#this is actually sadder than my normal fare i promise it all works out but by virtue of being a settling fic this involves their childhoods

[e-vasong]

hi!! I just wanted to ask about the daemon AU--do you have a headcanon abt when their daemons would settle? or did they just settle after puberty? Did 5's daemon settle before or after the apocolypse?

AH!! this is such a good question.  I’m gonna put a cut after this first bit, though, because I took a simple question and accidentally...wrote a 2k thing that kinda straddles the line between answering your question and being a freeform fic? whoops.

Okay.  So I think all the kids probably settle a little later than normal for most people.  It’s been a while since I read the books, but I recall that most daemons, though not all, settle towards the start of puberty.  I headcanon that trauma is one of the things that can push that process back, and all the Hargreeves kids have that in abundance.  Not to mention that I don’t think isolating your kids from a normal childhood and forcing them into a vigilante lifestyle is exactly helpful for their development.

Luther settles first, a day after their thirteenth birthday.  It happens without much fanfare, while they’re resting at home after a mission.  There’s not much a golden retriever can do on a mission that another animal can’t do just as well or better, and Reginald really emphasizes the utility of their daemons above all else.  But sometimes Luther likes to let Amalthea turn into big, soft things when their dad isn’t looking.  He likes them, even if Diego mocks him relentlessly for it.  And that afternoon Amalthea plops down on his chest and turns into a golden retriever, licking at his chin to comfort him after the verbal excoriation their father had given them after the mission had gone wrong at every possible turn.  It’s a miracle none of them were hurt.  That scares Luther more than anything else.  How close he’d come to failing and getting someone killed.  And they don’t even realize that she’s settled until like an hour later when they’re headed downstairs and Amalthea tries to shift back into a form that their father will find dignified and just...can’t.

Klaus settles next much to everyone’s surprise.  It happens a few months after Luther.  Their father has them locked in the crypt again, and it’s particularly bad tonight.  Klaus can see them everywhere, tearing at his clothes, clawing at his skin, and he can barely breathe.  They go after Cassandra just as eagerly as they do him, but she’s harder to catch.  Suddenly she’s a falcon, an ermine, a rat scuttling through a new hole in the wall that their father must have missed.  And then she’s outside.  Twelve, thirteen feet away maybe, and it pulls at the connection between them, almost to the point of being painful.  Hurts enough to gear Klaus out of his catatonic haze and get him to push through the throng of ghosts just to get a couple feet closer to her.  And then Cassandra is a cicada, fluttering up to the lock.  And then she’s a raccoon, clawing futilely at it with those deft, clever fingers, but unable to work it open without anything to jimmy the lock open with.  Yet she’s also trapped by their bond, unable to venture and look for something to use.  And so she tries to shift back to rat, to get back inside, and just.  Doesn’t.  Can’t.  So Klaus stills his breathing long enough to stumble over to the door of the crypt, pressing his back flat against it and trying to still his breathing.  Cassandra curls up in a small ball in front of the door.  And they stay like that all night, until their father comes to let them out in the morning.

Allison, Diego, and Vanya all settle pretty close together, towards the end of their thirteenth year and the start of their fourteenth.

Allison settles on a mission.  She’s so busy rumoring a bad guy into killing his friends that she doesn’t notice the one behind her until Diego drops to the ground with a muffled cry of pain.  She makes a noise, a hoarse-sounding scream of shock and surprise.  But she’s well-trained enough to wrestle her gut reaction under control quickly.  She whips around, a rumor already on her lips, but before she can say anything Alexander is there.  A flash of muted gold and black, not hulking but still larger than she expects.  He jumps, first onto a table.  The spring inside a loaded gun.  Fifty pounds of coiled muscle and snarling rage.  Then he leaps again, surprisingly agile.  There’s a flash of canine, long and sharp.  The man dies with a gurgle, and when Alexander pads over to Diego’s injured body, licking at their brother’s face with concern, Allison sees that those white teeth are bloody and red.

Diego settles during one of their sneak-outs.  They’re walking along the pier, eating fish tacos they bought from a vendor nearby.  Ben is reading as they walk, flipping pages idly.  He’s not paying attention to where they’re going, though Luther keeps trying to get him to put the book down.  But then Diego had told Luther to lay the fuck off, and that had turned into a whole thing, and Ben’s still reading his book.  If Five were here, there wouldn’t be any concern about it.  He’d had that sort of quiet, watchful way about him, where you knew that even if he wasn’t actively stopping you from doing something, he was still keeping an eye out to make sure it didn’t kill you.  If Five were here, he’d have made them take Vanya.  If Five were here...

But he isn’t.  He’s probably off somewhere, living happily away from their father and from them.  Asshole.  It’s an uncharitable thought, and Guinevere would bite him for it if he said it out loud, but Diego is so caught up in his anger that he doesn’t see Ben walk into the pole until its too late.  

Ben swears, hands flying to his face automatically.  Klaus bursts into hysterical laughter.  Allison’s gasps, putting a hand to her mouth.  Ben’s book tumbles out of his hands and into the water, and Guinevere--also laughing--follows it, turning small and furry as she does.  She doesn’t catch it before it gets soaked, but she gets the book in her teeth and paddles over to a small ladder that drops down off the dock.  Ben turns to thank her, but Diego is too distracted to catch what he says.  Diego just settled, he’s pretty sure.  He can feel it in his bones.  He’d kind of been hoping for something that would prove once and for all that he’s better than Luther, but frankly their father isn’t going to be any more pleased with otter than golden retriever.  That’s kind of a bummer.  But when he kneels down to let Guinevere scramble up his arm and around his neck, he can’t really bring himself to care.  She’s Gwen, and he’s Diego, and if their father has anything to say about it?  Well then.  He can go fuck himself.

Vanya settles that winter.  She’s playing her violin in the living room.  Ben is sitting nearby.  They aren’t hanging out, not exactly.  None of her siblings really hang out with her, not since Five, but Ben maybe comes the closest.  Calliope usually takes the form of a cat, winding around Vanya’s ankles as she plays.  She used to turn into a capuchin sometimes, to flip the pages of Vanya’s music, but Io has more or less soured Vanya on monkey daemons these days.  But still.  Things are nice, and today they are in a particularly good mood.  Ben’s company is comforting; it’s nice not to be alone; and Vanya hasn’t missed a single note.  So today, Calliope flutters up onto her shoulder and sings along with her.  And she never changes back.  And when Vanya shyly shows her to their family later, Reginald sniffs, disdainful, having barely spared them a flicker of a glance.  Just a songbird, he says dismissively.  And that is that.

(And later, years and years later, Leonard peers into the veil of Vanya’s hair.

“Is that your daemon?” he asks affably.  He looks unbothered by the way Vanya cringes.  His orb weaver is crawling up the sleeve of his shirt, looking almost like a toy or a strange decorative pin.

“Yeah,” Vanya says.  Cal is a bundle of fluffed-up feathers nestled in the crook of Vanya’s neck.  She huddles in closer at the sight of Leonard’s attention.

“What is she?” Leonard asks, then holds his hands up apologetically.  “I mean, if you don’t mind me asking.”

“Just a songbird.”

“Just a songbird?” Leonard echoes.  He leans in closer.  “Hey, she’s a...great tit, right?  I’ve read about those.”

“Oh?” Vanya asks, bracing herself for whatever is going to come next.  Leonard is a nice guy; she’s sure he means well.  It doesn’t mean that what he says next isn’t going to hurt.

“Yeah,” Leonard smiles at her.  “You’re right.  They are songbirds.  But they’re more than that.”

Vanya pauses, lifts a hand to her hair uncertainly.  She hadn’t expected that.  “What do you mean?”

“Well, I’m surprised your family didn’t ever say anything to you, I have to admit.  They are songbirds, Vanya.  But they’re hunters too,” Harold says.  There’s wonder in his eyes, and when Vanya looks up to meet his gaze, he just smiles.)

Ben, like Luther, settles without much fuss.  Once a week, since they turned ten, they’ve had a designated time to try out new forms for their daemon.  Their father brings out books on zoology.  Gives them specimen after specimen to try.  Ben isn’t quite sure that this is how it’s supposed to work.  All accepted science suggests that settling is half a physical affair and half a mental one.  It’s not just about finding the right shape, it's about state of mind as well.  Amalthea is a golden retriever, but if she had tried that form when Luther was eight, Ben doubts that she would have settled.  But their father doesn’t much seem to care, nor does he seem to understand.  Then again, Io and their father have a dynamic that Ben doesn’t quite get either.  They seem less like human and daemon and more like warden and prison guard.  But maybe that’s just Ben projecting.

Melpomene takes to their father’s training with more courage than Ben does.  His stomach hurts; he wishes that he could go back to bed. This is worse now.  All the others have settled, and Ben’s been doing this part of their training alone for almost a year.  But Mel is braver than Ben is, and she takes the lead.  So they go down the list, while their father watches with those piercing eyes.  Io is perched on the desk, lips drawing back from his teeth whenever Ben so much as twitches a muscle in the wrong direction.

Mel turns into a large octopus.  A cassowary.  A vulture, a great Philippine Eagle, a Sumatran rhino, a spectacled caiman.

And then she stops.  Tries to shift again.

“I’m stuck,” Mel declares, sounding just as surprised as Ben feels.  Their father’s back straightens, and it’s the nearest thing he’s ever given Ben to pride.  He peers over his spectacles.  Nods.

“This is acceptable,” their father says, like there’s any other option.  It’s not like Ben can do anything about it, but he holds his tongue and stares at the floor again.  A predator.  A scary one, not like Guinevere or Amalthea.  Even Alexander is cuddly.  Crocodilians, though, people hate.  This isn’t how Ben wanted his settling to go.  He hadn’t wanted their father to be right.

Ben’s stomach twists.  He feels something nudge against the inner lining of his gut, like it’s trying to escape, and ignores it.

“Dismissed, Number Six,” their father says, and when Ben turns to go his eyes feel wet.

And Five...Ugh.  I’m debating how much of this I want to share, because I actually have this scene written elsewhere?  But Five settles last.  Five settles last by no small margin, not just chronologically, but by age as well.  Five settles late even among other late bloomers.  He settles when he’s eighteen.  Approximately.  It’s hard to keep track of days in the Apocalypse; Five is good with numbers and has a great memory, but it’s been five years by this point and the days are starting to blur, even for him.  The lateness of his settling comes from a combination of trauma, a lack of socialization, and the fact that he is desperately trying to avoid it.  He and Dolores keep a list of forms that they know are safe, forms that she’s taken again and again and hasn’t settled in yet.  

Because in the Apocalypse, an unsettled daemon is an incredible asset.  She can be a hawk, fluttering up to a roof to scout for places to salvage.  A wolf, sniffing out supplies.  An elephant, moving rubble and bricks so they can turn what remains of the library’s atrium into a makeshift shelter.  And a bear, warm and hardy.  That form’s kept Five from freezing to death for the past several winters.  But the thing about nature is that it always finds a way.  They can only fight it for so long.  And one night Five wakes up, and Dolores is a snake, and she can’t shift out.  She’s cold, too.  The night temperatures are too much for her now.  

I’m sorry, I’m sorry, she says to Five, almost frantic with it.

It’s fine, he tells her as she curls up under his jacket, soaking up the warmth radiating from his chest.  You’re beautiful.  It sounds like a lie.  It kind of feels like one too, even though he means it. 

This should be a wonderful thing.  It would have been, under almost any other circumstances. 

They do make it, of course.  We know that.  Five is clever and he is determined and he has no choice but to survive.  He will accept no other outcome, and he’s right in that.  They suffer, but they live.  They win and they get back to their family.  

In the moment, though, they are just a seventeen-year-old boy and his daemon, entirely alone in a world that doesn’t care whether they live or die, and it mainly feels like a death sentence.

(BUT THEN ALSO THEY ALL REUNITE WHEN FIVE TIME TRAVELS BACK AND BEN COMES BACK TO LIFE SOMEHOW AND LEARNS SELF LOVE AND THEY ALL RECOVER FROM THEIR TRAUMA TOGETHER YEE HAW)

#tua #the umbrella academy #my writing #daemon au #this is actually sadder than my normal fare i promise it all works out but by virtue of being a settling fic this involves their childhoods #which were. awful. #sorry for any crappy writing its literally 2am for me i just got fixated on this