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#this is the first i'll post of donna in writing so don't expect much please adhdlgh
chucapybara · 9 months
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reference. [a donna beneviento x maiden short]
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frustration abounds in the study of house beneviento. it is not uncommon to hear her groundskeeper and servant in such toil—donna found her to be quite the expressive woman, in truth, even if it is largely only to herself to whom she speaks, as her lady is occupied through many hours of the day tending to her dolls and sewing, mending clothing for clientele—but the nature of this particular instance brings to mind intrigue.
— (an unfinished drabble thing i wrote for a donna x maiden idea, but i never finished it, oops. i'll just drop it here anyway. more under the cut!)
though the walls are stone in the basement (barriers between herself in the workshop and you in the study), donna's hearing is impeccably attuned to all that lies within her home. with her link to her dolls, the lady beneviento often had a good sense of what was going on—though it did not quite provide the context behind your apparent ire.
"hey, what's all that ruckus about over there?" the shrill cry straight from angie's porcelain jaw echoes down the hallway. donna has half the mind to scold the doll, but finds difficulty in denying her own curious itch; and so, she allows angie to patter down to the study, listening to the clack of her animated steps.
your reply is soft, too much so for donna to catch wind of. you did not often raise your voice, and in truth, you rarely ever had any reason to do so; about as soft-spoken as she was, donna found your company pleasant. calming. you matched her energy, and even when you shared a space within a single room, there is a contentment in the silence that never quite brought discomfort.
donna takes a peek through angie's eyes, just for a moment, stilling her hands that cradled a new doll part.
there you sat, curled up on one of the chairs in the study. in your lap was your trusted journal: donna never came around to inquiring about it, wanting to preserve your sense of privacy, but now angie was clamoring up the chair's side and all but shoving herself into your lap.
you laugh at angie's insistence, and donna's heart skips. she feels your warmth through angie, even as the doll prattles on inquisitively about your work.
"sorry! i wasn't interrupting your beauty sleep, was i, miss angie?"
your voice is soft, warm: honey on the tongue, the slightest rasp twined in it. already, the mere sound of it is soothing to donna's craft-addled thoughts.
"i wouldn't be here if you didn't," angie grumbles, but she peers down at the page in your hands nonetheless. "the hell are ya workin' on?"
"a sketch," you respond simply. on the paper is the remnant of a face mildly familiar to donna, the pencil lines erased in multiples, leaving behind the echoes of your attempts at capturing the image of whoever this muse of yours was. "it just… doesn't feel right. i've been at it for an hour! no matter how i go about this, it doesn't work."
(what was that pang in her heart? why did donna's ribcage wrinkle in displeasure at the thought of you thinking of someone else, to be so vexed this way?)
"come ooon, drawing isn't that hard!" angie flaunts. donna catches the huff of protest you exhale, and she chuckles to herself. your interests and donna's overlapped: something the two of you discovered early on in your months of servitude under house beneviento. you wrote more than you sketched, so donna knew that if this page troubled you, it must have great importance to warrant such determination.
"i mean, have you tried it?" you raise an eyebrow at angie. "it can be tough, miss angie."
"that's don-don's job!"
"to make you look pretty in artworks?"
"you're getting it! but what's got your ass in such a pinch, anyway?"
you recline in the chair, stretching out your legs with a sigh. "it's…" swiveling about with quick glances, you check for something that donna can't determine. "i'm… sketching someone precious to me. i've made so many tries, but every time, i find myself unhappy with it. it's already erased before i can look at it for anything more than a minute."
that pinch again. donna clasps a hand over her heart, steadying her breath. who was this mystery person, and how—why did they captivate you so? and why did donna care so much?
when she refocuses, it is to a lapse in the conversation. you seem flustered, a light rose on your cheeks as angie crosses her arms. "if it's nagging at you so much, then just go ask her!"
"i-i can't just ask her! what if she's busy? i know it's terrifying to have to sit there and watch as someone pens a portrait of you."
"not for me it ain't! c'mooon, save yourself the trouble! it'll be easier to have the real thing right up in your face!"
her? who was her?
donna severs the link in the next moment, and when she comes to, the light weight of the doll limb in her grasp and the carving tool between her fingers becomes a grounding anchor. donna brushes a stray hair behind her ear, her brow furrowed.
she ought to ask you, if her curiosity burned this fiercely in her mind; but posing any inquiries would only let you know that she was eavesdropping through angie.
a chord of guilt strums in her chest, and donna breathes out its song in a burdened sigh.
donna is patient. your initiative matters greatly to your lady beneviento, even with your shared nature of quietude. if it truly plagues your soul, this picture you cannot quite capture with your pencil, then it is all she can do to hope that you might approach her about the matter for advice.
edit: i speedran the second part, here! enjoy!
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starseneyes · 1 year
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Chenford REWIND - Lucy Chen / Tim Bradford - The Rookie - Season 3 Eps 7 & 8
I had a request for Episode 8, but that would mean 7 was living in a bubble without a real anchor. So, I decided to pair these two together for a two-fer.
I also realized that by getting these two written up, I'll have finished an entire season. Huzzah!
SPOILER ALERT: Standard warning applies. Please don't click the "Keep Reading" and expect not to get spoiled. I'm going to spoil these episodes (and everything that came before) to pieces. I do try to write these without foreknowledge, just so you're aware.
Kosher? Cool. Let's dive in.
"True Crime" AKA Grumpy/Sunshine Meme Activated
Lucy and Tim's First Interview
It strikes me that even as Tim is sitting down, he's turned in and looking at Lucy. At this point, Lucy is comfortable to Tim. What they're about to do isn't.
Tim hates this, but he's gonna do it. I don't know if it was a direct order from Grey, or he wanted to make sure it was done right so he was going to do it, damnit, but he's here and he's not happy about it.
Lucy, on the other hand, is thrilled. Her True Crime loving heart is filled to bursting and no doubt she's researched every person who was going to be there so she could fangirl all the more. It's adorable.
Also, these two make for good television. I mean, we already knew that, but the pretend producers happening onto this had me rolling. I bet the True Crime fans call them "Chenford" and perhaps that's the way the term might make it into the show someday.
"I'm sorry, I cut you off. I'm sorry."
She's so damn excited! And they haven't quite gotten their back-and-forth rhythm down that they will later display with gusto. It's close once she calms down, but girlfriend is thrilled right now, and Tim's "this is bullshit" meter is rising with every passing second.
"This is fun."
Tim looks at Lucy like she's grown a second head. And I'm trying to pick myself up from the floor where I've been rolling with laughter.
Look, the Grumpy/Sunshine trope is beloved for a reason, and we always knew Tim and Lucy had it in them. We've seen glimpses of it before. But sitting them down in an interview situation for an hour? This is pure gold!
I wasn't a fan at the time of airing, so I can only imaging how many memes were born out of these moments. It's amazing.
"Holy crap." "What is it?" "It's a, it's a-" "A what?" "A mummy. In a suit." "What?!"
Because, what else would a Mummy under a bed wear, right?
Eric Winter has this really wonderfully exasperated way of saying, "What!?" where you can really hear both the exclamation point and the question mark.
It reminds me of David Tenant during his run on Doctor Who. There was an entire scene in the TARDIS where he said "What!?" several times, and that was pretty much all he had to say on his first meeting of Donna.
It's. So. Funny. To have the ability to make a word funny. David Tenant and Eric Winter share that "What!?" power, and I kinda think Tim would enjoy the reference (see Season 4 to understand why).
"What's that saying? Those who can't do, teach?" *laugh*
We got a Tim laugh!? I mean, he made himself laugh, but it's still so cuuuuute. Like, rough, tough, mean-faced Tim having a chuckle is somehow so endearing. Especially at this phase, when we haven't seen him even smile much.
FAST FORWARD: There will be a day when we see smiley Tim. If you're just watching for the first time and wondering if it's coming... Tim's arc is one of the most complete (thus far) of the show. Stay tuned...
"You were literally my teacher. What are you saying?"
Ah, yes, the one indication that this episode was written in a post-"Amber" world where Lucy is no longer a Rookie.
See, the early days of COVID were a fustercluck for productions. I happen to know some people who worked through it, and there were so many different models of how to cope with it, copious amounts of hand sanitizer, masks, zones, wait periods in hotels for a week after landing, etc.
Now, there are more structured COVID protocols, but in the early days we knew so little about what was happening, and it impacted productions, ended series before they began, and delayed some seasons of shows that have now been permanently shelved.
So, Season 3's episodes aired in a very strange order compared to how it was written. Now, I'm grateful that the writers established Lucy and Tim's new dynamic early in the season so that's it's consistent, even when she's no longer his Rookie. So, I don't feel the need to call-out the air date vs production number, much.
But since the lower third provided for Tim and Lucy identified her as a Rookie, we know that this is supposed to happen during her Rookie year. But this one word lets us know something is amiss, if we're really paying attention.
And, golly, it's a word. I'm not trying to be dramatic, but trying to clarify for anyone who might not be aware of the whole Pandemic-fucked-everyone-over nature of Season 3 that makes this one word out of place.
So, if you ever wondered why Lucy used past tense instead of present tense, there's your answer.
Synchronicity
The moment they learn someone they know has been affected, they turn to one another.
And I love the synchronicity, here. Tim and Lucy have worked together a year, at this point, and they are very in sync with one another.
FAST FORWARD: Watch them undercover in 5x01 with how they sort of shift with one another, as though there's a cosmic pull between them that waves and they move with it. I feel that the evolution of their synchronicity really starts here in Season 3.
"It's LA. It's not the first time I've found a script at a crime scene." "I've only been on the job for a year and I've already found three." "Have either of you ever written one?" "God, no." *silence* "It was for a class."
Because she knows how he feels about screenwriters. If only Caleb had said "screenwriter" as his profession because then Tim would've locked him up right away.
"He was trying to cut her out—from the script, the cult, and the money."
True Crime Kink Activated. Look at how Lucy Chen is scoping out her future husband when he rattles off some Law-and-Order level soundbite. Girlfriend is surprisingly turned on at those words rolling off of his tongue. Oooh, the places that tongue could go.
*ahem* Now, Lucy's not going to jump his bones anytime soon, but there's definitely a moment there where she's finding Tim Bradford a little hotter than usual.
Who would've known the key to Lucy's heart was an oxford comma?
"Hell hath no fury like a woman scorned, right?" "Cool. Way to trivialize female anger." "Hey, I'm not trivializing. All sorts of crimes are motivated by jealous ex-partners." "And how many of those ex-partners are men?" "Most."
See!? See what I mean!? These two are hilarious. We've seen Lucy call Tim on stuff, before, but this format is allowing them to be hilarious with it.
And I love the way he gives her the side-eye before saying "most". It reminds me of the side-eye he will give Grey in a future episode when having to tell a story he'd rather keep private.
"I heard it was Office Chen who broke the case wide open." "I don't know if I'd describe it quite that way." "How would you describe it then?"
Married. This is so married. Because Lucy is giving him the "don't try me" wife face, glaring at her man on-camera for mass consumption.
The fact that he stares right back and doesn't turn to ashes is only because Lucy didn't want to commit murder on-camera. But I love the way Melissa O'Neil is playing Lucy's confidence in this episode.
"Her addiction to social media finally paid off." "That is hurtful."
I bet he's not even on Social Media. That makes it easier for whatever relationships he'll have along the way before he and Lucy finally get it together (I have faith). No need to change your relationship status online when you don't have it listed to begin with.
That said, Lucy's Mom totally has a shadow account that she uses to stalk her daughter to spy and see if she's found a stable man, yet.
The Wrong Video
I love how embarrassed Lucy is, and how Tim tries to get a look at what the heck she played before she gets it onto the right video. He looks actively concerned. Like, "Please don't tell me you're one of those 'dance challenge' girls because I was just starting to respect you."
And, look, no shade from me. But Tim Bradford likes to throw shade, and I'm betting he'd throw some on Lucy if he'd gotten a glimpse of that video.
"Okay, look, the case was definitely weird. But, I mean, come on, all this? This feels so exploitational. The low-hanging fruit of celebrity scandal and murder."
Tim is not wrong. A lot of what is on television relating to celebrity scandal is exploitative. But I love Lucy, here. Melissa O'Neil gets a lot to play with in this episode, and she does not let it go to waste.
She has nailed the withering sigh of your wife sitting beside you as she lets you rant and dig your own grave.
"You should be making serious documentaries about things that really matter." "My last film was about climate injustice in Puerto Rico. It won a BAFTA." "Oh. Well. Alright, then."
And Lucy's withering sigh has transitioned to a knowing look. Like, Tim, you need to talk to your wife about this stuff, more. She has the 411 and will keep you from getting embarrassed.
"You got, you got something in your hair." "What?" "It's kind of-." "Has it been there the whole time?" "Yeah, it's pretty big. Let's get out of here." "I would tell you if you had broccoli in your teeth, man. What the heck?"
Am I the only one who thinks there wasn't really anything there? Because, Tim is so ready to be done with this, and Lucy's high over doing the interview is totally annoying him.
"Bad Blood"
Breaking Up... In A Text
Look, this is totally the coward's way out... but when Lucy's face lit up to see his message, I might've vomited in my mouth a little.
So, seeing him break it off brought out a little cheer. Huzzah! But, oh, no, poor Lucy. But *whispers* huzzah Chenford *whispers*.
I've never had someone break up with me over text... because the only person I've dated since Text Messaging has been widely available is my husband. I remember the first time we saw people texting all the time in England and we couldn't quite get why.
But I did have a boyfriend break up with me over the phone on my 17th birthday... the week of prom... because he was cheating on me because I wouldn't sleep with my first boyfriend 2 months into dating him. Later found out the entire reason we dated was because he had a reputation as a "de-virginator" and none of our friends warned me. I don't keep in touch with most of them anymore.
So, while I'm not quite on Lucy's level of indignation, I understand the frustration to have your boo cut it off in the most cowardly way available.
And putting Tim in the middle!? Emmett, my man, what are you doing!? You already have one half of Chenford wanting to set you on fire. Piss of Tim and he'll happily help her finish the job.
"I can't believe him... breaking up with me by text? What is he, 14? He doesn't have the guts to do it in person?" "Most guys don't."
Tim looks over to Jackson on that beat. I bet Tim would never do that, but he's also only got his own limited experience. Jackson's actually dated other men, so he knows better than Tim, in this case.
"Look, just be happy he didn't ghost you." "Can we get to work now?" "Did Emmett talk to you about this?" "No. Why would he?" "Because you're friends." "We don't talk feelings. We drink and watch sports together." "That's guy for friends." "Straight guy for friends."
I think Lucy doesn't quite yet understand what Tim considers a "friend". Because, at this point Tim does have one solid friend. Angela.
And, yes, we are in the era of Tim and Lucy being friends, but I'd argue it isn't until Season 4 when they are as interwoven into each other's lives (if not moreso) than Tim and Angela.
Also to note... Lucy is holding her phone the entire scene. She quite literally can't let it go.
"Look, you want my advice-"
She does. Look at her open-mouthed, wide-eyed, hoping he'll say something to make this atrocity better. And she did tell him that she values his opinion.
Gosh, I wish I could tell her to lower her expectations right about now.
"Walk it off. Clearly he's the wrong guy for you."
As said by her future husband. What? I couldn't leave that alone! Emmett is definitely the wrong guy for Lucy. But Tim's still learning how to comfort Lucy, and this time wow did our boy get it wrong.
"It's the same advice he would give me if I got hit by a pitch. What is wrong with men?"
Trust me, Lucy. Someday you'll come to appreciate his sports metaphors. And find a new appreciation for baseball!
Yes, I try to write these without foreknowledge, but c'mon! It's right there!
"Have you ever been dumped out of the blue before?" "Let me think. One time my wife left the house in the middle of the night and I didn't see her again for two years."
Yeahhh... Um. I'm not touching that. Because Tim Bradford's being flippant, and it's warranted here.
But (yes, there's a but), Tim doesn't understand all of Lucy's hangups about how she sees herself, yet. He doesn't fully understand the weight of her mother's expectations. And how she has never felt enough.
Like, she can handle romantic rejection. She doesn't like it, but she can handle it. But why wasn't she worth a real breakup? That's what's playing in her head. She need to know the why. Why wasn't she good enough for some basic decency?
"Okay, I get it, in the grand scheme of things, this isn't that bad. I just want to know why. Can you please ask?"
If she can understand it, she can process it. But we all know Tim isn't asking his drinking buddy about his feelings—unless that feeling is about how he feels about the Rams not living up to their potential.
"He must've been a seriously hardcore guy for you to obsess like that. What was his main crime?"
Because Tim would only obsess if it was something important, right? Right!?
"3EYEZ tagged your shop back when you were a Rookie?" "My TO was chasing a suspect. I was guarding a vehicle full of evidence." "A vehicle that was ten feet away from your Shop. It's right in your notes."
I love how Tim's trying to rationalize this away. He has a habit of doing that when he's called out—trying to minimize his own embarrassment by stating facts. (Trust me, he does it at the beginning of 5x01 with Angela)
But, Timmy, Lucy's got the facts in her hands. And you totally dropped the ball.
"I was ordered to keep my eyes on the car. I'd just left the Army where you follow orders to a T."
He thinks this'll get her to back down, but Lucy's long past being afraid of Tim. In fact, she's openly laughing at him. And I low-key love it because this is a form of flirtatious teasing.
Look, these two have a completely unique language. Pranks. Embarrassing photos. And even this harmless giggling.
They're comfortable around each other, and by now they know what's crossing the line with each other. So, it doesn't bother me that Lucy's teasing him, here. In fact, I think it's adorable.
"Oh, man, I can just imagine the relentless teasing. Did they give you a nickname? Please say yes." *yoinks paper* "No."
But your eyes say yes. Wow, now I sound like some of those creepy Christmas songs from the 50's. You know the ones.
"That's why you're so intent on catching this guy. It's personal."
Ding! Ding! Ding! We have a winner! Look, when Tim tried to call in the cavalry when he first saw the tag, I wondered what the hell I was missing. Lucy, apparently, was, too.
Is this tag a symbol of a gang war? Or a killing spree? What terrible, horrible thing is going to happen because of this?
Nada. Nothing. Nil. Except maybe Tim Bradford's ego getting a bit bruised.
"Even if we were to track him down for tagging our Shop, it's a misdemeanor. Is that really the best use of our time?" *yoinks another paper* "I will get us a fresh Shop."
There's something so delicious about Tim's silent protest via yoinking those papers. And Lucy knows him well enough that they're done talking.
Look, these episodes aren't about pent up sexual tension or the angst of longing. These are foundational episodes, and what we're seeing is Tim and Lucy learning to work together. They're increasingly a unit in Season 3, even though Lucy spends most of it still his Rookie.
They're learning how to communicate with one another. So, if they ever do get their acts together, they're already going to have that part down pretty well.
"Let's go. Not a word about the Shop."
He knows her well enough to know that she'll tease him. She knows him well enough that if he says he doesn't want it, she's not going to do it.
See? They're communicating!
"What? You disapprove. You think I'm just dating him to make Emmet jealous? Heck, yeah. Maybe I am. But, he deserves it. Will you say something, please?"
Lucy processes by talking it out, we know, and when Tim doesn't interject, she starts projecting. Because even she knows going out with this guy isn't purely motivated. She's hurting and lashing out, and she knows it.
Tim's simply listening. But when she asks him to speak, he realizes that's what she needs.
See? Communicating!
"Today's the first time you've talked about Emmett in weeks." "You hate it when I talk about personal stuff."
Nice excuse. Look, Tim and Lucy are mirroring each other a lot this episode. They both have personal things that they're obsessing over that are clouding their judgment and thoughts.
And they're both rationalizing. Tim rationalized missing the tagger when he was a Rookie by saying he was just following orders. Lucy is rationalizing not talking about Emmett by defaulting to Tim's dislike of personal talk in the Shop.
They're both not thinking clearly. And, of course, it takes the other to help them get through.
"And yet you still do. But in all those conversations, you haven't said one word about your boyfriend." "What are you saying?" "Look, maybe Emmett treated the relationship like it didn't matter because you treated it like it didn't matter."
The realization hits her that he's right. It's one of those rare moments where Tim's the one helping Lucy examine herself. But that's what I love about them. They help refine one another. It's a give and take, and not just one person "healing" the other.
Tim and Lucy are on their own, personal journeys to healing and self-realization. But, I'll argue, each is a vital part of that journey. But to give one or the other full credit is to ignore the individual's effort to grow.
Tim and Lucy are growing together. And I love that so much more than one patching the other up. We're not patching up holes, we're actually healing. Yes, there will always be scars. But the healing makes it all so much more bearable, and so much easier to fully live, again.
But when he sees the realization hit her, his gaze softens. Tim hates to see her in pain. But we're not quite at the point where he's going to offer her comfort, especially on the job.
After all, Lucy is still his Rookie, and he needs to keep the lines firm between them. Because, if he were honest, he'd realize they're already getting blurrier and blurrier.
"Alright. Focus up. You read the file. Do you think 3EYEZ is done for the day?"
Tim's trying to get her back on track, like he has so many times before. But, Tim knows her well enough to know that sometimes barking out orders isn't enough for Lucy.
She needs something to help her switch her brain, something else to think about. They've done her mock-plan of how to sabotage her ex's wedding, before. This time, Tim tries a different tactic—he offers a piece of himself.
"Eagle Eye."
Lucy looks at him with confusion while I shove my face into a pillow so the kids don't hear me squealing and come running in here, mistaking it for screaming.
Tim doesn't have to do this. But he wants to. He wants to let Lucy Chen in just a little more.
"What?" "The nickname I got. After the Shop got tagged right under my nose." *giggle* "But it wasn't my TO who came up with it. It was Isabel. It kind of became her pet name for me." "Aw. That's sweet."
It's still hard for him to talk about Isabel. Those wounds are still healing, even though he's tested the dating pool a little. And it's important to remember that he and Isabel did have good times. There was a time when Tim had a lot of happiness in his life.
But he opens up a little to Lucy, here. He gives her insight. He gives a little of himself. And that's huge. He's starting to talk about Isabel without tearing up, without scowling, without the same agonizing pain striking his chest.
It still hurts. To a degree, it'll always hurt. But it's starting to heal. And I love that when he's starting to get healthier, the first person who gets to see it is Lucy.
We're not to the point of them swapping saliva and dreaming of the other's taste. But, we're building a really solid friendship. Heck, Lucy giggled when Tim opened up just now.
And I've talked about it a bit in this Meta, but I think it's important to draw out that Lucy has become comfortable to him. Why is this important?
FAST FORWARD: Remember the famous double date of S4? Why did Tim invite Lucy? Because he wanted a source of comfort in this truly uncomfortable situation. So, later when Bargain Barbie remarks about his creature comforts and about how he needs to get out and do more... nobody takes into account that Lucy is one of his comforts. So, once he and Lucy start dating, they are out all the time together. Why? Because he doesn't need all the other comforts when he's with her. Lucy is his comfort.
Thank y'all for reading and going on this journey with me. I think with this Meta, I've finished my tour of Season 3! It was a short season, so that made it a bit easier to chunk out.
And sorry this one took so long. My roof's leaking and it looks like I'm emptying out my 401K to replace it. It's always something, but I remain grateful. I've faced my death a few times in my lifetime, so every day I'm given is an absolute gift.
Just gotta take it one breath at a time.
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bullet-prooflove · 11 months
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Donna’s Wednesday Radio Show Prompt List #19
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It’s that time again! The Wednesday Radio prompt list!
Please check the updated character list on my pinned post to see who I am writing for before submitting a prompt!
Also do not forget to put the entire prompt into your ask!
I wasn't looking for someone that night
If I was dying on my knees You would be the one to rescue me
Look who's digging their own grave
Don't come back knockin' at my door
That you could fall in love with the first sight
Do you expect me to believe that you've changed?
We loved and got lost in the moment
She's gone in the flash of a light
We took a polaroid, I put it in my wallet
I'll be the one to keep you warm and safe
When you're under fire I will cover you
we'll go deeper than the ink Beneath the skin of our tattoos
Until we say goodbye on our dying day
It's like a knife that cuts right to my soul
I was drunk and it didn't mean a thing
Just another morning With shaky hands, pounding head
I love the things you hate about yourself
Oh, if the sky comes falling down, For you There's nothing in this world I wouldn't do
I guess I just lost my husband I don't know where he went
Five years, twenty years, come back It will always be the same
Don't touch the sleeping pills, they mess with my head
Try to leave, but I can't stand Start to think that I'm better off dead
We smoked cigarettes, man, no regrets
it's been a long night and the mirror's tellin' me to go home 
You try to tell me that we're so deep in love Well, if we were, then why did we fuck it up? 
I wanna get in trouble, My ex will start a fight
A thousand people at the station And in a second you slipped out of view
Out on the front doorstep, drinking from a paper cup
Told myself, "I can't go back ever again"
How can I trust you after what I've been through?
Thrashing the covers off
It's dangerous, the things we do
you'll drink yourself to death
It scares me half to death
I'm alright, I'm just fine
the tip of the needle Is taking over you
She got her hair pulled back 'cause the sweat's drippin' off of her face 
We've taken different paths And travelled different roads, I know we'll always end up on the same one when we're old
You leave because you're certain Of who you want to be
Begging for another beautiful sin
 it ain't so bad if I wanna make a couple mistakes
I gave you life, I gave my all, You weren't there, You let me fall
Don't tell me to be strong
lotta years went by with my hands tied up in your ropes
My life started the day I got caught Under the covers With secondhand lovers
Temptation, creeping up on me Gets under my skin, won't let me be
Your kisses burn into my skin
I tell myself I don't care that much But I feel like I die 'til I feel your touch
I tell myself you don't mean a thing
I got a brand new attitude And I'm gonna wear it tonight
Your kiss is my addiction
Told you before that love isn't enough
But it's the sweetest pain Burnin' hot through my veins
Are you worth the risk?
It might be criminal, but still I just can't quit
I don't need to be loved by you
See my lips on her mouth, everybody's talking now, 
And you miss 'em like you miss no other
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