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raven-at-the-writing-desk · 2 days

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Hi , miss Raven

Their is something has been on my mind for while ;

In rook suitor suit vignette he Compose a flattering poem about Crowley

While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .

And there's this specific weird line

"if it weren't for your presence , I wouldn't be here"

Like what do you mean?????!!

Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio

Or To the fact that he transferred to another dorm smoothly without any problem?

For some reason I started suspecting rook recently 😭

The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option

I would like to hear your opinion about it 👀

Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??

I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~

Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂

Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)

On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:

In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.

As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.

While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.

This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.

Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)

There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.

Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.

This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.

Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!

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drdemonprince · 2 days

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I've noticed a pattern in anticapitalist books I read (specifically I'm talking abt Mark Fisher here, in Capitalist Realism). They do this great anticapitalist analysis etc and then go on to critique their students? and sometimes it's a bit ableist? it's like all the critical thought goes out of the window and they cannot understand the situation because for once suddenly they are in the authoritative position. It always gives me this "I don't understand these kids, back in my day-" vibe, and I see this with lecturers at university too. like Mark Fisher maybe we can think outside the box about your student who "needs" headphones to focus in class "even though no music is playing". and maybe it's not to do with the "Matrix"(????) I'm well aware this was written in 2008 but it's weird that I see this pattern continue today. Not to mention Mark Fisher took part in some ableist studies, and was a guy with questionable intentions on occasion.

it's like you Just said that reducing labour is good why are you calling your students lazy, that's so unprofessional and privileged. I wonder of coincidence that he is anti-meds when his right wing, pro-eugenics, accelerationist friend was addicted to amphetamines.

Or even just the amount of people who have written books about laziness and anticapitalism (excluding you) and just saying the most contradictory shit ever?? or not following their own ideology???

Anyway, I wonder if, when writing Laziness Does Not Exist, you came across any of this and were equally as baffled.

Materialism is just *so* true that high-status academics don't have a vested class interest in seeing their student struggles as legitimate or in recognizing the struggles of disabled people in general. For many edgy academic leftists having the correct opinions is just a way to flex one's intellectual status, not a lived experience they give a shit about. I'm not shitting Fisher in particular in saying this, it's more that it's a really widespread problem in the culture of these kinds of (very white, very academic, very cishet) leftists communities. You see the same kind of thing among some of the Chapo stan types, too, you don't have to be specifically an academic to do it -- lots of people throwing around the r-slur and flexing on how much they have read and doing fuck all for the oppressed people around them. I tend to find it especially common among people who inherited leftism from their (often academic) parents? Whereas leftist communities populated by Black & brown anarchists and working class people tend to fare a lot better in this particular respect.

Note that I'm not saying a person's identities are a guarantee of them being any more radical -- there's lots of liberals lurking in our midsts of all identities for instance -- more that someone's orientation toward power tells you a lot. and unfortunately there is an approach to leftism that puts a lot of stock in either institutional power via the academy, or in a kind of soft power of intellectual authoritativeness that tends to punish anyone who is supposedly less well read, less intelligent, lazy, needs disability accommodations, has trauma triggers, or what have you.

The simple answer is that power and privilege obscures other people's challenges from you, and the desire to preserve one's power (be it actually institutional academic authority or just the status of the person who supposedly knows the most in the room) leads to a lot of oppressive behavior. a lot of these guys that you're talking about believe in communism sincerely but they don't have humility, they believe themselves to be superior to most everyone else. and they tend to be white guys from wealthy families who either do not have any disabilities of their own, or they have the undiagnosed intj mastermind rational flavor of autism that makes you feel incredibly alienated from others but interpret that alienation as a sign of your intellectual superiority. (i had this type but i got better. a little)

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autistichalsin · 2 days

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I tried to have this conversation a few weeks ago and it didn't go well, so after giving it time to calm down I am bringing it up now on my own page, about the importance of allowing fans who can't afford the game, or who otherwise can't play for themself due to disabilities, etc, a space in the fandom. And in particular, this involves deconstructing the idea that Let's Plays aren't a valid way to experience this media, and that people who didn't purchase the game don't belong here, both of which are harmful, classist, ableist ideas.

(Tone: genuine. Not angry or aggressive, but passionate.)

I want to say that as much as I enjoy playing BG3 and am glad I bought it, there really isn't anything that I have gained, in terms of understanding of the plot, lore, characters, relationships, etc, that I didn't already have when I was watching Let's Plays and using the datamined dialogues exclusively. Nor has my emotional experience been significantly different in any measurable way. I mean, I WAS very happy to recruit and romance Halsin in a way that I didn't feel when I watched a Let's Play, but that's it. It didn't change my understanding of, or feelings towards, him at all. I knew Halsin's entire story before, and I knew his entire story after, too. My feelings on each and every one of Halsin's scenes has remained exactly the same.

There wasn't any character I thought was a bad guy who I saw something new in when I played for myself, or vice-versa. I didn't have any paradigm shifts in my understanding of the plot. The bad guy was still a Nether Brain controlled by the Chosen of the Dead Three in each playthrough. The good guys were still a group of traumatized weirdos (/affectionate). Astarion was still a victim of rape and slavery, Shadowheart was still a cult escapee, and Halsin still struggled with the burdens of leadership. There were still choices that could make the companions bar Jaheira and Minsc fall in love with you, and choices that could make them despise you. There were still choices that could push some of the characters to be better or worse versions of themselves. There were still a lot of notes and books to pick up, some of which were important to the lore, some of which provided random factoids about bit characters you may find interesting or may find useless, and many of which were completely useless and a waste of inventory space. I didn't learn anything new in the informational sense, about the plot, the characters, the flow of the game, nothing.

(Well, there was ONE different thing, which was that I ended up being an edge case where I accidentally shot Lae'zel with my arrow when trying to free her and got yelled at by her for it. Does that actually count as a unique-to-playing revelation though? Everyone who watched me stream that day would have learned about it too.)

I didn't experience some overwhelming emotional shift in response to the events onscreen that wasn't there when I watched Let's Play, either, which is also an argument that has been made. There's been a case presented that it's not so much that the events themselves change but that playing somehow alters your emotional response which affects how you view the plot and characters. But that didn't happen for me, either. I didn't go from "I do not care one single solitary fuck about Barcus Wroot" to "oh my god I will give this poor liddol guy the world." I still do not care about him. I didn't go from "yay, the moon lesbians are free!" to some sort of more intense emotion like "omg I'm going to cry now!" I still love them and am happy they're free, but hardly moved to tears. I didn't go from "fuck Orin" to "MEGA fuck Orin." Making the choices and fighting the battles myself didn't change anything for me in that sense. There was no emotion I hadn't already felt before that came to me in my own playthrough. Every emotion I had when watching a Let's Play was almost exactly the same when I played the game for myself.

If anything, the only real change was that I started to have annoyance as a sort of background radiation for about 90% of the companions because I kept accidentally talking to them when trying to click on items and things, and I got really fucking tired of hearing their greetings? "Shut up, Astarion, I wanted to loot the corpse, not talk to you, please back the fuck up. Why is my party always halfway up my ass? Personal space, guys?" Otherwise nope.

My understanding of canon, my understanding of the characters, my emotional resonance to the events that happened, those were all exactly the same. I literally don't know what people are referring to when they say that there was some magical new dimension of feeling that can only be unlocked when you are the one playing. Whatever that magic was certainly wasn't there for me, and that disproves the idea it's "impossible" to fully experience the game through LPs, because having played the game, I can say that I DID get the full experience through LPs. Maybe some people can't get the full feel of things by watching, which is 100% valid, but some people very much can. I did both, and I can tell you that they conferred 98% similar intellectual and emotional experiences.

In fact, I'd argue that there's more of a difference between playing as a Tav or an Origin vs playing as a Dark Urge than there is between playing yourself vs watching an LP, but I don't often see the case made that people who haven't completed a Durge playthrough don't understand the game properly and therefore can't/shouldn't contribute their analyses/interpretations of canon to the fandom. And I mean, there is some HEAVY lore you only get in a Durge playthrough. You would have a FAR better case that completing/watching a Durge playthrough is the event that marks you as understanding/having a complete knowledge of canon than you would that playing the game yourself instead of watching someone else do it is, though I still wouldn't ultimately agree that it's a prequisite.

People who watch LPs are valid, your way of experiencing the game is valid, and don't let anyone else tell you otherwise because honestly, people who gatekeep are never worth listening to in the first place. The idea that your understanding becomes more complete when playing yourself isn't true for everyone. You can say they weren't the same experience for you, and that is PERFECTLY valid and understandable, but that's only you. You can't say what others are and aren't able to feel when playing vs watching Let's Plays. The only correct statement here is "some people are able to fully comprehend the plot through Let's Plays, and some aren't, and the mode of consuming the game ultimately doesn't determine whether a person belongs here. Both groups still belong in the fandom and have just as valid opinions to contribute as the others."

Further, I have seen absolutely brilliant, on-point analyses from people who only watched Let's Plays, and absolutely horrible, nuclear hot takes from people who spend all day playing the game. Just the other day, for example, I legitimately witnessed a Redditor VEHEMENTLY argue that 1. There was a scene in the game where Halsin called Thaniel "beautiful", 2. This nonexistent scene was ABSOLUTE proof that Halsin was a pedophile, and 3. Halsin's time as a sex slave had clearly caused him to become a pedophile. People who had seen only the intro of the game on an LP would STILL have a better understanding of canon than this person who claimed to have played dozens of times. If we're going to judge people's understanding of the game, it should be based on the understanding their posts convey directly, not based on assumptions about who can absorb what amount of information through what mode of consuming the game.

So I repeat: LP watchers, you're fine. Enjoy fandom in a way you can experience. You shouldn't be locked out of discussion of the game just because you can't afford hundreds of dollars for a game system. To suggest otherwise would be appallingly cruel and exclusionary behavior, on the level of saying bootleg watchers can't be part of discussions about Broadway shows. You all belong. You don't have to buy your way into a fandom space.

And bringing it to that issue: yes, Let's Plays ARE an absolute necessity for both poor people and for people with certain disabilities (blindness, since the game doesn't have a narrative-only mode, and severe disabilities affecting the hands being the two that jump to mind right away). Gatekeeping fandom from poor people based on whether they've bought an expensive game and gaming setup, much like being an anti-bootleg Broadway fan, serves the sole purpose of shaming and punishing poor fans for not properly engaging in the capitalist system. I know the intention isn't to gatekeep the poor and people with certain disabilities from the fandom, but that ends up being the effect when this particular argument gets made.

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becauseimanicequeen · 3 days

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Don't Ask Me for QL Recommendations Because My Taste is BAD

Bad as in TRASHY.

For your own good, don't ask me for recommendations.

I'm writing this because I've gotten some asks lately for QL recommendations and I wanted to spare you the pain.

If you still don't trust me (because to be fair, why would you? I'm just a random weirdo on the internet), let me tell you how bad my taste is so you'll know why I'm doing you a great favor by sparing you the pain.

(I also watch, and rewatch, series/films for ridiculous reasons, yet another reason not to listen to me. I’ll come back to this in a minute.)

Let's start with a brief rewind to a couple of decades ago (because it matters in this context).

The first queer content of any kind I can remember watching was Xena: The Warrior Princess in the late 90s and early 00s (I was a child/pre-teen at the time). It was such a pivotal point for me, which is why I remember it vividly. Not only was Lucy Lawless (the actress playing Xena) the most beautiful human being I had ever seen at that point, Xena was also queer and I loved her.

The series, though? It’s bad.

It’s over-the-top, contains ridiculous humor, face-palm-worthy fight scenes, etc., etc. (But, it was also the 90s, so it was quality television at the time, no matter what anyone else says.) It was so bad that it was ridiculously entertaining. I would watch it today (if I could find it anywhere…). That’s how bad my taste is (or how attached I am to bad shit).

That’s when the groundwork for my bad taste was laid. I blame THANK Xena: The Warrior Princess for it.

Then there was a huge skip until July last year when I found the Asian QL world, because I had no idea it even existed (I’m from Europe, btw).

(My personal story is that I fell into the queer/gay film world before the QL world, and the queer films I could find were made and released very sporadically. But ever since I found the treasure trove of Asian QL series in July 2023, I’ve watched 291 series/films as of right now.)

The reason I fell into the Asian QL world was thanks to a Short on YouTube with the main characters from Roommates of Poongduck 304 kissing. (Want to know what convinced me to watch it? One of them was wearing blue and the other pink, two of my favorite colors. Yep, that’s the reason. Told you it would be ridiculous.)

Since then, I’ve been exploring this rabbit hole and loving every second of all the bad shit that’s out there (there’s some great shit too, and some great things that aren’t shit at all, but they’re not really my taste because my taste is trashy, remember?).

I quickly noticed what my taste was pulling me towards and, in some cases, the trashier it was, the more I liked it.

(I’m talking about fiction here. I’m mature enough to be able to separate fiction from reality. Just because I enjoy watching a series/film that depicts a problematic topic, and sometimes do it in a problematic way, doesn’t mean I condone it in real life. I’m just putting this here as a disclaimer because people on the internet are easily offended nowadays. And I honestly don’t have time to respond to people who are venting their anger after purposefully misinterpreting what I’ve said, unless there’s a very valid reason, which there usually isn’t.)

So, what are some of my favorites that I absolutely do not recommend you watch?

Unless you want to watch trash, then, have at it. Just don't say I didn't warn you.

(Btw, if you like any of these, I apologize for calling your taste bad and trashy. But, if you like any of these, I think you already know your taste is bad. Also, if you like any of these, hey, bestie!)

Let’s start with the less extreme ones so I don’t scare you away from the start. After that, they’re in no particular order.

(With the issues/TW section for each series/film I include possible trigger warnings, taboo topics, what viewers/commenters have brought up as problematic, my possible issues with the writing, etc. I won’t list everything (because some of them would have looong lists) but I’m including some of the major ones.)

Kiseki: Dear to Me (Taiwan)

Issues/TW: Dubious consent, age gap, “adoptive” brothers becoming lovers, etc.

Both couples in this series have their own set of issues. Ai Di and Chen Yi are the “adoptive” brothers who become lovers while Ze Rui and Zong Yi have an age gap (I can’t remember how big of an age gap but I think it was close to 10-ish years).

(Before I move on there’s one thing you should know about me… I was born into a family with a varying degree of age gaps within marriages, from 2 to 23 years. Even though we’ve talked about the bigger age gaps occasionally, it’s never been an issue. I don’t mind age gaps as long as they’re legal. Does that mean I would hook up with someone in their late teens or early twenties? No. I would rather hook up with someone who has a fully developed brain, which science suggests doesn’t happen until somewhere in the mid-to-late-twenties. But it does mean that age gaps (as long as they’re legal) aren’t something I’ll be bothered by or judgemental of.)

Kiseki: Dear to Me is one of my favorite series because:

It’s from Taiwan, and the Taiwanese QLs are generally great at dealing with more difficult and taboo topics.

Ai Di is the feistiest, most colorful, and pettiest bitch and I love him with my entire ice-cold heart.

Chen Yi looks amazing in black.

The neon lights (because I’m a slut for that).

Also, the kissing (from both couples) is great.

You know, I did say that these would be series/films I absolutely do not recommend you watch. But I’ll actually recommend this one. Watch it. It’s great.

Unknown (Taiwan)

Issues/TW: Age gap, “adoptive” brothers becoming lovers, etc.

This is another one I’ll actually recommend you watch because it’s great.

The main couple (Qian and Yuan) are the “adoptive” brothers becoming lovers while the age gap is most prominent between San Pang (Qian’s business partner) and Lili (Qian’s younger sister). There’s also the fact that San Pang is part of their chosen family and has seen Lili grow up and stuff. So, if that bothers you, then don’t watch it.

The biggest reasons I would personally recommend it to those I know aren’t particularly bothered by taboo topics are because:

The yearning is palpable (and I love shit like that).

Qian would move heaven and earth for his family.

The great story.

The even more amazing acting.

Some moments made me bawl (and since I'm an ice queen, I get obsessed with shit that shatters my ice and makes me cry).

I know I said my taste is trashy… but I would actually give myself a gold star for loving this one.

Now, back to the real trash…

Love in the Air (Thailand)

Issues/TW: Dubious consent, SA, rape, MAME, etc.

Everyone and their aunt (or however the saying goes in English) seem to have an issue with MAME (the original creator of LITA and several other trashy BLs) and for good reason. (I would say that she improved a lot with Wedding Plan, which is the least problematic thing I’ve watched from her and it’s the latest series of hers, as of right now.) If she’s grown, remains to be seen. But it doesn’t change the fact that LITA has some issues.

Honestly, I just watch this for the visuals, as in the motorcycles and the neon lights. That’s it. That’s the reason.

I mean, if you look at the whole first sex scene between Sky and Prapai, you get what I mean with the neon lights. It’s divine. (I recently rewatched LITA for this very reason. A waste of time, you say? Not when you’re a slut for neon lights.)

Don’t watch this though! Just enjoy this gif instead…

I just saved you 13-ish hours of your life. You’re welcome.

TharnType and TharnType 2: 7 Years of Love (Thailand)

Issues/TW: Dubious consent, homophobia, domestic violence, MAME, etc.

Don’t watch this. This is bad. As in, really bad. And all the issues are in the main couple’s relationship.

But, since my taste is really bad, I rewatched this recently for horny reasons (it’s Mew, after all, and he’s got me in a chokehold for some reason). It’s still as bad as I remembered it, but I would still rewatch it for Mew’s sake (and because Techno is ridiculous throughout both seasons, which means I love him).

To be fair there are other, a lot spicier, series that I watch more often for horny reasons (yes, some of them are in this post because they’re trashy too), but none of them include Mew. And since I have to get my dose of Mew from time to time, I return to TharnType (especially the second season).

Big Dragon (Thailand)

Issues/TW: Dubious consent, blackmail, etc.

This isn’t that problematic in my opinion, but there is definitely a drug-induced sexcapade that’s taped and used for blackmail for a while. And that's how the series starts.

I recently did a rewatch of this and it was still bad (in a good way) and I loved every second of it.

What I love about this series are:

The visuals. The set designs are beautiful (especially Yai’s home and the bar, before he demolishes it). As a visual artist, this is speaking to my soul.

The chemistry between Yai and Mangkorn.

Pong and Park. Two idiots I love with my whole ice-cold heart.

And the title track because it’s addictive as hell to listen to.

Also, the sex (which my horny ass needs). Let's not forget the sex. Those scenes were also visually stunning, which made me love them even more.

Honestly, I'll kneel and bow down to this shit because it's that great.

Don’t trust my judgment, though, because my taste is trashy.

Only Friends (Thailand)

Issues/TW: Manipulation, stalking, promiscuity, etc.

This series is messy in terms of intrigue (especially from Boston and then Boeing’s part). The ending had some issues. The sex isn’t everyone’s cup of tea, either. I, on the other hand, would drink a whole pot of this.

Overall, I loved this trash. Mainly because of:

How visually stunning it is.

Sand. He’s a hardworking, good person. He’s also a proud bi!

How they depicted and handled Ray’s addiction and recovery. (I know some watchers were upset that the focus of the series landed on Sand and Ray towards the end while neglecting the other characters, which is a valid point. However, setting that aside, the way they portrayed Ray’s addiction and then his road to recovery in the last couple of episodes was realistic, and I loved it.)

The promiscuity, because I loved it and the mess it created.

Boston being a slutty asshole. The more of a slutty asshole he was, the more I loved him. (I know, it’s a me-problem.)

Boeing coming in and kissing (almost) everyone.

It’s trashy, it’s messy, and I love it!

But, I don’t recommend it to anyone.

My Beautiful Man 1, 2, and 3 Eternal (Japan)

Issues/TW: Dubious consent, obsession, bullying, lack of (or no real) communication, etc.

I love this series (2 seasons + 1 film), but I honestly don’t see it as particularly problematic. But I know others will disagree with me, so here it is on my list of trashy QLs.

I don’t mind Hira’s obsession because I know Kiyoi is just as whipped for Hira (even though he doesn’t know how to communicate it to Hira at first, especially in a way that Hira understands). Would I be okay with someone’s obsession and stalking in real life? Of course not. But, as I mentioned before, I’m mature enough to separate fiction from reality.

Also, I love miscommunicating characters, especially when the misunderstandings they create bring out all the emotions (angst, hurt, anger, sadness, embarrassment, etc.) and even the flight response. I especially love miscommunicating characters when they learn to communicate throughout the series/film. And this series is especially delicious on the miscommunicating part.

But, it’s also problematic, apparently. So, don’t watch it.

The End of the World With You (Japan)

Issues/TW: Blackmail, biphobia, cheating, etc.

I’ll be honest and say that I’ve only watched this series three times. And that’s because the biphobia is fucking annoying. In this series, the bi character is depicted as a cheater (which is common in QLs, btw). It’s an exasperating stereotype. Cheating has nothing to do with your sexuality and everything to do with who you are as a person.

(I mean, you can be a proud bi like Payu in LITA or Sand in OF. They have eyes only for one person as soon as they’re pursuing or dating someone. Give me more bi characters like this, please.)

We could discuss how cheating can be used as characterization in certain stories. But not in this one. Here, they’re basically using Ritsu’s bisexuality as the reason he’s cheating (since he’s sleeping with Masumi while having a thing going on with a girl, and then sleeping with a girl when he has a thing with Masumi), which is why it’s bothering me in this series.

If I’m going to tell you why I like this series, however, it’s for 2 reasons:

It’s about getting a second chance, a topic I love.

The sex (laser-focused horny Ritsu is my favorite Ritsu).

Check Out (Thailand)

Issues/TW: Biphobia, cheating, lazy writing, etc.

(It should be mentioned that I’ve read some comments about some issues involving the company behind this series. I haven’t dug deeper into this so I don’t really know if there’s any substance to the comments I’ve read (like official statements from the company or the other people involved, etc.). But I’m putting this out there in case this might be a potential issue for you (even though I’ve already told you that I don’t recommend you watch any of these because they’re all trashy).)

When I first checked this out at the beginning of this year, this series seemed to have created a storm of bad comments and reviews on MDL since it first came out. So, obviously, I needed to watch it because my taste is trashy.

And, you know what? I loved it!

Besides having the bi character depicted as a cheater (again, the use of this biphobic stereotype is so fucking annoying) and the sporadic clunky and stale scenes, I loved this series because:

It’s about second chances. As I mentioned before, I love that topic.

Best (the actor playing Daonuea) is the best in this series. There’s just something about him that grabs my attention every time. He has me in a similarly tight chokehold as Mew.

There’s sex (and my horny ass needs it).

But, it’s also trash, so don’t watch it.

Pit Babe (Thailand)

Issues/TW: Domestic violence, non-consensual, SA, age gap, etc.

This became popular. Really popular. I saw people comment about it everywhere. And usually, when stuff becomes popular, it’s more than likely reduced to trash quality by the general public. So, obviously, I had to watch it.

Did I end up loving it? Yes.

Honestly, the biggest issue this series had for me was the whole omegaverse thing (this was a new thing for me because I don’t come from an erotic fiction background, my head was rather stuck in fantasy fiction). And, from my limited understanding of this, they didn’t seem to fully commit to the omegaverse thing in Pit Babe, which was unfortunate.

The racing was also so-so for me, which hurt my soul because I usually love racing (cars, mcs, boats, etc.).

What I did like, however, was:

The chemistry between Pete and Kenta (and I’m so sad I only got crumbs of this).

Pavel (the actor playing Babe). I would watch and listen to him recite product placement scripts for toothpaste all day long.

The sex, especially the scene with Babe and Charlie in ep. 9 (even though it was mixed with clips from the racing) and Jeff and Alan’s scene in ep. 13 (because it was sensual, if we ignore the music).

The neon lights (have I mentioned that I’m a slut for neon lights?). I mean, just look at this:

I can watch that pinkish light all day long, even though Babe and Charlie are trying to distract me. (Especially Pavel!)

Dead Friend Forever (Thailand)

Issues/TW: Grooming, bullying, suicide & suicide attempts, etc.

Besides the issues listed above, this also suffered from lazy writing at the end. BUT, I fucking loved DFF anyway.

I never expected to love this series because it’s just a bunch of teenagers stuck at a house in the woods. How interesting could that be? Turns out, very.

DFF wasn’t perfect (perfection doesn’t exist anyway), but what I loved about it was:

The morally ambiguous characters.

The revenge plot.

The poetic justice.

The questioning of what was real vs hallucination.

The visually stunning shots.

The mask!

And Tan’s mask!

The beheading scene.

I could go on, but you get the point. I just love this piece of trash.

But, please, don’t watch it. You will suffer from brain rot. Trust me.

I, however, am currently rewatching this because I choose the brain rot. And my taste is trashy, remember? Or, perhaps I just love watching chaos unfold…

HIStory 3: Make Our Days Count (Taiwan)

Issues/TW: Dubious consent, age gap, tragic ending, etc.

Everyone and their aunt and even their dog have an issue with the ending of this one. And it’s understandable.

I don’t necessarily like or dislike the ending. Obviously, the bury your gays trope is tragic in itself, and, tragically, it’s still being used. That’s why I couldn’t find myself liking the ending, even though I don’t mind tragic endings. (Romeo and Juliet is one of my favorite classics, which people tend to forget is a tragedy and not a romance, btw, but I digress…)

At the same time, though, this series made me cry for a whole episode before tragedy struck because I could feel it. And you have no idea how obsessed I get about shit that makes me cry (since I’m an ice queen).

(Another side note: one of my favorite BLs is Once Again, which made me bawl throughout the whole series. It’s not on this list because it’s neither trashy nor bad, but it’s still one of my favorites because it broke me in the best ways. But, anyway…)

The best part of this series from beginning to end was the other couple, at least for me. This couple is the one with the age gap (which, again, doesn’t bother me) and I fucking love them! One, because Wilson Liu (the actor playing Bo Xiang) is such a gem. Second, because their first time was such a spur-of-the-moment thing fueled by a desire that went from 0-100kph in less time than a Ferrari would. And I loved it (just as much as the squeezing of boobs from behind, which, for some reason, appeals to me).

Also, the twins are so pretty it’s annoying.

Do I recommend it, though? No, because I don’t have time to respond to the clap back I’ll get when you come to the end.

HIStory 4: Close to You (Taiwan)

Issues/TW: Dubious consent, SA, obsession, age gap, stepbrothers becoming lovers, etc.

This one has some problems (especially the relationship between Yong Jie and Xing Si), but I love both the series and its problems (yes, I’m trash). You could say that I’m as obsessed with this series as Yong Jie is with Xing Si. Would I get this series drunk and fuck the living daylights out of it? No. But I would watch it once every 3 months or so. Oh, wait… I already do that. Because I’m trash.

What do I love so much about this series (other than what I mentioned above):

It’s from Taiwan.

Li Cheng is ridiculous, which is exactly why I love him.

Every time I rewatch it, it gets funnier.

The chemistry between Li Cheng and Teng Teng is amazing.

As well as the chemistry between Yong Jie and Xing Si.

The kissing is just as amazing.

The main fujoshi girl, Mei Fang, is so cute I can’t handle her.

And the bathroom scene! In that lighting! It’s iconic!

I don’t care what anyone else says. This is fucking gold to me. But, then again, my taste is trash. So, don’t listen to me.

KinnPorsche (Thailand)

Issues/TW: Dubious consent, SA, torture, Stockholm syndrome-ish, etc.

This is some next-level trash, and I fucking love it.

Two of the major relationships in this series (Kinn & Porsche and Vegas & Pete) are problematic at some point. Especially Vegas and Pete who have this whole captor/captive, torture, BDSM-ish type relationship. Of course, I love Vegas and Pete because my taste is super trashy (yes, it’s a me-problem, but I don’t force my taste on other people, so, for the love of all that is holy, don’t watch this!).

Other reasons I love this series and rewatch it from time to time:

It’s visually stunning! The cinematography is amazing. As I mentioned before, I’m a visual artist, so this is a very valid reason for me to watch it again and again. And again.

The neon lights.

The whole mafia thing.

The sex (because my horny ass needs it).

Playboyy (Thailand)

Issues/TW: SA, homophobia, suicide, etc.

I was debating whether or not to add this to my list solely based on the ending. However, up until that point, I really liked it.

The fact that every episode starts with a whole ass list of trigger warnings tells me this is my shit. And it was.

At times, it was so bad that it was good (until the ending, which was just so bad it was bad). The things I liked were:

The mystery.

Win (who played Nuth). His acting was great.

The chemistry between Nuth and Phop.

The tattooed daddy that’s Aob and his chemistry with Puen (there’s also an age gap here, btw, but as I’ve mentioned before, it’s fine by me as long as it’s legal).

The weird ass sex scenes (and the underwear).

And the not so weird ass sex scenes (like the ones between Aob and Puen and the ones between Nuth and Phop).

But, this series is trashy. Keep as far away from it as possible. If you still decide to dip in, don’t say I didn’t warn you.

Red Wine in the Dark Night (Thailand)

Issues/TW: Obsession, blood, human blood bags, etc.

This is a queer film that’s BL-ish with some dark themes. Mainly, it’s about how far Wine would go to help the person he’s fallen for (or become attached to).

What I loved about this film was:

Fluke (who plays Wine). He’s such a great actor and I love him in everything he does.

Wine who is so desperate to love someone and be loved that he ends up doing some weird shit.

The darker and sadder vibe, which I love.

Irresistible Love 1 and Irresistible Love 2 (China)

(This is also called Uncontrolled Love.)

Issues/TW: Obsession, homophobia, codependency, adoptive brothers becoming lovers, etc.

This is another queer film (in two parts) that is more BL-ish than the films I’m getting into below.

This depicts a weird relationship dynamic between Xie Yan and Shu Nian where Shu Nian was basically adopted into the family to become Xie Yan’s friend/babysitter/lackey. This is some weird ass shit, and I love weird ass shit so I really enjoyed this rare, uncensored, gem from China.

But, it’s also trashy. So, don’t watch it.

The next couple of films I’ll mention are (obviously) trashy, but also complex and deep (which is why I love them).

One Summer Night (South Korea)

Issues/TW: Obsession, dependency, oppression, etc.

This is a low-budget film from 2016 (so, production-wise, it’s definitely nothing like the usual stuff from South Korea you can watch on Netflix), but I love it.

It’s gritty, it’s raw, it’s explicit (an emphasis on explicit because you’ll see dicks), it deals with being a North Korean defector but ending up in an impoverished situation in South Korea, and it ends with a dubious ending you can interpret in different ways.

This is definitely not for the general QL viewers who watch QLs for the cutesy stuff.

And it's trashy. So, don’t watch it.

Dangerous Drugs of Sex (Japan)

Issues/TW: All the trigger warnings! Seriously. I feel like it’s better to say that so you’ll look up the TWs for yourself (if you choose to watch this, which I'm asking you not to) rather than me mentioning a few and forgetting others.

With this film, what others see are all the trigger warnings (and, yes, I see them too, they’re fucking obvious). However, I can see beyond that and watch it for what it is at the core: Two characters dealing with incredible grief.

Grief is a topic that often affects me and I can relate to it because I’ve had to deal with a lot of grief in my relatively short life. Watching a film like this where grief pushes the characters to their very limits will (often) get a special place in my heart, especially if done well. And it’s done very well in this film.

Do I condone the characters’ behaviors? No (especially not Yoden Ryoji’s). But I do understand that grief can send you over the edge (and in some cases throw you off the edge) because I’ve experienced it. I do understand that grief can cause you to make horrible decisions because I’ve done it (though, not this extreme). I do understand that grief can be self-destructive because I’ve been there. This film shows it all. That’s why I love it so much.

Do I recommend you watch this, tough? No. Don’t do it. This is not for everyone. It’s definitely not for those who watch QLs for the cutesy stuff.

But it is for me because I love trash. Especially good trash. And this is the best trash I’ve ever seen when it comes to gay films.

Anything by Scud Cheng

Lastly, I want to mention any film by Scud Cheng because…

And I’m an artist so art means everything to me.

Cheng is a screenwriter and director from Hong Kong. His films, the ones I’ve seen, are gritty, nude, and real. They are more on the art side than the others I’ve listed above, which is why they have a special place in my heart.

They’re also deep and explore themes like introspection (are we doing things because we believe they’re the right thing to do, or because external forces have “brainwashed” us to believe they’re the normal thing to do?), the porn industry and how it exploits young and queer men, death, politics, and love, to name a few.

These are not for the average QL watcher. They’re not for the faint of heart. They’re not for those who want an entertaining watch.

These films require multiple viewings. I’ve watched some once, some twice, and some more times, and I still find new themes and meanings woven into the stories. So, they’re complex and deep.

But, don’t watch them because I know you’ll come at me later. So, to spare us both the time and energy it would take to argue about this shit, just don’t watch any of it.

Now, if you still want to ask me for recommendations after all that, don't tell me I didn't warn you!

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tactfullyinappropriate · 2 days

Text

This is part rant, part sex advice so read at your own discretion. Also one of those posts I'll get a lot of flak for.

In lesbian nsfw content on tumblr dot com one of the most prevalent sentiments is 'I want to pleasure my partner' (insert any variation on it) which is fair and all, and there are a lot of service tops around so it makes sense really. But. For some of us who have difficulty experiencing orgasm or even enjoying sex at all, making our pleasure the focal point of the experience is the absolute worst thing you could do.

It's a nice sentiment, I guess, but if it doesn't actually produce pleasure, is it really that nice? And before you come at me with 'some people really are just service tops and they get their pleasure from pleasuring their partner' - I get it, I do. As a top (or dom/me) you have the right to your preferences and you may absolutely refuse to tell your partner 'Your orgasm is inconsequential, I'm gonna fuck you anyway'. Not to mention that approach is verging on kinky and getting near mindfuck territory, which not every top (as in the person doing the penetration in this case) is comfortable with. Heck, not every dom/me is comfortable with that either - pretending to disregard your partner's pleasure can be a particular flavor of kink not everyone is into.

Buuut.. a lot of what I'm seeing here comes across more as a lack of real-world experience rather than a self-aware preference to focus on your partner's pleasure. Like for example, the amount of 'overstimulation' posts I'm seeing is just wildly disproportionate compared to the amount of women who can be forced to orgasm again and again, and again. This has never been my experience on either side of the dynamic, nor the experience of any of my friends or acquaintances. More often than not, women have trouble reaching a climax and can't really be "forced" into it.

Orgasms are not just a bodily sensation triggered by a certain type of mechanical stimulation. They require you to be in the right headspace as well. So if you actually want to bring about an orgasm, dropping the pressure may be (I want to say usually is) your best bet.

Look, I get it. I've been with women who come from a 2-minute clit rub. I didn't feel particularly accomplished with them... but they do exist! How wonderful for them and the people who just love pleasuring them. The rest of us however? 'Your pleasure is my pleasure' is the worst approach with us. Like, thanks, now if I don't come not only am I bruising your ego but also diminishing your pleasure? That's A LOT of pressure put on my fickle mental focus and unreliable vagina.

All of this is to say: it's fine to have your fantasies of overstimulating a partner to the point of incoherence. But be prepared that the reality of sex may be very, very different depending on how your partner's body and mind work. And sometimes, if your partner's pleasure really is that important to you, pretending it's the complete opposite might be the key to the castle - if you can get with that of course. Nothing's done a better job at helping me let go and experience actual pleasure than a partner's response to my 'I'm not sure if I can come though...':

"That's okay, baby. I don't need you to come for me to enjoy your body."

Um. Yes, Sir.

*I use the word 'woman' here purely based on my actual real-life experience so far but I'm sure this is applicable to a number of different identities. Even for some cis men orgasms are not as easy and effortless as porn makes it seem, I've been told.

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colourme-feral · 3 days

Note

Hi! Thank you so much for your translation notes on Living With Him, they've helped me enjoy this great show even more! I wanted to ask about one particular line that was confusing to me in context. Right after the forehead touch, Kazuhito says "If trying this out makes you uncomfortable, I'll be shocked." I am guessing the word "shocked" has more a meaning of upset or unhappy (as opposed to English where it primarily means surprised, which wouldn't make sense in this context) - is that right? And is there any more sense of what "this" in "trying this out" indicates?

Thanks so much!

Hi and thank you for the ask about this scene in ep 3 of Living with Him, @ginnymoonbeam!

Sorry for taking a while with this. I have to be a little honest and say that this conversation was a little tricky for me, so I'm going by what I think Kazuhito is saying and included some explanation for my thoughts on the exchange. Sorry for the extremely long and rambly response and I hope it does help!

For another response to this scene, @isaksbestpillow also received an ask about it!

That's why I said I wouldn't (kiss you)/that we wouldn't (kiss)* Even if you tried it and you felt gross about it, it would still be a shock to you. I mean, that's... You don't know/understand, do you? *I changed how I thought the translation would better suit the context of this conversation from my previous post on ep 3's translation notes.

Notes:

The meaning of 'this' in "if trying this out" would be about Ryota kissing Kazuhito.

'Shock' in this case does mean surprise, but in the negative sense. And now for the ramble about why that might be the case, since the line was not translated well by Gaga:

There are several points that I think need to be considered in understanding what is being said here.

Ryota has admitted that he's been trying to see if Kazuhito is interested in him and took back the suggestion that they kiss while claiming that was a joke, which he apologised for.

Ryota has been going hard on with the "you're perfect, but why don't girlfriends stick around?" agenda but doesn't seem to be showing any romantic inclination towards Kazuhito or that he is gay.

Kazuhito is gay and has come out to Ryota, who may not understand how hurtful he has been with his actions and words and still may not understand the effect of what he's said or done, especially since Kazuhito likes Ryota. He's also said to Ryota that even though he likes Ryota, he's simply letting him know and that nothing between them has to change.

Thus far, Ryota has been doing things that test his theory out without really considering how Kazuhito feels about it, or the consequences of his actions. If they were to kiss, I think it would change things completely because this is the one thing that Ryota has considered which friends don't do (for argument's sake, let's agree). What Kazuhito means by "it would be a shock to you" is that this is probably when reality will hit Ryota and he will be shocked by how far he's gone to find out the answer to his suspicions without thinking things through: He'd have kissed his friend just to check if his friend likes him and on top of that, he's probably straight and a kiss would be much harder to play off or take back.

Kare no Iru Seikatsu / Living with Him language notes・Other language notes

#kare no iru seikatsu #living with him #language my love my pain #the ask game

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hiemaldesirae · 2 days

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Okay, so everyone is all cursed cat Alastor *hates* Vox...but what if It absolutely ADORES Vox? What if it's just like Alastor's Shadow, and it holds ALL of the emotions Alastor won't show? So it's ALL over Vox? Vox can't get a moment alone, cursed cat!Alastor is ALWAYS with him. Following him, loving on him. Only allows Vox to pet him...attacks regular Alastor when he attacks Vox, actually *defeating him.* (Alastor hates that Cat. And is ridiculously jealous.)

oh i endorse this 100%. i wrote a little snippet for it even LMFAO

it gets a tad long so ill leave it under the cut. it is mostly word vomit but . you know.. hopefully u guys enjoy :)

"We should really consider just putting the poor thing out of its misery," Alastor shoots a glare at the curled up lump on the carpet, its foaming mouth bound with rope, even as it chews furiously at its restraints. "Why, if we didn't, we would be violating our own 'no pets' policy!"

"Alastor..." Charlie frowns at her hotelier, before chancing a hesitant glance back at the creature. "Look, no one's perfect, right? Can't we try giving the cat a chance, at least?"

The other residents in the room- Angel, Husk, Vaggie, and even Lucifer himself- all give her blank eyed stares, Angel and Husk in particular rolling up their sleeves to show off the long, deep gouges in their arms.

"Charlie, honey, I think I speak for everyone here when I say you should just let Alastor get rid of it," Vaggie grimaces. "I know you love animals and all, but that- *thing* isn't safe to be around."

"What? Come on, it's sweet!" Charlie turns around, her back to the creature as she motions to it, completely unawares of the furry animal finally chewing through the final bit of rope as it lunges for her, much to the horror of the other hotel inhabitants.

An hour later, Alastor finds himself and his shadow traversing the streets of Pentagram City with the creature held securely in his shadow's grip. "Hmm... so, then, where should we dispose of this little pest? Ah, I have an idea."

He snaps his fingers and in a moment, reappears in a cloud of black, smokey shadow- right in front of the Vee's tower. With a swift motion to his shadow attendant, his doppelganger releases the cat-like creature from its claws, the feral little creature immediately charging the doors of the tower once it's let free. Alastor barely manages to hold back a snort before he once more steps back into the shadows- tomorrow, he'd check back again and see how it was going for Vox. With any luck, the results would be entertaining.

Vox gets the notification in the middle of a meeting. It takes merely the wave of his hand to dismiss the investors and step out, rolling his eyes as he prepares to deal with Val or Vel's shit again for the twentieth time today.

"What is it now...?" He frowns down at his phone, before noticing his assistant's contact on the phone. "Dei? What is it? Did something happen to Lis?"

"Uh, no, it's not anything like that, Sir," the aquatic sinner responds nervously. "Though, um... well, we have a little bit of an emergency, kind of. Not... really, since it's mostly under control now, but we lost a few employees in the scuffle--"

"Just tell me what happened," Vox heaves a long suffering sigh as he presses a claw to his screen, ready to send out apology gift baskets to HR again.

"Um. Well, there is a... Populis calls it a cat, but I'm quite sure it's not any sort of 'typical' animal at all, especially since it has antlers and a monocle... anyway. There's this... *creature* just kind of running around on the main floor, and it took out about five workers before Baxter managed to subdue it."

Vox blinks once, then twice, and then sighs again. "I swear to fucking God- okay, go and contact HR so they can get you all tested for rabies or whatever the fuck it is down in Hell, and I'll come to deal with the fucking cat thing."

"Yes, sir," Dei replies dutifully before the line goes dead. Vox groans before schooling himself and his expression and disappearing into a flash and electric current, teleporting all the way down to the first floor of the Vee's tower.

"S-sir!" Papermint comes running toward him first, looking worried. "Um... so, uh, when Dei went to get the cat creature, it sort of attacked him too--"

"For fucks sake, do none of you know how to do your job properly?" Vox pinches his screen again, thoroughly done. It was fucking Tuesday and he was already hoping for the end of the week. Get rich and famous, they told you. It'll be fun, they told you. Fun his fucking ass-- he has to spend his morning sitting through investment meetings and now, having to deal with a rabid Hell animal and the fact that it was mowing down his workers like some sort of demented lawnmower. Fucking great, just what he needed.

He stomps into the main hallway with the little eel sinner trailing awkwardly behind him, eyes widening in surprise as he takes in the scene before him.

On the ground, his main assistants Dei and Populis grapple with a tiny red animal.

It... looks somewhat like a cat, if a cat had an unholy union with whatever kind of deer Alastor was. And it also had a monocle, and was foaming at the mouth (yeah, definitely rabies), while his tech administrator Baxter stood to the side and watched with a bucketful of popcorn in hand. Logi, possibly the only normal sinner he had under his employment, was trying her damnednest to pull the cat- who, by the way, was winning the fight with BOTH his assistants- off of Dei, whose ear was currently in its mouth.

"I really need a drink," Vox groans before he rolls his sleeves up and walks forwards into the fray, the air around him crackling with static electricity as he intends to separate the fighters, whether with force or not- but to his surprise, he doesn't need to use any force at all.

Instead, when the little cat creature sees him, its eyes light up before it lets go of Dei's ear, the manta ray sinner letting out a groan of relief before collapsing onto the floor, the other assistants rushing to help him up. The cat, on the other hand, leaps up at Vox, who instinctively catches it in his arms. It purrs as it rubs against him, seemingly no longer hostile towards any of the other sinners in the room.

Vox stares down at the cat. It stares up at him, then grins.

It's... kind of cute, actually. In a really weird, freaky way.

"Uh... boss?" Baxter raises an eyebrow as he looks at the cat held securely in Vox's arms, then at the gaggle of sinners trying to make sure that Dei doesn't bleed out. "You gonna help, or...?"

Vox rolls his eyes before he sends a bolt of electricity over at the sinner and burns the bite, effectively cauterizing and closing the wound. "I'll have HR deal with it and get Dei a week's worth of paid recovery. Any more than that and I'm not covering it. You guys just get back to work after the cleanup crew comes, got it?"

He sighs down at the creature in his arms as he walks out of the main lobby, frowning to himself. "What am I going to do with you...? I've got a fitting with Dorian later, and he's *definitely* not gonna allow you in... and what the hell do you even eat, anyway? Better not be my workers- and oh dear god, I've got Vark, too, I can't believe I forgot about him-"

Still, even as he grumbles to himself, Vox can't help but recognize the truth: no matter what difficulties this little shit brings him, he's definitely keeping it.

A week's worth of time passes before Alastor finally finds some free time to go off and take a look at how his *esteemed* rival has been doing. He's half expecting half the Entertainment District to be destroyed by the time he returns, but there's nothing of the sort. In fact, business seems to be going about as usual... but then again, this may be one more of the TV demon's methods of avoidance. Vox *was* always a good actor, after all-- even if his own life was falling apart, he would never let that show.

So with that reassurance settled in himself, Alastor decides to take a risky move and get in closer range to his target- he slips into the shadows surrounding the crowd of reporters gathering around the ground floor of the Vee's Tower, clamouring for the chance to see the Media Overlord in the flesh.

Strangely, they all seem more chatty today-- Alastor didn't recall any sort of holiday being today, so it seemed that there was more information to be heard... and *that* was surprising, the revelation that something interesting may have happened while he was gone. Was it perhaps because of the hellspawn he'd dropped off a week earlier?

His question is answered not even a moment later, when Vox steps out of the doors, a confident grin on his face and a small, hissing red creature draped around his neck like a scarf.

Alastor's eye twitches.

Did he *keep* the damned thing? And why the *fuck* was he absentmindedly petting its fucking ears?! *That should have been him!*

#ran rambles #hazbin hotel #general asks #radiostatic #chai writes #snuck a few ocs in there hehe #cursed cat alastor

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