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#though some part of me gripes a little at all the characters being insanely beautiful who look like nothing more than like 25
twistedmadara · 24 days
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i love this story, i love the history inspiration, i loooove the artwork, right now i especially love to see these characters grow. i love seeing the different directions their character arcs are taking them and at what stages they are in their personal development and that all characters get exposition, i love to see what events are impacting which characters which way, i love the lore, i love the gore and the intensity and that so many characters die dramatically (though at some point my heart might need a break), i fucking love everything about this manga right now and i am so glad that i am barely a third of the way through
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vegetacide · 4 years
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TaG: Bloodlines (Part 9 Bit 1 )
Veg • notables: Due to the length of this part I am splitting it up into two bits.
Any errors in this are strictly my own
Ty to @gumnut-logic and @scribbles97 for the brainstorming help and the encouragement.
Also a special thanks for Nutty for letting me borrow Gordon's talking bird from her fic "The Dentist" (Part 11)
Previous:
Part 1 | Part 2 Bit 1 & Bit 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8
Rating and General warning: Mature content head. If you are not a fan of medical issues of a female nature in relation to pregnancy please proceed with caution.
Characters: Virgil, Kayo, (V/K), Jeff, Scott 
Location: TaG-verse AU | Tracy Island
E N J O Y
8-8-8
Part 9 - Dipisahkan (Bit 1)
Week later...
“...and now for international news.  A suspected homicide and fire in an internet café in Istanbul has been downgraded to Death by Misadventure as autopsy reports conclude the presence of a high concentration of narcotics found in  the remains of the establishments proprietor, Berk Demir  The café has long since been suspected as being associated with several black-market smugglers groups and dark web anarchist but to date authorities have been unable to obtain the necessary proof to back the claims...”  
Kayo groaned and rolled her eyes as she flicked off the holo-fed.  She was not in the mood to listen to criminal reports and activities when there was nothing she could do to help.  
There were criminal elements the world over like that cafe, some of which she’d had an active hand in shouting down over the course of the last few years.  From human trafficking, to the sales of banned chemicals or other components that could cause a loose of life and had on some occasions.  
She’d helped where she could, always hopeful despite the odds that it would help bring to  justice the man that had caused so much pain to so many people.  
Whatever it took to protect those she called her family and humanity as a whole, she would do it.  The GDF had simply to ask and she was there. 
Being bound to the villa and watching what was going on in the world though was like dangling a carrot and the best course of action as she sat here and incubated another life was to avoid it at all costs.  
On top of that, the recommendation that she relocated to the mainland and even be further removed from everything was hard for her to swallow. 
After talking to Jeff and Scott that following morning after that little revelation by her OB-Gyn her life had been completely taken from her control.  Grandma had joined the conversation as well and had agreed wholeheartedly that thought the island was a good place for her to recuperate and rest for the time being,  the long term relocation was the best course of action.  
Grandma had been a respected and well known doctor before her retirement but obstetrics and neonatal care had not been her chosen discipline.  If there was a need for something more than just childbirth she didn’t feel adequately suited for the task.  
That with the addition to the island not being equipped with the necessary supplies and it didn’t take much to convince Virgil of their one and only recourse. 
So it looked like she was getting evicted and kicked even further afield from the action that made up her regular daily life. Relegated to a gestational oven, far away from home.  
Tossing the remote on the coffee table she flopped back and stared up at the ceiling.  Bored out of her gourd and feeling completely helpless for the first time in a long time. 
From across the room she heard a chuckle and tipped her head further back to look at her father in law.   
“Lucy had a hard time doing nothing too.  Especially when she was pregnant with Alan.”  He said,  exchanging his data pad for his cane and coming over to join her.  
“Please tell me, you found a way to stop her going insane with boredom.”  Kayo griped, righting herself with a grunt of effort. 
“She tried to take up knitting but with Gordon in the house…. It didn’t go over well.”  Jeff assumed a casual stance though he was favouring his right leg a bit.   After all his time in space, his recovery was slow and his joints were not enjoying gravity in the slightest.
Kayo made a face as she pictured the mess that must have been. “Well,  there is no way I am taking up knitting now,  Gordon is worse now than when he was a kid.” 
Jeff laughed with ease at that,  nodding his head in agreement with her statement.  
“Yes,  it’s best to keep him away from pointy sticks and yarn.  He too easily falls into temptation. “
They fell into a companionable silence. Just enjoying each other's company like they used to do when she was little and she was too annoyed or upset to hang out with the rambunctious brothers. 
It was weird how easily they fell back into the old routine,  Jeff  taking care of Tracy Industries and her doing any number of other quiet activities.
Oftentimes when she came to sit with him,  it was just so she could feel closer to her own father. Wherever he was.  She knew Jeff was aware of it but he always made time for her when she needed the comfort and he never made mention of it either.  Knowing she was trying to put on a brave front in front of the rest of the family.   
“It’s a beautiful day out.”  He remarked,  he’s face turned towards the large open balcony doors, the light breeze tousling his grey hair.  “Would you care to go for a stroll, I could use the company.”  
Kayo grinned and gave a nod.  Getting to her feet on her own steam for a change was a nice boost to her confidence.   Jeff stood close by to help but he didn’t ask or pester her like his sons were want to do and she was grateful for it. 
She loved all her extended family very much but they tended to treat her like she was glass and would break at any minute even her husband.  God, she loved him but his over protectiveness was starting to drive her batty.   
Being the well brought up man that he was, Jeff offered her his elbow as they made their way out the balcony doors and towards the veranda stairs. 
She tucked her hand in the crock of his arm, enjoying the warmth he offered her.  Circling the pool they came to the top of the trail head that led in a gentle descent down the cliff side to the tide pools that sat below the mammoth villa.  
It really was a beautiful day out and Kayo let her thoughts drift as the smells and sounds of their island home surrounded her.  
Tropical birds danced and chirped amongst the tall palms and ferny underbrush and she caught  a flash of iridescent black and a streak of white as something dove across their path.   Stopping to see where it went off to, her and Jeff blinked as whatever it was squawked and chirped and burped at them before something that sounded vaguely like ‘Virgil’  hailed down from further up the path.*
“Did that bird…?”  Kayo asked, slightly confused.  
Jeff just sighed and shook his head.  “I thought Gordon was joking when he said he taught a honeyeater to talk.”
“A what now?”  She was more baffled than ever.  
Jeff just patted her hand and they continued on their way.    
They meandered on at a sedate pace for a few minutes,  taking their time to traverse the well used path in no rush to reach any particular destination. 
Coming around a bend they reached a small lookout where a large outcropping of rock had been worn smooth by the elements making for a perfect place to park one’s backside. 
Jeff grunted as he settled onto the warm, volcanic rock and patted the space beside him in invitation.  
“I’ve always wondered..”  Kayo started,  kicking off her sandals and sighing contentedly as the sun-kissed warmth of the basalt soothed her feet. 
“Wondered what?”  Jeff encouraged,  tipping his cane back and forth between his hands.
“How did you manage it?” The look he sent her and the cant of his head pushed her to elaborate further. “Being away from home so often?” 
“Ah,”  He remarked as he caught on to her meaning. “While Lucille was pregnant and the boys were little.”
His brows dipped down as he thought of how best to respond, his jaw working back and forth as if he was chewing on the answer.  “Funny you should ask actually.”
Her brow arched up as she regarded him,  watching the quirk of his lip as he glanced her way.  “How so?”
“Virgil asked something similar.”  He didn’t elaborate more on that.  Just went back to chewing on an answer for her previous inquiry.  “Well,  I can tell you one thing.  It wasn’t easy.  There were a lot of late night comms calls that made me glad that NASA didn’t charge long distance fees.  And prior to the lunar communications relay being built,  a lot of long, mopey emails that Lucy loved to tease me about to no end.”  
“Virgil’s been barely gone a day and he’s already checked in with me three times…” Her voice trailed off and she pointed  to the heavens.  “You kept going back out there. I just….how? 
She really wanted to know the answer cause she had been asking the same thing to herself all week and she hadn’t been able to come up with an answer. 
“A job needed to be done and I had the skill set for it.  The world didn’t get put on hold just cause we decided to have a kid...and another... and another..” He chuckled to himself. “ And so forth.”
“I just told myself whenever I left,  get it done.  Get it done right,  precisely and correctly and get home.  Keep on tasks and I’ll be home before I know it.  For the most part that worked,  kept me focused.   When it didn’t  there was plenty a night where Lucy was there..”  
He sighed and rubbed at his chest.  An old ache that would never go away and she felt a pang of guilt for bringing it up.  
“You two will figure it out though.”  He added taking a cleansing breath, the sadness that hung in his gaze dulling as he shifted his train of thought away from his dearly departed. 
“It won't be easy,  they will be a few bumps but you’ll manage. Besides on the days when things don’t work,  the little nuget will have four uncles and great grandmother and an ecstatic Grandpa waiting the wings to lend a hand.”
Kayo looked down at her slowly distending tummy, her doubt churning with all the things they could mess up and would mess up.. But Jeff was right.  They weren’t alone. They had a large support system that was just as excited as they were for their little stowaway and they would figure it out.  
A bleep from Jeff’s wrist comms sounded and he glanced down to read the holographic message that had been sent to him. His brows dipped and he took a moment to send back a brief reply before giving her knee a pat.  
“Boys are on their way back. Should be here soon.”   
“Everything okay?”
He nodded as he held out the crook of his arm to her again. “Few bumps and bruises.  Alan sprained his ankle but Virgil saved him from a nastier spill.” 
Before she could ask about her husband,  Jeff raised a hand.  “Virgil is alright too but I am sure Grandma will have them both scanned within a inch of their lives the moment they get home.”  
Placated for the time being, she took the offered limb and they made their way back up the cliff side path. 
When Two finally landed some thirty minutes later, Kayo was chomping at the bit.   True to Jeff’s word though Grandma had both Virgil and Alan in her clutches within moments of them disembarking the massive cargo hauler.  
Alan limping along, Virgil and Gordon each under an arm.   The stretcher had been an option but the youngest Tracy had kicked up a fuss that it wasn’t really that bad.
Grandma had taken one look at the dirty lot of them and all thoughts of complaint had fled in the face of all that Doctor Grandma-feel my wraith energy.  
It was another twenty minutes before Kayo even had a chance to check in with her husband and when she finally managed to get a moment along with him he gathered her up in a hug and it didn’t appear as if he wanted to let go.
He was freshly showered and changed. Hair and skin still a slightly damp and smelling of soap.  
Running her hands up and down his back, her head tucked into the crook of his neck she gave him a gentle squeeze which he reciprocated.  
“Hey,  tough day at the office?”  She said into his ear. 
“Something like that.” 
Taking his hand Kayo tugged him toward the elevator. “Come on,  let’s get you fed and watered before you get called away again.
“That’s supposed to be my job.”  The grin that up turned his lips chased some of the shadows away from his eyes
“Well then,  hurry up and I may let you mother-hen me.  Though I will warn you, I can’t be held responsible if I start throwing things at you.”
“Oh, there’s a challenge if ever I heard one.”  He chuckled, tucking her in under his arm as they passed through the heavy doors into the cab.   
“So,”  She started,  hitting the button for the upper level. “How’d it go?” 
Virgil shrugged with one shoulder.  “Couple amateur rafters got into trouble on a class five that they had no business being anywhere near. Alan lost his footing as we were pulling them to shore.  He’ll be alright in a few weeks,  the rafters on the other hand are going to be getting some hefty fines for trespassing on a private reserve.”
The elevator dinged and the doors opened to the kitchen.  “Sucks to be them.”  
The awesome scent of roast chicken had Virgil distractedly grunting in agreement and Kayo grinned.  The thought of food had obviously caused his brain to short out and speech had taken a back seat to hunger. 
Coming up to the counter, she peaked around Virgil’s shoulder to admire the spread of food.  Cecilia had been busy.  
The Haitian woman was a genius in the kitchen and the boys had been spoiled rotten lately with her cooking.  
Carb loading had turned into the number one pastime for the brothers and they endeavoured to consume  as much as possible before her departure for the mainland with Kayo.  There had been talk around the table about hiring her on full-time once the baby was born but it usually took second place to food shoveling and breathing. 
‘Cecilia, that smells fantastic.”
“Virgil Tracy, you keep your fingers out of that roast.  It’s not done yet.” The tall woman swatted at his hands with her baster and stole the carrot back that he had managed to pilfer.  “Don’t blame me if you get salmonella poisoning.  There is no way I am going to be held at fault for tossed cookies on the next call out. You hear me?”  
“Yes, ma’am.”  Chastised he took a seat and watched with longing in his eyes as the food guru went back to work 
Kay just rolled her eyes and plunked down onto the stool beside him, tossing a leg over his thigh as she got comfortable. 
He glanced down at it and grinned,  putting hand on her knee and giving it a little squeeze. 
“Comfortable?” 
“Yup.” 
Getting a little distracted Kayo jumped a bit when a cup of tea was placed in front of her. The scent of ginger tickled her sinuses and she looked up to see Cecilia standing across from her with her arms on her hips and a tea towel tossed over her shoulder. 
“Drink up. You need to keep hydrated.”  She instructed, pointing at the cup. “And no hanky panky in my kitchen.” 
Virgil’s hand dropped from where it had slid up her thigh and he did his best to look innocent. 
“Don’t you play coy with me.”  The tall woman scolded, placing a cup of coffee in front of him.  “It’s what got the two of you into all this baby hubbub in the first place and I don’t want it in my kitchen.”
Reprimanded they checked themselves and they both directed their attention at their respective drinks. 
Foot falls down the stairs had Kayo turning to see Scott.   He flashed a smile as he approached, data pad in hand.  
“Hey,  thought I would find you here.” He said,  walking behind the counter to snag a fresh cup of coffee. 
“Food was a necessity.”  Virgil smirked, taking a sip from his own cup. 
“John’s finished making those upgrades to the security system at the house in Parnell and the rota’ has been adjusted for the next few days until you get everything settled.” Scott held the data pad out to Kayo so she could see.
She blinked surprised she was being included in this even though she was the security specialist in the family. Taking the pad she flicked through the information that it provided.  Updated security measures, upgrade gear and protocols.  All things she had improved upon recently when Jeff had come home with little tweaks here and there by John for surveillance and anti-surveillance measures.
She was impressed and it must have shown on her face.  
“You trained Hubbert well.” Scott remarked, a telling comment on his approval of their  T.I security crew.  “He has assigned Baxster and Jenkins to watch over things at the house and escort you to and from your appointments and such.”  
“They’ll do.   They both had advanced hand to hand tactics training and a working knowledge of counter intelligence measure that could come in handy if…”  She paused and corrected herself. “When the media gets wind.”  
“GDF has agreed to lend us a couple of bodies as well so we aren’t stretched too thin. They’ll be made available when needed.” 
Looking into his coffee cup Virgil questioned, “You sure this is going to be okay?” Kayo knew he hated to be a burden on his brothers, preferring to be the one to provide support and not the one that needed it.  
Scott gave his shoulder a pat.  “Don’t worry, we got it. Even with Alan down we can cover things for a few days until you get back.   Aunt Val is aware we are limited for a few days and is making preparations on her side if the need arises.”
Virgil didn’t look all that convinced but there wasn’t much he could do.  His hands were tied as much as hers were.  
“I still don’t like this.”  
“I know, Bro.” Scott gave him a nudge and his large frame rocked slightly with it.  “Pulling you from rotation completely is still an option if you want to take it.”  
He shook his head.  “No, that won’t work. Our effectiveness will go up in smoke and I don’t want that on my conscience anymore than you do.”  
“But it’s my burden to take on as field commander, V.  Not yours.” 
This was just going around in circles and it wasn’t really getting them anywhere.   Kayo nudged her husband from the other side.
“Come on,  take me for a walk up to the lookout.  I want to watch the sunset before dinner and it looks like we have the time.”  
Cecilia who had been busily chopping greens for a salad nodded her head in confirmation when Kayo looked to her to verify. 
“Besides,  I could use a light exercise. I feel like I am starting to resemble a blimp. 
Virgil choked on his coffee and turned to her.  “A blimp? Hardly.”  
Giving Scott a wink,  she took a sip of her tea content for the time being that the heavy talk had been effectively brushed aside.  This was one that she knew they would come to  rehash again later though she knew there really was no use in it. 
They had to do what they had to do. Moving to the mainland though a pain was their only option and Virgil needed to keep doing what he was doing.  As Jeff has said,  the world didn’t stop just because they were with child. 
8-8-8
End of Part One
NEXT
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lesbianrobin · 4 years
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You played Tomb Raider? What did you think of it, and did you see the movie? Did you play any of the sequels?
Yes!! I absolutely adore the 2013 Tomb Raider reboot. I haven't replayed any other game half as much, besides Life Is Strange, which is of course very replayable as a choice-based game. Something about Tomb Raider just settled right next to my heart and hasn't left since. I think it's kind of the perfect comfort game. It's enjoyably challenging without ever being punishing, and the various difficulty options allow for a breezy experience or a harrowing one as well if the player so chooses. I can't remember the term from my game design class a couple years back, but I think TR is excellent at maintaining a sense of immersion through its design, allowing players enough freedom to feel as though they're operating under their own volition without giving the player the opportunity to wholly forget about the plot of the game and spend hours screwing around getting collectibles. I love TR'S little challenges and collectibles! There's not an overwhelming Assassin's Creed level of shit to find, the challenges like burning banners are fun to do even if you aren't aiming for completion, and it's always exciting to find a new artifact or object belonging to your crewmates because you'll get some nice background information as well as insight into Lara's state of mind and her true enjoyment of studying history.
Obviously I love the Sam/Lara element of the game. The fact that the (somewhat homoerotic) friendship between two women was much of the plot's motivation for a large part of the game is just really unique, and I like the way that the game emphasizes Lara's human connections while still developing her as a fierce, formidable survivalist who can take down an army on her own if need be. And the ending... wow, that shit meant a lot to my lesbian little heart.
I did see the Alicia Vikander flick, and I was... underwhelmed and perplexed. They made a lot of odd decisions, and though I think they intended to tell a new story with clear inspiration from the game, it instead seemed as though the studio/writers/whoever couldn't make up their mind whether they wanted to follow the game's plot or not, which resulted in a bunch of odd borrowed elements shoved into a lackluster and poorly-paced plot. You expect action and fun ancient setpieces from Tomb Raider, and as I recall the film spent a confusing amount of time more or less dicking around in modern urban environments. Alicia Vikander was pretty good, though, very hot and badass, and the dude with the boat was cute, so that's nice, I guess. They either should have gone with a condensed version of the game's plot (starting off with the boatwreck, following Lara as she's separated from her documentary group, struggles to survive, and ultimately rescues Sam) or written an entirely new story. Instead they managed to make Yamatai boring as hell, they stripped Lara of much of the depth and humanity she had in the game by cutting out her entire supporting cast and making her an island from the start, and in my opinion they squandered a talented and well-cast lead. Vikander absolutely could have helmed a new franchise, more grounded and markedly different than Angelina Jolie's, but they gave her a weird lame plot and now we're unlikely to ever see her reprise the role.
I did play both Rise of the Tomb Raider and Shadow of the Tomb Raider. I have some real issues with both games, but they are both absolutely gorgeous and fun to play. They both have settings and cutscenes that linger in my mind for their beauty and excitement. My primary gripe is the expansion of open-world elements and the addition of sidequests. Now, while sidequests in Rise were generally clunky and felt pointless, I did enjoy a lot of the sidequests in Shadow, so I think they did improve on their design, but my issue is that not every AAA game needs to be open-world! The stakes in Tomb Raider are quite literally apocalyptic, so it feels pretty ridiculous for Lara to be helping some rando find their lost chickens when the world is gonna end in, like, a day if she doesn't go to this tomb and do some shit. I love TR because it feels immersive to me, and while conventional wisdom often assumes that open world = immersion because player freedom lets them project more wholly onto the protagonist, that just isn't the case when the degree of player freedom disrupts and undermines the game's own plot.
My second-biggest issue is the total exclusion of Sam in both games. It's nice that Jonah sticks around, and it makes sense that Sam may be incredible traumatized and not fit to go on adventures with Lara, but she was the driving force behind Lara's determination in the latter half of the game, and it just feels weird for her to be nothing more than a footnote in the sequels. Lara doesn't feel quite as human with only Jonah's constant company (BTW it's absolutely insane the lengths he goes to for her and they're lucky they made him such a lovable guy or it would feel ridiculous and strain credulity) and the implications that she's essentially cut or lost all ties aside from him. While it was definitely intentional to make Lara's character more troubled and isolated as her adventures went on, I just don't think it was accomplished quite as well as it might have been. Rise and Shadow have high stakes, as well as interesting plots and plenty of human drama, but I find myself missing Lara at times. She's still there! She still has her moments of incredible kindness, of awe and excitement when she finds something extraordinary, but it just feels to me like something's missing, perhaps because of the increased scope of the disasters she faces.
Ultimately, I think all three games are excellent and enjoyable, and Rise/Shadow really stepped things up in just about every technical aspect, but there's some little bit of soul in TR that means it'll always be my favorite. I could probably say a lot more, but I guess that's all for now. Thanks for the ask!
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aahsoka · 4 years
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So having been on tiktok for a bit I wanna talk a little about it.
What I like
It’s actually rather entertaining to scroll through up to 30 second videos one after the other. Sometimes the humor falls flat or it’s not your taste, but the algorithim is quite good at recommending the kind of content you will like.
I joined right when there was a big trend going around about sharing your culture, and soon after a Blackout trend where non-Black creators stopped posting for a day & spread/supported videos by Black creators. So I ended up with a fairly diverse fyp or “for you page”. It also quickly gathered that I am bisexual, so I get plenty of lgbt+ content. There’s some art mixed in there, some cosplay, some historical costuming/seamstresses, lots of avatar jokes lately, musical theatre content, fashion, girls in bikinis on rollerskates (in outer space), commentary on political issues, body positivity, all the kinds of stuff I like. To get a feed that caters to your interests you just have to watch & like videos you’re interested in & eventually it gets a feel for what you’ll watch and what you won’t.
Theres a trend where people say which ‘side’ of tiktok they’re on and I get ‘science side of tumblr’ flashbacks but I’ve mostly avoided the “straight” and conservative sides of tiktok. I would be considered a part of “woke”, “alt” (as in alternative) and lgbt+ tiktok (there are separate ones for each letter of the acronym). Possibly also “theatre” and “cosplay” tiktok. These categories are nebulous and you’re usually part of multiple communities; its just as arbitray as ‘science side of tumblr’ was.
The format reminds me of snapchat a little, and I love to talk to myself on video & post dumb thirst traps for my friends (none of which I’m attracted to so idk what my goal is there) and make stupid jokes. So this app is kinda perfect for my attention seeking side & hyperactive tendencies. Its very easy to consume on a short attention span, though not as easy as vine was.
Being in quarantine, its a way for a lot of people to engage in hobbies that involve community. Cosplay is pretty popular, as its a fun way to show off a costume & dress up & have fun without having to attend a convention. I enjoy the way lip synced audios can be used to emulate the character someone is dressed as; that’s something you couldn’t really do unless you were really good at impressions. Its a nice succinct way to show the process of creating a cosplay as well.
Those who enjoy theatre, but cannot perform in shows at this time, are able to create mini-monologues & sketches as well as sing parts of their favorite songs. Its an avenue through which to perform without putting anyone at risk of the virus. It’s also an easy way to show off your talents without having to go through the audition process & actually get cast in a show as a prominent enough role that someone will notice it.
It’s a convenient format for discourse and educational videos. Nice, short, easily digestible tidbits that stay in your mind. This extremely catchy song, for example: “Black neighborhoods are overpoliced, so of course they have higher rates of crime, and white perpetrators are undercharged, so of course they have lower rates of crime. And all of those stupid stats you keep using are operating off a small sample size. So, shut up, shut up, shut up, shut up”.
As well as other videos where people take the time to explain historical events, satirize racist arguments to demonstrate why they are wrong, talk about prevalent tropes in movies, teach a few signs in ASL, share facts about their culture, etc, etc. I have found there are quite a lot of people there from unique and fairly unknown cultures and backgrounds- and this is a place where they’re able to share their culture & existence with people all over the world. There are a thousand different viewpoints. Their videos are doing far more for diverse representation than any other platform, I’d argue, as everyone is extremely visible on the app. (‘Their’ as in the creators, not the app itself).
I also have enjoyed coming across new artists on the app. It’s really fun to watch the process they go through, as most art videos deal with the whole creation of a piece. It’s inspiring. I have also come across a painter who’s work I’m in love with, and a woman who makes and sells the CUTEST ceramic mugs, and I need to purchase some stuff from them both.
Now onto the bad:
Unfortunately, the app doesn’t have much in the way of a filtering or warning system. I talked about that tiktok of the kids coming across human remains? That was just on people’s fyp. Just popped up. No warning. No reason for it to still be up. Traumatizing.
You can click on a video and say ‘not interested’ (I do this to literally every video I get where some girl is thirsting after kylo ren 🤮..... like I want the star wars videos just not THOSE videos). However, it doesn’t seem to know exactly why you weren’t interested, because I still get those videos from time to time. There’s no content filter where I can blacklist the kylo ren or any other hashtag.
There’s some very shitty content. There are racist conservatives. Misogynistic teen white boys. Really weird thirst traps. Videos where people lip sync to something with a straight face and tag it with #acting. Harmful body image trends. I thankfully stay very clear of this, but this kind of content makes me worry for the minors on the app. The one’s who don’t have enough of a concept of self yet to realize they don’t need to be able to do the newest pointless beauty trend to be beautiful, to realize it’s ok for them to be gay, to realize how predatory some adults can be, etc etc.
It is extremely easy to come across minors on the app who don’t look like teens. One time I went to a girl’s page and it said she was FIFTEEN. I’m usually good at guessing ages but something about this app messes that up. I wish there was a way to separate people under 18 and adults. Where I don’t have minor’s thirst traps popping up on my fyp. Where pedophiles don’t get a chance to curate that fyp intentionally. If anyone reading this has kids, I highly recommend they make their tiktok private or only viewable to friends.
Just like any site, there are plenty of bigots. Lots of racist comments. Plenty of transphobia. Any hatred you’ve seen elsewhere, of course it exists on tiktok. I have actually zero clue if you can report people & if it works. Most people seem to send a video commentary to their haters or duet a video of a racist pointing out their racism. I’ve heard of creators blocking people, however. I remember a tiktok of a Black woman who’s video somehow went fairly viral in Poland and now she gets a lot of racist comments from this large group of random racisf Polish followers she has and its extremely time consuming to block them all, as there’s no mass block feature.
The rumors about what works with the algorithm and doesn’t abound. I’ve heard well lit videos get more views. Many people suspect they have been shadowbanned for speaking out about current events. TikTok will remove the audio from videos sometimes if they deem it controversial enough. Most of us know they were criticized recently for intentionally keeping Black creator’s videos from being seen (a catalyst for the Blackout, actually). Or you may also recall when it was criticized for widely removing lgbt+ content. Those creators are fighting to be seen the same amount as straight cis white creators are allowed to be seen with no effort.
The effects some trends could have on teen girls. So many of them are already so uncomfortable in their own skin simply because of societal standards, but the absolutely meaningless challenges people come up with on tiktok make it so much worse. One trend was based around whether your finger touched your lips when you put it in your nose. Or if you could get your clasped hands around the back of your legs and over your butt (if they get passed, you have a flat ass, if they get stuck, its big). These completely arbitrary signifiers of the things you need to have in order to be pretty, are far more ridiculous that anything I have seen yet in my life. I worry about little girls taking these ideas to heart. There is a very kind body positive community on the app & I hope more people can find that.
There’s also that thing where they steal your data. Like most apps. But apparently they got a lot more invasive than usual, so I would look into it before making an account; if you want to do that.
I think the apps users can be great & its a pretty intuitive set up. It certainly deserves its popularity solely as a creative form of social media. That being said, its owners are so so insidious & do the worst things. Just like all other social media, its controlled by the worst kind of people. Who can never figure out how to effectively get rid of nazis or keep kids safe from adult content.
These are my less serious gripes with the app:
1) Lip syncing
When people lip sync and don’t do any kind of skit, joke, etc, just look as if they’re saying what someone else said; I hate that. I have to go back and find the original tiktok so I can like it instead. You literally did nothing interesting by ripping off someones audio and moving your lips along to it. So many people on this app are creative and so many others lack any semblance of creativity.
Also people are too easily impressed by lip syncing to kinda-fast songs. I lip synced to like....10 seconds of the devil went down to georgia and two people praised my lip syncing abilities. Like, I can also sing and talk fast, out loud, isn’t that more impressive? more skillful? The fiddle playing in that song is impressive, not the fact I can lip sync ‘the devil went down to georgia, he was lookin for a soul to steal, he was in a bind, cause he was way behind.’ Have you ever seen someone play Johnny’s fiddle solo????? It’s insane!!!
Rather than see someone lip sync to the verse in Stressed Out 2x faster than normal (which is, extremely simple and the song was overplayed and ingrained into our collective consciousness) and go WOW what about someone.....doing the verse out loud. You can litterally just mouth random words and look like you’re saying the right ones. It’s driving me crazy lmao. I’m set to become a God of tiktok because I have a repertoire of fast songs and rap verses memorized. It’s not even an uncommon skill to speak or sing quickly, people literally make rap music for a living! Listen to it maybe.
2) “Acting”
I am begging you to stop making me sit through those horrible POVs. I cannot take another girl not quite fake crying towards the camera as she lip syncs the words from a song that apply to the random situation she decided she was in. I cannot take another boy who thinks its sexy to stare into a camera and smirk in every single situation he creates.
Back to lip syncing, making facial expressions along to words isn’t really acting. Try saying the words out loud perhaps? The inflection you use with your lines is a pretty big part of acting. Like you can lip sync all you want, just stop tagging it with #acting.
3) Comedic timing, or lack thereof
You don’t need the entire intro to sit there looking at the camera waiting until the first line starts and you can lip sync to the part that’s the joke. You could cut off at least 15 seconds. Brevity is the soul of wit.
When your joke involves both reading text on screen and listening to the song for the punchline, if it isn’t done prefectly, its so difficult to follow. I can’t read a paragraph in 5 seconds. Paraphrase.
4) self deprecating artist audio
the audio thats like ‘this wont get views’ ‘I suck’ ‘you probably won’t see this anyway’ LOVE YOURSELF
It sucks when people dont enagage with your art but it sucks worse when your value in yourself and you art is based solely on receiving that validation. Please find a healthy medium.
Also you’re asking for pity, and you don’t want that. You want people who genuinely love your art for what it is.
5) editing videos is really hard how do you make such cool & smooth transitions????
please help me I don’t understand
Finally
here’s my account if you’re interested
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smokeybrandreviews · 4 years
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Jill Sandwich
So Resident Evil 3 Remake is out in the wild and i can finally talk about this thing in detail. I have an interesting relationship with the RE franchise. It’s kind of a love/hate situation. I love the first three titles and Veronica. I kind of hate everything that came after. IV through VI are just plain awful, particularly VI. Cats fight me about IV but i don’t care for it. Capcom stopped doing what they do best, desperate survival horror, and started emulating those action films starring Leeloo Dallas. That’s find but, i mean, watching Chris Redfield, jacked up on the super roids, punch out a whole ass boulder, while fighting a chimera virus infected Wesker, in the heart of a goddamn volcano, was way too much. And there was another entire game after that one with this campy, wacky, bullsh*t. I hated it. All of it. Then Resident Evil VII dropped and everything changed.
Revelations hinted at a return to form but it was REVII that showed the world what Resident Evil was really about. My goodness was that game good. I was on the edge of my seat playing through that coil of stress, atmosphere, and insidious violence. It was beautiful. That game was beautiful. I found my self longing for that engine, driving my favorite title of the entire franchise, Resident Evil II. To my surprise i got exactly what i wanted. Holy sh*t, when Resident Evils II Remake dropped, i sh*t myself. This was the Resident Evil game i always wanted. This is what survival horror should have been the entire time. Remake hit every note of nostalgia while building a brand new experience. Not only were the graphics updated, bu the entire story was streamline and, thanks to some excellent voice work, it was rather enthralling this go around. REII was already one of my favorite games but Remake found a spit right next to it on my all-time list. When i finished that motherf*cker for the first time, after experiencing that horror on two legs called Mr. X, i thought about how dope Nemesis would be in this engine. To my surprise, i wouldn’t have to wait long to find out.
First and foremost, R3make is goddamn gorgeous. It’s absolutely beautiful. Capcom’s RE Engine pulls all of it’s weight on this one. The lighting and particle effects are spectacular. I thought Remake II looked great but this game really stand out. There are a few little concessions made to push the hardware but that’s to be forgiven. I can deal with an exploding limb or disappearing body if it means i can get the detail and literally horde levels of zombies on my ass at all times. It’s insane just how many of theses things are packed on screen, in that level detail, while Nemesis is launching f*cking rockets at you.
I have to absolutely gush about the writing for a minute here. I remember the old REIII being kind of hokey, kind of campy. I chocked it up to the limitations of the OG PlayStation. Not this one. The PS4 gives the script writers a level of power to get really creative. The dialogue Jill has with everyone feels real, It feels organic. She acts like a person with training in the middle of a crisis and i adore every second of it. I mean, her banter with Carlos is more than enough for the price of admission.
Also, Jill is just a regular badass. It’s dope seeing her getting her proper due in this game. The last time we saw her, outside of one of those Revelation games, she was a muppet for Wesker. Bullsh*t, son! Not here. Here, she is in all her bad ass. Umbrella busting, glory and i love it. I also love her redesign. Function over fashion, ya dig?
The remix of levels caught me off guard at first. They took out a lot of set pieces i remember like the park and Jill’s run through the RPD. These aspects of her original playthrough make an appearance, just in completely different ways. Also worth mentioning, there are like, no puzzled in this game. I remember the original being very, frustratingly, puzzle heavy way back when. This game is not that. It is a narrative focused, action driven, murder fest. I am more than okay with that particular alteration.
The redesigned enemies in this game are spectacular. I kind of expected a few changed, mostly based on the Ivy from Remake II, but Capcom really found a way to be creative with these new enemies. There’s, like, Las Plagas zombies in this thing. You blow of their heads and a parasite pops out. It’s insane. I always though Nemesis was infected with a Plagas and this game kind of confirms that. I love the new take on the Hunters. The Alphas have kind of a predator face now but the Gammas? The Gammas have this massive parasite that pops out of their gaping maws. It looks just like the Gravedigger and since there isn’t really a park level to this game, imagine they serve the same purpose. Or, repurpose in this case. There’s even a couple of surprises in store for those who know their lore. Their horrifying Resident Evil lore.
F*cking Nemesis, man. Nemesis is nightmare fuel incarnate. Dude is outright horrifying, the entire time you play this game. He’s fast, agile, and f*cking terrifying. I had problems with Mr. X but this asshole? Dude literally sprints after you when you run away. I kind of hate it but, at the same time, i f*cking need it! Good ol’ Nemi’s redesign is amazing. I was a little iffy at first, but seeing it in action sold me. And then his second form happened. Bro. What? And then that third. Okay, Capcom, come on? Y’all were just showing off with that one.
The only thing holding this game back, in my opinion, is that it can get a little REVI at times. I mean that the action becomes just a hair too over-the-top. That entire end sequence with final form Nemesis was absolutely ridiculous. I mean, i loved it, don’t get me wrong, but, f*ck, coming off Remake II and several parts of this one, it just felt a little out of place. There’s a few times where this issue creeps up but, like i said, it’s more of a nitpick than anything. The grounded nature and character driven narrative distract from the more... zealous aspects of this game.
As far as gameplay, if you played Remake II or any of the RE titles after IV, you know what to expect. Over the shoulder, third person, all day! I hate shooters but i can play the f*ck out of these types. Tank controls have gone the way of the dodo it seems but i ‘m not bad with their replacement. This game feels right with this camera set up. Shooting feels right. Dodging feels rewarding. This game feels real good to play.
There aren’t anymore of those quick decision deals like in the original but that’s not a problem. They would have interfered with the narrative driven aspects of this game. You can still, you know, shoot Nemi in the face for dope sh*t but i wouldn’t. F*ck all of that. Maybe after a third of fourth playthrough. Maybe. There’s no Mercenaries mode or multiple endings but you can play a good portion as Carlos and there’s a brand new multiplayer component with it’s own narrative called Resident Evil Resistance so, i guess that’s dope? I dunno. I f*cks with that single player campaign all day, tho.
R3make is f*cking outstanding. I love this game. Absolutely adore the f*ck out of it. I still like Remake II better but that’s more because i just adore II overall. That said, R3make is the f*cking tits. This sh*t is fast paced, adrenaline pumping, stress inducing, action packed, zombie killing. It does justice to Jill, makes me care about Carlos, and even does some interesting things with Nemesis. I was thoroughly surprised by some narrative choices taken but they dded to the overall plot,giving life to a game that sorely needed it, while not compromising once on gameplay. While there are certain design aspects i would have liked seen skew closer to the earlier titles in the franchise rather than the later ones, that is a small gripe. Even in all of it’s Bayhem glory, and there is a lot of that toward th end, this game never loses the spirit of who it is. Resident Evil III Remake is a f*cking masterpiece and you should get into it the second this quarantine lifts if you haven’t already had an opportunity to grab a copy.
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renzywenzy · 4 years
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Joker Review
*Disclaimer* I held off posting this review until Phoenix won the Oscar. I promised myself that if he hadn’t won, I would have just left this in the drafts forever. That’s how much faith I had in this man and now here is my critique of my favorite film of 2019. 
I have a tattoo on my right arm. The tattoo is actually the Batman logo but altered. One half of the logo is normal but the other half is made up of red “HAHAHAHA’s” all over. There’s a reason why the dynamic between these two is my favorite of all-time. It’s two different interpretations of insanity colliding in an eternal battle. It’s two iconic, well-written, captivating characters having epic confrontations. 
Needless to say, I love the characters of Batman and The Joker. I grew up on them and they have played a huge part of my life. My ideologies, my way of thinking, my perception of the world, my behavior in private and in public have been directly and/or indirectly impacted by these two characters.
Any film or any form of media that have these two, separate or together, is already met with my high expectations. So obviously, my expectations for this film were through the roof. If this film was nothing short of great, I would have been really angry. 
I would have been the first to say how disappointed I was, I would have been the first to say that Joaquin Phoenix should never play The Joker again, I would have been the first to say that Todd Philips should stick to raunchy comedies and stay away from the character as far as possible....but that’s not the case here. 
I’m singing a different tune. A tune that I’m gonna be letting everyone hear with every chance I get. A tune that I’m gonna be playing in my head whenever I dance on the street. 
Ladies and gentlemen... please welcome Joker.
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The Tragedy
First of all, I’ll begin with some faults that I found in the film. Not a whole lot but I have to get these out of the way so that I can end the review with high points. 
1.) The origin story we didn’t want but the one we got anyway
Now when I talk about origin story, I don’t mean Joker’s. I mean Batman’s. I’m really sorry to say but I am getting absolutely sick of seeing THAT scene. 
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I have to point out that it felt like this scene was rushed. It wasn’t shot as well as the other scenes. Every other scene in Joker felt like there was a beautiful story behind it. As if there was a creative progress going through the minds of the people in the scene and off the camera but this scene felt rushed and was treated like an afterthought. 
I must admit, of all the films that showed Bruce’s parents in the alley, this one might be one of the weakest I’ve seen in a while. Even that piece of garbage Batman V. Superman had a slightly better way of showing that scene. If you’re going to show us a scene that’s been overly done since the beginning of Batman films, you gotta add a little more flavor and cinematic flair to it. Sad to say that for a film that was shot so well, this scene stuck out like a sore thumb. 
2.) A little too much dancing and a few too many ribs
As it says in the point, there’s a little too much there.  Don’t get me wrong, I love most of his dance scenes but there’s maybe 1 or 2 too many. I personally would have kept the first dance scene when accidentally shoots a gun, the one after his first kill, the one with his mother, and all the dance scenes once he completely transforms. These particular dance scenes were showing us a slow evolution and allowed to see how his mind was slowly changing. But there were a few dance scenes that didn’t really do that and instead was just kind of there. For example, the few dance scenes where he’s half-naked can be taken out completely and it wouldn’t make a difference. 
And speaking of him being half-naked. I understand the film wants us to see how weak he his and in some scenes, it wants to show you the literal scars he got from society. However in some of these scenes, it gets a little distracting. The first scene where he’s half naked and trying to adjust his shoe is just perfect because for one, you don’t know really know what he’s doing at first so it leaves you wondering for a few seconds and two, you get to see how much his frail body struggles with something so simple. 
But then you have a few scenes where he’s unnecessary shirtless like the one where he’s smoking and watching TV. It seemed needless for him to be shirtless for this scene because the main point of it was his reaction towards what was being shown on TV. Again, it’s no problem to show us how skinny and weak he looks but it has to be the point or a point of a scene or else it’s just distracting.
Small gripes but I had to find some criticisms for the film. But now that that’s out of the way, let’s put a smile on that face (I know they’re not the same. Just be like Joe and Chill).
The Comedy 
1.) Romero, Nicholson, Ledger, Hamill, and now...
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 ...Phoenix
There have been numerous people who have played the Joker with each actor adding their own twist to the Clown Prince of Crime. Romero embodied the camp and goofiness of the Silver Age iteration, Nicholson provided a more laid-back and mafia-esque performance, Ledger portrayed him as a true anarchist who “wants to watch the world burn”, and the legendary Hamill basically performed multiple layers of Joker’s persona for his 20+ years as the character and is THE definitive voice (and laugh) of The Joker. 
Joaquin Phoenix joins this hall of fame (or infamy) by giving us a closer, more in-depth look at the mentally ill, physically battered, and emotionally abandoned man behind the smile. 
I honestly can’t give this guy the praise he really deserves but I’ll do my best. My lord...this man blew me away like I was a talk-show host. Powerhouse performance doesn’t even begin to describe his acting. 
This film, as well-made as it was, wouldn’t have worked nearly as well had it not been for its main star. This film hinged on how well Mr. Phoenix played the titular character and he absolutely delivered.
The film had a tough job in its hands: portray how a man was slowly dissenting into madness to the point that he lets the madness in and indulges in it. It was going to be a deliberately slow process that required an actor who can be significantly subtle enough to convey to the audience how a character is evolving but taking small steps to do so. Phoenix did that with flying colors. 
If you look at the first scene where we’re introduced to Arthur, it’s clearly not the same Arthur when the film reaches its ending. We went from a man who walks with a slouch and a noticeable stiffness to a man who vigorously dances in the streets without a care in the world. 
Don’t get it twisted, though. Phoenix didn’t play two different people nor did he play a man who takes a sudden huge leap in his personality. He played a person who displays slight changes to his psyche in each scene and these small changes eventually pile up. Arthur was meant to be a man who was layered like an onion and Phoenix’s performance mirrored that perfectly. 
Is he the best Joker? I can’t say that. Each Joker I’ve been introduced to, while having a different spin, is ultimately the Joker at his peak or even at the twilight of his criminal life. This is the first time where I’ve witnessed a Joker who is still truly staring out. And no, Nicholson doesn’t count because Jack Napier was an established criminal way before he became the Joker. So I’m not too sure yet where to rank Phoenix’s actual full-blown Joker as it doesn’t last long however excellent it was AND a huge factor for me when it comes to ranking Jokers is the interactions with Batman. There was no Joker and Batman clash here. Only Arthur and Bruce. As it stands, Phoenix’s spot on the all-time Joker list may not be the highest but in terms of pure acting, he may very well be #1. 
I know this sentiment has been repeated multiple times but I do honestly believe Phoenix deserved the Oscar here or at least a nod. 
2.) Familiar punchline, fresh set-up 
For any Batman/Joker fan, you’ve probably heard of this following quote:
“If I’m going to have a past, I prefer it to be multiple choice.” 
It’s an iconic quote and one that you will hear in almost any review of this film but there is a good reason for it. The line encapsulates one of the best things about The Joker: the mystery of his origins. 
As mysterious as the character is, it’s hard to keep The Joker interesting these days. He is the most over-exposed Batman villain of all time and quite possibly the most over-exposed villain in fiction period. Comic books, video games, tv shows, live-action movies. The Joker has been in EVERYTHING. Like his heroic counterpart, the Joker has been exposed too much to the point that there’s really not a lot of fresh things you can do with him.  
The last time any media brought something refreshing to The Joker was in Telltale’s Batman video game where you meet a man named “John Doe” who’s still looking for himself and finding out which path in life he wants to take. In the game, whatever John becomes is based on your actions. That was in 2017. 
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The last time before that was in 2011′s Flashpoint where Martha Wayne became The Joker in an alternate timeline where Bruce dies in the alley. Even though this version of the Joker had a clear backstory and no mysterious origin, it was still fresh because of the sheer novelty of seeing Bruce Wayne’s mother as The Joker and his father as Batman.
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So there are stretches of time where there’s nothing new and exciting for The Joker character but I’m happy to say that this film does breathe new life into the character. 
The filmmakers understood how this specific character should be handled and they did it in ways that are plausible. His abusive but vague childhood and his delusions help in keeping the film from being straightforward. 
Let me give some examples. In the scene where Arthur steals his mother’s files in the Asylum, it’s said that he was adopted by Penny and that he was abused by one of her boyfriends. 
Some people I’ve talked to believe that it was Thomas Wayne who put Penny in the Asylum and forged adoption papers. Some people even say that it was Thomas Wayne who abused them when Arthur was a child. Some people say that it’s true and Arthur really was adopted. 
We don’t know these things definitively and that’s the best part. It’s whatever you want it to be. Multiple choice. 
I personally want to believe that Arthur really was adopted because that just adds another air of mystery to him. If he was then we don’t know his actual birth name or who is real parents are.  
All in all, even though the evolution of Arthur into The Joker remains the ultimate goal, the film lets you make up your own path into how he got there. It’s handled beautifully and the script is clearly made with a lot of knowledge of and love for the character. 
3. A problem tackled with grace
I just wanted to point how well this film handles the issue of mental health and illness. This topic will forever be relevant and is an issue that’s been tackled in media before. Some handled it terribly, some handled it bad, some handled it ok, some handled it well. And then there’s Joker that handles it amazingly. 
As someone who sees mental illness on a regular basis, it was so sublime how accurate this film was. The image of a decaying mind and one that descends further and further down is so powerful in this film and it just never half-asses it and I loved that. 
My girlfriend is a nurse and she interacts with mentally ill people far more than I ever will and she praised it more because everything she saw from Arthur is something that she has personally had to deal with in her patients. I asked her if there was even one inaccurate and she said “No” because everything was completely plausible and has actually happened in real life on multiple occasions. Delusions of grandeur, uncontrollable ticks (like a laugh), murderous tendency, self-harm, stalking, hallucinating, you name it and most likely, this film shows it. 
Not only is Arthur’s mental illness accurate but what makes it better and why I praise it is how others deal with him. It’s scary how much it mirrors reality. Some people may know how to interact with him while others just get annoyed with him. Even those who are accepting of mentally ill people can still have be irritated with them when they come in contact with them. 
Arthur is beaten not just because he’s mentally ill but because he just looks like a weak man who can be pushed around. People don’t care if he’s sick, they’ll kick his ass or make fun of him regardless and in some cases, they’ll have even more incentive when they learn he has mental problems which is sadly similar to the world we live in today.
Joker is arguably the best adaption of mental illness for this decade (I say arguably because Bojack Horseman is up there) and I can’t believe that the director of the Hangover films got it right and speaking of which...
4. He directed what??
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Todd Philips, the man behind the Hangover trilogy, Starsky and Hutch (2004), and Old School directed this film. Imagine late 2018 and you just heard who the director was and you search for the films he directed prior. Did you honestly believe, in your heart of hearts, he was going to pull this off?
Don’t get me wrong, comedic talents have proven to excel in other genres. Jordan Peele is a great example of that but that doesn’t necessarily apply to every comedian...However, it applied to Mr. Philips. 
His direction, his vision, his execution was top-notch and I have to apologize to this man because I honestly doubted him when I initially heard about it. I knew Phoenix was going to do well and I thought that the film would just rely solely on his performance but no. Todd Philips deserves a lot of credit here. Yes, he takes some ideas and cues from Scorsese (not a bad inspiration by the way) but he handles the psychological aspect in his own style.
In terms of performers, this was close to a one-man show as you can get but Philips’ contributions behind-the-scenes should to be given as much appreciation. Phoenix was the master painter and Philips gave him the tools.
Honestly, if Philips wants to direct more dramatic and heavier films akin to this, I’m all for it. If he wants to stick around and maybe direct some more DC films, I am definitely on board. In this time of uncertainty towards DC films, Philips gave me hope. Yes, I know this film isn’t part of the DCEU but if they want to create more films in the Elseworld universe, Philips should still be part of it in some way. 
5. The sound of laughter
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I’m not going to lie. I rarely appreciate film scores. While I do believe they enhance a film’s quality, I’m not actively seeking it out unless it truly stands out. The only scores I truly remember and appreciate is the opening score for Star Wars, the Superman score, the main score for Indiana Jones, the Back to The Future action sequence score, Danny Elfman’s Batman score, and all of the scores from The Godfather films. 
By the way I realized the first three examples I gave all sound similar but it makes sense since John Williams made them all.
So out of the hundreds (possibly thousands) of films I’ve seen, these are the only scores I can truly remember and now we add one more to the list: the dark and beautiful score by Hildur Guðnadóttir. 
She absolutely gave me a much better understanding of how music can not only enhance a scene but be worked around it. Apparently, the music was made first and Todd Philips would shoot scenes with the score playing in the background so that he can craft scenes based on which part of the score he was listening to. This is the first time something like this has ever happened in the filmmaking process and it absolutely worked wonders. No wonder why each scene tied in so beautifully to a specific part of the score.
Hildur has made it and I hope to hear more of her work in future projects. 
6. To a bright future (hopefully)...
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This section is more of a call to action than a positive point for the film. That being said, Joker’s success has opened up many possibilities for DC films moving forward. 
Let’s be honest here. The recent attempt of DC keeping up with Marvel in terms of films has not been great. DC is Marvel’s biggest competitor but when you just look purely at movie success, you wouldn’t think that.
That’s because Marvel started something solid over a decade ago and is currently having the biggest and most epic film franchise today and, quite possible, of all time. 
DC tried (and is still trying) to do the same but it has been a roller-coaster with some enjoyable ups (Man of Steel, Wonder Woman, Shazam) and terrible downs (Batman V. Superman, Justice League, Suicide Squad, Birds of Prey). 
Now with the huge commercial and critical success of this film, Warner Bros. need to take advantage of this while they have the chance. Joker is a film that is set in its own universe and not a part of the bigger DCEU and this could be DC’s way of being as successful as Marvel. Elseworld stories. Detective Comics was the first to put huge emphasis on a multiverse in their comics and I believe it’s time to bring that to the films. 
They’ve already implemented a multiverse with the television shows but now is the time to let the silver screen experience this. 
Unlike Disney, Warner Bros. has the movie rights to ALL of the DC characters. All of them. From heavyweights like Superman and Batman to less popular characters like Question and Red Tornado. They need to make use of that advantage because there are plenty of characters who have not had successful film ventures yet. Green Lantern, Martian Manhunter, Batgirl, Constantine (sorry Keanu) Lobo, Zatanna, Static Shock, Booster Gold (a personal favorite) and so many more. Give these characters a chance. They can shine in their own standalone movie that doesn’t have to do with the DCEU. However, if you want to put all of them in the same universe, you’ll need visionary writers capable of that. 
Consider this my call to action for Warner Bros. because I’m admittedly more of a DC fan than a Marvel. Don’t get me wrong, I love both franchises but DC was my first so I am biased towards them. I’m happy that Marvel has continuous success but it also makes me melancholic because it makes me question why DC can’t experience the same. 
Only time will tell if DC can keep this up because right now, they’re doing well overall but even if they ultimately never catch up, they can be proud of this one. 
Overall...
I love this film and its portrayal of an iconic character. They took an overused and overexposed character and somehow made him fresh again without taking away what made him so popular in the first place.
Todd Philips had a vision and he took it to a level that I didn’t think he was capable of. Joaquin Phoenix just absolutely killed with a performance that’s going to be remembered forever. 
As I write this review, talks of a sequel have already begun. I’m honestly not sure if they can do outdo themselves. My expectations will be even higher but they are most certainly welcome to exceed them again. 
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revchainsaw · 3 years
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Judge Dredd (1995)
I must confess that I have never read a single Judge Dredd comic book. I did own one issue of Batman vs Judge Dredd when I was a little kid, but I mostly just flipped through the panels and enjoyed the edgy art work. I can't speak to how faithful and adaptation that Judge Dredd is, but I think that may just be the best way to review a film. I may not have said this before on this blog, but I do not believe that being a faithful adaptation is the same thing as being a good movie, nor vice versa. I love the later adaptation, but this is a fascist super cop of a completely different breed. Let us see if Sylvester Stallone's crack at a 90s Super Hero flick will make a suitable sacrifice at the altar of the cult film God's.
The Message
1995's Judge Dredd is a Science Fiction Comic Book Adaptation starring Sylvester Stallone and Rob Schneider and it took me 3 attempt to finally get past the first few scenes before I could actually not feel like I was wasting my life watching it. The first thing a viewer will notice about this film is exactly how expensive everything looks. Oh God, how glorious and how massive these set pieces, costumes, and effects must have been, and I can't lie. I LOVED it. Unfortunately all that good will is lost when the plot tries to kick in. For all the force and action a title like Judge Dredd promises, it's story kicks in with a whimper and dialogue and lore that feels as if it was written by an angry 14 year old in his free time after he got detention for using a racial slur.
The film revolves around Judge Dredd, a super cop with a black and white perspective on the law so unrelenting that he has become a legend. He is seen in the early parts of the film teaching at a Judge Academy, single handedly ending anarchic riots, enforcing traffic citations. It makes you wonder exactly what the Judges council think they are doing, like they can't seem to figure out what to do with this guy.
It is revealed that Judge Dredd was a mutant experiment created by the fascist world leaders but the program only produced violent psychopaths (of which Dredd is one). The other Janus project reject is Rico, who builds awesome puppet robots who look like they belong in Return to Oz, and makes oopy goopy Judge Dredd brother babies. He also frames Judge Dredd for murder.
Once framed Judge Dredd's years of service buy him good graces with the totalitarian regime he works for and he is simply banished to the wastelands where he runs into Rob Schneider, and the movie just gets worse from there. The only saving grace here is more very expensive set pieces and crazy cyborg practical effect cannibal rednecks. It's so sad that this movie isn't more awesome. Judge Dredd does kick some ass though and his Daddy Boss shows up just to be immediately murdered.
Rob Schneider and Judge Dredd break back into Mega City One to defeat Rico, recruit Dredds coworker Hershey, and save the fascist dystopia they all live in from any significant social change. Hooray!!!!
The Benediction
Best Feature: Looks like 90 Million Bucks
The Movie is great to look at. The only gripe I have with anything in the costumes, effects, or set pieces is that the judges helmets in particular look like cheap plastic, but in the era of the Tim Burton Batman movies, this is actually not a huge kicker. It's honestly amazing that the movie was given this much to work with, a 90 Million dollar budget in 95 for a Superhero flick. If only it were enough to save the film. It honestly hurts it a little. We are supposed to believe that the world is lawless and dismal but the technology is so sleek and beautiful and the sets are emaculate when they aren't occasionally shooting out sparks. Honestly, it seems like a utopia with occasional riots. Nothing seems lived in but everything seems new.
Best Effect: ABC, That's How Easy Love Can Be
Ricos Robot, the ABC Warrior, was just eye candy, and it wasn't without competition. I also really loved the Goopy Janus Judges and the Egg Timer Cannibal Cyborg. If this movie leaned more into it's insanity it would probably have a better reputation. It's a shame that most people will skip this film on reputation alone. The plot is mind numbing, inconsistent, and dumb, but the effects like the ABC Warrior I could watch by themselves for hours. It's a cartoon, but damn if it's not a great looking cartoon.
Best Character: Officer Her-She (cuz she's a girl duh!)
In a movie that doesn't realize it's trying to get us to sympathize for a bunch of fascist totalitarians, or is trying hard to get us to ignore that fact, a villain like Rico is actually hard to hate. He has a line that says "you gave up your life to embrace the law, I gave up the law to embrace life". It really seems like I'm Team Rico here. But he didn't want freedom, he just wanted to be a different kind of monster. For that reason, I think Hershey is really the stand out character here. She's the only competent Judge, she makes reasonable decisions, and even though she seems to be Stallone's love interest, this movie does very little to diminish her to that role, or to exploit the actress. For a movie like this that is saying a lot. The only time this film doesn't suck is when Hershey is on screen or a cool practical effect is happening.
Best Kill: Tis But A Flesh Wound
I wish someone would have killed Rob Schneider, but unfortunately that didn't happen. There is a pretty cool kill where the ABC Warrior picks apart a corrupt Judge like a troubled kid does to a random bug. I guess since that had some blood and stuff we'll call it even.
Best Set Piece: Jailhouse Rocks
There are many vast and impressive sets throughout this film, but the one that really stuck out to me was Rico's cell. The wall mounted turrets getting featured instead of just being static objects stuck to the wall was one of those extra little steps that makes all the difference.
Worst Character: Rob Schneider is a Stapler? a Carrot? Annoying.
I didn't even learn Rob Schneider's characters name. But he's obnoxious. I learned that while filming Demolition Man, Stallone met Schneider and insisted he be in this film. It wouldn't have been all that bad had he done his piece and been left behind, but he clings to Dredd for most of the film. It's especially unbearable because several more likeable characters come back onto the scene to help Dredd but they are either killed or written away so that we can get more of Rob.
Worst Feature: It's a Dumb Movie for Kids
Judge Dredd is a case study in why we don't get cool effects heavy films anymore. Looking at Judge Dredd makes the Marvel Films look like cheap dookie. What I wouldn't give for some of these kinds of effects in an Iron Man or a Guardians of the Galaxy movie. Hopefully we will get some kind of compromise. But the writers, producers, and studio were not willing to take the property seriously enough to do their high budget justice. The plot of Judge Dredd is so stupid and the themes are so mismanaged that of course this movie is remembered as a piece of shit. It's reasons like this that no one will take chances on a big budget practical effects film anymore.
Summary
Judge Dredd is confused. There are ways that writers can make an audience root for a hero like Dredd even though he is absolutely representative of oppression, the way to do that is not to preach about how great the law is and how bad the poor people who are suffering under the boots of the judges are. You can't make the bad guys motive that he values freedom and individuality. Judge Dredd looks great, has backwards ass messaging, a very stupid script, and keeps insisting things via exposition rather than showing us in it's world building. It is a frustratingly difficult movie to buy into, but it's good qualities buy it enough good will to keep it out of the dumpster fire.
Overall Grade: D
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westfallingforchaol · 7 years
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Salaam! I’ve started to think that I should just stop apologizing for disappearing for weeks on end because I feel guilty, and then I end up making promises I can never keep, and it becomes a vicious cycle. So, no more apologies. Just that school started, and it’s already kicking my ass. Also, my laptop broke down- I have no clue what happened. One day, it just up and decided to become stupid, and I couldn’t use it for about a week and a half. That happened. But I got it back this afternoon, so I thought I’d start off by doing a much-needed January wrap-up.
Even though I wasn’t blogging much, January was a pretty decent reading month for me. I read a total of 8 books, which is good since I wasn’t reading anything at all the past couple of months. Quality-wise, you probably know how I am by now… it goes up and down. For the most part, the books I read ranged from good to pretty good, and that’s honestly all I can ask, ha. I did read something awful though, but more on that later.
Personal
So… guess who I met? If you don’t follow me on Twitter, you might be unaware of this but I met Zayn a week or so ago. I love him to death- I think he’s both an incredible artist and an incredible human being. I was never a One Direction fan, but I distinctly remember thinking that Zayn was super attractive and had a unique voice; when he went solo, I really began to pay attention to him. Almost a year after his album release, I still listen to his songs almost every single day. I’ve binge-watched interviews and videos and stalked his social media, and he’s such a humble, grounded, adorable person.
Meeting him was incredible. He was so gracious and lovely; when I was taking a photo with him, my hand was shaking out of nerves so he reached out and steadied my phone. He was so kind to all his fans… and just in case you’re wondering, yes, he’s just as attractive in real life. :)
I also saw one of my favorite bands live! I’ve seen Kings of Leon live once before back in 2014, and they’re so incredible that I couldn’t possibly miss their 2017 tour. Protip: there are two things you need to do in your life:
See a rock concert in Madison Square Garden
See Kings of Leon on tour
I won’t pretend like I’ve seen a ton of concerts, but I’ve been to a few big rock ones, and there’s something that sets Kings of Leon apart from the rest. They make sure their fans get their money’s worth of performances. They performed 28 songs. One after the other with minimal pauses in between- so energizing, so rapid-fire but so, so good. If you like even just a couple of their songs, I’d highly recommend seeing them live. Despite not being my favorite band of all-time (that crown goes to Linkin Park) I still prefer their concerts over anybody else’s.
On Choosing a Different Path for Myself
Some of you might know this already, but I’m studying Applied Psychology at NYU. I just started the second semester of my junior year, which means I’ll be graduating in just over a year- which is insane just to think about. But I’ve decided that I want to switch…
Well, not really “switch” per se, but do something more advanced. Which is medicine! Surprise, surprise. When I went to Los Angeles over the winter break, I had a talk with a couple of my relatives, both of whom are psychiatrists. By talking to them and their constant affirmations that I was born to go into medicine, I started thinking. What do I want from my life? What do I want out of my career? And you might judge me for this, and I know this is probably why I���ve been sorted into Slytherin my entire life- I want to be successful. I want to be rich, lol, and I want to work for the money I earn. I want to travel. I want a good house, and a nice car. I want to be able to give my parents the chance to retire and sit back and relax while I am able to fulfill their needs. I want to buy stuff without looking at the price-tag, and I want to be able to give to causes that I support without compromising my day-to-day actions for lack of finances.
But that’s not just it. I wanted to become a psychologist so I could help South Asian youth who suffer from mental illnesses and are stigmatized and dehumanized. And I can do that. I can do that if I become a psychiatrist. I can do something good all while making a decent life for myself and my family. It’s going to take many extra years, particularly because I’ll have to take an extra year after my undergraduate to fulfill my pre-med requirements. But that’s a cost I’m willing to pay, you know? It was a scary decision to make. I wasn’t sure I could do it. I’m still not sure I have the brains to get into med school, but you know. I’ll go down with everything I’ve got. It’s honestly a little terrifying, but I’ve enrolled for the first class that’ll help me get there, and I’m ready.
But that’s all I’m going to ramble about. You came here for a reading wrap-up, so here it is!
Reading Wrap-Up
Everything Everything by Nicola Yoon | 1.5 stars | Review
This rating may come as a surprise to many, but I really disliked this book – not because the technical aspects were bad, but because the themes were so offensive that it didn’t sit well with me. I was enjoying it at first; the fun additions of notes and charts and illustrations added character, and I was interested in the character’s experience with her disability. But then the love interest was introduced, which made the book extremely insta-lovey, and that was also when the ableist themes came into play. This book was one big message of: you can’t be happy and you can’t have a normal love-life if you have a disability. Which is wrong on so many levels and completely downplays the experiences of so many. I explain it better in my review, so if you’re interested in learning more, check that out!
Goodreads | Amazon
If I Was Your Girl by Meredith Russo | 3.5 stars | Review
I had high hopes for this book, and for the most part, it did not disappoint. The main character was immediately likable, and you fully empathized with her desire to move on from a traumatic event and to fit in with a new group of people. My favorite aspect of the book was definitely her topsy-turvy relationship with her father; the nuance and complexity of their dynamic definitely added an extra layer to the otherwise happy book. I also thought that the romance was incredibly cute, even though I thought it was a little insta-lovey. Also, let’s talk about how little attention is given to great female friendships in YA- if you’re looking for a good female-friendship dynamic, check this book out. Trigger warning for transphobia, depression, suicide attempt and outing.
Goodreads | Amazon
Every Heart a Doorway by Seanan McGuire | 2.5 stars
I had very mixed feelings about this book; on one hand, I thought the world-building was incredible. Or rather, the potential for the world-building was incredible. Conceptually, the book was so strong, but I felt that a lot of the potential was wasted in execution. A ton of the world-building happens through dialogue rather than actual action. Which really bummed me out and kept me from enjoying the book. The characters fell flat for me too. I did, however, really enjoy the balance between whimsy and dark; I thought the plot was brilliant, and had it been carried out better, it would’ve definitely gotten a higher rating from me. Look out for my full review!
Goodreads | Amazon
Not If I See You First by Eric Lindstrom | 4 stars
This was perhaps my favorite book of the month, which was a surprise because I didn’t know what to expect when I went into it. I’ve only ever read one other book with a blind protagonist, and this one was completely different in tone from that one. I was wary at first because the protagonist is so bitter and mean and sarcastic, and I approached it with caution because it seemed to give off the vibe that she was that way because she lost her sight. But as the story progressed, as the main character developed and grew through relationships and interactions with the people around her, as she learned more about her past and her life and came to terms with her vulnerabilities, the beauty of the book came to light. It was truly a beautiful book, and another one with really amazing female friendships. Definitely a must-read! And look out for my review!
Goodreads | Amazon
The Young Elites & The Rose Society by Marie Lu | 3.5 stars each
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So, I know I’m late to the game, and I know everyone and their mother loves this series- and I understand why. Even though I didn’t give either book a great rating, I really enjoyed them both and am definitely looking forward to the finale. I think what makes this series stand out so starkly amongst its peers is the fact that it’s basically a villain’s coming-to-power story and then I’m guessing her subsequent downfall. I love the complexity of Adelina’s character; I enjoy how you empathize with her but also constantly criticize her choices because she’s going too far. I love the world-building, and the writing’s solid. I sometimes feel that the secondary characters feel flat, and also that Adelina’s still too likable to be called a villain. I want to see her pushed further so I can fully give her the label of villain, because I don’t think she’s there yet. Which was my main gripe with the second book. I won’t be doing an individual review for each book, but I’ll do a joint review for the trilogy!
Goodreads | Amazon
The Princess Saves Herself in This One by Amanda Lovelace (ARC) | 3.5 stars
I don’t read a ton of poetry, but I picked this one up because I’m mutuals with the author on Twitter, and it won an award, and it’s been getting a ton of hype. It’s basically word porn. I think a lot of the poems in this are incredibly relatable; it covers topics like mental health, body image, family dynamics, loss and death, abusive relationships, moving on, self-love, feminism and strength. A lot of the values I hold myself were reflected in this, and Lovelace definitely has a way with weaving words together so that they say a lot in very few characters. I enjoyed the first two parts of the book much, much more than the last one- which I felt was a little dragged and didn’t fit in with the tone of the other parts. But if you’re looking to get into poetry and aren’t sure where to start, check this out.
Goodreads | Amazon
Life in a Fishbowl (ARC) by Len Vlahos | 3 stars
Okay, so let me preface this by saying that the premise of this book is very misleading. The reality television aspect of it doesn’t come into play until well past the 30 or 40% mark- and believe it or not, I was really, really enjoying the book before the TV part was introduced. Definitely the strongest feature of the book is the writing. Vlahos is incredibly gifted; he’s clearly honed and polished his voice to perfection. It’s snarky, it’s intelligent, it’s satirical and hilarious and also surprisingly simple. Just reading his words made the experience delightful. His decision to tell the story from approximately eight perspectives was a gutsy move, but he pulled it off. The relationships, the themes were all spot on. It’s just that the storyline began to drag after the 60% mark, and the characters didn’t undergo any development, which I would have really liked to see. Even so, this was such a fun, fast-paced book, and I’d recommend it to anyone. Full review to come!
Goodreads | Amazon
Blogging
So, I’ve talked a little already about how I basically failed at blogging this month- I’ve never been so far behind my reviews. Because blogging sucked so much, I’m not going to do a post-to-post wrap-up like I usually do. But I’ll just leave a link to the Diversity Bingo 2017 event that I, and a few other friends are hosting. It’s basically a year-long reading event where you need to read 36 books that fit into a bingo sheet, each fulfilling a facet of diversity. You can find more information (and my TBR) here.
I also compiled a list of the diverse books releasing between January and June of this year. I know that I could have really used a masterlist, and in compiling it, I introduced myself to so many awesome-sounding books. If you’d like to check it out (and share, if you can please!), you can do so right over here.
The last post I’ll feature is my top 10 books of 2016. If you’re interested in seeing what the standouts of last year were, you can check them out here.
Also, I’m making a massive change to the blog- something that I think is important for my sanity, ha. I’m getting a co-blogger! I’ve already spoken to someone about it; she’s a friend that I got to know over Twitter. She’s incredible- kind, open-minded, thoughtful and just super wonderful in general. I’m not going to announce who exactly it is just yet- we’ll do that together when she writes her introduction post and she can officially be integrated into the website. Which also means that a URL change is in order. I can’t have a co-blogger and keep it my name. I’ll purchase the bookshelvesandpaperbacks.com domain soon, so just a heads up!
What I’ve Been Watching and Listening To
So, y’all probably know by now that A Series of Unfortunate Events was released on Netflix, which I binge-watched and freaked out over. The books were such an integral part of my childhood, and it felt so wonderful to revisit the characters and the story. The show stays so true to the books- from the narration to the sets to the whimsical, weird, magical-realism-type tone, everything feels like home. The casting is spot-on. I love Neil Patrick Harris as Count Olaf, and it took me some time to warm up to the children, but I love them all dearly now. Go check the trailer out:
As for music, I’m going to be fully basic and just talk about Zayn a lot more, ha. I barely listened to anything except for his new track with Taylor Swift. I really don’t like her, guys. The fact that the song is the soundtrack for Fifty Shades Darker really doesn’t help, but come on, it’s Zayn. I had to give it a try- and I haven’t stopped listening to it since. I’ve often wanted a version where it was just him singing, and guess what- yesterday, he dropped an acoustic version where it’s just him and a guitar. It’s honestly heaven-sent, and even though it was released in February, I couldn’t go without including it here. Check it out- it almost seems like a completely different song, and I haven’t listened to the original since!
So that’s it for last month’s wrap-up. I know, I had a lot to talk about- it was a busy month and a lot was happening in life. Kudos to you if you made it this far into the post. Let me know in the comments below what your month was like? As always, thanks for stopping by and happy reading!
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Wrap Up | January ’17 Salaam! I've started to think that I should just stop apologizing for disappearing for weeks on end because I feel guilty, and then I end up making promises I can never keep, and it becomes a vicious cycle.
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smokeybrand · 4 years
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Jill Sandwich
So Resident Evil 3 Remake is out in the wild and i can finally talk about this thing in detail. I have an interesting relationship with the RE franchise. It’s kind of a love/hate situation. I love the first three titles and Veronica. I kind of hate everything that came after. IV through VI are just plain awful, particularly VI. Cats fight me about IV but i don’t care for it. Capcom stopped doing what they do best, desperate survival horror, and started emulating those action films starring Leeloo Dallas. That’s find but, i mean, watching Chris Redfield, jacked up on the super roids, punch out a whole ass boulder, while fighting a chimera virus infected Wesker, in the heart of a goddamn volcano, was way too much. And there was another entire game after that one with this campy, wacky, bullsh*t. I hated it. All of it. Then Resident Evil VII dropped and everything changed.
Revelations hinted at a return to form but it was REVII that showed the world what Resident Evil was really about. My goodness was that game good. I was on the edge of my seat playing through that coil of stress, atmosphere, and insidious violence. It was beautiful. That game was beautiful. I found my self longing for that engine, driving my favorite title of the entire franchise, Resident Evil II. To my surprise i got exactly what i wanted. Holy sh*t, when Resident Evils II Remake dropped, i sh*t myself. This was the Resident Evil game i always wanted. This is what survival horror should have been the entire time. Remake hit every note of nostalgia while building a brand new experience. Not only were the graphics updated, bu the entire story was streamline and, thanks to some excellent voice work, it was rather enthralling this go around. REII was already one of my favorite games but Remake found a spit right next to it on my all-time list. When i finished that motherf*cker for the first time, after experiencing that horror on two legs called Mr. X, i thought about how dope Nemesis would be in this engine. To my surprise, i wouldn’t have to wait long to find out.
First and foremost, R3make is goddamn gorgeous. It’s absolutely beautiful. Capcom’s RE Engine pulls all of it’s weight on this one. The lighting and particle effects are spectacular. I thought Remake II looked great but this game really stand out. There are a few little concessions made to push the hardware but that’s to be forgiven. I can deal with an exploding limb or disappearing body if it means i can get the detail and literally horde levels of zombies on my ass at all times. It’s insane just how many of theses things are packed on screen, in that level detail, while Nemesis is launching f*cking rockets at you.
I have to absolutely gush about the writing for a minute here. I remember the old REIII being kind of hokey, kind of campy. I chocked it up to the limitations of the OG PlayStation. Not this one. The PS4 gives the script writers a level of power to get really creative. The dialogue Jill has with everyone feels real, It feels organic. She acts like a person with training in the middle of a crisis and i adore every second of it. I mean, her banter with Carlos is more than enough for the price of admission.
Also, Jill is just a regular badass. It’s dope seeing her getting her proper due in this game. The last time we saw her, outside of one of those Revelation games, she was a muppet for Wesker. Bullsh*t, son! Not here. Here, she is in all her bad ass. Umbrella busting, glory and i love it. I also love her redesign. Function over fashion, ya dig?
The remix of levels caught me off guard at first. They took out a lot of set pieces i remember like the park and Jill’s run through the RPD. These aspects of her original playthrough make an appearance, just in completely different ways. Also worth mentioning, there are like, no puzzled in this game. I remember the original being very, frustratingly, puzzle heavy way back when. This game is not that. It is a narrative focused, action driven, murder fest. I am more than okay with that particular alteration.
The redesigned enemies in this game are spectacular. I kind of expected a few changed, mostly based on the Ivy from Remake II, but Capcom really found a way to be creative with these new enemies. There’s, like, Las Plagas zombies in this thing. You blow of their heads and a parasite pops out. It’s insane. I always though Nemesis was infected with a Plagas and this game kind of confirms that. I love the new take on the Hunters. The Alphas have kind of a predator face now but the Gammas? The Gammas have this massive parasite that pops out of their gaping maws. It looks just like the Gravedigger and since there isn’t really a park level to this game, imagine they serve the same purpose. Or, repurpose in this case. There’s even a couple of surprises in store for those who know their lore. Their horrifying Resident Evil lore.
F*cking Nemesis, man. Nemesis is nightmare fuel incarnate. Dude is outright horrifying, the entire time you play this game. He’s fast, agile, and f*cking terrifying. I had problems with Mr. X but this asshole? Dude literally sprints after you when you run away. I kind of hate it but, at the same time, i f*cking need it! Good ol’ Nemi’s redesign is amazing. I was a little iffy at first, but seeing it in action sold me. And then his second form happened. Bro. What? And then that third. Okay, Capcom, come on? Y’all were just showing off with that one.
The only thing holding this game back, in my opinion, is that it can get a little REVI at times. I mean that the action becomes just a hair too over-the-top. That entire end sequence with final form Nemesis was absolutely ridiculous. I mean, i loved it, don’t get me wrong, but, f*ck, coming off Remake II and several parts of this one, it just felt a little out of place. There’s a few times where this issue creeps up but, like i said, it’s more of a nitpick than anything. The grounded nature and character driven narrative distract from the more... zealous aspects of this game.
As far as gameplay, if you played Remake II or any of the RE titles after IV, you know what to expect. Over the shoulder, third person, all day! I hate shooters but i can play the f*ck out of these types. Tank controls have gone the way of the dodo it seems but i ‘m not bad with their replacement. This game feels right with this camera set up. Shooting feels right. Dodging feels rewarding. This game feels real good to play.
There aren’t anymore of those quick decision deals like in the original but that’s not a problem. They would have interfered with the narrative driven aspects of this game. You can still, you know, shoot Nemi in the face for dope sh*t but i wouldn’t. F*ck all of that. Maybe after a third of fourth playthrough. Maybe. There’s no Mercenaries mode or multiple endings but you can play a good portion as Carlos and there’s a brand new multiplayer component with it’s own narrative called Resident Evil Resistance so, i guess that’s dope? I dunno. I f*cks with that single player campaign all day, tho.
R3make is f*cking outstanding. I love this game. Absolutely adore the f*ck out of it. I still like Remake II better but that’s more because i just adore II overall. That said, R3make is the f*cking tits. This sh*t is fast paced, adrenaline pumping, stress inducing, action packed, zombie killing. It does justice to Jill, makes me care about Carlos, and even does some interesting things with Nemesis. I was thoroughly surprised by some narrative choices taken but they dded to the overall plot,giving life to a game that sorely needed it, while not compromising once on gameplay. While there are certain design aspects i would have liked seen skew closer to the earlier titles in the franchise rather than the later ones, that is a small gripe. Even in all of it’s Bayhem glory, and there is a lot of that toward th end, this game never loses the spirit of who it is. Resident Evil III Remake is a f*cking masterpiece and you should get into it the second this quarantine lifts if you haven’t already had an opportunity to grab a copy.
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