jon Arryns murder) or there’s another rebellion and the cycle begins all over again. There will be the inlaying message about how the wheel is never ‘broken’ because power will always be coveted and power will always be taken from those that have it. Basically they’re doomed to live this cycle over and over again. Hence the ‘bittersweet’ ending. All those that died along the way, died for nothing because the politics, backstabbing and wars will never be over.

Characters :

Lets start with The Starks, Sansa- I have nothing much for you except I just hope she lives at this point? Honestly, Id like her to rule and be Sansa of House Stark, First of her Name Wardeness of the North. She cares about her people and loves them endlessly so she’s perfect for ruling and protecting the North because of all she’s learned from figures like Tyrion, Cersei, Littlefinger etc. I don’t really mind if she marries or not but I’d like her to at least experience a loving relationship at some point in her life after all the shit she’s suffered through, and she just deserves to be happy basically. Though saying all of this considering how they’re writing it at the moment I honestly and truly expect her to end up ruling the north completely alone without any of her family with her because that ‘subverts expectations’ and D&D are shits.

Jon - well I hope for the best again but let’s be honest we’re not going to get it. Therrs two ways this could go : 1.) He doesn’t want to rule and I honestly don’t think he will. I would like him too, he’s good in leadership positions and he’s got the ‘saving the masses’ temperament (re: Wildings and getting himself killed for it) but I’m getting real big “gonna kill my auntiegirlfriend” from him at the moment, and I think we all know by know its been implied that Dany is going to go ‘mad’ and hell do it it to stop her from continuing to destroy an already burning city and more people from dying later on when shes finished with Kings Landing. Itll sort of parallel with Jaimes story in the end, though instead of being protected by the new ruler and his family, Jon will confess to his ‘crime’ and be sent to the North to exile, and go off with Tormund via Castle Black. I don’t want to say he establishes a new Nights Watch because there’s really no need for them now? Unless the WW aren’t really gone, then hell feel like he has too and the cycle will start all over again. Either way, he’s going to end up alone pretty much. As Beric and Ser Alistair said his life will never be easy and hell end up fighting others wars forever.

2.) Basically the same thing as before ^ but instead of being exiled, Drogon will just burn him to death in the Throne Room for killing Dany.

Either way Jons not going to get a happy ending I don’t think.

Arya - Her whole arc on the show has been badly written, and in the end I just want her to be happy with her family and Gendry. BookArya just wants a ‘pack’, basically a family. She fought so long and hard to get back to where she was, and even announced it to one of the most dangerous men in the world that she was “Arya Stark of Winterfell” and that she was going home. Where has that been this season? I want her not to kill Cersei, I want her to see what impact Cersei and Dany tearing each other apart has on KL and decide that vengeance isnt the best route and go to Gendry, who she clearly loves and he clearly loves her. The Hound might even try and convince her to seek out Gendry because there’s someone in the world that obviously loves her for who she is. But in all honesty? I think theyll have her just leave without saying goodbye to any of her family and just disappear again to find out what’s “west of Westeros”.

Dany - Dead. I dont like saying it, because I think Emilia has done her very best with whats been given to her (and D&D have done her dirty) but Dany is going to end up being killed by Jon for going mad with power and bloodlust basically. All signs have been pointing to it for a while now and without her morale compass in Ser Jorah and experiencing the pain of the abduction and then murder of someone she loved as a sister is obviously going to send her over the edge. I dont think shes ‘evil’ as such but, shes always had a problem with her anger and temperament, which the others have been skillfully subduing for years, with them gone, watch out world. Of course I could be epically wrong and she could actually win, murder all the Lannisters and Jon in a shock twist and take the Throne for herself??

Cersei - Dead. I mean it would be the ultimate shock and plot twist if she somehow lived and killed all the others? And tbh with the writing at the moment I wouldn’t actually hate that. I think shell probably either get killed by Jaime or take the easy way out like she was going to try to do before Stannis got to her during the Battle of the Blackwater. Nothing too surprising on the horizon there I think (hope).

Jaime - I want him to live? I mean I’ve known for many years there’s a 99% chance the he will die but I still have the smallest hope. If he has to die let it be heroic, let it be him killing Cersei to stop her from blowing up KL to get at Dany and co. Hed only die if he was wounded in the fight to get to Cersei (which is highly likely), or if he was caught by Dany and she has him executed because it looks like he betrayed them all, when in reality he was the only one who could get close to her. Im not gonna say anything about the leaks because I really hope that if he has to die its a GOOD death (and not falling from towers or jsut to be with cersei at the end or some shit) and that its his redemption arc completed and I really hope while hes killing Cersei he says “The things I do for love” and she KNOWS its not about her anymore. I will really be angry if this is a D&D screw up and they mess his entire character arc up because of this “addiction” nonsense. If he has to die let it be with Brienne by his side (because shes gone chasing after him) cradling him. “In the arms of the woman I love”

My dream for him would be that he lives, goes to Tarth, marries Brienne (after begging her forgiveness and shes punched him, ALOT) and they have warrior babies. The end.

Tyrion - I have two endings in mind for him, Dany finds out about someone is plotting behind her back and either Varys sells Tyrion out so he can keep playing his little games (or they both get found out) and he has a trial and is executed. Or if Dany dies he becomes part of this council thats going to lead Westeros.

Brienne - She lives? I cant see anything bad happening to her at this point unless she goes to KL to save Jaimes dumb ass. Either way I think shell live and end up bearing Jaimes child (whether he lives or not) because they were together for weeks and weeks, and it’ll be a plot device used to carry on the Lannister bloodline when the other three die, like Gendry was for the Baratheons. Which lets face it would cover the whole “bittersweet” ending really wouldnt it? She has to carry and bare the child of a man who loved and left her (with hopefully good reason) but shell never know that so she has to raise him/her alone on Tarth as a constant reminder.

Gendry - Well. Boys got two options (maybe three) But I dont think hell stay Lord of Storms End possibly? If its a choice between Storms End or Arya, I hope hell pick Arya. Shes never cared about him being a lord, she loved him for who he was way before he was made one. Or they just live in Storms End together and raise children. (They have to give us something right????) And the third option - Ive always had this really weird foreboding feeling he’d end up married to Sansa, Arya said no and made it clear she doesn’t want to marry, and if she leaves then…….the whole “i have a son, you have a daughter” thing still becomes a reality.

Pod - Well, I hope he lives, gets made a knight and helps Ser Brienne on Tarth basically. Hes too pure to be ruined (though D&D will probs give it a shot)

Davos - Might live? Im not so sure, if he does hell be helping out the new ruler/rulers in some way?? Or hell just be down in FleaBottom adopting random kids left and right.

The Hound - Will probably die in Cleganebowl and Arya will actually give the gift of Mercy this time, but not before he bestows his dad wisdom on her about Gendry/Life. And if he does by some miracle live hell probably go somewhere, build a house and live there in solitude for the rest of his days.

Bronn - Well I had a joke that this shit (i loved the character early on but this season has just been no) would avoid all the major battles somehow, live on over all our faves and get his damned castle……..Im probably not wrong about this one….

Sam and Gilly - Their goodbye already seemed pretty final? I hope we see more of them because just leaving them at Winterfell seems a bit open ended and weird considering Sam was like, part of the most MAJOR plot on the show? Maybe hell put on this council or be Lord of Horn Hill with Gilly as his wife, which would a great middle finger to his horrible father.

#got spoilers #game of thrones #meta #Jaime Lannister #brienne of tarth #Braime #Anonymous

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kihocrystal · 7 years

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Summer 2017 - Final Impressions

I may have skipped writing opinions up for Spring season (due to computer issues...), but I’m back for Summer season! I even fell behind this season because of school (hence why this is half a month late), but nonetheless, here are my thoughts on the animes I finished this past season!

The list of shows is in the tags, and are ordered alphabetically under the cut!

Boku no Hero Academia S2 - 8.5 / 10 ( B+ )

This was another really fun season of Boku no Hero Academia! This season was twice as long as season 1, which meant double the action! Most of the action this season was actually more on the light-hearted side, as two of the main story arcs of this season were the School Tournament, and the Final Exams. These arcs got to see the cast work together and face off against one another, which helped us learn more about their characters in the process! Almost everyone had their time to shine (which was great!), but the one who had the most prominent character arc was Todoroki; we learned about his troubled past with his family, and how he changes his mindset and attitude throughout the tournament, which was great to see! Character development was definitely a big aspect of this season (as seen through both of those arcs), but there was also a good amount of overarching story set-up as well! The main arc showing this off was the Hero Killer Stain arc (which included the Internships), which was definitely my favorite part of this season! Seeing Midoriya, Todoroki, and Iida face off against him was super fun and interesting, and also kicked off some plot progression that should go towards future arcs! Midoriya has improved his super power usage over the course of this season, and we also learned about All For One, which will surely be the Big Bad of this series as a whole. The finale also teases more things about upcoming conflicts, which included Midoriya having an interesting interaction with villain Tomura (and a ship might be sailing with Ochako and Midoriya)! It’s a good thing a season 3 has already been confirmed, because an open ending like this would’ve been bad otherwise! As it stands though, it’s a really good lead-in to the next season! Season 2 was great set-up for things to come (and good fun action on its own, of course!); I probably would’ve enjoyed this season even more if there was more interactions with the villains, but that will surely come in the upcoming season 3!

Isekai Shokudou - 7.5 - 8.0 / 10 ( B- )

This was a cute little show that was a good pick for “comfy show of the season”! I enjoyed meeting the wide range of characters and seeing them try out different types of food. I also appreciated how the food reactions were very downplayed, in comparison to more over-the-top fares like Shokugeki no Souma. That being said, they go into just as much detail describing why the food is so good (at least in the earlier episodes). I also liked seeing the patrons interact with each other, including getting into fights about who’s favorite dish is better. Each character’s story about how they discovered the diner (and the occasional backstory) was enjoyable to watch; we didn’t learn much about them outside of that, but we learned more about their interests and relationships via how they interacted with others both inside and outside the restaurant. It was also nice seeing how the restaurant has been a recurring thing for years, going back to the chef’s grandparents! The story is episodic, but each individual story was a nice, occasionally heartwarming, and “comfy” thing to watch once a week. The art-style complemented the easy-going pace as well; it was warm-toned and drew the food quite nicely (even if the animation itself was standard fare). This may not be a super in-depth slice-of-life show, but it’s a good watch if you just want to relax and see some good food!

Kakegurui - 7.5 - 8.0 / 10 ( B- )

This was the most popular show of the season on MAL (in terms of amount of people who watched it), and it’s easy to see why: high stakes (and over-the-top) gambling, the extreme reaction faces, and VERY sexual characters who get off on gambling (with yuri overtones to boot!). The more sexual scenes kind of got old for me over time, but I enjoyed all those other aspects! The crazy gambling games and characters were fun to watch (as someone who enjoys YuGiOh so much, that’s right up my alley!), and the crazy reactions added to the over-the-top appeal. Yumeko was an enjoyable lead, since she’s got just the right amount of insanity behind her also-enjoyable sweet facade (plus her seiyuu, Saori Hayami, did a great job performing her!). Many of the other main girls got some time in the spotlight too, both student council members and eventual Yumeko allies (though some student council members got more time than others, for sure). The main male lead, Suzui Ryouta, was definitely just there as an audience surrogate though, since he’s pretty bland (though he had some involvement in some gambles too!). When you get down to it, the appeal of this show is the characters and the gambling events themselves; all the story in-between just feels kind of lacking in comparison. Even the finale, which to be fair was anime original, kinda felt like a non-ending; the outcome kind of made that final gamble pointless and didn’t leave me with a good sense of conclusion (but hey, at least it’s better than a full-on cliffhanger or abrupt stopping point!). This show was far from my favorites of this season, but it was still an fun time during the gambling parts (which thankfully there’s a lot of here!). If you enjoy over-the-top gaming action and don’t mind the more sexual aspects (which can get somewhat explicit at times), you might like this one!

Made in Abyss - 9 / 10 ( A )

This is easily my pick for AOTS, no contest! It’s just a great adventure show from top to bottom, with a great sense of adventure and mystery! It also helps that the setting is one of the most unique and mysterious we’ve seen in anime for a long time! The Abyss is full of many different elements that not even the in-universe cast know of, which lends itself well to majestic scenes, along with terrifying secrets (it’s a lawless place, after all). Not to mention that the background art captures it extremely well; the huge amount of detail is a good contrast with the more square and cartoony character art-style! The soundtrack is used wonderfully, as it really gets a grand sense of ambience, mystery, and scale all at once! (Especially that one insert song they use a couple times, but first in the premiere!) The Abyss has been a cool place to learn and see more about over the course of the show, but it can definitely rear its ugly dangerous head from time to time, too. Meaning, this show can be VERY gruesome at times; there’s quite a few scenes involving large amounts of blood, and even body mutilation. It’s definitely not for the squeamish. If you can handle it, these scenes just add to the raw emotion this show has, and will have you on the edge of your seat! As for characters, Riko and Reg were a really good duo to follow in their journey! Their personalities (plus abilities and awareness of danger) balance each other well, and I enjoyed seeing them grow closer over time! Riko’s definitely an odd case since she has no fear of the Abyss despite never being able to return home, though (^^;). My other favorite was Nanachi; she was (unfortunately) only in the *last four* episodes, but her character and story really makes up for it! I enjoyed the rest of the cast too, including the cynical and crazy Ozen and her maid assistant Maruruk (she was so sad when Riko & Reg had to leave ;~;). The only real gripe I have about this show is its… inappropriate jokes at times. Lets just say there’s quite a few penis mentions (and yes, they say that word outright). However, the (double-length!) finale was crazy good; incredibly intense, fucked up, emotional, and with a hope cherry on top (including the balloon scene! I just wish I knew what was written inside!) Just learning the full details of Nanachi (& Mitty)’s backstory was REALLY fucked up… and the whole buildup and execution (I’m sorry…) of Mitty’s death brought a few tears to my eye (and I don’t cry easily when watching stuff!). The story definitely isn’t done yet (which impacts its score as a standalone season a little bit), but it had as good of a conclusion as it could’ve had. It sets up an easy-to-hate antagonist really well too, all within the span of one (double-length) episode! This show is definitely the best of this summer season (and one of my top picks for this year!), so this is a very easy recommendation! (Unless you don’t do well with gore, of course).

New Game!! S2 - 8.5 / 10 ( B+ )

I really enjoyed this second season of New Game! It definitely took a slightly different approach, as there was a bit more emotional and dramatic moments (which personally, I think is a good thing!) I also can relate to this show quite a bit, as I’m now a game design student at a community college; so as a result, seeing the girls work on a game in a variety of ways (along with the working process in general) is very interesting to me! Of course, that’s not to say this show is the most realistic portrayal of the industry, per se, but it’s still cool to see more of this slice-of-life comedy about working in a game company! This season shows the team work on a new IP from start to finish, and all the trials that happen along the way. The girls are challenged a lot more as well, especially Aoba as she gets her first go at being the main character designer (with help from Yagami-san)! The concept art contest was definitely the biggest moment for her character arc; seeing her do her best on an art piece, despite knowing she’s going to lose by default due to a sales decision, was bittersweet to see for sure (but she came out much stronger in the end)! That even tied into Yagami’s character arc as well, since she realizes she’s holding back the growth of her younger employees (;~;). Aside from that, the programming aspect got a bit more spotlight this season! Watching Nene make a game by herself, then see her as a programming intern was great to see! Speaking of interns, we got two new girls this season: Momiji and Narumi! Both of them served as good “rivals” for Aoba and Nene, even if there wasn’t fierce competition between them; I just liked seeing their different (more cynical) viewpoints and how they interacted with the other girls (and learned from them + vise versa!). This season ended on a strong note as well; seeing Yagami leave for France and all the girls going to see her off (plus Aoba’s tearful goodbye to her!) was a great emotional end to the season (and heck, it could be a good end to the series in its own right!). I definitely liked this season even more than season one, as the increased emotional depth added a lot to this cute and fun series! If you like slice-of-life comedy shows, this is a really good one to check out!

Princess Principal - 8.5 / 10 ( B+ )

This show is my runner-up for AOTS, so you know this show is a fun time! It’s always fun to see a new spy anime, and this one really delivers on the spy action! The action scenes are really well done, with fluid motions and well-choreographed fight scenes! Add in the steampunk / early 20th century-style, and you’ve got a really cool spy show! The characters’ art style (for the girls) are definitely more on the moe-side, but they were fun to watch the whole way through! The main girls’ personalities were a good mix, and really interesting to see play out (especially Ange’s deadpan shtick). They all have their own skills to contribute too; even Beatrice, with no spy training, can use her mechanical neckpiece to perfectly imitate other people’s voices! The story is mostly episodic; while there is an overarching premise of an England-esque country being torn apart by war and regimes, each episode focuses on one specific spy case. I liked this approach, as each case told a nice little story than could range from action-packed & tense, to somber & heartbreaking. Each of the main girls get some spotlight time too in at least one story, meaning we get more insight into their personal histories and personalities, which is great! The main character focus though is definitely on Ange and Princess, as they swapped places when they were kids and reunite in the spy team during the present timeline. This story is kept vague (which added a good sense of mystery to these two!) until slightly past the halfway mark; it was great finally seeing their backstory when it came time! Their relationship had a big part in the final two episodes as well; speaking of that finale, it was yet another action-packed good time! But it also was very open-ended; The main villain hasn’t been defeated, and the anti-hero spy (Zelda) in the final two episodes got away as well. At least the main group is back together, and hopefully we’ll see them in a season 2, because the ending makes this season suffer a little bit as a stand-alone show. That being said, this was one of my favorite shows of the season for sure, and you should check it out if you like steampunk-style or spy stories!

Re:Creators - 8.5 / 10 ( B+ / A- )

What a solid show! It’s not every day we see a modern anime have a definitive and satisfying conclusion, but here we are! The first episode might not have won me over initially, but it definitely grew on me over time. Exposition was a bit more heavy-handed in earlier episodes as well (which is the most common complaint I’ve seen), but it’s not as bad later on. Re:Creators had lots of themes and messages about the act of creating things and what can come from it, which was really cool to see, especially since I’m an aspiring artist myself. This show may have had a lot of action, but the characters (both creations & creators) and how they interacted with each other was one of the most enjoyable parts for me. I definitely related to the main character (Souta) quite a lot, as he had a hard time creating things (& enjoying it) due to negative circumstances (albeit his reasoning was guilt-related, via mine being self-confidence). Not to mention he admitted to having negative bitter feelings towards his friend Setsuna due to her success (which I admit I also relate too…). Seeing this kind of character reflected in an anime, in addition to seeing a variety of different creators, was definitely great to see, since I could relate to it so much! The creative process is a big part of plot progression & magic-power-logic as well, which is super unique! Seeing a bunch of different genres being represented was cool as well, including a magical girl! (though I wish Mamika was the first to die & last only 8 episodes… at least she was a great character in that short time!) Magane was probably the other standout character for me, as she had a fun personality and was a real wild card in terms of what she could do (though she took a liking towards Souta, in the end). The villain, Altair, was also a great concept for a villain, since she was a Hatsune Miku-type who could use endless material from fan-works as her powers! Each character got at least a decent amount of development/screentime, and like I mentioned before, the conclusion to Altair’s story was really well done, and even left room for an epilogue episode at the end… I love when they do that! The ride that was Re:Creators was full of action, funny moments, heartwarming and heartbreaking moments. In the end… it’s a really good original action series that’s actually complete!

Sakura Quest - 8.5 / 10 ( B+ / A- )

P.A. Works does it again with another really good “working women” series! Like Hanasaku Iroha and Shirobako before it, this show follows a group of young adult girls working to try and revitalize a small rural town. As I’m getting older, I love seeing anime with characters closer to my age range, as they try to find their place in a working adult world, just like I am! The “revitalizing a rural town” aspect was also interesting to see play out, as there’s a lot that goes into that, like trying to get your name out there (either through the web or through TV) or organizing and planning events! The story plays out over the course of the year, but there’s lots of 1-2 episode-long stories that show off all these aspects, along with highlighting certain characters (which I always love to see!). It’s definitely a slice-of-life show that has a lot of character growth, and seeing the team accomplish things and the town slowly-but-surely come together was great to watch! The cast of characters was also really nice, both main and supporting! Most of the supporting cast were elderly or adults, so seeing them bounce off the young adult main group (& seeing their ideologies clash and work together) was cool to see too! Each of the main girls had their own realizations and journeys to make while working for the Tourism Board, whether it was learning the value of small towns (Yoshino) or finding your own way to do what you want to do, even if you fall short of your dreams (Maki). By the end, all five of them definitely show off some good insight towards adult life! The finale was nice as well, showing their classic festival finally coming together and the Dragon Song showing up again (which was one of my favorite mini-arcs back during the first half). While it’s left unclear whether Manoyama gets absorbed or not, it definitely ends on a happy, conclusive ending for our characters, and the town is definitely better off than at the show’s beginning. This was an enjoyable, down-to-earth show to watch, and you should give it a try too if you like slice-of-life shows (or if you enjoyed Hanasaku Iroha or Shirobako)!

Senki Zesshou Symphogear - 7.0 - 7.5 / 10 ( C+ )

This fourth(!) season of Symphogear was a big, fun action fest, just like the other seasons! The strong points of this series have always been the bombastic fight scenes, the insert songs, and the characters, which continues to be true here too. This was the first season that I stopped trying to focus on the story, and I think my enjoyment actually improved because of it! This series’ story has always been silly and tries to top itself with every iteration, which happens again in this season; it likes to pull explanations out of thin air, and have situations work out for our heroes at *just* the right time so the show can have a cool “badass” moment. I will give AXZ credit though for at least trying to pull elements from past seasons into this season’s weapon upgrades and logic reasoning, even though it still kinda feels like an ass-pull to me (then again, other people disagree with me on this, so YMMV!). The story is definitely this series’ biggest weakpoint for me (which is why I tend to rate these seasons relatively low), but its strongest aspects are in top form and a lot of fun to watch! The fight scenes and power-ups keep finding new ways to one-up themselves, and the main Symphogear girls continue to have an enjoyable dynamic together! The new antagonist group was mostly just okay, but the core three alchemist girls (Saint-Germain, Cagliostro, and Prelati) grew on me after they turn on their master (even though I liked Cagliostro the entire time, really~). The final episodes were a fun time, as always (including Hibiki being an evil god-monster at one point!); it’s notable though that they set up some things here for the already-confirmed season 5! Symphogear definitely grew on me this season, as I realized it’s the epitome of a popcorn-action show; just shut your brain off, and enjoy the spectacle!

Shingeki no Bahamut: Virgin Soul - 8.0 / 10 ( B )

This was another fun and action-packed season of Shingeki no Bahamut! While I’m not sure whether I liked season 1 more than this one, it was still a very enjoyable watch throughout! One of the main reasons for this was the main new addition to the cast: Nina! She’s such a fun character to watch, as she’s strong, goofy, and jumps into action right away! I wasn’t the most fond of how “horny” she was for other guys, but that settled down a bit once she finds the guy of her dreams…. Which by the way, is also the main antagonist of the show, King Charioce. She falls in love with him when he’s in disguise, but even after his reveal, she still doesn’t give up her love for him (while simultaneously trying to stop his evil crimes). It’s definitely a unique approach to this type of romance for sure, but it was still a bit odd to me that she still stayed in love with him despite all the tyrannical things he did… At the very least, the execution of this subplot was pretty good, as were all the other story beats! This show has strong execution throughout (the prison escape arc was a highlight), with high quality animation (especially those dance scenes!), swelling music, and the right emotional notes. The problem for most people then will be some story beats themselves, mostly at the show’s end. A couple notable characters seem to get killed for no good reason, Charioce’s motivations try to spin him as “a good guy all along”, and his punishment at the end seems too light (as he merely just loses his eyesight); plus it feels like the people being oppressed by his rule turn right around and he gets praised as a hero for defeating Bahamut (which btw he himself summoned)! And oh yeah, Bahamut isn’t actually dead for good (leaving things open for a possible continuation). Oh well, at least the bittersweet aspect of a voiceless Nina and a sight-less Charioce being together is a nice touch. (I may sound mad here, but I didn’t hate these episodes at all ^^; ) In any case, the whole journey was fun to watch, and was full of engaging action the whole way through. I enjoyed seeing all the returning cast come back, and seeing them interact in both the upbeat and darker moments. Even though the ending won’t win over everyone, if you enjoyed the first season, you should have a good time here too!

#boku no hero academia #isekai shokudou #restaurant to another world #kakegurui #made in abyss #new game!#princess principal #re:creators #re creators #sakura quest #senki zesshou symphogear #symphogear #shingeki no bahamut #rage of bahamut #Final Impressions

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atlanxic · 7 years

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ok so i actually have an extensive arc-v/zexal crossover university au that i’ve talked a lot about on my private twitter and on discord but i think it’s time to put it all on tumblr. i wanted to make this all one post but i actually feel like it’s too much for that? so here’s part one of..... five or so?

yuuto, shun, and ruri lived in the same apartment complex as children, theyve known each other literally forever.

in middle school, yuuto & shun both discover hardcore/punk music and spend a couple years being kind of awkward and terrible about it until high school hits and they kind of level out. ruri teases them a lot for liking that awful racket but eventually she gets into it too, mostly because her and shun are kind of inseparable for quite some time. the three of them go to the local shitty music venue just about every weekend. for the first year or so ruri insists shes going to keep them out of trouble but like i said, she gets more into the music after a while.

shun and yuuto both mosh, shun probably more frequently than yuuto. they show up to school with bruises pretty often and rumours are started that they get in fights a lot or that theyre involved in a gang. there are also rumours that theyre dating, which dont go over very well, and result in them getting in actual fist fights a couple times. they try dating for like... 3 months in grade 7, and then decide that its weird and they work better as friends.

yuuto wears his hair in a mohawk for about a year before switching to the spiky mess we know and love. towards the end of middle school, they meet kaito at a prog-rock concert, all four of them pressed against the front rails together kaito and yuuto hit it off immediately, and exchange phone numbers after the show. shun is immensely suspicious. they text a lot, and then they start hanging out, and then they start going out. shun threatens to beat kaito up, kaito is fine with it, yuuto is not. etc.

meanwhile, ruri and sayaka meet in class. it doesn't even occur to shun to be suspicious of her until he catches them making out. he yells about it, sayaka is understandably frightened. ruri tells him off for scaring her girlfriend. she stays angry at him for longer than she has before. he eventually gives in and apologizes to both of them, but in a kind of dickish way.

yuuto and kaito break up towards the beginning of 11th grade. neither of them are upset about it, they stay friends. it was mostly because kaito felt like he needed to focus more on school, now that he's getting into college prep-level courses. yuuto cries about it once, and it takes several hours to convince shun that violence would be neither appropriate nor helpful.

all four of them move to a different city for college. sayaka goes to school in the town they grew up in. her and ruri stay in touch, but after half a year they decide that the long distance thing isn't working out for them. they still hang out when ruri and shun go back for the holidays, and its fairly bittersweet.

yuuto shun & ruri dont realize that kaito is going to the same school as them until all four of them are present at a queer alliance meet & greet. shun glares at him across the room for a while before yuuto notices he's there and goes over to say hello like a decent person. yuuto and kaito immediately hit it off again. theyre both kind of "fuck you grew into yourself really well im Gay."

immm gonna say that in first year, yuuto & shun live in the dorms together. they eventually decide the res life is not for them but. apartment hunting when youre like 18 and moving out for the first time is a bit much, so dorms it is.

anyway, shun catches yuuto and kaito making out in their shared dormroom like 3 fucking days after the meet and greet. kaito's expression is one of fear and conveys that he knows full well that shun is 2 seconds from beating him up. yuuto is kinda pissed off about it. yuuto and shun have a long conversation that night about how protective shun is. they fall asleep in each other's arms.

kaito avoids them for a little while, but the next time they see him, shun makes a genuine apology. yuuto and kaito start dating again a few weeks later. ruri is surprised and delighted about it. ruri ends up dormed with rin in first year.

they get along reasonably well, but they dont get close until rin accidentally lets slip that she's gay, and then ruri is like "oh thank god, me too." the context is probably: that yuugo visits them like basically every other day, and is Really Obviously In Love with rin, and rin's affectionate with him, so ruri just kind of assumes theyre dating. and at one point is like, do you want me to go somewhere else so you guys can make out, i could hang out with my brother tonight its nbd. yuugo blushes bright red and is like aaaaa its not like that, like, exactly like he does in canon. and rin's like “lmao im gay. i mean. what.”

ruri probably ids as pan? but anyway, shes like "ohhhh cool me too.” they both kind of stare at each other while this new info sinks in, and then yuugo says something and the moment is broken.

this is still a bit before yuugo's gay crisis

[later, during yuugo's gay crisis about yuuya] [rin] yuugo you had a crush on a boy in /middle school/ [yuugo] no i didnt i had a crush on you [rin] you used to complain to me about how hot he was like every lunch break [yuugo] that doesn't mean anything? [rin] obviously it does? how are you only realizing this now

ruri discovers that rin's been wanting to go to queer alliance meetings but has been too shy about it, so she drags her along. and someone mistakes them for yuzu and selena. idk who it would be..... sawatari maybe?

sawatari is like, Flaming Gay, a legitimate twink despite iding as bi.

anyway theyre like, thats not us, youre mistaken, and sawatari, instead of fucking off, is like, "holy fuck you have to meet them, you look so much the same it's eery." sawatari drags them through the party for like 20 minutes before actually finding yuzu and selena, and he's like "look i told you."

and all four of them are kind of like "holy fuck???" they get a selfie together, its not very good because the lighting is terrible, and they spend the rest of the evening hanging out.

yuzu and selena had a class together and hit it off immediately, theyre already dating. theyre a bit surprised to learn that ruri and rin /aren't/ dating. rin blushes at the suggestion and gets raised eyebrows all around. the four of them become fast friends and start getting lunch together and studying together on a regular basis.

ruri and rin meet yuuya through them, and because yuuya is friends with Everyone, they become friends as well. which sets the stage for yuuya and yuugo meeting, and yuugo's consequent gay crisis.

shun, ruri, and yuuto as pakistani immigrants, they arrived when they were very very young but they get a lot of shit for it anyway, especially ruri, who wears a hijab.

i figure the commons would be mostly latinx/mixed. so like, yuugo, rin, and shinji are all latinx. i rlly like the concept of black crow with a bleached-orange hi-top fade and subtle freckles. yuuya, yuzu, and gongenzaka can pprrobably be white? dennis could be ethnically jewish & light-skinned. fusion dimension crew are mostly japanese, so sora, yuuri, and selena. i.. am not really sure about reiji? following the theme i guess white/japanese mixed. tsukikage is japenese & immigrated like within his memory rather than a few generations back, he's bilingual. jack is latino and white-passing.

i like the concept of shun as a veterinary student, partly because i think he'd follow his interest in birds if things hadn't gone horribly wrong and partly because i find the idea of this edgy asshole in scrubs really funny. yuuto takes social work and ends up with crow as a teacher. yuuya, dennis, sawatari, and sora are all drama majors. yuuri is in botany. reiji is a law major, as well as being on the debate team and the student council. he never fuckign sleeps. shun also joins the debate team, and they do Not get along, but since debate team is the yelling hobby anyway, thats fine. yuzu is in the music program. selena is in poli-sci. yuugo stays in engineering. i dont, know about the rest of everyone.

conceptually, this is a north-eastern reasonably liberal college town, featuring two colleges and a trade school. one college is for the arc v kids, the other one will eventually be populated with zexal kids when i get to know them. kaito starts in zexal school and transfers at the beginning of second year. everyone is in first year rn except reiji and tsukikage, who are in second year, and also are dorming together, and also are gay.

so now that thats all set up!! back to the plot!!

ruri and rin meeting yuzu and selena happens a couple weeks after ruri and sayaka break up. selena hears about it and is like, hey if you need a rebound i can hook you up with someone, and ruri is like. "i feel like itd be disrespectful to date someone else before im over sayaka, ill stay single for a while." she never actually completely gets over sayaka, but she does eventually get enough emotional distance to move on. every time she goes home for the holidays they have awkward not-quite-gay moments.

much like in sfu, sawatari is loaded and hosts house parties whenever his father is away on business trips.

once the 4 girls are hanging out on a regular basis, they all sort of get to know each other's orbital boys. like rin and ruri get introduced to yuuya and get to know sawatari better. yuuya's goal is to be friends with absolutely everyone, and they make good progress on it.

yuzu and selena get to meet yuugo. yuugo is starry-eyed at all four of them, but alas, they are all too gay for him. at one point selena slaps him in the face and he spends like the next two weeks thinking about it lmao

likewise, they all get to meet shun. shun immediately decides that he is going to protect all of them. rin finds it kind of cute, yuzu finds it kind of weird, selena is outright offended about it. they get along a lot better with yuuto, since yuuto is just, easier to get along with. he joins their lunch dates once in a while, as does yuuya.

selena and yuuri met in their high school gsa and relentlessly gossip about everyone they meet. selena introduces yuuri to the rest of the girls exactly once, it does not go well. probably kye gives them all backhanded compliments. shun hears about this from ruri later and decides that yuuri is his enemy.

the first time yuuya and yuugo meet, its because the girls have invited both of them to lunch. yuuya introduces themself with a firm handshake and a wink. yuuya flirts a bit throughout the meal, as they tend to do. yuzu tells yuugo after the fact like, "dont mind them, theyre always like that." yuugo tries not to think about it much.

the second time they meet is at one of sawatari's giant house parties. yuuya, being slightly inebriated, is even more flirtacious than usual. yuugo gets it into his head that this is some kind of challenge, and refuses to back down from yuuyas advances until theyre in a closet together and yuuyas hand is up his shirt.

the next gay he visits rin to have a gay crisis. ruri politely sees herself out so they can talk.

i want to say shun is having a similar crisis about having come very close to having a one night stand with reiji. not because it was gay but because he hates the guy.

rin is exasperated but understanding, she rubs yuugo's back and calls him a pathetic baby while he whines. by the end of their conversation, yuugo has accepted that he's bi, and additionally, that making out is Great and he should do more of it. rin is slightly worried and gives him a safe sex talk, he yells and covers his ears during the entire thing.

meanwhile, shun is like "i fucking hate that guy why was it so satisfying to bite him" and ruri is like "bro i love you but thats way tmi, please do not tell me about your sadistic hatesex kink or whatever the fuck it is youre trying to convey." yuuto, also present, is like "i cant believe you made out with that asshole, and you still have the nerve to get angry at basically anyone i kiss for no fucking reason." shun swears up and down that it will not happen again, and also says that he has already apologized several times for being possessive about both of them, please let him live it down.

(it absolutely does happen again.)

(the second time they actually do go all the way, it is the best sex of shun's life, and he's upset about it.)

[yuuto voice] you have a Problem, why cant you date someone decent and have vanilla sex like the rest of us

rin slowly develops a huge crush on ruri. when she tells yuugo about it, hes like "yeah she's really pretty i completely understand."

#ygoavcau #thats my tag for it #yugioh arc v

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chromsai · 7 years

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First At Last

A late birthday gift for my dear friend and wonderful kouhai @jirehthedisciple (sorry for the delay, Jireh! I hope you like! :3c)

Fandom: Arc V Words: ~2,850 Pairings: Fruitshipping!! (YuyaxYuzu OTP!!!) Genre: Yep so this is romantic c: Notes: Set a few years post-canon. I didn’t include any other pairings because this is specifically a moment for the fruits, sorry everyone else (kinda).

“So… you’re really leaving then?” Yuzu tried her best to hide the heartache through her usual performer’s facade, but when she turned to face Yuya, she knew instantly that her voice had given her away like some unreliable narrator.

As if following in cue with her, his face seemed to mimic hers almost exactly, and when he finally willed a response, she knew she’d soured his performer’s spirit as well. “Yeah… I mean… I want to stay here and cheer you on during your tournament too, but-”

“But nothing,” Yuzu interrupted desperately, a bit of sweat slithering down her neck. Out of habit, she reached out to Yuya’s hands; cupped in hers, she was relieved when he didn’t immediately attempt to wriggle them loose and found the warmth they created together all the more reassuring. “Don’t worry about me and make sure you do your best out there! Make us proud!” She dispensed a wink for him as she finished giving him a dose of his own style of moral support.

The tone of his voice reflected the instant relief displayed in his eyes. “My first big tour in the Pro Leagues… I’m gonna go all out! Thanks, Yuzu!” His confident grin slacked just slightly before perking back up again as he continued. “You do your best too!”

“Of course,” she replied, reluctantly letting go of his hands. “And, Yuya…” She lowered her voice to a softer tone, matching the gaze she now met his eyes with.

Yuya blinked away his previous excitement at her hesitation. “Huh?”

“Be careful, okay?”

Yuya didn’t realize he’d winced at her words so harshly. All he noticed when he came back into focus was that Yuzu’s face had suddenly furrowed itself out of worry.

“Yuya? What’s wrong, Yuya? Are you feeling okay?”

The concern slowly rising in her voice motivated a quick, though unrefined reply to help reassure her. “Eh? Uh, yeah, I am. Thanks…” He paused to gather his thoughts back to his current reality where he stood mere moments away from boarding a plane headed out of Maiami- out of his home- out to yet another unknown world. At least this time he wouldn’t have to cross a single dimension to get there, he prayed.

Yuya took a long, deep breath at the memory as he faced Yuzu again and sighed. “You too, Yuzu.” He felt his hand begin to stretch out slowly before him without his permission- its destination: Yuzu’s face- but caught himself in the act and retracted it smoothly, letting a short chuckle out to mask his inner embarrassment. “...Well then… see you…” His words dragged just as reluctantly as his feet did.

Yuzu narrowed her eyes gently and procured a docile smile, hoping the gesture would make him feel as good as she hoped it would for herself as well. Flattering his previous sigh with one of her own, she found herself sending him off finally. “Safe trip, Yuya.”

Or so it seemed until he stopped just a few paces in front of the boarding gate. She noted Yuya’s sunken head and hurried over to his side. “Yuya? Did you forget something?”

He kept his head low, replying “No, I…” only to disregard his own half-baked excuse not soon after.

Yuzu yearned for a legitimate excuse as well, but managed to discipline herself just enough to forego it, instead pushing herself for both her own sake and Yuya’s. “You should hurry then, Yuya. You don’t want to miss your flight,” she insisted sternly, doing her best to convince both of them that that was true.

Yuya wasn’t buying it, it seemed. “...”

Yuzu couldn’t buy into her own excuse any longer either. “We’re being separated again…”

“Ergh…” The last thing Yuya expected was how easily Yuzu read into him and how fast the sting of her words reached his heart. His flinch jerked his head upwards so Yuzu could see the pain growing steadily in his face.

Only part of her felt guilty for not being persistent enough with her lie but the rest of her actually felt relieved that she wasn’t alone in her bittersweet hell anymore. If anything, something deep within her was glad that Yuya still resisted leaving her as well, though her selfishness only served to further reinforce her guilt.

“So you’ve been thinking about it too, huh?”

“Of course! How could I not?!” Yuya’s retort was almost alarming in its risen amplitude. Then again, how else did she expect he’d react to such triggering words? She didn’t blame him for responding in practically the same way she would. “I get that the situation’s way different this time around, but I still can’t help avoid thinking about it. At least this time I know I don’t have to worry, but either way…” His head once again sunk along with his voice.

“Yuya…” For a moment, she felt the regret try to drag her down in the same fashion Yuya appeared in now, but again she reminded herself that since he was on the same page as her, she could at least write the situation off in a positive direction for them both. “You’re right. There’s nothing to be afraid of this time. We’re being separated again, but only for a bit, okay? It’s for the good for both of us…”

Her selfishness possessed her once more and she casually reached out for the small clump of crimson hair grazing his cheek. His face jumped up in her direction in surprise as she met his stunned expression with a comforting smile.

“Heehee, just don’t grow out your hair too much while you’re away, okay? She played with the long, red clump of hair so familiar to her for a bit longer than he anticipated and felt disappointed the moment she let go. “It’s already gotten kinda long. When you get back, you could use a cut.”

His hand hovered for a bit where Yuzu had just caressed before ruffling the same clump of hair in bewilderment. His face relaxed slightly as he stared back into her sweet eyes. “You know, Yuzu, there is something that I’m afraid of this time…”

It seemed as though they were taking turns in surprise and Yuzu’s face found itself back to the drawing board. “Huh? What is it? Tell me.”

“I’m scared that… I’m afraid of…” Yuya’s eyes strained against the words in his head he was obviously contemplating on presenting. “I’m afraid of leaving you… getting separated from you again… without telling you…”

Yuya’s words continued catching her off guard. “... What,” was all the reply to them that she could muster.

His look reflected an air of severity as he took a deep breath and exhaled, “Yuzu… I wanted to tell you after I got back, but this feeling of dread is getting to me…”

“Yuya… what do you mean?” Yuzu somehow felt whatever could be on his mind she wouldn’t be prepared for.

“Well, it’s something I’ve been meaning to say for a long time now but,” the words couldn’t come to his mouth any more difficulty, but still he urged himself on. “More than just trying to dine the exact words to say it, getting past my own denial of it has been hard enough.”

Yuzu already felt as if she was dying slowly from anticipation but that word from his mouth only served to take away some of the scarce breath she had left in her. “D-Denial?! Yuya-”

Rudely, he cut her gasp for air short as he continued his reckless ambush. “But I’m sick of it, Yuzu. I can’t deny these feelings any longer. I won’t. I don’t know what I’ve been thinking this entire time, but the truth is…” With the sweetest words at the tip of his tongue, Yuya couldn’t help but begin to glow a bit red from their taste as Yuzu looked on at him completely dumbstruck.

“The truth is…?”

“The truth is, Yuzu, I…”

Take a step forward with courage.

“I love you.”

He didn’t flinch this time. Instead he focused only on her eyes and her cheeks, widened and flushed, same as his own.

“Y-Yuya…!”

The next thing he knew he felt possessed again. Except for this sort of possession was unlike what he was used to; it was serene and soothing the longer he spoke to her of the things in his heart even he hadn’t ever dreamed of hearing out loud- coming from his mouth, no less. Either way, this… feeling was something he desperately wanted to release to her custody specifically.

“I think… I don’t even know for how long I’ve been like this… but I can never stop thinking about you, Yuzu. Never.”

“...” And likewise her silence pleaded to him to never stop whatever he was doing right now, and he obliged.

“I know we’ve been friends forever and… I love you for that. You’ve always been there for me… I guess that just flew over my head somehow.” His flushed cheeks only felt warmer with every word but his resolve was great enough now that he didn’t mind getting burned. Heck, he might set himself aflame for Yuzu’s sake and he’d feel relieved. Fearless of the raging flames burning at his heart, he pressed onward. “Even after everything that happened that time when we got separated,... I couldn’t stand being away from you. And I feel like it’s happening again. I remember that time and how much I just wanted to see you… Yuzu… I never want to let you go again.”

The tears welling up in her eyes couldn’t set out the flames he’d ignited in them both now, but for some reason they still felt refreshing. “Yuya… I know…”

Her response came to him like a stray spark of fire and he took himself aback by reflex. “Huh? You.. you do?”

She began to wipe away the tears in exchange for a giggle fleeing her mouth. “Yes, Yuya! I know… I know how you feel… I always know how you feel…”

Suddenly he felt a burst of embarrassment pass over his entire being, and he simply replied, “Oh… Yuzu… I’m sorry for being so dense this entire time-”

She took her turn to retort via rude but endearing interruption. “Idiot! Don’t apologize for that! The truth is… I’ve been holding back my feelings as well…” And now she joined him in stoking the flames.

“Y-Yuzu?!”

She began pouring in her portion of combusting breaths to fuel the flames. “You may be dense, but I can be stubborn… and selfish. Truth be told, I’ve always wanted to hear you say those kinds of words… about me…”

The last of his pent up, heart-wrenching fumes released themselves out of Yuya quite smoothly. “I don’t have anyone else I’d rather say them to, Yuzu. Heh…”

His chuckle felt loudly out of place among their careless whispers and Yuzu blinked back at it in hesitant defiance. “What are you laughing about?” She almost felt annoyed at the daring interruption at that precise moment.

Of course, Yuya found a way to shrug off his manners so nonchalantly, as usual. “No, it’s nothing.” At the very least he was nice enough to offer a caring smile to compensate.

Though it was hard for her to deny that the gesture was basically irresistible, especially after the charming words he’d just said, his own karma began to call him out.

“Boarding call for Flight 518 - Passengers please present your passes at Gate A-5.”

They both looked back at each other with a growing scowl on their faces until Yuya shook the feeling off and spoke before it spoiled the moment.

“Listen, Yuzu, can I ask you something?”

The confidence back in his eyes inspired her own back into hers. “Yeah, of course. Go ahead.”

“I’m heading out there for a while. I’m going to become a better Entertainment Duelist for you and for me and for all of us, but it’ll take some time. But if you’re willing to wait for me, then, when I get back,” his cheeks began to flush again. “Would you… would you like to…” The heat in his cheeks began to dizzy him this time and his eyes traveled around frantically in his bashfulness.

The poor boy seemed lost now but thankfully Yuzu took pity in his excitement. She took his face in her hands and guided his eyes to peer back into hers. “Idiot,” she said, carefully catching his attention once again. “After what we’ve been through? We’re practically married already.”

Ironically, her words broke him out of his fantasy once again, this time with a bit more eagerness and initiative, though he fought against his instincts to embarrass himself again. “H-Hey now… I mean, I’d like that too someday, but… can we slow down just a bit?”

His helplessness contributed to her growing smile’s vigor and she decided she’d miss him enough now that one last tease might not hurt as much in comparison. “Only if you really, really, really want to…”

Her approach cleared his mind completely yet somehow he still found words to speak, though hell if he knew where they were coming from anymore. “I think I have all the time in the world for you, so-”

“Second boarding call for Flight 518 - Passengers please present your passes at Gate A-5 shortly.”

Of course, any sense of urgency he had within him had gone completely oblivious of his reality at the moment.

Yuzu was under the exact same trance. Rather than obliging the boarding call that she knew Yuya had to adhere to eventually, she instead relaxed her arms on Yuya’s shoulders, bringing his face closer to hers delicately. Likewise, she let her eyelids rest a bit too, stopping just short of shutting them entirely, giving her pupils just enough room to lay their gaze comfortably on Yuya’s lips.

“Are you sure about that?”

The only thing Yuya was sure about anymore at that point was…

“Yuzu…”

That he had never felt something so… calming, yet at the same time so pleasantly dizzying and blissfully enticing as the sensation of Yuzu’s soft lips gracefully caressing his own.

The light, clumsy touch began to eat at Yuzu’s strength and she could feel her knees ready to give in under the gentle pressure, but Yuya wasn’t willing to forfeit this newfound indulgence so easily. In keeping to his stubborn oathe of never letting go of her, his hand found its place at the back of Yuzu’s head, his fingers loosely tangling themselves among Yuzu’s pink locks while his other hand guided itself against Yuzu’s back, arm and all, as it pushed her form closer into Yuya’s.

Their release came rather abruptly due to the lack of experience that they both recognized in each other’s tender, satisfied smiles held apart only by their foreheads.

They held their gaze at one another for just a few seconds longer before sighing it away, closing their eyes to help capture the memory of their faces under each other’s spell.

“Our first…,” Yuzu muttered.

“Yeah, ...our first…,” Yuya repeated warmly.

“First.” She smirked at the implication of the word, then was disappointed when she took a step back and her surroundings came back into focus.

“Hmph. If you really had more time for me, we could practice a bit more…”

“Final boarding call for Flight 518 - Passengers must present their passes at Gate A-5 immediately.”

The call for his departure and her playful agitation tugged mercilessly at his heart, but he still managed to reply with a half-jest of his own. “You know, I wanted to leave without regrets but now you’re making me feel a bit regretful…”

He’d never been very skilled at the art of guilt tripping her so Yuzu was surprised at the sudden remorse she felt, but she knew they had no time left to deal with it. “Oops, too bad!” She wasted not a second more to offer him one last smile. “Safe trip, Yuya! ...I love you.”

Her words contradicted her pushing him away from her, though it achieved her goal of setting him off.

“I love you more… Thank you so much, Yuzu…” He wouldn’t turn away from her until the last of his words left his lips for certain this time.

“Get out of here already! Hey,” Yuya stopped in his tracks one last time to catch Yuzu in the middle of one final scold. “If you don’t call or message me everyday, I’m breaking up with yo-”

Yuzu didn’t notice exactly how Yuya closed the distance between them so swiftly but she was glad she did anyway as she lingered on the feeling of the sudden smooch he so rudely interrupted her with before running off with a wave and an improper farewell.

“Tell everyone I said ‘bye’ and ‘I’ll miss them’!”

Of course, she knew she’d had to scold him for that, too. She yelled back at him desperately, “I’m serious!! Yuya!!”

She took a deep breath and sighed away the restless pulse in her chest she had felt in anticipation to one last announcement.

“Closing Gate A-5. Flight 518 is now departing.”

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hawk-in-a-jazzy-hat · 7 years

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Anime Review: Eureka Seven, and Why Anime was Better in the Olden Days

In a constantly shifting world, people are clinging to life as best they can, despite tectonic shifts and mysterious Desperation Disease making life hard. Still, the people cling to hope in this weird world; hope for the military, for the rebel group Gekko-State, and hope brought about by the hero of the people, Adroc Thurston. Hope that the world will someday be healed.

So we meet Adroc’s son, Renton Thurston, who lives with his mechanic grandfather and dreams of a life where he can freely lift through the sky. Then his life changes as a giant robot crashes through his roof, and he meets a mysterious young girl named Eureka, as well as the Gekko-State leader himself, Holland. Given a powerful device called the Amita Drive by his grandfather, which is able to power a famous robot known as the Nirvash, or Type/Zero, Renton rushes off in pursuit of Eureka, and a new life aboard the Gekko-State. But ominous rumblings are brewing in the military and the very core of the world itself, and the carefree life that Renton thought he was getting into may just be the greatest test he’s ever faced...

Oh yeah, I’m going there. And I’m finally gonna explain why.

The golden age of anime, or of media in general, is an incredibly subjective thing. It depends on your tastes, the things you grew up with, and the things thrust at you as you stumble through life. As such, I cannot in any way say “anime was better at this time that it has ever been since”, because that’s just my opinion. And I would always respect otherwise. But still, for me, film, music and anime were all better in the olden days.

Of course, “the olden days” itself is relative. In my case the golden generation would be the one before me; say the mid-80s to the mid-90s for music and film. Anime is slightly more recent, given that the industry is actually slightly behind western animation on the timeline (so much so that the first ‘anime’ series, as it were, Astro Boy, was based off of classic Disney cartoons). That means the ‘golden age’ of anime for me actually spans from the late 90s to exactly 2007. And yes, as with everything, of course there was a load of crap that came out in that time period, and yes there have been better shows come out since (two of my favourite shows are from 2010 and 2011 respectively). But, in general, I feel anime was at its best during that period, for a few reasons.

So where does that leave Eureka Seven? It came out in 2006 as an original story from Bones, and is now considered one of the classic mech shows along with Evangelion and Gurren Lagann. So how exactly is it? And what is it that makes it so firmly a product of the golden age of anime?

Let’s start with the animation. The absolutely phenomenally awesome animation. Oh yeah, Studio Bones, baby. Immediately that puts this in the classic category; I know nowadays there are a tonne of awesome studios out there, both veterans and newcomers, but back in the day when you saw the Bones logo you knew that the show was going to look stunning. Wolf’s Rain, both FullMetal Alchemists, Soul Eater, Darker than Black, and even in the recent years they haven’t let up with shows like Blood Battlefront Blockade, My Hero Academia and Mob Psycho 100. For the longest time they were the epitamy of quality animation, and they don’t drop the ball here. Eureka Seven looks absolutely wonderful. The character animation is amazing and never devolves into emoticon slapstick, the backgrounds are wonderful, as are the colours, and the show has probably some of the best aerial battles I’ve ever seen. Eureka Seven has the unique style of having giant robots surfing through the sky, and whether or not it’s a silly concept, you can totally buy it with some of the most wonderful flying and falling moments I’ve ever seen. The only time Eureka Seven looks less than stellar is just on occasion, where they’re obviously holding back a little budget and some of the faces get a little squash-and-stretchy. But honestly, it doesn’t matter one bit. Having every frame be perfect is nowhere near as important as having the truly important moments be special.

The animation truly is excellent, but honestly I was far more blown away by the score to this show. The composer was Naoki Satō, and honestly I’ve only heard his work once before in Assassination Classroom, although for the life of me I can’t really remember a single track. Here is a different story though, as the entire score to Eureka Seven just blew me away. From wonderfully emotional opening themes to bittersweet endings to great sweeping strings and horns to some actually epic trance and techno pieces; the whole score is full of standouts both long and short, and it’s probably the only anime soundtrack I’ve listened to in full while I’ve been working (aside from Baccano). The music belongs to the show, and it is the show. Without it, it wouldn’t be the same. I’ve heard some people say over the years that soundtracks aren’t really important, and there seems to be a rising case of that in many modern blockbusters. But as these old series, and heck, even older films can testify, the soundtrack is important. In fact, essential. Decisive Battle. Goodnight Julia. The friggin’ Team Rocket theme. And among films, The Raider’s March. He’s a Pirate. Binary Sunset. I don’t even need to have the music clips and you’re probably already humming them in your head. The music of your favourite things will stick with you until the very end of time. That is how important the soundtrack is. Again, anime was better in the olden days.

While I can’t lavish as much praise onto the dub as I can the music, I can say it grew on me an awful lot. This is, I believe, an early Bang Zoom! effort, a company who would later go on to do good work with Madoka and Kill la Kill. It still has the old dub flavours though, with a few very recognisable actors and a few actors who don’t really act very well? I don’t know; as older dubs go it’s not as fluently fitting as GTO but it’s nowhere near as flat as Elfen Lied or Soul Eater so it sort of balances out. And for the most part the actors do a great job; Johnny Young Bosch and Crispin Freeman perform really nicely as Renton and Holland respectively, as you’d expect; Kate Higgins is a standout as Talho, and while Stephanie Sheh as Eureka takes some time to get into the role, she’s definitely nailing it by the end. In fact most of the Gekko-State, the recurring villains and even a few one-off characters really nail the voices, with the exception of Woz’s actor, who always sounds like he’s questioning everything he says, and Ken-Goh’s VA in the second half of the series, Kyle Hebert. He isn’t terrible, but after the original actor Bob Papenbrook sadly passed away in 2007, the change is very noticeable.

If there is a problem with the dub it lies a little more with the script than the actors. While most of it is very well handled and feels natural, there are definitely a few monologue-y moments where the actors are clearly just standing on a soapbox. But still, as a dub it works well. Very well. And I’m not convinced that the monologue-y moments are really the fault of the ADR team, at least, not completely. But I’ll get to that a little bit later.

You may have been slightly confused with the plot synopsis, and all the weird and wonderful terms and things going on. This is understandable; this is not a simple series, with alien worlds, political and military turmoil, and a huge cast of characters. There is a lot of lore, and a lot of stuff going on in the background that even I couldn’t always follow. Much like Outlaw Star, this is a world of...well...worldbuilding. And yet despite not being simple, it is far from inaccessible. I’d even go so far as to see this would be a very good introductory series for anime newcomers; certainly a better introductory mecha series than either Evangelion or Gurren Lagann.

(Partly because it’s kinda not really a mecha series. I mean, it is, and the mechas are a very important part, but halfway through it sorta turns out to be Trigun in disguise, in more ways than one).

There’s a reason for this, and again it goes into why I prefer the older style of series; despite the fact that all this stuff is going on, the focus is constantly on the main characters. The central point of the series, for the whole 50 episodes, are the relationships aboard the Gekko-State. Romantic, platonic, and familial. Renton’s growing relationship with Eureka and Hollands strained relationship with Talho. And the characters interact with each other, and no interaction is the same. There’s no simple ‘oh I respect this guy and I’m utterly loyal to him’. There’s a lot of back talking, and a lot of abuse being flung around. There’s blood, there’re tears, and fights, and some of it can be downright unpleasant to watch. But guess what; that’s a family! Even when Renton is being at his most annoying-teenager, or Holland is at his most annoying-manchild, or heck, the three kids who are constantly annoying, it still feels natural. They are inherently relatable characters, even if we don’t always like them.

And that’s just the main four; the rest of the Gekko-State are wonderful to watch as well, and heck, even members of the military. Despite the fact that not all of them go through a character arc, even the less prominent ones like Woz and Joves still feel like real people. And I say that not all of them go through an arc, but there’s a lot of really sneaky development here across the board. The shouty military commander Jurgens spends the beginning as a shouty commander, but he reveals a few hidden depths later in the series. Moondoggie (yeah, I know, but just roll with the names) is constantly fighting against feelings of his own inadequacy. Stoner is trying to find his own way to fight, being very pacifistic. Ray and Charles, despite a limited screentime, still manage to be some of the best written characters in the cast. Even among the children, there is Maurice, whose story I found utterly heartbreaking, not just for the obvious reasons, but for the build-up throughout the series and how much the final...reveal...hit close to home. These are real people. We spend the series following real people making real decisions, and some of them are very bad decisions. They make mistakes, they scream and shout. Some of them never recover, whereas others must try to deal with the consequences. And occasionally...just occasionally...some of them find their redemption. And let me tell you, they may make for the most glorious scenes of the show.

That’s the thing. Not every character needs to go through a deep epiphany, or come out on top, or even have a real purpose in the story. You could easily write out half the members of Gekko-State, but the show would suffer greatly for it. In most modern shows of this kind, every character needs a purpose. They must have their moment in the spotlight, and their own character arc. But the thing is, we already have a story, that being, Renton and Eureka’s relationship. Some of the other characters will have stories tying into it, but this is their show. We are seeing things unravel through their eyes, and sometimes, the main character needs a constant they can lean on. That’s when you need the Winrys, the Meryl Stryfes, and the Gekko-States. Back in the day, characters were exactly that. Characters. Characters in their own right, whose paths would cross with those of the mains. Not constructs. As wonderfully crafted as shows like Hunter X Hunter and FMA Brotherhood can be, the side characters too often steal the focus away from where it needs to be. The show does not need to pull you out of the main character arc to show you another one; it should be able to just show you through the eyes of the main. I don’t need to know Shoot’s or Ikalgo’s or Ling’s motivations absolutely word-for-word; I should be able to work it out for myself.

And that’s the point (which I’ve finally gotten back round to); when I see a good modern anime, or a good modern film, or hear a good modern song, I see and hear something that is perfect. Something that has been crafted beautifully and exquisitely to be utterly flawless. And, as weird as it sounds...that’s not how art works. Art needs to have flaws; that is one of the fundamental aspects. You cannot have art that is objectively perfect, since part of the reason it exists as it does is the fact that it is subjective to the creator. It cannot be objectively perfect, therefore, it must have flaws. Every show, every film, every song out there has flaws. And that’s what makes things beautiful.

Eureka Seven has flaws. Oh boy, does it have flaws. Way too much technobabble and monologuing in parts. Some of the dialogue feels incredibly forced and preachy. Some really, really unpleasant scenes in places where even if it fits with the characters it’s just not nice to watch. The pacing can be very off, especially in parts where there are multiple things going on at once. Little things scattered throughout the series, and heck, I like it. There are people out there who are going to hate this show for the choices it makes.

But the flaws make Eureka Seven what it is, just as they do for every show. But more and more nowadays, I see films and shows that have to be utterly perfect in everything they do. The plot has to have the right timing and the right number of twists, and be split into nice neat little arcs. The characters need to have a distinct character arc that finishes in the correct place, and heaven forbid we let any characters make mistakes. Nothing is allowed to be their fault. As technically great as things such as Civil War or Frozen are, I hate the fact that there has to be a villain. There has to be somebody you can point at and say “I can support the good guys in everything because it’s all their fault.” Direction and music fit everything to a tee, to the point where the soundtrack can just be plucked from a massive backlog in order to fit the mood perfectly. In songs, it’s always the same beats, and the same chord structures, and the same computed synthetic backings, in order to show how the singer has such perfect control over their voice even though they’re not saying anything. And NOTHING is allowed to have flaws anymore. The moment a show goes into the very slightest of heavier material, suddenly it’s problematic and sending a bad message. The general public are far too critical of everything nowadays, constantly pointing out plot-holes and every single mistake a film makes, so much so that you fail to see the good. We live in a culture that will judge everything we see before we’ve even seen it, and we will praise the technically flawless as the very best without accepting that people could possibly, possibly like something else more. And believe me, I’m among them. I went through a period of being so critical that I was willing to criticise the technicals of a joke in a kid’s play. It’s not a good look, and it’s not a good feeling when you look back and realise that sometimes you just need to sit back and enjoy something for a change.

Does it go for everything nowadays? Of course it doesn’t, and of course not everything in the olden days was better. We’ve kept the good stuff and wisely decided to leave the crap behind. Even in anime. Too much studio meddling, too little effort going into the story or animation, often way too much filler, and sometimes so needlessly dark that you end up with a Berserk or an Elfen Lied.

And the very reason that so much modern anime is so technically great is that the industry is in a fantastic place. More series are being made every season, with a variety of lengths, new techniques and new studios. Just last year Studio Mappa made a massive hit with Yuri!! On Ice; a unique sports show that was funny, charming, had some gorgeous skating scenes and finally gave a great representation of a gay couple in an anime, in a mainstream hit. It had its issues with the animation and the ending (and I’ll admit, I haven’t seen the whole show so I can’t give my own opinion) but honestly that’s what made it such a hit. It’s going to stick, whether people love it, hate it, think it’s over or underrated or just think it’s meh.

And in every medium, that is the art that will stick. I can think of two areas which are better now than have ever been before. One is kids’ shows and films, which are finally being taken seriously as a legitimate art form and are having more effort put into them than ever before (Lego Movie, Zootopia, Gravity Falls, Steven Universe, Inside Out, and every Laika film, among many). The other is things that are entirely creator-driven, which was what made the classics what they were. More and more people have more freedom to create the thing they want to make. Over in the west, people like Guillermo del Toro, George Miller and Neil Gaiman, or again with the kids shows, people like Rebecca Sugar, Pendleton Ward, Daron Nefcy, Ben Bocquelet and Alex Hirsch. Netflix and Amazon are bringing more unique and wonderful shows and adaptations to more and more people. And in the anime world, there are creators like Gen Urobuchi, Kunihiko Ikuhara, Jun Maeda and ONE, as well as new and upcoming studios like Shuka, 3Hz and of course Studio Mappa. The talent is out there. The people who care are out there. And I have no doubt that in another few years we’re going to see a new renaissance of media as people like this – people like you and me - take the technology and the dedication we now have, sit down, and make the story they want to make. Flaws and all.

Anime was better in the olden days. Film was better in the olden days. Music was better in the olden days. Not because it had more talent or technique behind it, though we have sadly lost several geniuses over the past few years. It was better, because the people who made it cared. They didn’t care about it being perfect, or being good for people. The things that were good were so good because people picked up the camera, or the pen, or the instrument, and they wanted to make something. They wanted to make their very own piece of art, and nobody was going to stop them.

And we got Empire Strikes Back, and Blues Brothers, and Terminator 2, Labyrinth, Ferris Bueller’s Day Off, Ghostbusters, Lion King, Gremlins, Jurassic Park and Beetlejuice. We got Take On Me, Living On a Prayer, I’d Do Anything For Love (But I Won’t Do That), Heaven is a Place On Earth, Under Pressure, Tunnel of Love and Dry County. And we got Cowboy Bebop, FullMetal Alchemist, Wolf’s Rain, Gunslinger Girl, Baccano, Bokurano, Clannad, Princess Tutu and Welcome to the NHK.

And we got so, so many wonderful things. Not one of them perfect. But all of them forever wonderful.

Eureka Seven is a deeply flawed show, and yet I absolutely love it. It impressed me in all the right ways, with relatable characters, an exciting world, an inspiring story and an absolutely gorgeous presentation. It is every bit a product of the heart and love of Dai Satō, Naoki Satō, and every member of Studio Bones who worked on it. Not everybody will like everything about it, but personally, I found it a true classic. It made my top 20 in an instant and I would recommend it to anybody interested, and in fact, if you live in the good old UK like myself, the whole series is available completely free and legally on Viewster. Go for it. See the stories that came out over a decade ago. Because let me tell you, it’s going to be a little while before we see anything like their kind again.

My score: 9/10

#eureka seven #studio bones #anime 2006 #sorry not sorry

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nautilusopus · 7 years

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1, 10, 46

1. How did you get into FFVII?

As much as I bitch about how the original game was the best and everything afterwards was terrible, I’m actually comparatively a latecomer. Funny story – I was just gonna shit all over this game and call it a day, initially.

‘Twas the far off year of 2008-ish. The emo subculture was alive and well, nobody would shut the fuck up about Haruhi Suzumiya and how it was the Greatest Anime Ever, Legendary Frog’s career had just started to peeter out, and Let’s Plays were only just starting to become A Thing. Since the market wasn’t oversaturated to the point of self-parody at times, it was anyone’s game back then. You had your Chuggaaconroy, your Slowbeef and Beetus, your Pokecapn, your Red Chocobo/Orbital Grouse, but little else. I’d just gotten done watching the Brand Spanking New Sonic 06 LP and I figured, “hey, anyone can do this! I’ll just find a famously bad game and tear it a new asshole on the internet and get and become internet famous”.

Back then it was also in vogue to talk about how terrible and overrated VII was and how it was actually an awful game, and I was right at the goddamn forefront of that particular bandwagon. If you’re ever going through some long-forgotten internet forum crypt and find some Guest taunting people about how Final Fantasy VII is a Bad Game for emo fags and Cloud is gay and cuts himself and Sephiroth isn’t as cool as Kefka? There’s a good chance it was me (I had played neither VII nor VI at the time, it’s worth noting. I just knew that was the thing you were supposed to say.) The number one rebuttal at that point to most of the shit we’d say was “dude did you even play the games?” and the answer was no, but of course, you didn’t need to, right? You could ascertain everything you needed to know about it via Internet Vogue Opinion Osmosis. So that was obviously all there was to know about the game at all, end of story.

Also I saw a bit of Dirge. Did nothing to help my opinion of the franchise at all.

So, I had my Definitely Shitty Game, I picked up a used copy for fifteen bucks (a real bargain, even back then), and I sat down to complain loudly about everything that could possibly be complained about and prove all those haterzz wrong. I did pretty well for the first three hours – The Graphics are Bad™, Cloud is a Douchebag and I Hate Him™ (that’s another thing, I fucking despised Cloud at first), Aeris is a Mary Sue™, Tifa is Boring™, Sephiroth is Gay and Fucks His Mother™, Who Is This Black Man Why Did Nobody Tell Me About Him™, et cetera. Wall Market earned a few brownie points with me just out of shock value alone, since before that point my main exposure to T and M rated content had been Metal Gear Solid and the tone that adult content is handled with in each of them is quite different.

Then I hit the Shinra Tower segment and found the President dead at his desk and went through the chase scene afterwards. Been a diehard fan ever since. Never looked back.

It’s difficult to describe the exact moment where I realised “hooooly shit I was wrong about everything this game is fucking amazing”, but I think a lot of it can be summed up with the idea that it took every preconceived notion that I had developed about what the game absolutely must be like and smashed them to pieces. The characters were expertly written, the story was complex and surreal and bittersweet and funny without ever feeling like they needed to sacrifice levity for drama or vice versa. You have to realise, if you were generally familiar with traditional RPGs like I was back then and then went into VII expecting the same traditional RPG setup, this game would have blown your goddamn mind. A lot of what’s taken for granted about how story-heavy games are written nowadays stemmed from VII, and in complaining about it being overhyped, one does have to realise it was hyped as much as it was initially for a really good reason. I knew about Aeris by then, everyone did. What I didn’t know about was the sheer magnitude of everything else in the story that nobody ever fucking talked about because how could you possibly, and people are still debating about it all to this day. You can’t gush about the brilliance of the plot twist on disc 2 and the subtleties it reveals about Cloud’s character the same way you can about “Oh man did you see when Aeris dies that was so sad guys”, or the questions the game poses about what makes you you in terms of validation and guilt and identity, and the mature insightful take it had on mental illness that is rarely matched even to this day, and the innovative way where they decided that death wasn’t heroic or glamorous or beautiful or tragic but instead just sucks and hurts a whole fucking lot and comes to everyone in the end the way you can about “WHOA THAT SUMMON CUTSCENE WAS FOUR MINUTES LONG AND THAT DRAGON BLEW UP A CONTINENT”.

(And then I played Dirge and Crisis Core and saw the movies and was crushed because it went and proved thirteen year-old me right about all the stupid bullshit I said because it was the opposite of everything I ever loved about the original. God damn you, Nojima, you hack.)

VII is a good fucking game and it has the box quote it does for a damn good reason. Go play it.

Since then I’ve always tried to avoid buying into internet hype about when a game is supposedly bad, because I almost made the same mistake all over again with Undertale. It says a lot about VII that I actively tried to hate it as much as I possibly could whether it was necessary or not and still wound up absolutely loving it. You never know, is all I’m saying. Make your own decisions.

10. A NOTP?

ACGZsvs Statutory Rape Gangbang

1.Cloud is 14-16, that’s gross. Like, with Zack, it’s alright I guess, but everything else is gross.

2. All of these people are his fucking bosses and outrank him ten times over. In a military setting. That’s extra gross. And fraternisation. (Also are you telling me Shinra doesn’t publicly execute any sort of insubordiation via firing squad on live television, especially with their top weapons?)

3. It’s illustrative of basically everything I hate about the fandom and the Compilation and the way Crisis Core went out of its way to write everyone that isn’t a the young white male marketable/shippable character out of everything even remotely resembling relevance, and how the fandom is not only absolutely fine with this, but completely on board with it all because it means they get more prettyboys to ship. Aeris is Zack’s accessory. Tifa isn’t even fucking in it. Barret? Who the fuck is Barret? Oh he’s not willowy enough and black so who cares. Nobody cares what happens to the story or the characters (or even Cloud’s arc, good god) as long a they have more material for their doujins. I hate it more than I can possibly find the words to express.

46. Favorite song in the OST?

Ah geez, this is actually a really tough one for me. I guess there’s four that really stand out for me.

I really like Cait Sith’s theme, which is actually my ringtone and has been for years because I really like jazz or anything remotely resembling jazz.

youtube

Pretty good one. Works nicely with the electric keyboard midi.

Jenova Absolute, the one I linked to earlier, is another favourite, and also my favourite boss theme, even moreso than J-E-N-O-V-A. I actually went and learned how to play it on the piano and everything, and a full arrangement of that with multiple piano tracks was gonna be my “200 follower” present to you all except then I got mic problems and then I got really lazy and then I forgot about it, so the ETA on that is “eventually probably”.

youtube

You Can Hear The Cry Of The Planet is a really good one. Very pretty, kinda spooky, vaguely alien, and sort of ominous considering what’s coming, which also plays in my favourite (also really pretty, kinda spooky, vaguely alien, and sort of ominous considering what’s coming) location in the game. It’s a shame this is the only place it plays in one location in the game. Sometimes I drive all the way back here just to listen to this one track.

The last one is another exclusive track that’s very pretty and vaguely alien (well it plays in that marshy area on disc 3 but that doesn’t count) and plays during my favourite scene in the game.

youtube

Even hearing this sets off the same step-on-my-goddamn-heart response it did all those years ago. It’s sad. Not even like “sad”, sad like you’d usually think when you hear “sad”, it’s just… sad. That’s it. That’s all he had and that’s gone and that’s it, and he just kinda unhinges because it’s all he can do. I consider this one Cloud’s theme as much as his actual theme is his theme.

Fuck I wanna play this game again now.

#tw: self-harm #asks #forfdorfsorf #tw: rape #Squid Alienates VII Fans #fury-brand #longpost is long

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chidoroki · 3 years

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Head empty, pre-TPN season 2 thoughts only.

Normally I don’t even bother with hiding spoilers but since the new season is so close I’ll put everything below a cut (if tumblr cooperates) because I do want anime-onlys to enjoy the season with as little knowledge to what madness is about to happen as possible. This is just a bunch of notes that filled my head over the past couple days.. weeks? A long time.. and if I didn’t write them all down somewhere I wouldn’t stop thinking about them.. so if you understand this whole mess, then kudos to you.

So, here’s your post-season 1/ch37+ spoiler warning.

Demon language:

With Mujika and Sonju making their grand first appearances, I hope actually implement the demon language this time?

The only word spoken in the language in season 1 was the demon god’s name, which was just changed to “Him” (sub) or “The One” (dub), so ignoring it there was fine.

Granted, our demon friends don’t say much in their language during the upcoming arc, aside from this moment in ch48, but I can see the anime passing it off as a mere whisper between the two of them just so they don’t have to worry about it.

I don’t recall any of the GP poachers using the language though.. right? Pretty sure they don’t..

Anyways, all I’m saying is that they better figure something out by the Ayshe shows up way later in future seasons.

Episode count? 24?

Short answer: I don’t think so? Did once, but stuff happened. Anyways..

Season 1 ended in March 2019, which is also when we learned we were getting a second season and once we found later on that S2 was originally going to air in October 2020, I immediately thought we were getting about 24 eps.

I thought with all that time between seasons, 24 eps would be reasonable and that S2 would end at ch101. S1 managed to adapt 37 chapters, so 64 chapters in a season twice as long sound decent enough, right?

By the time we reach ch101, it would give us the demon forest, shelter B06-32, Goldy Pond and the short trip to Cuvitidala. (all of which would make this long wait for s2 sooo worth it btw.)

By this point we learn a bunch about the outside world, Norman being alive, what happened to Phil, and the demon bastard himself.

I bring up ch101 as a stopping point because it’s the last chapter before the two year time skip and.. I honestly can’t see them doing a time skip mid-season?

I mean, they could if they wanted to, I guess? Having everyone age up suddenly between episodes via a montage, a quick summary or even flashbacks of what we missed.. but maybe at the start of a season? Not in the middle.

Right now we know anime original scenes are going to be included into season 2 so I’m kinda hoping that once we do eventually reach the time skip we learn more about the search Emma’s group went on for T7W/golden water/temples.

I counted. If S2 does indeed get this many episodes, ep23 (or 22, if there’s a break in between somewhere or whatever) will land on my birthday and you can bet I’ll be beyond happy

HOWEVER! all the hope I once had about a 24ep season vanished due to the clusterfuck that was 2020. Thanks to the worldwide pandemic, many anime were put on hold and pushed back several months, with TPN airing this month rather than the original October date.

It was a bummer hearing about the delay at first but I never complained about it. I much rather have the studios prioritize their employee’s health over production.

Even if S2 did reach ch101, or even Goldy Pond, they would need to find a ton of new voice actors, and with how the world is working now.. eh, I have some doubts.

Cloverworks also has two other series airing this month aside from TPN so needless to say they’ll be a bit busy, especially if employees are still working from home, social distancing, or however they’re managing to produce these anime.

So, episode count.. 12?

The main reason I have a hard time grasping the idea of another 12ep season at all is because.. I don’t know where it’ll be a decent place for it to stop?

S1 ending at ch37 with the kids escaping? Perfect. You can’t question that decision. But now? When a whole bunch of craziness is about happen? How do you choose another perfect moment to end a season with?

No matter how many anime original scenes they have planned for the demon forest, I believe we’ll at least reach B06-32, which will get us to ch52.

Could they go farther? Sure. Perhaps ending at ch59-60? It would leave us off with Emma & Ray leaving the comfort of the shelter to follow Yuugo into yet another demon infested forest, much like how S1 left off, as the escapees left their once safe, comfortable life into the unknown world.

Or end at ch64? After Emma gets snatched by the poachers? It could work. It would certainly leave everyone wanting more, especially us manga readers because goddamn the GP arc would be SO close!

Perhaps ch74 after seeing Norman alive? Just so it’s not a big darn secret anymore to those who are going into this season blind? (how do people manage to stay anime only? i’m not trying to make anyone feel bad.. i’m just impressed? i caught up to the manga right after s1 because i didn’t have the self control to wait!)

Ending on that chapter would be so bittersweet to me.. because you know what appears in ch75 and it’s literally one of the only things I care about.

S2 preview trailers already teased some of the demon forest scenes I’m most excited about, so the only things left that will truly excite me are Yuugo and that darn outfit. (seriously, whenever we do get to see emma in her gp outfit for the first time, someone better scream at me so i can die from happiness.)

Okay, and all the GP kids too.. especially their trio!

Could they fit the Goldy Pond arc into a 12 episode season along with every other event that came before it? I.. seriously hope not?

Compared to s1, which was very dialogue heavy, GP is about as action packed as we’re gonna get in the near future, and those scenes are going to fly by once they get put into motion.

Quick example (because it was recent and i can’t think of something else atm): the Overhaul arc from My Hero Academia. Off the top my head it was about 40 total ch? That arc took up half of the show’s S4, which was a total 25 eps.

So with the GP ending at ch96, it’ll give us about 20-30 chapters (depending on where you personally see the start of this arc I guess? once yuugo leads the duo through the forest, when emma gets snatched or when the battle actually starts)

If GP were to happen in s2 where there’s 12 episodes.. literally everything would be so fast paced and I don’t want them to rush anything or leave stuff out?

Other options?

It’s very wishful thinking and I would be getting my hopes up for nothing, because I know it won’t happen, but I could possibly see them fitting GP arc if S2 was made up of 18eps?

6 eps for the demon forest, 6 for Goldy pPond, the remaining 6 to accommodate B06-32, Cuvitidala and any other anime original scenes as they wish.

Although fitting about 64 chapters into 12-18 episodes sounds a bit much.. but not really? I seriously have no idea at this point how much story we’re going to cover this season.

Could I perhaps place all my hopes towards a second cour later this year? Like for the summer.. or would I be expecting too much?

This all could’ve been avoided if they just tell us! Seriously, I’ve been thinking about episode count since last year.. and now you have to deal with this mindless chatter of mine.

I’d honestly be okay with another 12ep season though. We waited this long that I’ll just be excited to see all the children again.

Anime-only scenes:

Those 3 days the children spent learning from our demon friends? Yes please! Did you know Emma not only learned how to use a bow and arrow but a freakin’ harpoon as well? Like.. hello?? I must see this!

Perhaps they’ll even adopt some of the extra pages from some of the chapters, like they did in S1 with the flashback of Norman being sick in ep10.

I know this will be such a high hope, but I remember in ch177 how Emma claims that after they escaped, they all remembered how kind Isabella really was, so if they decide to adapt the extras from ch41-42 & ch45, I’ll cry.

And these pages? Cloverworks, please..

I’m literally begging here..

Especially these two! Even though I still doubt we’ll reach Goldy Pond if we get 12eps.. but in the future! Please!

Other random nonsense:

I may or may not get emotional upon seeing Isabella at the very start when she goes to confront Grandma Sarah. If her hair is kept down as it was at the end of S1 then I’ll give the anime staff my sincere thanks.

We only heard 15 seconds of “Identity” and yet it has been living in my head rent free ever since that trailer dropped. I need to hear the full song sooo damn badly, y’all have no idea.

Here’s hoping they don’t cut out the inner monologues again. At this moment I don’t remember any specific ones from the demon forest I want to see but I’m sure they’re present.

I’m ready to die at every cute Chris moment they give us.. and this entire scene where the kids scold Ray.

Literally every scene with Emma & Ray. They’re my top 2 favorites from this series okay? Of course I’m going to fangirl over them. (they already showed the hug in one of the trailers and i damn near cried)

If we see him, (which i’m sure we will, but i still have tiny some doubts) I hope they give Yuugo a fantastic voice actor.

Also, his nicknames for everyone!! Literally everything about that man I’m hyped for.

Again, very doubtful we’ll get GP in a 12ep season, but whenever that arc decides to grace us with its presence, “63194” better play on full blast when ch92-93 gets animated.

Speaking of music, while I’m completely excited to hear the new OST that Obata has in store for us (thank god he’s doing this season again btw!), I hope we hear some of those unused tracks from the first season, specifically “Their Own Thoughts.”

Every time Emma mentions their future, their goals or how her family will always be together, I’ll cry. (thanks demon god and your stupid reward)

Yes I’ll be doing those reaction posts (if you follow me i’m sure you’ve seen them by now) after every new episode as I do with other series I watch.. once I survive the usual long day at work, avoiding anything TPN related so I can watch in peace and quiet when I finally get home.. damn it, im already so anxious, help.

#the promised neverland #chidoroki used chatter

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